Relevant bibliographies by topics / Buffalo Bill's Wild West

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Buffalo Bill's Wild West'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Buffalo Bill's Wild West"

1

Fees, Paul. "BUFFALO BILL'S: WILD WEST." Sculpture Review 48, no. 4 (1999): 8–11. http://dx.doi.org/10.1002/j.2632-3494.1999.tb00040.x.

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Scarangella, Linda. "Fieldwork at Buffalo Bill's Wild West Show." Anthropology News 46, no. 5 (2005): 17–19. http://dx.doi.org/10.1525/an.2005.46.5.17.

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Moses, L. G., and Joy S. Kasson. "Buffalo Bill's Wild West: Celebrity, Memory, and Popular History." Journal of American History 88, no. 3 (2001): 1090. http://dx.doi.org/10.2307/2700460.

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Warren, Louis S., and Joy S. Kasson. "Buffalo Bill's Wild West: Celebrity, Memory, and Popular History." Western Historical Quarterly 32, no. 4 (2001): 504. http://dx.doi.org/10.2307/3650807.

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Reddin, Paul, and Joy S. Kasson. "Buffalo Bill's Wild West: Celebrity, Memory, and Popular History." American Historical Review 106, no. 4 (2001): 1366. http://dx.doi.org/10.2307/2693007.

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Meethan, Kevin. "Touring the other: Buffalo Bill's Wild West in Europe." Journal of Tourism History 2, no. 2 (2010): 117–32. http://dx.doi.org/10.1080/1755182x.2010.498588.

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Smoak, Gregory E., and Sam A. Maddra. "Hostiles? The Lakota Ghost Dance and Buffalo Bill's Wild West." Western Historical Quarterly 38, no. 3 (2007): 387. http://dx.doi.org/10.2307/25443574.

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Leckie, Shirley A. "Buffalo Bill's America: William Cody and the Wild West Show." Western Historical Quarterly 38, no. 2 (2007): 215. http://dx.doi.org/10.1093/whq/38.2.215.

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Teague, Alexandra. "Buffalo Bill’s Wild West." Missouri Review 36, no. 4 (2013): 51–52. http://dx.doi.org/10.1353/mis.2013.0098.

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Rimer, Graeme. "Buffalo Bill’s Wild West." Royal Armouries Yearbook 4, no. 1 (1999): 14–20. http://dx.doi.org/10.1080/30650682.1999.12426652.

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Dissertations / Theses on the topic "Buffalo Bill's Wild West"

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Delaney, Michelle Anne. "Advance work : art and advertising in Buffalo Bill's Wild West." Thesis, University of Strathclyde, 2018. http://digitool.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=30538.

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This analysis of the visual record of Buffalo’s Bill Wild West posters in the United States provides the first scholarly interpretation focused on the commercial print production and related cultural impact of the show on American and international audiences, and is divided into two sections: Inventing Buffalo Bill’s Wild West, and Visualizing Buffalo Bill’s Wild West. Part One interprets the history of the art, advertising, and commercial prints developed for the Wild West. Part Two includes overview and analysis of the visual culture of the Wild West for U.S. tours, the importance of the Str
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2

Dixon, Christopher. "The visit by Buffalo Bill's Wild West to Barcelona, December 1889 - January 1890." Thesis, University of Strathclyde, 2014. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=23118.

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Previous scholarship suggests that the five weeks that Buffalo Bill's Wild West Exhibition spent in Barcelona in the winter of 1889-1890 was the low point of its various European tours if not indeed of its entire existence. The present study challenges that interpretation on the basis of evidence from a substantial body of contemporary sources in Catalan, English and Spanish, including newspaper and magazine coverage of the tour from Spain and the United States, previously unpublished correspondence and memoires by company members, together with official records. It argues for a re-evaluation
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Maddra, Sam Ann. "'Hostiles' : the Lakota Ghost Dance and the 1891-92 tour of Britain by Buffalo Bill's Wild West." Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/3973/.

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This dissertation concentrates on both the Lakota Ghost Dance of 1890 and on Buffalo Bill’s Wild West from 1890 through to 1892, exploring the nature, the significance and the consequence of their interaction at this particularly crucial time in American Indian history. The association of William F. Cody’s Wild West with the Lakota Ghost Dance has produced evidence that offers a new insight into the religion in South Dakota. Further, it questions the traditional portrayal of the Lakota Ghost Dance, which maintains that the leaders ‘perverted’ Wovoka’s doctrine of peace into one of war. It is c
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Slagle, Jefferson D. "In the flesh authenticity, nationalism, and performance on the American frontier, 1860-1925 /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1150295077.

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Books on the topic "Buffalo Bill's Wild West"

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Pegler, Martin. Buffalo Bill's wild west. Royal Armouries, 1999.

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2

Gallop, Alan. Buffalo Bill's British Wild West. Sutton, 2001.

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3

Greg, Martin, Beard Peter H. 1938-, Sandberg Douglas, Michael Del Castello Collection of the American West., Buffalo Bill Museum (Cody, Wyo.), and Autry Museum of Western Heritage., eds. Buffalo Bill's Wild West: An American legend. Random House, 1998.

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4

Jaroslav, Čvančara, ed. Když u nás byl Buffalo Bill. Academia, 2017.

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5

Sorg, Eric V. Buffalo Bill: Myth and reality. Ancient City Press, 1998.

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6

Bussoni, Mario. Buffalo Bill in Italia: L'epopea del Wild West Show. Mattioli 1885, 2011.

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7

Warren, Louis S. Buffalo Bill's America: William Cody and the Wild West Show. Alfred A. Knopf, 2005.

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8

Warren, Louis S. Buffalo Bill's America: William Cody and the Wild West Show. Vintage Books, 2006.

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9

Warren, Louis S. Buffalo Bill's America: William Cody and the Wild West Show. Alfred A. Knopf, 2004.

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10

Gaspa, Pier Luigi. Buffalo Bill: L'uomo, la leggenda, il West. Imprimatur, 2016.

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Book chapters on the topic "Buffalo Bill's Wild West"

1

Springhall, John. "Buffalo Bill’s Wild West: American Culture Crosses the Atlantic." In The Genesis of Mass Culture. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612129_6.

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Flint, Kate. "Buffalo Bill’s Wild West and English Identity." In The Transatlantic Indian, 1776-1930. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691203188.003.0009.

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This chapter examines the image of the Indian put across by William Cody in his Wild West Show. The ethos and implications of Buffalo Bill's Wild West Show have recently received a good deal of thoughtful academic attention. But understanding the ways in which Buffalo Bill's show was received in Britain, not just in 1887 but on its subsequent visits, involves exploring not only what British spectators might be encouraged to internalize about the American-ness from the shows themselves, but also what is revealed about perceptions of British national identity from their reception. The chapter th
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3

"Buffalo Bill’s Wild West Flyer." In Milestone Visual Documents in American History. Schlager Group Inc., 2022. https://doi.org/10.3735/9781935306733.book-part-059.

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William F. “Buffalo Bill” Cody (1846–1917) began his rise to fame at the age of twenty-three when he met a pulp novelist, Ned Buntline, who based his novels loosely on Cody’s adventures as a scout, Pony Express rider, Civil War soldier, and bison hunter in the West. Those novels, and many others like them, gave rise to a national mania for the rough, rollicking, boisterous western frontier. In 1872 Buntline produced a theatrical show, The Scouts of the Prairie, with Cody himself as the star. Then in 1883, Cody opened his own show, called Buffalo Bill’s Wild West, a type of living history that
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Maddra, Sam. "Chapitre 9. Les Amérindiens dans le Buffalo Bill's Wild West Show." In Zoos humains et exhibitions coloniales. La Découverte, 2011. http://dx.doi.org/10.3917/dec.blanc.2011.01.0142.

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"Buffalo Bill’s Wild West and English Identity." In The Transatlantic Indian, 1776-1930. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvvh8503.13.

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"Chapter Nine. Buffalo Bill’s Wild West and English Identity." In The Transatlantic Indian, 1776-1930. Princeton University Press, 2009. http://dx.doi.org/10.1515/9780691210254-011.

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"3. Buffalo Bill’s Wild West and the Codification of the Western." In The American Western. Edinburgh University Press, 2007. http://dx.doi.org/10.1515/9780748629442-004.

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Barabas, Timea. "12. The Call of the Wild: A Sociological Sketch of Buffalo Bill’s Wild West in Banat and Transylvania." In Staged Otherness. Central European University Press, 2021. http://dx.doi.org/10.1515/9789633864401-013.

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Scheie, Timothy. "The modernity of tradition and the cinematic Camargue." In French Westerns. Edinburgh University Press, 2024. http://dx.doi.org/10.3366/edinburgh/9781399520379.003.0005.

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This chapter traces the genealogy of the cinematic Camargue, the distinct region on the Mediterranean coast where many of the pre-1914 French Westerns were made. Filmmakers and Provençal nationalists, each with their purpose, drew inspiration from Buffalo Bill Cody’s Wild West to shape the images of the region seen on the screen. However, in the 1920s and 1930s, films set in a traditional Camargue eliminate the overtly western elements that sowed ambiguity in the earlier productions. Nonetheless, the traditions, people, and landscapes in these films remain, in significant measure, a modern cre
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Frisken, Amanda. "“A First-Class Attraction on Any Stage”." In Graphic News. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252042980.003.0004.

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This chapter examines the 1890 Ghost Dance, a nonviolent religious practice among the Lakota Sioux. In covering the Ghost Dance, daily newspaper editors Joseph Pulitzer (the New York World) and William Randolph Hearst (the San Francisco Examiner), along with the New York Herald and ChicagoTribune, experimented with the limits of news illustration. Their images mischaracterized the dance as a declaration of war, contributing to events leading to the massacre at Wounded Knee. Their quest for illustrations that were both “authentic” (photograph-based) and dramatic led editors to appropriate image
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