Academic literature on the topic 'Buddhist cave temples Dunhuang (China)'

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Journal articles on the topic "Buddhist cave temples Dunhuang (China)"

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Agnew, Neville, Martha Demas, and Wang Xudong. "The Enduring Collaboration of the Getty Conservation Institute and the Dunhuang Academy in Conservation and Management at the Buddhist Cave Temples of Dunhuang, China." Public Historian 34, no. 3 (2012): 7–20. http://dx.doi.org/10.1525/tph.2012.34.3.7.

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Abstract The World Heritage site of the Mogao Grottoes near Dunhuang is China's preeminent ancient Buddhist site on the Silk Road. It flourished between the fourth and the fourteenth centuries and comprises some 492 cave temples with wall paintings and sculpture. The Getty Conservation Institute has been working with the Dunhuang Academy since 1989 on site conservation and management using guidelines, the Principles for the Conservation of Heritage Sites in China, that were developed at the national level. Elements of the successful twenty-year collaboration are discussed in the context of the conservation and management challenges faced at the site and the projects developed to address them, including conservation of the wall paintings in Cave 85, a late Tang dynasty cave with extensive deterioration induced by salts derived from the underlying rock; and visitors to the site, who have increased rapidly since the site was opened in 1979.
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Qinglin, Guo, Hiromi Takabayashi, Toshio Nakamura, et al. "Radiocarbon Chronology for Early Caves of the Mogao Grottoes at Dunhuang, China." Radiocarbon 52, no. 2 (2010): 500–510. http://dx.doi.org/10.1017/s0033822200045537.

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The Mogao Grottoes site at Dunhuang is one of the largest stone cave temples in China. The site features 735 caves with Buddhist mural paintings. To investigate the chronology of early caves of the Mogao Grottoes, radiocarbon dates were measured by accelerator mass spectrometry (AMS) on plant remains collected from 4 caves: 268, 272, 275, and 285. Caves 268, 272, and 275 are regarded (by archaeological analysis) to be the earliest existing caves in the Mogao Grottoes. The fourth cave, 285, features inscriptions on the north wall mentioning the oldest dates of the Chinese Mogao era. Plant materials, taken from the plaster layer of mural paintings and core materials from statues, were collected as samples (n = 11) for AMS 14C dating at Nagoya University. Two samples from cave 275 gave calibrated 14C ages of cal AD 380–430 (1 σ). The other samples resulted in a time interval of cal AD 400–550. The calibrated 14C ages obtained for the samples taken from painted murals and the statues in cave 285 are consistent with the date given by the inscription remaining on the cave's north wall.
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Rhie, Marylin M. "Cave Temples of Dunhuang, Buddhist Art on China's Silk Road." Journal of the American Institute for Conservation 56, no. 3-4 (2017): 253–56. http://dx.doi.org/10.1080/01971360.2016.1277066.

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Shichang, MA. "Buddhist cave‐temples and the Cao family at Mogao Ku, Dunhuang." World Archaeology 27, no. 2 (1995): 303–17. http://dx.doi.org/10.1080/00438243.1995.9980309.

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Russell-Smith, Lilla. "Hungarian Explorers in Dunhuang." Journal of the Royal Asiatic Society 10, no. 3 (2000): 341–62. http://dx.doi.org/10.1017/s1356186300012943.

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Much has been written about the extraordinary artistic, religious and historic importance of the Thousand Buddha Cave Temples at Dunhuang, in Gansu province, western China. One hundred and twenty years ago, on 2 May, 1879, a Hungarian expedition reached Dunhuang. It is a little known fact that its members were to be the first western travellers to visit the cave temples there. Still less known is the influence of this expedition on Sir Aurel Stein, the Hungarian-born British archaeologist. This article examines a hitherto unstudied aspect of why Stein was in the position to become the first to arrive in Dunhuang after the important discovery was made. It is argued that the little known Hungarian expedition was a determining factor in prompting Stein to undertake the hazardous journey to Dunhuang. Furthermore the travel notes of these earlier Hungarian travellers throw light at the very unstable situation at the Dunhuang caves thirty years before Stein's visit. This information is likely to have influenced Stein's decision to take much of the material away for safe keeping as at the time of his visit the situation continued to deteriorate.
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Zhang, Fan. "Chinese-Buddhist Encounter." Asian Studies 7, no. 2 (2019): 87–111. http://dx.doi.org/10.4312/as.2019.7.2.87-111.

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The standard pictorial formula of Fuxi and Nüwa, a pair of indigenous Chinese deities, started to absorb new motifs from Buddhist art during the early medieval period when Buddhism became more prominent in China. In this paper, I focus on the juxtaposition of Fuxi-Nüwa and cintamani, a magic Buddhist jewel, depicted on the ceiling of the corridor in the tomb of Lady Poduoluo, Pingcheng, Shanxi (435 CE). Through a detailed visual analysis, I explain the multiple meanings embedded in the combination of the Chinese mythological figures with the Buddhist symbol in the funerary space, thus challenging the previous studies that understand cintamani only as a substitute for the sun and moon. This paper furthers the discussion on the hybrid image by investigating the mural painting on the ceiling of Mogao Cave 285 in Dunhuang. Despite their different spatial and temporal contexts, both the tomb of Lady Poduoluo and Mogao Cave 285 present a similar pictorial formula, featuring the hybridization of cintamani and the Fuxi-Nuwa pair. This phenomenon invites us to explore the transmission of such motifs. I, therefore, situate the production of the syncretic scheme of Fuxi-Nüwa with cintamani within a broader historical context and examine the artistic exchange between Pingcheng and Dunhuang by tracing the movements of images, artisans, and patrons in early medieval China.
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Christoforou, Christos S., Lynn G. Salmon, and Glen R. Cass. "Air exchange within the Buddhist cave temples at Yungang, China." Atmospheric Environment 30, no. 23 (1996): 3995–4006. http://dx.doi.org/10.1016/1352-2310(96)00123-9.

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Christoforou, Christos S., Lynn G. Salmon, and Glen R. Cass. "Fate of Atmospheric Particles within the Buddhist Cave Temples at Yungang, China." Environmental Science & Technology 30, no. 12 (1996): 3425–34. http://dx.doi.org/10.1021/es950875r.

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Salmon, Lynn G., Christos S. Christoforou, and Glen R. Cass. "Airborne Pollutants in the Buddhist Cave Temples at the Yungang Grottoes, China." Environmental Science & Technology 28, no. 5 (1994): 805–11. http://dx.doi.org/10.1021/es00054a010.

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Christoforou, Christos S., Lynn G. Salmon, and Glen R. Cass. "Deposition of atmospheric particles within the Buddhist cave temples at Yungang, China." Atmospheric Environment 28, no. 12 (1994): 2081–91. http://dx.doi.org/10.1016/1352-2310(94)90475-8.

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Dissertations / Theses on the topic "Buddhist cave temples Dunhuang (China)"

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Chan, Fung-lin, and 陳鳳蓮. "Digital Dunhuang: the use of new technology for off-site interpretation of a fragile heritage site." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48344461.

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 The group cave-temples in Dunguang, Gansu Province of north-western China offer an unparalleled display of grotto art of over a thousand years from the fourth century to the fourteenth century. They represent a microcosm of ancient and medieval civilizations, providing us with enormous opportunities of heritage experience and understanding. However, these grotto treasures are extremely fragile. Over the centuries they have been suffering from serious deterioration and damage due to human and natural causes, and in recent decades the ever-increasing visitor load has posed even greater threat to the murals. The emerging trend of using advanced technology in the preservation and the interpretation of the grotto art offers new possibilities of remote access and interpretation which shall enhance understanding and enjoyment of the cultural treasures. This dissertation sets out to examine such trend of digital interpretation of heritage in off-site scenarios. The research includes a background of the study, the significance of the Dunhuang Caves, the application of new technology, followed by a case study of re-presenting and interpreting one of the Dunhuang caves in Hong Kong.<br>published_or_final_version<br>Conservation<br>Master<br>Master of Science in Conservation
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Yen, Chih-hung. "Bhaiṣajyaguru at Dunhuang." London : University of London, 1997. http://catalog.hathitrust.org/api/volumes/oclc/68914537.html.

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Kim, Sunkyung. "Decline of the law, death of the monk Buddhist texts and images in the Anyang Caves of late sixth-century China /." Click to view thedissertation via Digital dissertation consortium, 2005.

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Pepper, France A. (France Allison). "The thousand buddha motif : a visual chant in buddhist cave-temples along the silk road." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23351.

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As early as the fifth century C.E., the thousand buddha motif had become a prevalent feature in the art of many cave-temples in Gansu, China. Past scholarship concentrated on tracing the textual sources of the motif and with relating it to the practices associated with the devotion to the three thousand buddhas of the three ages. Past research has not considered how the thousand buddhas may have been a reflection of a wider range of religious practices and popular beliefs nor has it explored the motif's artistic origin.<br>By demonstrating that the earliest examples of the two-dimensional painted form of the thousand buddhas came from Gansu and that the motif was related to an iconographic and architectural design that existed between several Gansu cave-temple sites, this study proposes that the thousand buddha motif was a Gansu cave-temple art innovation that influenced cave-temple decor in areas west of Gansu. In addition, possible reasons for the prevalence of the motif are suggested by considering that it may have reflected the relationship between the thousand buddhas and meditative practices as well as the acts of chanting and circumambulation.
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Ho, Judy Chungwa. "Tunhuang cave 249 a representation of the Vimalakirtinirdesa /." 1986. http://catalog.hathitrust.org/api/volumes/oclc/21839542.html.

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Ho, Judy Chungwa. "Tunhuang cave 249 a representation of the Vimalakirtinirdesa /." 1985. http://catalog.hathitrust.org/api/volumes/oclc/15360664.html.

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Ning, Qiang. "Art, religion and politics Dunhuang Cave 220 /." 1997. http://catalog.hathitrust.org/api/volumes/oclc/38535268.html.

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McIntire, Jennifer Noering. "Visions of paradise Sui and Tang Buddhist pure land representations at Dunhuang /." 2000. http://catalog.hathitrust.org/api/volumes/oclc/46938113.html.

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Abe, Stanley Kenji. "Mogao Cave 254 a case study in early Chinese Buddhist art /." 1989. http://catalog.hathitrust.org/api/volumes/oclc/23748969.html.

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Christoforou, Christos S. "Control of air exchange and particle deposition within the Buddhist cave temples at Yungang, China." Thesis, 1995. https://thesis.library.caltech.edu/3764/1/Christoforou_cs_1995.pdf.

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The Yungang Grottoes are a collection of man-made Buddhist Cave Temples in the northern part of Shanxi Province in the People's Republic of China. These cave temples were carved into the face of a cliff in the 5th century AD and contain more than 50,000 Buddhist sculptures, some of which retain their historical coloring. The sculptures in the caves are soiled at a rapid rate by the deposition of airborne particles, generated in part by activities in one of China's largest coal mining regions. During the month of April, 1991, an extensive environmental monitoring experiment was conducted there, and additional measurements were made through the following year. The overall purpose of that work was to characterize the exposure of the grottoes to air pollutants in a manner that will establish a basis for the future protection of the grottoes from air pollution damage. First, measurements were made in order to quantify the particulate air pollution levels at Yungang, and to gather data necessary for verification of models that predict the fate of airborne particles as they deposit onto surfaces inside the caves. Average mass deposition rates to horizontal surfaces of 13.42 [mu]g m[superscript -2] s[superscript -1] outdoors and 5.23 [mu]g m[superscript -2] s[superscript -1] inside Cave 6 were measured over a one year period in 1991-92. These rates are comparable to the rates inferred by examination of historically accumulated deposits within the caves. The surface area coverage by coarse particles is dominated by particles larger than about 10-20 [mu]m in diameter, while the mass flux is dominated by even larger particles greater than 20-30 [mu]m in diameter. Comparison of the deposition rate in Cave 6, which retains a wooden temple structure in front of the cave entrances, to that in Cave 9 which is open to the outdoors shows that the wooden shelter does provide some protection. During April 1991, the deposition rate to horizontal surfaces in Cave 6 was 4.5 [mu]g m[superscript -2] s[superscript -1] compared to 13.4 [mu]g m[superscript -2] s[superscript -1] in Cave 9 and 21.5 [mu]g m[superscript -2] s[superscript -1] outdoors. Also during April, 1991, temperatures and air exchange rates were measured at Caves 6 and 9 at Yungang in order to establish baseline parameters necessary for modeling the air flow that carries air pollutant particles into and out of the caves. Air flow through the caves was found to be governed by a natural convection flow pattern that is driven by the difference between the temperature of the outdoor air and the temperature of the interior walls of the caves. During the day, warm outdoor air enters the upper entrances to the caves, is cooled by the cave walls and flows out through the ground level exits from the caves, while during the night the situation is reversed. The average air velocity at the entrance of Cave 9 during the course of the experiment was 0.274 m s[superscript -1], amounting to an air exchange rate of 121 m[superscript 3] min[superscript -1], which achieves one complete air change within Cave 9 in only 4.3 minutes on average. Cave 6 is larger than Cave 9, and air flow through Cave 6 is restricted by the presence of the wooden temple structure that is built over the entrances to Cave 6, yielding times to achieve a complete air exchange within Cave 6 that are typically 4 times longer than at Cave 9 under the April conditions studied. A theoretical model has been developed that takes as input cave wall and outdoor air temperatures and then predicts indoor air temperatures as well as air velocities at the entrance to the caves. The model can be used to predict air flows through the caves in the presence of increased resistance to air flow such as may occur following the future installation of filtration systems for particle removal at the caves. Next, computer-based models have been constructed that simulate the particle deposition processes within the caves. The evolution of the airborne particle concentration and size distribution is tracked as outdoor air is drawn into the caves by a natural convection flow that is driven by the temperature difference between the outdoor air and the interior walls of the caves. Particle deposition rates are computed from the boundary layer flows along the surfaces within the caves. Predicted aerosol size distributions and particle deposition fluxes within Caves 6 and 9 at Yungang are compared to experimental observations made during the period April 15-16, 1991. It is found that horizontal surfaces within Caves 6 and 9 at Yungang would become completely covered by a full monolayer of deposited particles in only 0.3-0.5 years under the April 15-16 conditions studied here, and will be soiled even more rapidly under annual average conditions. Finally, alternative approaches to the control of the particle deposition problem within the Yungang Grottoes are examined using the computer models described earlier. Two general approaches are possible: (1) control of particle concentrations in the outdoor air through reduction of particle generation at local sources, and (2) removal of particles from the air entering the caves by filtration or similar technical means. Both mechanical filtration and passive filtration systems are examined. It was found that mechanical filtration using high efficiency filters will reduce the mass of particles deposited onto upward facing surfaces within the caves by more than 99% provided that the infiltration of unfiltered air into the caves is eliminated. Passive filtration, where the existing natural convection flow is utilized instead of mechanical fans to drive air through low pressure drop filters, was also examined. It was found that about a 97% reduction of the total mass of particles deposited on horizontal surfaces caves can be achieved by passive filtration if filters are placed in the surface of newly reconstructed shelters in front of the caves that have been designed specifically for that purpose.
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Books on the topic "Buddhist cave temples Dunhuang (China)"

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Xianshi, Meng, ed. Dunhuang bai nian. Yuan liu chu ban shi ye gu fen you xian gong si, 2001.

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1955-, Hu Liangxue, and Tong Dengjin 1941-, eds. Dazu shi ku yu Dunhuang shi ku de bi jiao. Ba Shu shu she, 2008.

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1955-, Hu Liangxue, and Tong Dengjin 1941-, eds. Dazu shi ku yu Dunhuang shi ku de bi jiao. Ba Shu shu she, 2008.

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Xianshi, Meng, ed. Dunhuang bai nian: Yi ge min zu de xin ling li cheng. Guangdong jiao yu chu ban she, 2000.

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Whitfield, Roderick. Cave temples of Dunhuang: Art and history on the silk road. Getty Conservation Institute and the J. Getty Museum, 2000.

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Susan, Whitfield, and Agnew Neville 1938-, eds. Cave temples of Dunhuang: Art and history on the silk road. British Library, 2000.

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Agnew, Neville. Conservation of ancient sites on the Silk Road: Proceedings of the second international conference on the conservation of grotto sites, Mogao Grottoes, Dunhuang, People's Republic of China, June 28-July 3, 2004. Getty Conservation Institute, 2010.

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Shimin, Wang, and Lin Xiuzhen 1940-, eds. Dunhuang kao gu man ji. Bai hua wen yi chu ban she, 2002.

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Dunhuang shi ku ying zao shi dao lun. Xin wen feng chu ban gu fen you xian gong si, 2003.

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Zhaoyan, Diao, ed. Dunhuang Mogao ku: Da mo jian shen qi de si lu yi ji. Shandong hua bao chu ban she, 2004.

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Book chapters on the topic "Buddhist cave temples Dunhuang (China)"

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Chen, Wu-Wei. "Body as Echoes: Cyber Archiving of Buddhist Deities in the Cave Temples of China." In Digital Cultural Heritage. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15200-0_9.

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