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Journal articles on the topic 'Buddhist temple bells in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Liping, Yang, and I. N. Arzamastseva. "“Old” and “new” China in the literary reception of S.A. Auslaender: A short novel for children “Some remarkable incidents from the Life of Li Xiao”." Literature at School, no. 4, 2020 (2020): 68–80. http://dx.doi.org/10.31862/0130-3414-2020-4-68-80.

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In the mid-1920s the Soviet children’s press issued a lot of literature works about modern China, which was experiencing the storms of revolution. The aim of the research is to describe the artistic concept of “old” and “new” China in the short novel by S.A. Auslaender “Some remarkable incidents from the Life of Li Xiao”. The short novel is studied, on the one hand, against the close background of the Soviet publishing request for children’s works about the Chinese revolution, and on the other hand – against the contrasting background of the author’s early modernist experience. Auslaender turn

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2

Lee Gwang-bae. "Goryeo Buddhist Temple Bells and Their Patrons and Makers." Dongak Art History ll, no. 13 (2012): 119–49. http://dx.doi.org/10.17300/jodah.2012..13.005.

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3

Kageyama, Etsuko. "Conservation and iconographic analysis of early Buddhist wall paintings from southern Uzbekistan." Indonesian Journal of Social Studies 7, no. 2 (2024): 283–91. https://doi.org/10.26740/ijss.v7n2.p283-291.

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This paper delves into the conservation initiative undertaken for the wall paintings discovered at the Fayaztepa Buddhist site in southern Uzbekistan. It also presents findings from an iconographic study of the paintings. The Fayaztepa site, excavated by L. I. Al’baum in the 1970s, was found to be a Buddhist temple complex featuring a stupa and a monastery. The coins recovered during excavation indicated that the temple was operational during the Kushan dynasty (1st-3rd century AD). Some of the wall paintings discovered at the monastery have undergone treatment and are on display in the museum

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Lee Gwang-bae. "Buddhist Temple Bells of Early Joseon: A Comparative Study According to Financing Sources." KOREAN JOURNAL OF ART HISTORY 262, no. 262 (2009): 5–32. http://dx.doi.org/10.31065/ahak.262.262.200906.001.

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5

SHELEKHOV, I. L., G. V. BELOZEROVA, and ZH A. GUMEROVA. "BUDDHIST CULT BRONZE: TIBETAN SINGING BOWLS." Magistra Vitae an electronic journal on historical sciences and archeology 9, no. 3 (2024): 91–98. https://doi.org/10.47475/2542-0275-2024-9-3-91-98.

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The article is the fi rst of a series of works united by one common idea - a scientifi c interdisciplinary study of Buddhist cult bronzes. The text is devoted to the study of the Asian type of bells - Tibetan singing bowls. The study purposes to determine the features of the manufacture and use of the Asian type of bronze bell - the Tibetan singing bowl. The research materials are divided into several parts, refl ecting various aspects of the issues under consideration. The study is based on periodical press materials, the analysis of Russian and foreign literature, the study of private collec

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Lee, Seonyong. "A Study on the Characteristics of Sanskrit Characters in Korean Buddhist Art(2) - A Focus on Buddhist Temple Bells -." Dongak Art History 33 (June 30, 2023): 175–201. http://dx.doi.org/10.17300/dah.2023.33.7.

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Zhu, Sun, and Li Chen. "The Analysis of Architecture Image of Anande Temple - The Value and Protection of Gude Temple in Wuhan City." Applied Mechanics and Materials 71-78 (July 2011): 171–74. http://dx.doi.org/10.4028/www.scientific.net/amm.71-78.171.

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Anande Temple originated from Myanmar, which belongs to Theravada Buddhism. Anande was the son of the Sakyamuni’s uncle, Hufan, and he finally became one of the Ten Great Disciples of Sakyamuni. Dedicated to the Buddhist temple, AnandeTemple is the most important Theravada Buddhist temple. According to literature, this kind of architectural style has only two buildings: one is AnandeTemple in Myanmar, the other is Gude Temple in Wuhan.This article mainly discusses the idea of restoration programming system of Gude Temple, one of the four jungles in Wuhan city. From the different characteristic

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Adhitama, Satria. "Analisis Keterbukaan Sikap Wihara Nam Hai Kwan Se Im Pu Sa Terhadap Agama dan Kepercayaan Lain." Kamaya: Jurnal Ilmu Agama 6, no. 2 (2023): 185–206. http://dx.doi.org/10.37329/kamaya.v6i2.2431.

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Indonesia is a pluralistic country with various religious entities and beliefs that live and develop in Indonesia. This plurality has the potential to cause conflict. Conflict can be avoided by the openness of religious institutions towards other religions or beliefs. One of the ways to show this is the openness of a house of worship towards other religions and beliefs. This research aims to dig deeper into the openness of the attitude of the Nam Ha Kwan Se Im Pu Sa Temple towards other religions and beliefs. Data was collected by deep interviews, observation, and documentation. The selection

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Sentot, Santacitto, Uun Triya Tribuce, and Aryanto Firnadi. "The Meaning of Buddhist Statue Symbols In Borobudur, Mendut And Plaosan Temples Based on Buddhist Literature." Eduvest - Journal of Universal Studies 3, no. 1 (2023): 18–33. http://dx.doi.org/10.36418/eduvest.v3i1.715.

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Borobudur, Mendut, and Plaosan temples are representative temples in Buddhist temple architecture in Indonesia. These three temples were built with different backgrounds in their time but have a common function as places of worship. One of the main characteristics in the building of this temple is the presence of Buddha statues with their spiritual function in the religious activities of Buddhists. This research uses qualitative research methods with a phenomenological approach. Data is processed and analyzed with several stages, namely data condensation, data presentation, and drawing conclus

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Sentot, Santacitto, Uun Triya Tribuce, and Aryanto Firnadi. "The Meaning of Buddhist Statue Symbols In Borobudur, Mendut And Plaosan Temples Based on Buddhist Literature." Eduvest - Journal of Universal Studies 3, no. 1 (2023): 18–33. http://dx.doi.org/10.59188/eduvest.v3i1.715.

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Borobudur, Mendut, and Plaosan temples are representative temples in Buddhist temple architecture in Indonesia. These three temples were built with different backgrounds in their time but have a common function as places of worship. One of the main characteristics in the building of this temple is the presence of Buddha statues with their spiritual function in the religious activities of Buddhists. This research uses qualitative research methods with a phenomenological approach. Data is processed and analyzed with several stages, namely data condensation, data presentation, and drawing conclus

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Shadikah, Arina Afiyati. "Exploring Buddhism Values at Sari Temple: An Investigation in a Buddhist Tourism Destination." Indonesian Values and Character Education Journal 6, no. 2 (2024): 103–12. http://dx.doi.org/10.23887/ivcej.v6i2.69194.

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Religious tourism has now become one of the favorite destinations for tourists. However, there are still many temples that are not widely known by tourists. Even though many temples, such as Sari Temple, have a certain charm, such as the shape of the temple which is like a house complete with doors and windows. However, there is still minimal information regarding the history and meaning of the temple reliefs. This research was carried out at the Sari temple which is located in Uang Istimewa Yogyakarta. This research aims to analyze the Buddhist values at Sari Temple based on the history of th

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Lee, Yongjin. "Late Joseon Buddhist Temple Bells and Incense Burners in North Korea as Seen in Gelatin Dry Plates." Misulsa Yeongu : Journal of Art History 40 (June 30, 2021): 141–61. http://dx.doi.org/10.52799/jah.2021.06.40.141.

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13

Fowler, Sherry D. "The Literary and Legendary Lives of the Onoe Bell." Archives of Asian Art 71, no. 1 (2021): 37–61. http://dx.doi.org/10.1215/00666637-8866671.

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Abstract During the eighteenth and nineteenth centuries, a large eleventh-century bronze bell made in Korea became a grand attraction on the grounds of Onoe Shrine in Kakogawa, Japan. Although such bells are made of expensive material that require significant financial investment and technical skill, most are overlooked as common fixtures inside bell towers at Buddhist temples across Asia. Yet the bell at Onoe Shrine has a particularly complex and fascinating story to tell. Using object biography as an approach to study this unusual monument enables us to see how this bell became the popular s

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14

Martyastiadi, Yusup Sigit. "The Hindu Icon God Shiva as a Visual Communication of Interactions between the Hindus and the Buddhists at the Borobudur Temple in Indonesia." International Society for the Study of Vernacular Settlements 11, no. 5 (2024): 30–40. http://dx.doi.org/10.61275/isvsej-2024-11-05-03.

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In vernacular settlements, it is a common practice to venerate religious icons. The figure of the God Shiva Mahadeva is one of the icons of Hinduism generally venerated in India. Interestingly, this figure is carved on the relief of the Buddhist temple, Borobudur in Indonesia. The visualization shows that the figure is God Shivam and its presence can be interpreted as a form of visual communication representing the interactions between the Hindu and Buddhist communities living in the surrounding vernacular settlements of the Borobudur temple. This article reviews the art historiography and rai

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15

Saitya, Ida Bagus Subrahmaniam, I. Komang Suastika Arimbawa, and Pande Putu Puja Jagadhita. "Pelinggih Pajenengan as a Manifestation of Śiwa-Buddha Syncretism in the Pegulingan Temple Gianyar Bali." Jurnal Penelitian Agama Hindu 7, no. 4 (2023): 427–38. http://dx.doi.org/10.37329/jpah.v7i4.2211.

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The teachings of Śiwa who dominate and are recognized as a majority and even animates most of the Hindu values in Bali do not forget to accommodate and harmonize themselves with other teachings, one of which is the Buddhist. From this, the existence of Buddhist teachings is still developing today. The reflection of the unification of the value of Śiwa-Buddha's teachings, one of which can be found at the Pura Pegulingan in Manukaya Village. The manifestation of the Śiwa-Buddha syncretism in the Pegulungan Temple is the Pajenengan Temple. Pajenengan's Pelinggih itself is a Pelinggih in the form

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Clarissa ; Rahadhian P. Herwindo, Clarissa. "APPLICATION OF MAHAYANA AND VAJRAYANA CONCEPT, AND MANASARA BOOK ON MATARAM SAILENDRA BUDDHIST TEMPLE IN TERMS OF FIGURE, ORNAMENT, MASS AND SPATIAL ORDER." Riset Arsitektur (RISA) 5, no. 01 (2020): 1–17. http://dx.doi.org/10.26593/risa.v5i01.4414.1-17.

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Abstract- Classical Indian architectural principles and traditions has been collected and preserved in a vast body of literature collectively known as the Vāstuśāstra. This branch of classical Indian knowledge is a realization of Hindu ideals in terms of architectural ediﬁce, which signiﬁcantly inﬂuence the religious architecture of the Indian cultural sphere which extends to the medieval Island of Java. Indian influence can be seen in Hindu temples of Java during the Śailendra’s dynasty even though some of it’s architectural elements can’t be found in vāstuśāstra. However, in contrast of Hind

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Tuladhar, Milan Raj. "Buddhism in Russia and its Linkage with Nepal." Lumbini Prabha 10 (May 16, 2025): 47–60. https://doi.org/10.3126/lumbinip.v10i1.78827.

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Although Buddhism in Russia represents only 1% of the population, it has a rich history intertwined with the country’s cultural landscape. Introduced in the 17th century through Kalmyk tribes and Mongolian influence in Buryatia, Buddhism uniquely developed in Russia. Buddhism has also connected Russia’s cultural relations with Nepal. Officially recognized in 1741, Buddhism became integral to the Russian heritage. Tsarist policies varied across regions such as Kalmykia, pre-Baikal, and Transbaikalia, and the government cautiously supported Buddhism in border areas to prevent unrest. Spearheaded

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18

Salim, Singgih, Rahadhian Prajudi Herwindo, and Yuswadi Saliya. "The application of sacredness in temple architecture – Buddhist museum." ARTEKS : Jurnal Teknik Arsitektur 7, no. 1 (2022): 11–22. http://dx.doi.org/10.30822/arteks.v7i1.1087.

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Buddhism is one of the oldest religions in the world, and the development has led to a great change in the typology of Buddhist architecture, and caused a complex scope of the concept. This complexity is due to the absence of architectural literature that regulates the addition of supporting functions, such as profane and sacred value, in improving Buddhists' education. However, the addition of a profane function reduces sacred value and act of worship, opposes architectural design, and defiles ritual activities. Furthermore, one of the functions that provide education as well as a personal ap

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19

Yang, Mengna, and Nadia Widyawati Madzhi. "The Modern Cultural Function of Chinese Traditional Religious Orchestra: The Daxiangguo Temple Buddhist Orchestra (DTBO) of China." Malaysian Journal of Social Sciences and Humanities (MJSSH) 10, no. 3 (2025): e002829. https://doi.org/10.47405/mjssh.v10i3.2829.

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The Daxiangguo Temple, located in Kaifeng City, Henan Province, China, is prominent in the ancient capital of the Seven Dynasties. Due to its status as a royal temple, the Buddhist orchestra associated with it has a long history and profound cultural heritage, having been involved in numerous imperial events. Since its reconstruction in July 2002, the Daxiangguo Temple Buddhist Orchestra (DTBO) has gained recognition as a second-batch national intangible cultural heritage project in 2007. This study is based on the existing literature, and employs ethnographic narration, and interviews with re

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20

Utari, Diah Sri, Arifinsyah Arifinsyah, and Endang Ekowati. "Analisis Makna Simbolik Ornamen Kuil Buddha Dalam Konteks Keagamaan." Kamaya: Jurnal Ilmu Agama 7, no. 3 (2024): 145–58. https://doi.org/10.37329/kamaya.v7i3.3586.

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The aim of this research is to understand and analyse the symbolic meaning of the ornaments in the Mahabharata Maitreya Temple as well as the role of these ornements in conveying the teachings and values of Buddhism. Maha Vihara Maitreya is located in the city of Medan, Indonesia. It is one of the largest Buddhist temples in Indonesia and has a variety of architectural and decorative elements that are rich in symbolic significance. Maha Vihara Maitreya also adopted many of the characteristic elements of China in every detail of the building and its ornaments. The research uses a qualitative ap

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21

Seo, jimin. "A Study on the Background of Formation in the Avatamska Vairocana Buddha statues in Zen Buddhism temples in the Latter Part of the Silla Dynasty." Paek-San Society 124 (December 31, 2022): 231–55. http://dx.doi.org/10.52557/tpsh.2022.124.231.

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This paper was intended to explain the reason why the Zen Buddhism temples in the latter part of the Silla Dynasty that built Avatamska Vairocana Buddha statues became to believe in Avatamska Vairocana Buddha statues unlike the discipline of the Zen sect that regards the Buddhist sanctuary where Zen masters preach Buddhist teachings so that complete enlightenment can be obtained on behalf of Buddha as the most important space without building the Buddhist sanctum where the main Buddha statue is created and the rituals such as sutra chanting or prayers to Buddha are held. According to the

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22

Lee, Seunghye. "Korea's First Museum and the Categorization of “Buddhist Statues”." Sungkyun Journal of East Asian Studies 21, no. 1 (2021): 51–81. http://dx.doi.org/10.1215/15982661-8873892.

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Abstract The establishment of a museum in the precinct of Ch'anggyŏnggung Palace in 1909 marked an important moment in the historiography of Korean art. Although recent studies have examined the founding, organization, and financing of the first Korean museum, the formation of its Buddhist art collection and its historical implications remain unexamined. Given that not a single Buddhist temple was allowed to exist within the capital city, the entry of these objects into the palace demonstrates a radical paradigm shift in the royal court's relation to Buddhist icons. The museum's Buddhist art c

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임기영. "A Bibliographical Study of Buddhist Literature Published at Gwangheung Temple in Kyungsang Provinces." Journal of the Institute of Bibliography ll, no. 55 (2013): 437–89. http://dx.doi.org/10.17258/jib.2013..55.437.

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임기영. "A Bibliographical Study of Buddhist Literature Published at SSanggyesa Temple in Choongnam Provinces." Journal of Studies in Bibliography ll, no. 78 (2019): 175–212. http://dx.doi.org/10.17258/jib.2019..78.175.

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Murdihastomo, Ashar. "Dua Tipe Ornamentasi Candi Perwara di Kompleks Candi Sewu." KALPATARU 27, no. 2 (2018): 66. http://dx.doi.org/10.24832/kpt.v27i2.462.

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AbstractSewu Temple, located in Prambanan, is one of the Buddhist temple complex that have lots of uniqueness. One of the uniqueness can be seen on Perwara Temple that have two ornamentations. But, many scholars never make the research about it. Therefore, in this article, I want to describe the background of the two ornamentations on perwara temple. The research is carried out by observation and literature study. From the research, I find out that the two ornamentations on perwara temple in Sewu Temple complex have relation with the religion conception.Keywords: Buddha, Sewu Temple, perwara t

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26

Davis, Jordan. "Buddhist Epigraphy and Traditions of Writing in the Northern Dynasties." Journal of Chinese Literature and Culture 7, no. 2 (2020): 287–312. http://dx.doi.org/10.1215/23290048-8745632.

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Abstract Over the past several decades, hundreds of donor inscriptions (zaoxiangji 造像記) and works of Buddhist epigraphy have been discovered, making them an abundant historical source on medieval China. To date, research related to these artifacts has mainly concentrated on the religious and political function of these inscriptions. This article, considering the literary and cultural aspects of these pieces, investigates how Buddhist epigraphy can be used to trace the development of traditions of writing during the Northern Dynasties period. It starts by analyzing a seldom-researched inscripti

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Lee, Kwang Bae. "A Study on the History and Style of the Sangwon Temple Bell in Mt. Yongmun - With a focus on its relation of negotiation with medieval Japanese Buddhist temple bells –." Art History 43 (February 28, 2022): 31–54. http://dx.doi.org/10.14769/jkaahe.2022.02.43.31.

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Kim, Sohye, Mira Kim, Naka, Nanae Naka, and Hoon Lee. "How can temple food be developed as a wellness tourism product?: Focusing on the individuality and commonality of temple food offerings." Tourism Sciences Society of Korea 48, no. 3 (2024): 9–29. http://dx.doi.org/10.17086/jts.2024.48.3.9.29.

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Empirical research on wellness tourism has focused on either nature-based experiences or medical tourism activities. To fill this gap, the purpose of this study is to analyze the wellness tourism factors related to temple food services and suggest the future direction of temple food as a cultural wellness tourism resource. Using qualitative content analysis, data were collected from the promotional texts written by temple food providers in Korea and Japan and analyzed sequentially as follows: (a) extracting main categories and sub-categories based on extant literature on wellness tourism, (b)

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Li, Jun-Jun, та Ji-Sung Song. "Design Approach Research Using Stable Diffusion AI-Generated Images : Focusing on the Buddhist Figurine Designs of Longxing Temple (龍興寺) at Qingzhou Museum". korea soc pub des 12 (31 грудня 2024): 86–101. https://doi.org/10.54545/kspd.2024.12.86.

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This study focuses on utilizing Stable Diffusion technology to assist hand figurine design, exploring innovative methods through image generation AI to create unique Buddhist statue hand figurines. The research centers on the hand figurine of the Longxing Temple Buddha from the Cheongju Museum, explaining the principles of the technology and the characteristics of visual creation through literature and case studies. It analyzes the concept of hand figurines and explores the aesthetics of Buddhist statues and the SWOT analysis of the hand figurine market, identifying design challenges. Based on

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Park, Kwangyoun. "Buddhist Temple, Literature and Excavation Materials - History of Cheonryongsa (天⿓寺) in Gyeongju -". JOURNAL OF THE RESEARCH INSTITUTE FOR SILLA CULTURE 64 (30 червня 2024): 7–30. http://dx.doi.org/10.37280/jrisc.2024.6.64.7.

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31

Setiawan, Budiana. "DECLARATION OF PRAMBANAN TEMPLE AND BOROBUDUR TEMPLE AS PLACES OF WORSHIP FOR HINDUS AND BUDDHISTS: A Process of Tarka Vāda (Negotiation) Towards A Memorandum of Agreement." Veda Jyotih: Jurnal Agama dan Sains 2, no. 2 (2024): 91–110. http://dx.doi.org/10.61330/vedajyotih.v2i2.60.

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In the beginning of 2021, the Minister of Religious Affairs conveyed the idea of creating Borobudur Temple and Prambanan Temple as places of worship for Buddhists and Hindus. The Minister of Religious Affairs's statement was followed up with the formation of the Working Team of the Temple Designation. The purpose of the formation of the working team was to prepare a memorandum of agreement between the Directorate General of Culture and the Director General of Hindu Community Guidance and the Director General of Buddhist Community Guidance. However, the signature of the memorandum of agreement

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Menyaev, B. V. "Collection of Manuscripts in Oirat in Ulan-Khol khurul of Kalmykia." Orientalistica 5, no. 5 (2022): 1113–32. http://dx.doi.org/10.31696/2618-7043-2022-5-5-1113-1132.

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This article presents a brief overview of the collection of manuscripts in the Oirat language stored in the fund of the Ulan-Khol Temple of the Republic of Kalmykia. The collection under consideration is relatively small (50 manuscripts), but it contains very interesting materials. The manuscripts of the Ulan-Khol Temple were a part of a significant collection of Buddhist writings in Tibetan, Old Mongolian and Oirat in the library of the Shars-Bagut (Northern) Temple, which was located from 1889 to 1939 in the area of Bora, Shars-Bagut aimak located in Erketenevsky ulus. The manuscripts were t

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Kwak, Mira, and boyoun Lim. "The aspect and meaning of Chinese poetry included in the Buddhist magazine 『Joseonbulgyowolbo』 in the 1910s." Daedong Hanmun Association 82 (April 30, 2025): 259–87. https://doi.org/10.21794/ddhm.2025.82.259.

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Joseonbulgyowolbo is the first comprehensive magazine of modern Korean Buddhism in existence, and contains a wide range of articles, historical records, translations, and literature, and is especially noteworthy in that it contains over 300 original Chinese poems. This means that the magazine played an important role in embodying Buddhist thought in literature beyond the function of conveying information and missionary work, but little research has been done on this to date. Therefore, this study examined what Buddhist magazines actively used the Chinese poetry style in the modern changes of K

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Su, Guiyu, and Yaoping Liu. "Fo Guang Shan’s Expansion in the Religious Market of Thailand." Poligrafi 27, no. 105/106 (2022): 85–103. http://dx.doi.org/10.35469/poligrafi.2022.343.

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As one of the prominent Mahayana Buddhist institutions from Taiwan, Fo Guang Shan (FGS) entered the religious market of Thailand as early as the 1990s. Its influence has grown tremendously among the local Chinese communities and Thai society. Despite this, there is a dearth of scholarship dedicated to FGS’s market expansion in Theravada-dominated Thailand. Through a SWOT analysis, this paper explores FGS’s marketing strategy for the Thai religious market. The findings suggest that FGS bears certain strengths, such as its appealing humanistic Buddhist doctrine, gift-giving networking skills and

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Damai, Andry Hikari, Theodorus Aries Bryan Nugraha Setiawan Kusuma, and Andika Witono. "Komunikasi Visual Dalam Relief Karmawibhangga Candi Borobudur." PANALUNGTIK 3, no. 2 (2020): 105–16. http://dx.doi.org/10.24164/pnk.v3i2.44.

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Relief is a 3-dimensional work of art carved on a rock that is related to religious teachings, both Hindu and Buddhist. Relief is used to show religious lessons to followers, one of the relief is the Karmawibhangga relief found in Borobudur Temple which explains about karma law lessons using the community background at that time. This research will discuss the problem of depicting life in Karmawibhangga relief which can be a visual communication medium in the Mataram Kuno era. The purpose of this research was to determine the role of reliefs related to the values of social life and the values

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Hari Inagurasi, Libra. "THE The Ornaments Of Langgar Bubar, Kudus: Type And Placement." Jurnal Sociohumaniora Kodepena (JSK) 4, no. 2 (2023): 286–2293. http://dx.doi.org/10.54423/jsk.v4i2.140.

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Fine arts have been known since prehistoric times, as seen in the caves in Maluku. During the historical period, under the Hindu-Buddhist influence, it could be seen in the temple reliefs, such as Borobudur Temple, and statues depicting Hindu gods. The decline of Majapahit, a Hindu-Buddhist kingdom on Java island, was followed by Islam's rise in the 16th century. Centers for the spread of Islam emerged on the island of Java, including Kudus. This paper aims to describe the decoration of Langgar Bubar, a sacred building that functioned as a worshipping place around the 16th century. Langgar Bub

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Kim, Sung Soon, та Young Uk Um. "Chinese Jingshan Tea Ceremony (徑山茶宴) as a UNESCO Intangible Cultural Heritage - From 'Qinggui'(淸規) to Digital Tourism Resources". Society for Chinese Humanities in Korea 88 (31 грудня 2024): 185–201. https://doi.org/10.35955/jch.2024.12.88.185.

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In 2011, the Jingshan Tea Ceremony was included on the third national list of intangible cultural heritage artifacts and was selected as a representative of “Traditional Chinese Tea Manufacturing Techniques and Related Folklore” for the UNESCO Intangible Cultural Heritage Representative List in November 2022. The popular tea ceremony was incorporated during the process of the sinicization of Buddhism, establishing related etiquette on par with Confucian rituals. As Zen Buddhist temples spread in southern China during the Tang dynasty, a trend naturally emerged among monks to combine meditation

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Handayani, Tikasari, Ida Ayu Suryasih, and I. Nyoman Sunarta. "Strategi Pengembangan Wisata Sejarah Di Daya Tarik Wisata Candi Sumberawan, Kabupaten Malang, Jawa Timur." JURNAL DESTINASI PARIWISATA 12, no. 2 (2024): 303. https://doi.org/10.24843/jdepar.2024.v12.i02.p16.

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Tourism with historical aspects offers significant opportunities to attract the attention of tourists due to the diversity of stories and backgrounds associated with each historical relic across different regions in Indonesia. One such example is the Sumberawan Temple, a historical tourism attraction in Malang Regency. The uniqueness of Sumberawan Temple as the only Buddhist stupa in East Java Province creates its own allure. This research aims to analyze strategies that can be implemented to develop the historical tourism appeal of Sumberawan Temple in Malang Regency, East Java. This study ut

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Maseleno, Andino, Tri Susilowati, and Rahul Chauhan. "ETHNOMATHEMATICS WAT HUA LAMPHONG TEMPLE." Hipotenusa Journal of Research Mathematics Education (HJRME) 7, no. 2 (2024): 79–91. http://dx.doi.org/10.36269/hjrme.v7i2.2636.

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In Thailand alone there are more than 35,000 temples, ranging in size from magnificent to simple. One of them is the prominent temple in Bangkok, Wat Hua Lamphong. Wat hua Lamphong is a Royal Buddhist temple, classified as third-class, located in Bangkok's Bang Rak District, Thailand. Located on Jalan Rama IV, it functions centers for spiritual guidance, education, and community activities.The purpose of this study is to describe the results of mathematical exploration as a cultural product through the ethnomathematical bridge to Wat hua Lamphong Temple. The results of this research are presen

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Tricahyono, Danan, Akhmad Arif Musadad, and Triana Rejekiningsih. "Integrasi Media Berbasis Peta Persebaran Candi Hindu-Budha Di Tulungagung Dengan Pendekatan Kontruktivisme Dalam Pembelajaran Sejarah." Diakronika 21, no. 2 (2021): 101–20. http://dx.doi.org/10.24036/diakronika/vol21-iss2/205.

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Abstract History learning should be done creatively and innovatively that interests students. This research provides an alternative framework for historical learning by packaging materials spreading Hindu-Buddhist temples in Tulungagung with a constructivism approach. This study uses the literature study method. The data source comes from books, articles, and research report results that fit the topic. Various library materials are processed, identified, analyzed, and reflected to create new findings. As a result, there are seven temple sites in Tulungagung Regency, namely Boyolangu Temp

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V, Gunapalasingam. "Small Deity Worship in Sri Lanka: A Comparative Study Based on Hindu and Buddhist Religious Traditions." International Research Journal of Tamil 3, no. 4 (2021): 99–107. http://dx.doi.org/10.34256/irjt21413.

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The People who have not only multi ethnic, multi -religious and multi -languages in Sri Lanka but also, they follow different beliefs and cultural traditions as well. Hindu and Buddhist religious and cultural traditions are very prominent in Sri Lanka. Even though India is the root cause for the prevailing Hindu and Buddhist traditions in Sri Lanka, both the traditions and its worships and beliefs have unique and independent characteristics different from India. Small deity worship comprises of unique and independent characteristics in Sri Lanka. Small Deity worship in Hindu tradition: Kazhipp

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임기영. "A Bibliographical Study of Buddhist Literature Published at Seokwang Temple(釋王寺) in Hamkyung Provinces". Journal of the Institute of Bibliography ll, № 54 (2013): 295–357. http://dx.doi.org/10.17258/jib.2013..54.295.

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Park, Sohyun, and Hyunsil Shin. "A Study on the Aesthetic Thought of Confucian Landscape and Garden Philosophy : Focusing on Woljeongsa Temple on Mt. Odaesan." Barun Academy of History 24 (February 28, 2025): 181–208. https://doi.org/10.55793/jkhc.2025.24.181.

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During the Joseon period, as travel culture flourished, numerous Confucian literati visited Woljeongsa Temple on Mt. Odaesan, renowned as a sacred site of Mañjuśrī, and composed literary works in its honor. Among these, travelogues (遊記文, yugimun) depicting the scenic spots and surrounding landscapes of Woljeongsa align with the fundamental nature of travel literature as records of firsthand experience. Meanwhile, poetic works, which emphasize conciseness and aesthetic depth through imagery (意象, yixiang) and artistic conception (意境, yijing), reflect the fusion of subject and object in the liter

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*, Suryani, Julia Surya, Partono Nyanasuryanadi, and Budi Utomo. "KOMUNIKASI INTERPERSONAL BUDDHA DAN IMPLEMENTASI DALAM PELAYANAN KEPADA UMAT." Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan 24, no. 1 (2024): 75–85. https://doi.org/10.32795/ds.v24i1.5930.

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Human beings, as social creatures, consistently engage in interactions within both their families and organizational or community environments. Communication is a fundamental aspect of these interactions, and ethical communication practices should be carefully observed. Communication involves two individuals and is referred to as interpersonal communication. Throughout his life, Buddha demonstrated numerous examples of how he interacted with his followers. He consistently employed a gentle approach, providing understanding in the face of any issues and responding with compassion. Temples, whic

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Kuzhel, Yu L., and T. I. Breslavets. "Semantics of Attributes of Japanese Buddhist Sculpture." Vestnik NSU. Series: History and Philology 21, no. 10 (2022): 89–101. http://dx.doi.org/10.25205/1818-7919-2022-21-10-89-101.

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The article is devoted to the description and analysis of some iconographic elements inherent in Buddhist cult sculpture, which made communication between a person and a deity possible. The set being analyzed in this article, which is distinguished by its diversity, is limited to attributes that the deities hold in their hands, as well as crowns crowning the heads of deities, since they occupy a particularly important place in the structure of Buddhist iconography. The various identification marks endowed with Buddhist deities, in general, remain unchanged. As symbols, since images of deities

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Trubnikova, Nadezhda N. "Incarnated Bodhisattva: A Record of the Commemoration of Princess Sonshi." Study of Religion, no. 2 (2019): 66–76. http://dx.doi.org/10.22250/2072-8662.2019.2.66-76.

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The article describes one of the examples of the ganmon genre in Japanese Buddhist literature: the text of Yoshishige-no Yasutane (933–1002), compiled in 985 for the commemoration rite of Princess Sonshi (addressee of Sanbō ekotoba) and included into the Honchō Monzui collection. In this ganmon, a noble woman appears as the incarnation of bodhisattva: although in childhood and youth the princess was a priestess of Kamo shrine, then became the sovereign's wife and only became a nun shortly before her death, her life choice is described as moving along the path of the Buddha to the rebirth in Pu

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S, Jeyashree. "Rama Ravana Battle Scenes in Tamil Temple Sculptures." International Research Journal of Tamil 4, SPL 2 (2022): 349–56. http://dx.doi.org/10.34256/irjt22s253.

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The Ramayana and the Mahabharata are immortal epics that are the treasury of Indian culture. Both epics convey the values and ideals that people need. The Ramayana written in the Northern language by Valmiki is in some way the source for other Indian language Ramayanas. Kambana in Tamil and Konaputharetti in Telugu have composed Kambaramayana and Iranganatha Ramayana respectively. Sculptures can be found in the temples of Tamil Nadu including these three language Ramayanas. Thus, it is possible to realize that literature and art are interrelated. Many of the Alvars in the Vaishnava literary fo

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Holm, David. "Roads to the Sky: Indic Ritual Elements in the Vietnam-China Borderlands and Their Maritime Transmission." Religions 15, no. 12 (2024): 1551. https://doi.org/10.3390/rel15121551.

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One of the basic features of shamanic rituals cross-culturally in East and Southeast Asia is that the ritual itself is structured as a journey up to the sky, climbing the world mountain or the world tree, or else a journey down to the bottom of the sea and back again. The shamanic retinue is understood to make this journey in person, rather than, as in Daoist ritual, sending divine emissaries up to the highest heavens. The journey is conducted through narrative song and dance, accompanied by strings of bells and lutes. The point of departure is the physical village or village household where t

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Sita Ridwan, Rida. "Marriage in Hindu and Buddhist Traditions: Exploring the Differences in Concepts and Practices in Indonesia." SMARATUNGGA: JURNAL OF EDUCATION AND BUDDHIST STUDIES 4, no. 2 (2024): 91–104. https://doi.org/10.53417/sjebs.v4i2.128.

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This study explores the similarities and differences in perspectives on marriage within Hinduism and Buddhism, focusing on their spiritual concepts and social functions in the Indonesian context. Using a qualitative approach, data was collected through observations at the Vipassana Meditation Center Graha Vihara Bandung and the Wira Loka Natha Grand Temple in Cimahi, West Java, interviews with religious figures, and reviews of sacred texts and relevant literature. The findings reveal that in Hinduism, marriage is a sacred religious duty that integrates spiritual and social dimensions, where co

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Cho, Weonchang. "Meaning of Completion of Hwangnyongsa and Existence of the First Buddhist Temple from Archeological References and Literature References." Paek-San Society 110 (April 30, 2018): 97–126. http://dx.doi.org/10.52557/tpsh.2018.110.97.

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