Log in

Relevant bibliographies by topics / Buddhist temple bells in literature

Contents

Journal articles
Books
Book chapters

Academic literature on the topic 'Buddhist temple bells in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Buddhist temple bells in literature.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Buddhist temple bells in literature"

1

Lee Gwang-bae. "Goryeo Buddhist Temple Bells and Their Patrons and Makers." Dongak Art History ll, no. 13 (June 2012): 119–49. http://dx.doi.org/10.17300/jodah.2012..13.005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Liping, Yang, and I. N. Arzamastseva. "“Old” and “new” China in the literary reception of S.A. Auslaender: A short novel for children “Some remarkable incidents from the Life of Li Xiao”." Literature at School, no. 4, 2020 (2020): 68–80. http://dx.doi.org/10.31862/0130-3414-2020-4-68-80.

Full text

Abstract:

In the mid-1920s the Soviet children’s press issued a lot of literature works about modern China, which was experiencing the storms of revolution. The aim of the research is to describe the artistic concept of “old” and “new” China in the short novel by S.A. Auslaender “Some remarkable incidents from the Life of Li Xiao”. The short novel is studied, on the one hand, against the close background of the Soviet publishing request for children’s works about the Chinese revolution, and on the other hand – against the contrasting background of the author’s early modernist experience. Auslaender turned to the “Far Eastern” model of the transition from symbolism to “beautiful clarity”, the materiality of art, proposed by M.A. Kuzmin. At the same time, he used this model to create a dual picture of revolutionary China – as the victory of the popular movement and as the victory of “demons” (according to F.M. Dostoevsky’s concept). The main idea of Auslaender is in the artistic understanding of the symbols of China (the Buddhist temple, the folk theater, the little bell) in the aspect of the problem of humanism and revolution. The central symbol in the story is a woman, represented in a series of images. The writer turns to the ideas of M.A. Kuzmin’s that are close to him and the ideas of A.A. Blok’s and N.S. Gumilev’s that he finds ambiguous, as well as those of Vs. Ivanov’s. The writer creates a literature piece with an implied propagandistic idea about the revolution as the highest phase of people’s life; however, he creates the counter movement of meanings, denying terror and the revolution itself. The “new” China is embodied only in the image of a girl, reminiscent of the heroines of N.G. Chernyshevsky’s utopia. S.A. Auslaender has built a multilevel dialogue with his growing readers. The short novel about Li-Xiao is one of those works of Soviet children’s literature that meets the new criterion of assessment, this is a book for “growing up”.

APA, Harvard, Vancouver, ISO, and other styles

3

Lee Gwang-bae. "Buddhist Temple Bells of Early Joseon: A Comparative Study According to Financing Sources." KOREAN JOURNAL OF ART HISTORY 262, no. 262 (June 2009): 5–32. http://dx.doi.org/10.31065/ahak.262.262.200906.001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Lee, Yongjin. "Late Joseon Buddhist Temple Bells and Incense Burners in North Korea as Seen in Gelatin Dry Plates." Misulsa Yeongu : Journal of Art History 40 (June 30, 2021): 141–61. http://dx.doi.org/10.52799/jah.2021.06.40.141.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Zhu, Sun, and Li Chen. "The Analysis of Architecture Image of Anande Temple - The Value and Protection of Gude Temple in Wuhan City." Applied Mechanics and Materials 71-78 (July 2011): 171–74. http://dx.doi.org/10.4028/www.scientific.net/amm.71-78.171.

Full text

Abstract:

Anande Temple originated from Myanmar, which belongs to Theravada Buddhism. Anande was the son of the Sakyamuni’s uncle, Hufan, and he finally became one of the Ten Great Disciples of Sakyamuni. Dedicated to the Buddhist temple, AnandeTemple is the most important Theravada Buddhist temple. According to literature, this kind of architectural style has only two buildings: one is AnandeTemple in Myanmar, the other is Gude Temple in Wuhan.This article mainly discusses the idea of restoration programming system of Gude Temple, one of the four jungles in Wuhan city. From the different characteristics in cultural value and architectural space layout represented by “Tianzhu standard” and “Garan seven standard”, the author explains the overall cultural understanding of Gude Temple and program the system with the consideration of cultural and environmental factors.

APA, Harvard, Vancouver, ISO, and other styles

6

Fowler, Sherry D. "The Literary and Legendary Lives of the Onoe Bell." Archives of Asian Art 71, no. 1 (April 1, 2021): 37–61. http://dx.doi.org/10.1215/00666637-8866671.

Full text

Abstract:

Abstract During the eighteenth and nineteenth centuries, a large eleventh-century bronze bell made in Korea became a grand attraction on the grounds of Onoe Shrine in Kakogawa, Japan. Although such bells are made of expensive material that require significant financial investment and technical skill, most are overlooked as common fixtures inside bell towers at Buddhist temples across Asia. Yet the bell at Onoe Shrine has a particularly complex and fascinating story to tell. Using object biography as an approach to study this unusual monument enables us to see how this bell became the popular subject of legends, travel-diary accounts, gazetteer entries, popular woodblock prints, and souvenirs made in a variety of materials. The bell's legendary life story accorded it the ability to solve human problems and use its voice to demand where it should be located, which fueled people's desire to see it with their own eyes and to make physical contact with it. This examination of the bell's intertwining life tales reveals how, after initially serving as a ritual object at a Korean Buddhist temple, it experienced dramatic transformations into a high-value export (or trafficked) commodity, Japanese poetic trope, shrine treasure, and tourist draw.

APA, Harvard, Vancouver, ISO, and other styles

7

임기영. "A Bibliographical Study of Buddhist Literature Published at Gwangheung Temple in Kyungsang Provinces." Journal of the Institute of Bibliography ll, no. 55 (September 2013): 437–89. http://dx.doi.org/10.17258/jib.2013..55.437.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

임기영. "A Bibliographical Study of Buddhist Literature Published at SSanggyesa Temple in Choongnam Provinces." Journal of Studies in Bibliography ll, no. 78 (June 2019): 175–212. http://dx.doi.org/10.17258/jib.2019..78.175.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Clarissa ; Rahadhian P. Herwindo, Clarissa. "APPLICATION OF MAHAYANA AND VAJRAYANA CONCEPT, AND MANASARA BOOK ON MATARAM SAILENDRA BUDDHIST TEMPLE IN TERMS OF FIGURE, ORNAMENT, MASS AND SPATIAL ORDER." Riset Arsitektur (RISA) 5, no. 01 (December 10, 2020): 1–17. http://dx.doi.org/10.26593/risa.v5i01.4414.1-17.

Full text

Abstract:

Abstract- Classical Indian architectural principles and traditions has been collected and preserved in a vast body of literature collectively known as the Vāstuśāstra. This branch of classical Indian knowledge is a realization of Hindu ideals in terms of architectural ediﬁce, which signiﬁcantly inﬂuence the religious architecture of the Indian cultural sphere which extends to the medieval Island of Java. Indian influence can be seen in Hindu temples of Java during the Śailendra’s dynasty even though some of it’s architectural elements can’t be found in vāstuśāstra. However, in contrast of Hindu’s vāstuśāstra, Buddhism has no architecture guideline and free standing structure as of sources that are used as it’s guide are questioned, especially Buddhist Temples in Central Java during ancient Mataram’s Dynasty of Śailendra. Although Buddha’s teachings and some parts of vāstuśāstra are known to play a role in the construction of Buddhist Temples in Indonesia, how far they are applied is difficult to observe, giving the absence of special studies and free standing temple references to build Buddhist Temple, and it’s interviewees are gone. By finding information about architecture’s theory of Buddha’s teachings that entered Indonesia and identify as well as compare the relevant parts of vāstuśāstra, then the architectural elements that are part of the concept of Buddha’s teachings and vāstuśāstra can be seen.In this research, descriptive method and qualitative approach are used by the author. The author focused in terms of figure and ornament as well as mass and spatial order. This research collects and compares parts of vāstuśāstra that are relevant as well as Buddha’s teachings concept to compare them with datas from the twelve samples of Buddhist Temples in Central Java during ancient Mataram’s Dynasty of Śailendra. Comparison by the author shows a number of results. Firstly, the concept of mahāyāna, vajrayāna, and mānasāra book applied in terms of figure, ornament, mass, and spatial order are seen in Central Java’s Buddhist Temples. However, various architectural details of these elements have marked differences from what is instructed in the Vāstuśāstra. The distinctive Javanese Kala-Makara for example, does not conform the mānasāra book. Secondly, the application of mānasāra book concepts in Central Java’s Buddhist Temples prove the influence of Hinduism which was affected by the harmonious relationship between Buddhism and Hinduism during that time. Lastly, the first free-standing Buddhist Temples is 5th Batujaya Temple/Blandongan Temple (2-3 CE and 7-10 CE) because the Mahabodhi Temple in India was built as we see today during the 6th restoration phase (8 CE).

APA, Harvard, Vancouver, ISO, and other styles

10

Lee, Seunghye. "Korea's First Museum and the Categorization of “Buddhist Statues”." Sungkyun Journal of East Asian Studies 21, no. 1 (May 1, 2021): 51–81. http://dx.doi.org/10.1215/15982661-8873892.

Full text

Abstract:

Abstract The establishment of a museum in the precinct of Ch'anggyŏnggung Palace in 1909 marked an important moment in the historiography of Korean art. Although recent studies have examined the founding, organization, and financing of the first Korean museum, the formation of its Buddhist art collection and its historical implications remain unexamined. Given that not a single Buddhist temple was allowed to exist within the capital city, the entry of these objects into the palace demonstrates a radical paradigm shift in the royal court's relation to Buddhist icons. The museum's Buddhist art collection reveals what was available in the art market of the time and what was considered worthy of being collected in a royal museum. Through close examination of Korea's first museum and its collection, this study traces the recontextualization of religious icons into art objects and the historical implications behind the category of “Buddhist statues.”

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Buddhist temple bells in literature"

1

Koten waka ni okeru kane no kenkyū: Nitchū hikaku bunkateki kōsatsu. Tōkyō: Kazama Shobō, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Buddhist temple. Henley-on-Thames: Atlantic Europe, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Chae-sik, Son, ed. Pŏmjong. Sŏul Tʻŭkpyŏlsi: Taewŏnsa, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Chae-sik, Son, ed. Pŏmjong. Sŏul: Taewŏnsa, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Vaṅʻʺ, Khyacʻ Caṃ. Dhammacetī khoṅʻʺ loṅʻʺ krīʺ e* lyhuiʹ vhakʻ khyakʻ myāʺ. Ranʻ kunʻ: Panʻʺ myuiʺ tacʻ rā Cā pe, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Tsuboi, Ryōhei. Bonshō to kōkogaku. Tōkyō: Bijinesu Kyōiku Shuppansha, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Hanʾguk ŭi chong =: Korean bell. Sŏul: Sŏul Taehakkyo Chʻulpʻanbu, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Hanʾguk ŭi chong: Korean bell. Sŏul: Sŏul Taehakkyo Chʻulpʻanbu, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Paṇḍitānanda. Dhammacetī khoṅʻʺ loṅʻʺ krīʺ ta kayʻ rhi, ma rhi nhaṅʻʹ kambhā kyoʻ khoṅʻʺ loṅʻʺ krīʺ myāʺ: Great Dhammaceti bell really existed or not ... and the world's famous bells. Ranʻ kunʻ: Ranʻ ʼOṅʻ Cā pe, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Yŏm, Yŏng-ha. Hanʾguk ŭi chong =: Korean bell. Sŏul: Sŏul Taehakkyo Chʻulpʻanbu, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Buddhist temple bells in literature"

1

"Buddhist Temple Bells." In Gleams From Japan, 361–82. Routledge, 2013. http://dx.doi.org/10.4324/9780203806289-27.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

"4. Bronze Temple Bells from the Tibetan Imperial Period: Buddhist Material Culture in Context." In Framing Intellectual and Lived Spaces in Early South Asia, 105–42. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110557176-005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Fowler, Sherry D. "Bodies and Benefits." In Accounts and Images of Six Kannon in Japan. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824856229.003.0007.

Full text

Abstract:

Painted and printed sets of Thirty-three Kannon transported from China in the fifteenth century inspired the shift to Thirty-three Kannon worship. This new theme in Japan is exemplified by the celebrated set from 1412 attributed to Minchō. Another area of transition between the Six and Thirty-three Kannon cults is in the fact that the main temple icons of the major Thirty-three Kannon pilgrimage routes all feature one of the Six Kannon rather than any of the thirty-three images described in the Lotus sūtra or those imported from China. Within the context of pilgrimage, one surprising area of transition between the cults is found in the imagery cast into large bronze bells used at Buddhist temples. Finally, beginning in the seventeenth century, boundaries of the distribution of multiple Kannon imagery were pushed even further as publications of the printed iconographic manual Butsuzō zui, which clearly organized illustrations of groups of Seven and Thirty-three Kannon, rapidly proliferated throughout Japan and then abroad, giving Kannon worldwide exposure.

APA, Harvard, Vancouver, ISO, and other styles

4

Rouzer, Paul. "Refuges and Refugees." In Reading Du Fu, 75–89. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528448.003.0006.

Full text

Abstract:

While increasing attention has been paid to the role of Buddhism in Chinese literature and aesthetics, relatively little has been written on the place of the religion in the poetry of Du Fu. This essay examines ways in which the poet deploys Buddhist imagery and themes, particularly in occasional verse. It also argues that “Buddhist poetry” in China is best examined through social praxis (temple-visiting, poetic exchanges with monks, etc.) than through explicit or implicit philosophical discourse. Though Buddhism is by no means a prominent aspect in Du Fu’s work, examination of Buddhist motifs and situations in it gives us a useful guide for its cultural presence in Tang poetry overall.

APA, Harvard, Vancouver, ISO, and other styles

5

Zelenskaya, Galina M., and Svetlana K. Sevastyanova. "Corpus of Patriarch Nikon’s Inscriptions on “Sacred Things”: Questions of Textology and Architectural and Artistic Design." In Hermeneutics of Old Russian Literature: Issue 20, 479–547. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/horl.1607-6192-2021-20-479-547.

Full text

Abstract:

In the vast and varied written heritage of Metropolitan and Patriarch Nikon, the inscriptions on the “holy things” that were written with the participa- tion of, or on his behalf, occupy a special place. These texts, different in volume and content, exist as notes on sheets of manuscript and early printed books, in the form of belts and compositions of tiled temple decoration, as well as on an- timenes, crosses, icons, bells, liturgical vessels, and seals. Many of them by their origin and location are associated with the patriarchal monasteries — the Resur- rection in New Jerusalem near Moscow, the Iversky Svyatoozersky in Valdai and the Onega Godfather on the Kiy-island. The corpus of the inscriptions, united by the name of the Primate, has never been studied in its entirety and systematically. The authors of the article attempted to fill these gaps by applying an integrated approach in the study. They prepared on the principle of a catalog a register of “holy things” — sacred objects that make up a single whole with the texts present- ed on them. The inscriptions are classified according to the functional purpose of the objects on which they are located. The groups of annals-historical, spiritual- educational, liturgical, historical-topographic, supplementary and owner’s in- scriptions are distinguished. Historical and philological research of texts is com- plemented by an analysis of the symbolic and semantic aspects of their architectur- al and artistic design. The inscriptions appear in the context of the iconic work of Patriarch Nikon, including hierotopic, iconographic and architectural programs, embodied with the participation of masters from Great, Small and White Russia. A comprehensive study allowed us to see the inscriptions and the personality of His Holiness Nikon from a perspective that reveals the richest spectrum of litur- gical, church-historical, patristic and artistic traditions of Old Russia, combined with new trends melted down in the furnace of Orthodoxy.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!