Academic literature on the topic 'Buddihist'

Bangladesh is full of natural beauty. Rivers, coasts and beaches, archaeological sites, religious places, hills, forests, waterfalls, tea gardens surround it. The Sundarban, Historic Mosque in city of Bagerhat, Ruins of the Buddihist Vihara at Paharpur are the three world heritage sites in Bangladesh among 1007. To observe the beauty of nature, huge amount of domestic and foreign tourists visit the country and its tourist attraction sites. In 2012, around six-lakh (6 hundred thousand) tourists came Bangladesh to visit and enjoy its beauty. The total contribution of tourism to GDP was 4.4%, 3.8% to employment and 1.5% to investment in 2013. Bangladesh Parjatan Corporation (BPC) looks after the tourism sector in Bangladesh under the ministry of Civil Aviation and Tourism. Due to some limitations, Bangladesh has failed to introduce itself as a tourist destination country. The paper tries to focus on the attractive tourist spots of Bangladesh and the contribution of tourism in the Bangladesh economy. The major concern of the writer is to highlight the factors by which Bangladesh can be one of the major tourist attractive country in the world in near future.

碩士
國立臺灣師範大學
台灣文化及語言文學研究所
99
In modern Buddhist literature field territory, Liang Han Yi is no doubt the representing writer. At first, she is not only a novelist, but also an essayist, a biography writer. Besides, she highly controls different kinds of novel techniques, and accurately understands the Buddhism righteousness principle. Since she concerns about how Buddhism and literature blends with each other, she also has some theses focus on this issue. Finally, her realization of the practice process ─ from the Arhat said to the Bodhisattva said, is the main concern of her writing. She also takes the Bodhisattva said as the value and the spirit of Buddhist literature. In the modern novel history, Liang Han Yi’s novels intermix the stream of consciousness, the magic realism, and collage techniques. Out of counter-practical intention, these novel techniques have abnormal expressions. The techniques and contents in her novels full of openness and resilience, which is just the core spirit of the latter modernism. Liang Han Yi’s novels let us conscious that the modernism and the latter modernism come from the same origin─ counter-practical intention. In this way we can understand the Taiwan literature history all the better for responsing the question─ we make the latter modernism or the the latter colonizes to stand for the 80s. There are many theses discuss Liang Han Yi’s writing. But these past research results seldom deeply cut into the text. In this way, there are some biased views. This dissertation focuses on Liang Han Yi’s Buddhism novels. Observe them through the new novel techniques, modern Buddhist literature field territory, and Narrates study. In this way I can summarize Liang Han Yi’s contribution and characteristic in the modern Buddhist literature field territory and the modern novel history.

碩士
輔仁大學
圖書資訊學系碩士班
106
The history of ancient Chinese classics had a long-standing historical development and was very well-developed with the extremely early rise of the engraving. Since late Tang Dynasty, engraving printing had been developed rapidly and reached a matured and perfect condition until Song Dynasty. No matter it was an official carved publishing or a private and bookstore carved publishing, it was in a self-contained system and prosperous. In the process of development of woodblock printing, the circulation of Buddhist scriptures and the high demands of the majority of believers were also the most important keys to promoting forward of ancient Chinese typography. 　Buddhism originated in India and was introduced to China about the Eastern Han Dynasty. A large number of Buddhist books were translated into Chinese characters with Buddhism into Chinese culture. The spread of Buddhist books was gradually evolved from handwritten to engraving. The Ming Dynasty published Buddhist books undertook the two left behind glorious results of Song and Yuan Dynasty. Based on this cornerstone, it pushed the publishing of the Buddhist sutras to another peak. During the Ming Dynasty, both official and civilian had launched several large-scale engraved printing of Buddhist Tripitaka(藏經), which had a far-reaching and widespread impacted on the spread and circulation of the Buddhist scriptures. 　In this study, based on the Ming Dynasty Buddhist books collected by the National Central Library, is the main object of this essay. We have selected 10 publishing units that were more representative and 112 donators of Buddhist publishing books, as well as explored related historical facts, many of its cultural and publishing businesses during the Ming Dynasty. In terms of the publishing of Buddhist books, we discussed from three aspects: acquisitions, collation, and publication. According to the acquisitions categories, it is divided into monastic acquisitions and private acquisitions. In terms of the publishing activities of Buddhist books, we have comprehensively analyzed the characters and units related to Buddhist book engraved, based on four aspects: official publishing, monastic publishing, private publishing and cooperative publishing. All the purpose is to provide a more detailed historical exploration of the publishing of Buddhist books in the Ming Dynasty and obtain more in-depth perspectives and cognition.

Thesis (M.S.)--University of Wisconsin--Madison, 1992.
Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 191-202).

碩士
華梵大學
東方人文思想研究所
99
Summary After Buddhism is introduced to China, in the Eastern Jin Dynasty, because of the atmosphere talked prevailed at that time, intelligent long-range teacher come doses of justice Buddhism classics with concept of Laozi & Zhuangzi, in advocate by the a lot of people even at that time. The sramana in India does not need to offer with monarch's gift, but reached China the emperor is one of the Ninth Five-Year Plan Period, it is king of land concept all over the world, conflict with higher than kings in the Indian sramana positioning, propose far intelligently < On Why Monks Do Not Bow Down Before Kings > Reason. This text is comparison and discussion among the Sino-India culture, explain the view on the gift from the traditional thinking of Chinese the Confucian school, in the ones that put forward from the intelligent long-range teacher < On Why Monks Do Not Bow Down Before Kings >, demonstrate the dispute among royal power and religious authority, until Huiyuan and many book of human world HuanXuan sent to offer play exchanges make, study mainly. Another one is set about by the culture of India, early India takes Brahmanism as the core, one religious sect that Buddhism produce just in being, so early law allusion four caste " Manusmrti ", of Brahmin make, set out from India, it was the Brahmin that was mainly probed into and stopped the relation among emperor's profit. Come, make, compare with China and Buddhism culture of India with, study, belong to separation of religion from politics because of politics and religion in China, but politics and religion in India are integrated, this is very different one points on Sino-India culture too. But China can hold many kinds of different culture most magically, and Buddhism is from what China begins to develop too, therefore can know the abundance of Chinese culture is with the forgiving. Probe into and analyze from a whole train of thought, let readers have more understanding to the intelligent long-range teacher, utilize < On Why Monks Do Not Bow Down Before Kings >, reflect what kind of impressions there are in the Chinese society at that time for Buddhism, probe into closing in India of Buddhism by " Manusmrti " at the same time, let everybody have more understanding to culture of early Buddhism. Key word: Manusmrti ,On Why Monks Do Not Bow Down Before Kings, Mencius, The Analects of Confucius, Hui yuan.