Relevant bibliographies by topics / Buddha image

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Buddha image'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Buddha image"

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Karlsson, Klemens. "Can a Buddha Image be Untrue? The Grahi Buddha and the Way to Make Buddha Images in Southeast Asia." Scripta Instituti Donneriani Aboensis 16 (January 1, 1996): 193–218. http://dx.doi.org/10.30674/scripta.67229.

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What exactly is a Buddha image? Why does a Buddha image take the particular shape it has, rather than some other form? Is it realistic to assume that someone has consciously composed an image like the Grahi Buddha? Has it, instead, been made by mistake, by mere chance or ignorance? There have been some attempts to explain the Grahi Buddha before. One aim with this paper is to elucidate these interpretations and see how valid they are, and if necessary work out an alternative interpretation of this unusual image. To do this and answer the questions above, we must examine the religious tradition behind Buddha images, both within historical times and in Southeast Asia today. A second aim is to be acquainted with this, not so well-known Buddhist tradition. The first thing we have to do is to ask the statue itself. Unfortunately, the inscription on the image does not mention the unusual shape of the image. It can however give us some information about the context in which the statue was made. A Buddha image is a complex object withholding different aspects, and taken in isolation it can be understood in many different ways, but its religious meaning becomes clear only when it is considered as a part of the religious tradition and the society at large.
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Chandra, L. "Udayana Buddha." Iskusstvo Evrazii [The Art of Eurasia], no. 3(18) (September 30, 2020): 204–7. http://dx.doi.org/10.46748/arteuras.2020.03.019.

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This article is about the image of Udayana Buddha, the history and features of its iconography. The earliest depiction is considered to be a clay statue in carve 169 of the Ping-ling-ssu (West Ch'in period, 385-431). Сave 14 of the Tun-huang Grottos has an early T'ang image of Udayana Buddha. Also known are the sculptural images of Udayana Buddha in the Kamsan-sa monastery in Korea, a wooden copy in the Saidaji monastery in Kyoto, Japan, as well as a statue transported from China in 1900 to Ulan-Ude, Buryatia, Russia. This article from the “Dictionary of Buddhist Iconography” by Lokesh Chandra is translated from English by S.М. Belokurova. Статья посвящена образу Удаяны Будды, описана история этого изображения, особенности иконографии. Наиболее ранним образом считается глиняная статуя в пещере № 169 Пин-лин-су (период Западной Цинь, 385–431 гг.). Также ранний образ Удаяны Будды, относящийся к эпохе Тан, находится в 14 гроте Тунь-хуан. Известны скульптурные изображения Удаяны Будды в монастыре Камсан-са в Корее, деревянная копия в монастыре Сайжаджи в японском Киото, а также перевезенная в 1900 году из Китая статуя в столице Бурятии — Улан-Удэ.
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Swearer, Donald K. "Hypostasizing the Buddha: Buddha Image Consecration in Northern Thailand." History of Religions 34, no. 3 (February 1995): 263–80. http://dx.doi.org/10.1086/463396.

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Kantamara, Kukdej. "The Buddha Image in Thailand." MANUSYA 7, no. 1 (2004): 1–19. http://dx.doi.org/10.1163/26659077-00701001.

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Buddha images bear traits that are indicative of the ethnicity of their creators. The Thai Buddha images have unique characteristics which vary according to times and regions. This paper discusses the development in the artistic styles of the Thai schools of Buddha images, the characteristics of each school and the factors that influence it such as ethnicity and current culture.
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Schalk, Peter. "The Vallipuram Buddha Image "Rediscovered"." Scripta Instituti Donneriani Aboensis 16 (January 1, 1996): 295–312. http://dx.doi.org/10.30674/scripta.67235.

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When, at the end of the 19th century, the Visnu kovil in Vallipuram, in Vatamaracci, in northern Ilam (Lanka) was (re)built, a Buddha statue was unearthed close to this temple, 50 yardsnortheast of it. It remained in the lumber room of this temple until 1902, when it was set up in Old Park at Yalppanam under a bo-tree. In 1906, the Vallipuram Buddha image was presented by Governor Sir Henry Blake to the King of Siam, who was particularly anxious to have it, as it was supposed to be of an archaic type. This event together with the statue, was forgotten for almost 90 years. All Tamilar and Sinhalese born after 1906 have never seen the Vallipuram Buddha image, provided they have not gone to and found it in Thailand. The study of the religious significance per se, in its historical setting, of the statue is important. The Vallipuram Buddha image is a typical creation of Amaravati art, the spread of which documents the spread of Buddhism to Ilam, where it exercised a decisive influence on the first period of the development of Buddhist art in the Anuratapuram school. We get then a geographical triangle of a cultural encounter between Amaravati, Anuratapuram in its first phase, and Vallipuram. This happened at a time when Buddhism was still not identified as Sinhala Buddhism, but just as Buddhism. The study of the Vallipuram statue is thus a way of transcending or at least suspending for some time polarising ethnic identities, not ethnic identities as such.
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Cooler, Richard M. "A Buddha Image for Exorcism." Journal of Burma Studies 20, no. 2 (2016): 335–72. http://dx.doi.org/10.1353/jbs.2016.0011.

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Grunin, I. V. "Crowned Buddha of Amaravati and the Cakkavatti canonical concept." Orientalistica 3, no. 4 (December 28, 2020): 1010–27. http://dx.doi.org/10.31696/2618-7043-2020-3-4-1010-1027.

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The article represents a kind of “postscriptum” to the author’s hypothesis about fundamental sources found in Pali canon and early post-canonic literature that gave birth to formation of the crowned Buddha image. This hypothesis underlies this study of early Buddhist iconography, in particular with respect to images belonging to the Amaravati school, which illustrate the relationship between the Buddha and Cakkavatti. The author substantiates the conclusion that the image of the crowned Buddha had emerged almost simultaneously with the anthropomorphic image of the Enlightened One.
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Kinnard, J. N. "When Is The Buddha Not the Buddha? The Hindu/Buddhist Battle over BodhgayA and Its Buddha Image." Journal of the American Academy of Religion 66, no. 4 (January 1, 1998): 817–39. http://dx.doi.org/10.1093/jaarel/66.4.817.

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Sakai, Kouzan. "The manufacture of great image of buddha." Journal of the Japan Welding Society 57, no. 3 (1988): 131–34. http://dx.doi.org/10.2207/qjjws1943.57.131.

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Edwards, Mr Colin. "Rahula and the Liberal Buddha." Buddhist Studies Review 25, no. 2 (December 29, 2008): 232–43. http://dx.doi.org/10.1558/bsrv.v25i2.232.

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This article suggests that the popular western image of the Buddha of the Pali suttas has been influenced by the opening pages of Walpola Rahula’s book What the Buddha Taught. It examines two closely linked qualities postulated by Rahula as attributes of the Buddha: that he is respectful of other religions and that he encourages freedom of thought in his followers. It finds Rahula’s evidence faulty at every turn and goes on to give examples of the Buddha’s and suttas’ disrespectful attitude to other faiths, suggesting that in respect of its ‘exclusivism’, the Buddhism of the Pali suttas is no different from other religions.
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Dissertations / Theses on the topic "Buddha image"

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Tran, Jade D. "Charming the Image of the Buddha: A Brief Look at the Relationship Between Birthdays and the Amulet Collecting Tradition in Thailand." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1261422416.

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Shonk, Gregory J. "Vision and Presence: Seeing the Buddha in the Early Buddhist and Pure Land Traditions." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338148835.

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Chandrasekhar, Chaya. "Pāla-Period Buddha Images: their hands, hand gestures, and hand-held attributes." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1092830047.

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Chandrasekhar, Chaya. "Påla-period Buddha images their hands, hand gestures, and hand-held attributes /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092830047.

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Thesis (Ph. D.)--Ohio State University, 2004.
Document formatted into pages; contains xvi,375 p.; also contains graphics. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 Aug. 18.
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McDonald, Roger. "Histories of the transcendental in art : Romanticism, Zen and Mark Tobey." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311230.

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Revire, Nicolas. "The Enthroned Buddha in Majesty : an Iconological Study." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA157/document.

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Cette thèse étudie en détail un type particulier de représentation du Bouddha où il est représenté assis sur un trône prééminent, le bhadrapīṭha ou bhadrāsana, dans une posture majestueuse avec les deux jambes pendantes, c’est-à-dire assis en bhadrāsana ou dans l’attitude « de bon augure ». Cette iconographie, étroitement associée à l’imagerie du trône, se retrouve largement représentée dans l’art de l’Asie du Sud, de l’Est et du Sud-Est, et est, en règle générale, intimement liée aux modèles de la royauté, de la fertilité, et même du divin. Plusieurs implications notables ressortent de cet examen iconologique concernant les origines, la diffusion, et le développement de l’art bouddhique dans ces contrées, particulièrement au cours du premier millénaire de notre ère
This dissertation provides a detailed study of a particular representation of the Buddha, in which he sits on a prominent throne, i.e. a bhadrapīṭha or bhadrāsana, in a majestic posture with two legs pendant, that is, in bhadrāsana or the “auspicious pose.” This pendant-legged imagery, generally associated with the throne, has been found widely depicted in South, East, and Southeast Asian art and is, as a rule, mostly associated with kingship, fertility, and even divinity. The results of this iconological examination have wide implications for understanding the origins, spread, and development of Buddhist art in those lands, particularly during the first millennium CE
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Manevskaia, Ilona. "Blue Buddha : Tibetan medicine in contemporary Russia (St Petersburg and Moscow)." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/blue-buddha-tibetan-medicine-in-contemporary-russia-st-petersburg-and-moscow(98d3d4b1-ee53-4ae2-a033-2ff8eefda142).html.

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This thesis focuses on the socio-cultural and anthropological aspects of Tibetan medicine in contemporary Russia and investigates how Tibetan medicine is practised, consumed and represented in two major Russian cities, Moscow and St Petersburg. It is the first case-study of such kind in the context of Russian culture, as the anthropological aspects of Tibetan medicine in contemporary Russia have not yet been the subject of a systematic research. Up till now, scholarly publications on Tibetan medicine in Russia have dealt either with the translation and textual analysis of ancient Tibetan medical treatises or with the history of the first appearance of Tibetan medicine in Buriatia, the traditionally Buddhist region of Russia, and St Petersburg / Petrograd, paying little attention to contemporary developments and, most importantly, ignoring how Tibetan practitioners and their patients are making sense of Tibetan medicine. Based on twenty four interviews with practitioners and consumers of Tibetan medicine in the two Russian capitals, my research fills in this lacuna by looking at personal experiences, perceptions and accounts of my interviewees and exploring how they adapt Tibetan medicine to their skills, beliefs and ideas. My approach to sources is informed by Iurii Lotman's theory of intercultural communication. Although this theory was developed by Lotman for the analyses of the processes of cultural reception of literary texts, it is also relevant, with some modifications, for the analysis of the process of reception of non-textual cultural forms. The analysis of data collected from interviews with doctors and patients and the textual analysis of media, cinematic and literary sources has revealed two dominant trends and representational techniques. The first trend amounts to representing Tibetan medicine as unique and exotic, while the second trend amounts to the conceiving of Tibetan medicine as Russia's indigenous tradition, a part of Russian history, which had been subverted and suppressed in the Soviet period, yet rediscovered post-1991. Thus, we see here a co-existence of the inter-cultural dialogue between Russian culture and an exotic 'other' and the intra-cultural dialogue with a recently rediscovered part of 'self'. Both trends, which, at first glance, might appear to stand in contradiction to each other, sometimes coexist within a single explanatory narrative. The thesis also focuses on inter-cultural interactions between doctors and patients. It is argued that these interactions take place in the context of a noteworthy sociological and cultural phenomenon that the thesis calls 'mutual counter-adaptation'. Mutual counter-adaptation is the key mechanism used, consciously or spontaneously, by Tibetan doctors and their patients in order to facilitate the process of understanding between the parties involved in an inter-cultural dialogue around Tibetan medicine. The thesis finally reveals how this mutual counter-adaption takes place within a wider Russian cultural and media environment which exploits a set of specific symbols and images in order to make Tibetan medicine comprehensible and attractive to the wider Russian public.
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Chiu, Angela Shih Chih. "The social and religious world of northern Thai Buddha images : art, lineage, power and place in Lan Na monastic chronicles (Tamnan)." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617604.

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McConeghy, David Walker. "Shifting the Seat of Awakening." Miami University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=miami1154557985.

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CHAO-JUNG, CHEN, and 陳昭蓉. "Analysis and Application of Early Indian Buddhism Icon Take bodhi tree, Sakyamuni Buddha Image and Lotus Example." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/69308271953713535933.

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碩士
國立臺灣師範大學
設計研究所在職進修碩士班
99
Buddhism, one of the four major religions in the world, was founded by Sakyamuni Buddha in 528 B.C. The transition of. the development of Buddhist at and the concept of religious philosophy are closely connected. The research discusses the bodhi tree which symbolizes Buddha during the period of no Buddha statues as well as the meaning of the image of Sakyamuni Buddha. and the transformation of icons during the period of statues of the Buddha. It is found that the two distinctive representations are significantly the mark of the beginning in the.meaning.and development.of ancient Indian Buddhism history. It is the.meaning.behind the formation of the transformation in image and style of Buddism icon. Lotus is a sacred flower in Buddism.therefore. The relationship between lotus and Buddhist art is worth further discussing. The subjects of the research: discussion on the meaning of the iconsand their styles between the bodhi tree symbolizing Buddha during the period of no Buddhist statues, Sakyamuni Buddha during the period of Buddhist statues and lotus the significance of as purity in Buddhism. Through the progressive resulf of the research, the principle of function of represented Buddhist image and icons can be transformed into a source for reference fur cneation. The relevant results of research to the above-mentioned research can be catagorized as followed: 1. The bodhi tree, growing out of the ground and develop into another dimention, is from the essence of life. This vitality of extending into two dimentions at the same time is regarded as the expansion of universe lives by ancient Indians. Buddha became enlightened under the bodhi tree. “The bodhi tree” which is the image of life,is transformed into the representation of “ the tree of wisdom” of the Buddha. 2. When the image of Sakyamuni Buddha fist emerged,it was combined with the Buddha stories of “Phanigiri.”Eventually the image of Buddha appeared alone. It does not rely on the “Phanigiri” and stories as a combination.It is considered that followers’ faith in Buddha no longer requive any stories to reinforce the value of the Buddha as a teacher of the devas and centient being. Therefore, the independent image of Sakyamuni Buddha has indeed excelled beyond the meaning of “Phanigiri” 3. Lotus, one of the auspicious symbols that appeared at the birth of Sakyamuni Buddha, means purity. Lotus is often refevred as the Jewelled Lotus in the Sutras. Since lotus has the quality of being valuable and auspicious as symbols, it is presented in an elegant form from its flower, fruit, stem,and leaves. It bears the sense for decoration, therefore lotus decoration is often seen in Buddhism art.
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Books on the topic "Buddha image"

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Griswold, Alexander B. What is a Buddha image? 4th ed. Bangkok, Thailand: Promotion and Public Relations Sub-Division, Fine Arts Dept., 1990.

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Khunāwong, Sœ̄mkhun. Buddha image talks: Watčhana Phutthapatimā. [Bangkok, Thailand]: PhotoArt Media, 2012.

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Association of South Asian Archaeologists in Western Europe. International Conference. Miscellanies about the Buddha image. Oxford: Archaeopress, 2008.

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Claudine, Bautze-Picron, ed. Miscellanies about the Buddha image. Oxford: Archaeopress, 2008.

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Association of South Asian Archaeologists in Western Europe. International Conference. Miscellanies about the Buddha image. Oxford: Archaeopress, 2008.

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Coomaraswamy, Ananda Kentish. The origin of the Buddha image. New Delhi: Munshiram Manoharlal, 2001.

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Ahmar, Ludu Daw. The world's biggest Buddha image of stone. Ranʻ kunʻ: ʼA suiṅʻʺ ʼA vuiṅʻʺ Cā pe, 1996.

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The Buddha image: Its origin and development. New Delhi: Munshiram Manoharlal Publishers, 1996.

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Myanmar Buddha: The image and its history. [Bangkok]: Siam International Books, 2007.

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Lao Buddha: The image and its history. [Suanluang, Bangkok]: Siam International Book, 2000.

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Book chapters on the topic "Buddha image"

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Tanaka, Kanoko. "“The Empty Throne” in Early Buddhist Art and its Sacred Memory Left Behind after the Emergence of the Buddha Image." In Memory & Oblivion, 619–24. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_71.

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Charles, Hearns W. "Management of Budd–Chiari Syndrome." In Procedural Dictations in Image-Guided Intervention, 495–500. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40845-3_109.

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Irfanoglu, M. Okan, Pooja Modi, Amritha Nayak, Andrew Knutsen, Joelle Sarlls, and Carlo Pierpaoli. "DR-BUDDI: Diffeomorphic Registration for Blip Up-Down Diffusion Imaging." In Medical Image Computing and Computer-Assisted Intervention – MICCAI 2014, 218–26. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10404-1_28.

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Gildart, Keith. "Soundcheck: Buddy Holly and the ‘Lemon Drop Kid’, Wigan, England, Tuesday 18 March 1958." In Images of England through Popular Music, 21–25. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137384256_2.

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"BUDDHA AND BUDDHA IMAGE." In Becoming the Buddha, 9–30. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctv131bwmg.7.

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"CHAPTER 1. BUDDHA AND BUDDHA IMAGE." In Becoming the Buddha, 9–30. Princeton University Press, 2004. http://dx.doi.org/10.1515/9780691216027-005.

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"INSTRUCTING THE IMAGE." In Becoming the Buddha, 122–51. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctv131bwmg.11.

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"EMPOWERING THE IMAGE." In Becoming the Buddha, 152–72. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctv131bwmg.12.

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Chiu, Angela S. "Buddha Images and Place." In The Buddha in Lanna. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824858742.003.0004.

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Certain Lanna chronicles recount that the Buddha visited southeast Asia during his lifetime. He left strands of his hair and imprints of his feet for his devotees and made predictions about the future greatness of Lanna cities. These accounts depict Lanna places not as sites of Buddhist conquest or reform but as special places that through the ages have been sources of attraction and inspiration to multiple Buddhas. Lanna’s towns, lakes and hills play a distinctive role in Buddhist history as the channels that enable the ongoing agency of Buddhas. Buddha statues were created in these places to mark these channels that are crucial to the prosperity of the world. The relationship of Buddha to place echoes that depicted in classical Buddhist texts and is also found in the story of the Burmese Mahāmuni image. A Lanna story from Lampang also distinctively casts light on gender relations in Buddhism.
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"CONSTRUCTING A BUDDHA IMAGE." In Becoming the Buddha, 46–74. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctv131bwmg.9.

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Conference papers on the topic "Buddha image"

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Gruen, Armin, Fabio Remondino, and Li Zhang. "Image-based reconstruction of the Great Buddha of Bamiyan, Afghanistan." In Electronic Imaging 2003, edited by Sabry F. El-Hakim, Armin Gruen, and James S. Walton. SPIE, 2003. http://dx.doi.org/10.1117/12.473091.

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Gruen, Armin, Fabio Remondino, and Li Zhang. "Image-based Automated Reconstruction of the Great Buddha of Bamiyan, Afghanistan." In 2003 Conference on Computer Vision and Pattern Recognition Workshop (CVPRW). IEEE, 2003. http://dx.doi.org/10.1109/cvprw.2003.10003.

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Guo, Jiaxiu, and Qiqi Bai. "Research on the Perception of Tourism Image of Lingshan Buddha based on Online Travels." In Proceedings of the 2nd International Symposium on Social Science and Management Innovation (SSMI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ssmi-19.2019.12.

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Yu, Luo, He Siming, Li Xinpo, and Wu Yong. "Seismically Induced Rock Slope Instability and the Corresponding Treatment: The Case of Leshan Giant Buddha Scenic Spot." In 2010 International Conference on Optoelectronics and Image Processing (ICOIP). IEEE, 2010. http://dx.doi.org/10.1109/icoip.2010.33.

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Wang, Yuan, Fan Zhong, Xiangyu Sun, and Xueying Qin. "Realistic image composite with best-buddy prior of natural image patches." In 2017 IEEE International Conference on Image Processing (ICIP). IEEE, 2017. http://dx.doi.org/10.1109/icip.2017.8296687.

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Marlinda, Linda, Supriadi Rustad, Ruri Suko Basuki, Fikri Budiman, and Muhamad Fatchan. "Matching Images On The Face Of A Buddha Statue Using The Scale Invariant Feature Transform (SIFT) Method." In 2020 7th International Conference on Information Technology, Computer, and Electrical Engineering (ICITACEE). IEEE, 2020. http://dx.doi.org/10.1109/icitacee50144.2020.9239221.

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Shen, Wen-Tao, and Wei-Lan Wang. "The Detection of Buddha’s Circle Head Light and Backlight in Thangka Image." In International Conference on Computer Science and Artificial Intelligence (CSAI2016). WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813220294_0066.

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Wongso, Melinda Febriyanti, and M. Rachman Mulyandi. "Pengaruh Electronic Word of Mouth dan Brand Image Terhadap Purchase Intention." In Seminar dan Lokakarya Kualitatif Indonesia: Pengembangan Budaya Penelitian Menuju Indonesia 4.0. Universitas Matana, 2019. http://dx.doi.org/10.33510/slki.2019.187-192.

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Wanigasekara, N., and Chamath I. Keppitiyagama. "A buddy-file-system to improve block level sharing of disk images in virtualization environments." In 2011 International Conference on Advances in ICT for Emerging Regions (ICTer 2011). IEEE, 2011. http://dx.doi.org/10.1109/icter.2011.6075040.

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Matsubara, M., M. Watanabe, S. Watanabe, K. Konishi, S. Yamaguchi, and M. Hashizume. "Numerical Study of Blood Flow in the Hepatic Portion of the Inferior Vena Cava." In ASME/JSME 2007 5th Joint Fluids Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/fedsm2007-37452.

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Budd-Chiari syndrome (BCS) is complete or partial occlusion in the hepatic veins and the hepatic portion of the inferior vena cava (IVC). The cause of BCS is not well known yet, however: abnormal vessel wall shear stress caused by blood flow is thought to increase the likelihood of developing BCS. In order to reveal the formation mechanism of BCS, we construct several vessel models of the IVC and hepatic veins from medical images and study the characteristics of the blood flow in the vicinity of the junctions of the hepatic veins with the IVC numerically.
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You might also be interested in the extended bibliographies on the topic 'Buddha image' for particular source types:
Journal articles Dissertations / Theses Books
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