Dissertations / Theses on the topic 'Buddhist monks as artists'
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Au, Ho Vanessa, and 區皓. "Buddhist monks and Daoist priests in Jinyong's "condor trilogy"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42925848.
Full textBiswas, Tanushree. "Paradoxes of Conversion : Everyday Lives of Tibetan Buddhist Child Monks in Ladakh." Thesis, Norges teknisk-naturvitenskapelige universitet, Norsk senter for barneforskning, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-23735.
Full textLingley, Kate Alexandra. "Widows, monks, magistrates, and concubines social dimensions of sixth-century Buddhist art patronage /." Click to view the dissertation via Digital dissertation consortium, 2004.
Find full textSonam, Tenzin, and Tenzin Sonam. "Buddhism at Crossroads: A Case Study of Six Tibetan Buddhist Monks Navigating the Intersection of Buddhist Theology and Western Science." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/624305.
Full textLai, Lei Kuan. "Praying for the republic: Buddhist education, student monks, and citizenship in modern China (1911-1949)." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121131.
Full textCette thèse est une étude de l'émergence et de l'impact des institutions d'éducation moderne sur le Bouddhisme chinois. L'objectif de mon projet est en deux temps: 1) produire une histoire de l'éducation monastique moderne en Chine; et 2) étudier les résultats escomptés de ce nouveau système d'éducation tels que visibles chez les étudiants moines sortants. En me concentrant sur l'identité en formation, j'examine la production d'une identité collective, soit l'étudiant moine, au sein et hors des académies bouddhistes (foxueyuan). Les étudiants moines étaient ceux qui s'identifiaient avec la communauté imaginée qui se formait autour des académies bouddhistes modernes, et surtout, les périodiques bouddhistes qui étaient largement distribués lors de la période républicaine. Je soutiens que cette identité collective était cruciale à la création d'une citoyenneté distinctivement bouddhiste chez les jeunes moines, ce qui leur a permis de s'engager et de négocier avec l'État-nation lors d'une série de rencontres. En d'autres termes, les étudiants moines étaient à la fois les produits d'une relation Bouddhisme-État reformulée ainsi que les agents de cette même transformation dans la Chine du vingtième siècle. Je maintiens que l'émergence de ces étudiants moines en tant que communauté et véritable et imaginée est cruciale à notre compréhension du développement du Bouddhisme chinois moderne.
Kwan, Chinachote Sriprapha Petcharamesree. "Buddhism and human rights : forest monks' perspectives on human rights and the Songha administration /." Abstract, 2007. http://mulinet3.li.mahidol.ac.th/thesis/2550/cd399/4536976.pdf.
Full textAu, Ho Vanessa. "Buddhist monks and Daoist priests in Jinyong's "Condor trilogy" Jin Yong "san bu qu" zhong de Seng Dao yan jiu /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42925848.
Full textPhan, Cam Van Thi. "Family ties to Buddhist monks and nuns in medieval China : a biographical and hagiographical study of the Southern Xiao family branch." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/32228.
Full textArts, Faculty of
Asian Studies, Department of
Graduate
Bailey, Cameron. "A feast for scholars : the life and works of Sle lung Bzhad pa'i rdo rje." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:c8de47c2-98b2-4b3c-8bcb-3e93ca668722.
Full text[Verfasser], Bounleuth Sengsoulin, and Volker [Akademischer Betreuer] Grabowsky. "Buddhist Monks and their Search for Knowledge : an examination of the personal collection of manuscripts of Phra Khamchan Virachitto (1920–2007), Abbot of Vat Saen Sukharam, Luang Prabang / Bounleuth Sengsoulin. Betreuer: Volker Grabowsky." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2016. http://d-nb.info/1113184272/34.
Full text"The lived experience of Tibetan Buddhist monks in managerial leadership roles." CAPELLA UNIVERSITY, 2008. http://pqdtopen.proquest.com/#viewpdf?dispub=3291973.
Full textMeng-Ting, Wu, and 吳孟亭. "A Research of the Buddhist monks from the Xuanhe treatise onChinese Calligraphy." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/9tyeqd.
Full text國立臺南大學
國語文學系碩士班
103
During the Song Dynasty, the Emperor Hueizong gave a mandate for the compilation of The Xuanhe treatise on Chinese Calligraphy. The entire book was to be composed of twenty volumes, with original ink calligraphy collections amassed from the emperor’s personal collections, as well as those from the imperial court, starting from the Hanwei dynasty to collections from Zhao Song dynasty. The volumes were divided according to works written by the emperors and the different types of calligraphy scripts; the first volume consisted of works from the imperial collection, followed by one volume dedicated to seal script, four volumes to regular script, six volumes to running script, seven volumes to cursive script, and one volume to clerical script. This amounted to a total of one thousand three hundred and forty over master pieces from one hundred and ninety-seven different calligraphers. The contents included are detailed descriptions of the origins of every single script, the biography and hearsay of those calligraphers, all in which embrace a high level of Chinese calligraphy historical art fact and research value. There are one hundred and ninety-seven calligraphers recorded in The Xuanhe treatise on Chinese Calligraphy; these included works written by the emperors, ministers, Taoist monks, Buddhist monks, nuns and gentlewomen; a volume had also been given over to the Buddhist monks calligraphers, which recorded a collection of both running and mainly cursive scripts. The purpose of this thesis is to analyse this particular volume of the book and a research into these Buddhist monk calligraphers. This thesis is divided into six chapters. The first chapter houses the preface and states the motivation of this research paper, which is derived from works, mainly running and cursive scripts of the Buddhist monk calligraphers from a volume of The Xuanhe treatise on Chinese Calligraphy. The purpose of this paper is to use research methods of literature analysis and induction to investigate into the monks’ preference of writing in cursive scripts, the force of motivation behind them and the circumstances surrounding these Buddhist monk calligraphers, the social evaluation of their calligraphy, and the impact they made on future generation. The final chapter is the conclusion, while the middle chapters are as follows: The second chapter introduces the lives of these Buddhist monk calligraphers, how the emperors took delight in their style of calligraphy, which originated from the two Wangs; how the emperors themselves advocated for their works, and the social networks between these monks and the literates, over poetry, wall calligraphy and Buddhism. The third chapter discusses the unique calligraphic characteristics of Buddhist monk calligraphy. The fourth chapter studies the appraisals given to these Buddhist monk calligraphers and their influences to the posterity. The fifth chapter explores the significance and standing of Buddhist monk calligraphers in the world of calligraphic history, it takes a look into the favouritism bestowed upon these monks by the emperors, their social networks, their pursuit of fame and their quests for an ever-changing and superiority in calligraphy styles.
Hsu, Yen-ling, and 徐燕玲. "The Study of Huijiao''s Biographies of Eminent Buddhist Monks and its Ten Categories." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/56214482743418606371.
Full text華梵大學
東方人文思想研究所
90
Huijiao was a renowned Buddhist monk of the Southern Dynasties. His “Biographies of Eminent Buddhist Monks” is an exceptional work for preserving the material of Buddhist monks of the Southern Dynasties. The point of this article is the Ten Categories of Huijiao’s “Biographies of Eminent Buddhist Monks”. It would be observed from historical regulations and literary technique ways to grasp the authentic figure of Chinese Buddhist monks of the Southern Dynasties. This article explores in six sections. They are : 1. The Preface. 2. The Author''s Life of Biography of Huijiao. 3. The Data of Biographies of Eminent Buddhist Monks. 4. The Study of Ten Categories — Expression of the Buddhist Monks’ Figure. 5. The Study of Ten Categories — Comparison of the Buddhist Monks’ Figure. 6. The Conclusion. It is hoped that we can reach a better understanding of Chinese Buddhist monks of the Southern Dynasties through the discussion above.
MacBain, Abigail Ironside. "Precepts and Performances: Overseas Monks and the Emergence of Cosmopolitan Japan." Thesis, 2021. https://doi.org/10.7916/d8-1hy9-h559.
Full textWu, Chia Chun, and 吳佳純. "Kin support system of Taiwanese Buddhist monks and nuns: A study at a monastery in southern Taiwan." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/87837796177463979424.
Full text國立政治大學
宗教研究所
99
Unlike what most people believe, Buddhist monasteries rely not only on laymen’s financial support but also on the supports of families and relatives of monks and nuns. In addition, Buddhist renunciation does not always cut off the relationship of a monk or nun with their families. On the contrary, most of monks and nuns in my research remain close contacts with their families and relatives. It is believed that once a person joins the Order, he or she can rely fully on the monasteries’ financial, emotional and medical supports. However, this is not true in all Buddhist monasteries in Taiwan. Mutual dependency between monks or nuns and their families and relatives is the main focus of this research. With lack of supports of different aspects from the monasteries, monks and nuns will have to turn to their families and relatives for helps when needed. Therefore, keeping close and positive relationship with families and relatives is important to some monks and nuns. This research aims at: 1. finding out the kin relationships of monks and nuns; 2. looking at the mutual dependency between monks and nuns and their families or relatives; 3. comparing the ideology and reality of monastic life and Buddhist institution (monasteries). In order to achieve the above goals, I will look at possible causes that might affect the relationship between monks and nuns with their families and relatives. Moreover, although not intended, the reasons of renunciation will be discussed in this paper. Different from Buddhist monasteries in other countries and traditions, Taiwanese monasteries can be privately owned by monks, nuns, or laymen. Because of this fact, and because it determines whether monks and nuns will get necessary supports from the monasteries or not, so types of Buddhist monasteries in Taiwan will be discussed, too.
Chu, Pei-Ying, and 朱珮瑩. "Study of the Images of Buddhist Monks and Taoist Priests in Hua-Ben Novels of Ming and Ching Dynasties." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/78885178407277728646.
Full text淡江大學
中國文學學系
92
In Chinese classics, Buddhist monks and Taoist priests are a group of people who took frequent appearance. Dated back in the Wei-Jin and the Southern and Northern Dynasties, the appearance of Buddhist monks and Taoist priests had already taken place. Although their appearance was not common, they gradually became the main characters in Novels, especially in Hua-Ben Novels of Ming and Ching Dynasties, and form a large personage group. Besides the new representations and story plots, they exhibited assessment of two extremes. The phenomenon proved the significance of the images of Buddhist monks and Taoist priests in literature and culture, and worth further study. In this vein, this study conducted overall and systematic analysis on the images of Buddhist monks and Taoist priests in the realm of Hua-Ben Novels. Although Buddhist monks and Taoist priests belong to different religious systems, and include both male and female practitioners, the commonality – practitioner was expounded as one group on the whole, but detailed when it was necessary. The purpose of this study was to discover the imbedded connotation from the superficial structure. In terms of study on Ming and Ching novels and sociological study, it is an area worth further attention. The structure and main contents of this paper are as follows: Chapter 1 Introduction explains the research motive and purpose, defines the scope of Ming and Ching Dynasties, literature materials, and research methodology. Chapter 2 discusses the evolution of the meaning of Buddhist monks and Taoist priests and the development of their images. First, the historical evolution of the terms “Buddhist monks” and “Taoist priests” were clarified to obtain accurate connotation. Secondly, the literature development of the images of Buddhist monks and Taoist priests was discussed based on the origin of literature image, as well as the difference of their images in classical Chinese and vernacular Chinese novels, and changes in the images. Chapter 3, based on the literature, defines the standard for classification and analyzes the types of Buddhist monks and Taoist priests, namely positive type, common type and negative type to discuss the characteristics of Buddhist monks and Taoist priests to probe into the deeper connotation. Chapter 4 discusses the relationship between Buddhist monks and Taoist priests in Ming and Ching literature to the society, and the effect of civilization of religions among the two, as well as the effect of the interaction of Buddhist monks and Taoist priests with various social levels. Chapter 5 probes into the artistic accomplishment of the images of Buddhist monks and Taoist priests in literature, and the advancement of personage representation in Ming and Ching literatures, the characteristics of the personage representation of Buddhist monks and Taoist priests in Ming and Ching literatures. The story plots of the images of Buddhist monks and Taoist priests were summarized to further deliberate on the function and meaning of their images in the model, in order to generalize the cultural significance of the images of Buddhist monks and Taoist priests. The phenomenon was presented on the Confucian standpoint, thus, the viewpoint was not entirely objective but fair enough. Chapter 6 Conclusion summarizes the key points of the study on the image of Buddhist monks and Taoist priests in Ming and Ching literature.
Wu, Ming-Ru, and 吳明儒. "Research on Chinese Monks' Toiling to India in Search of the Buddhist Doctrines─Take Yi─Ching as an Example." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/85207749115936929626.
Full textTsering, Sonam. "The Role of Texts in the Formation of the Geluk School in Tibet during the Mid-Fourteenth and Fifteenth Centuries." Thesis, 2020. https://doi.org/10.7916/d8-wn60-y533.
Full textPawakapan, Niti. "Making money and merit : traders in northwest Thailand." Phd thesis, 1995. http://hdl.handle.net/1885/12474.
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