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Journal articles on the topic 'Buffalo Bill'

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Published: 4 June 2021
Last updated: 27 July 2024

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1

Toerien, Barend J., and Breyten Breytenbach. "Buffalo Bill." World Literature Today 59, no. 3 (1985): 479. http://dx.doi.org/10.2307/40141069.

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2

Rulli, Daniel. "Buffalo Bill." Teaching History: A Journal of Methods 31, no. 2 (September 1, 2006): 90–95. http://dx.doi.org/10.33043/th.31.2.90-95.

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When I was growing up, the most famous and popular building in my hometown of Sheridan, Wyoming, was the Sheridan Inn because it was once owned by William F. "Buffalo Bill" Cody. Nearly everything he was associated with became as well known as he. "Perhaps no popular idol ever lived who is so well known as "Buffalo Bill" reads the document featured in this article, an advertisement for Buffalo Bill's three-reel film biography that appeared in the 1912 issue of The Moving Picture World magazine. With the announcement of the film in May of 1912, The Moving Picture World stated," ... no doubt with the great popularity of Wm. F. Cody, who is retiring to private life after having toured the world for thirty years as America's representative frontiersman and Wild West hero, these pictures, depicting actual happenings in the life of the Last of the Great Scouts, should prove to be one of the most successful features yet offered to the showmen of America." According to the magazine's January 4, 1913, issue, "the 'Life of Buffalo Bill' has re-awakened great interest in the western productions of a historical nature ... playing to record breaking houses .... shown after school hours, the picture seems to appeal chiefly to school children." This document advertised not only Buffalo Bill Cody's film biography but his life as well for Cody embodied the West for millions of Americans. He helped create an image of the West that was part of a national myth about frontier life. Elements of that myth still exist today.
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3

Murphy, J. T. "Buffalo Bill Cody." Annals of Iowa 79, no. 1 (January 2020): 95. http://dx.doi.org/10.17077/0003-4827.12647.

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4

I Komang Arsa Adi Winarta, Ni Wayan Suastini, and I Gusti Agung Sri Rwa Jayantini. "FLOUTING MAXIM AS SHOWN BY CHARACTERS IN A NOVEL ENTITLED BUFFALO BILL, THE BORDER KING." ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies 2, no. 1 (April 27, 2022): 119–29. http://dx.doi.org/10.36733/elysian.v2i1.3707.

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This study aims to determine the types of flouting maxim found in Buffalo Bill's novel and to find out the reasons for the characters to flouting the maxims. The researcher used the theory by Grice (1975) to find out the types of maxims in Buffalo Bill's novel, and Cutting (2002) theory to find out the strategies of characters in Buffalo Bill's novel violate these maxims. The data is collected from the novel Buffalo Bill, The Border King where the novel tells the reader about the life story of William F. Cody or known as Buffalo Bill during the Civil War. It was written by Colonel Ingraham and Ned Buntline and published by STREET & SMITH in 1907. The story focuses on the journey of Buffalo Bill. As a result of the analysis of research data, four types of maxim violations were committed by the characters in the novel Buffalo Bill. There is a flouting of maxim of quantity, flouting of maxim of quality, flouting of maxim of relevance, and flouting of maxim of manner. There are a total of twenty records found in Buffalo Bill's novel. flouting of maxim of quantity appears 10 times (47.7%), flouting of maxim of quality does not occur (0%), flouting of maxim of relevance appears 9 times (47.7%), and maxim of manner appears once (4,6%). In the strategy of the characters in the novel Buffalo bill violating the maxims, there are five types of causes for the characters to violate the maxims.
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5

Herman, Daniel Justin. "God Bless Buffalo Bill." Reviews in American History 29, no. 2 (2001): 228–37. http://dx.doi.org/10.1353/rah.2001.0029.

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6

Datta, Venita. "Buffalo Bill Goes to France." French Historical Studies 41, no. 3 (August 1, 2018): 525–55. http://dx.doi.org/10.1215/00161071-6682156.

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7

Buckley, Peter G. "The Case Against Ned Buntline: The “Words, Signs, and Gestures” of Popular Authorship." Prospects 13 (October 1988): 249–72. http://dx.doi.org/10.1017/s0361233300005299.

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Today few people read the works of E. Z. C. Judson, better known as “Ned Buntline”; at least one might have made that claim with confidence before the recent reprinting of his Adventures of Buffalo Bill (1870). He is now remembered as an early practitioner of Western scouting tales, the first promoter of “Buffalo Bill,” before William Cody jettisoned him as a liability, and as the inventor of long-barrelled six-guns, the “Buntline Specials.”
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8

Buckley, Peter G. "The Case Against Ned Buntline: The “Words, Signs, and Gestures” of Popular Authorship." Prospects 13 (October 1988): 249–72. http://dx.doi.org/10.1017/s0361233300006748.

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Today few people read the works of E. Z. C. Judson, better known as “Ned Buntline”; at least one might have made that claim with confidence before the recent reprinting of his Adventures of Buffalo Bill (1870). He is now remembered as an early practitioner of Western scouting tales, the first promoter of “Buffalo Bill,” before William Cody jettisoned him as a liability, and as the inventor of long-barrelled six-guns, the “Buntline Specials.”
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9

Rogers, Brent M. "When Buffalo Bill Came to Utah." Utah Historical Quarterly 87, no. 2 (April 1, 2019): 116–31. http://dx.doi.org/10.5406/utahhistquar.87.2.0116.

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10

Evans, Michael. "Buffalo Bill Was Not My Hero." Chicago Review 40, no. 2/3 (1994): 77. http://dx.doi.org/10.2307/25305849.

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11

Bonner, Robert E. "Buffalo Bill Cody and Wyoming Water Politics." Western Historical Quarterly 33, no. 4 (2002): 432. http://dx.doi.org/10.2307/4144767.

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12

Tompkins, Jane. "At the Buffalo Bill Museum—June 1988." South Atlantic Quarterly 89, no. 3 (July 1, 1990): 525–45. http://dx.doi.org/10.1215/00382876-89-3-525.

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13

Hall, Roger A. "Buffalo Bill's Wild West: Celebrity, Memory, and Popular History. By Joy S. Kasson. New York: Hill & Wang, 2000; pp. 319. $26.00 hardcover." Theatre Survey 42, no. 2 (November 2001): 226–28. http://dx.doi.org/10.1017/s0040557401230129.

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William F. “Buffalo Bill” Cody and his Wild West show have not wanted for ink. There are Cody's own autobiographical accounts of his frontier and his theatrical adventures, Don Russell's well-researched standards on Cody's life and the Wild West shows, Sarah Blackstone's examination of the economic basis of the Wild West show in general, Joseph G. Rosa and Robin May's pictorial biography of Cody, Paul Reddin's overview of Wild West images, and a host of other, related books. In fact, there have been so many books written about “Buffalo Bill” Cody and Wild West shows, it is somewhat remarkable that Joy Kasson has found such a productive new angle on the western hero and his dramatic presentations.
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14

Savage, William W., and Kristine Fredriksson. "American Rodeo: From Buffalo Bill to Big Business." Journal of American History 72, no. 3 (December 1985): 701. http://dx.doi.org/10.2307/1904352.

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15

Sonnichsen, C. L., and Kristine Fredriksson. "American Rodeo: From Buffalo Bill to Big Business." American Historical Review 90, no. 5 (December 1985): 1287. http://dx.doi.org/10.2307/1859847.

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16

Logsdon, Guy, and Kristine Fredriksson. "American Rodeo: From Buffalo Bill to Big Business." Western Historical Quarterly 17, no. 4 (October 1986): 477. http://dx.doi.org/10.2307/969041.

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17

Berger, Jason. "Buffalo Bill' Wild West and John M. Burke." Journal of Promotion Management 7, no. 1-2 (March 5, 2001): 225–52. http://dx.doi.org/10.1300/j057v07n01_14.

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18

Dickinson, Greg, Brian L. Ott, and Aoki Eric. "Memory and myth at the Buffalo Bill Museum." Western Journal of Communication 69, no. 2 (April 2005): 85–108. http://dx.doi.org/10.1080/10570310500076684.

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19

Jones, Jenny. "Buffalo Bill Dam: A Gateway to the West." Civil Engineering Magazine Archive 81, no. 3 (March 2011): 46–48. http://dx.doi.org/10.1061/ciegag.0000548.

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20

Schaffer, Alan, and Kristine Fredriksson. "American Rodeo: From Buffalo Bill to Big Business." Journal of Southern History 52, no. 2 (May 1986): 333. http://dx.doi.org/10.2307/2209710.

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21

REDDIN, P. "REVIEW OF BRIDGER, BUFFALO BILL AND SITTING BULL." Pacific Historical Review 73, no. 1 (February 1, 2004): 141–42. http://dx.doi.org/10.1525/phr.2004.73.1.141.

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22

Mahoney, Patrick J. "Buffalo Bill Cody or Bufló Bill Códai? Irish Nationalist Invocations of an American Icon." New Hibernia Review 23, no. 2 (2019): 31–51. http://dx.doi.org/10.1353/nhr.2019.0016.

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23

Hedren, Paul L., and Bobby Bridger. "Buffalo Bill and Sitting Bull: Inventing the Wild West." Western Historical Quarterly 35, no. 1 (April 1, 2004): 101. http://dx.doi.org/10.2307/25442958.

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24

Erisman, Fred, and Richard W. Etulain. "Telling Western Stories: From Buffalo Bill to Larry McMurtry." Journal of American History 87, no. 3 (December 2000): 1066. http://dx.doi.org/10.2307/2675365.

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25

Simonson, Harold P., and Richard W. Etulain. "Telling Western Stories: From Buffalo Bill to Larry McMurtry." Western Historical Quarterly 31, no. 2 (2000): 220. http://dx.doi.org/10.2307/970065.

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26

Carpenter, D. "Telling Western Stories: From Buffalo Bill to Larry McMurtry." American Literature 73, no. 3 (September 1, 2001): 669–70. http://dx.doi.org/10.1215/00029831-73-3-669.

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27

Hedren, Paul L. "Buffalo Bill and His Wild West: A Pictorial Biography." Utah Historical Quarterly 58, no. 2 (April 1, 1990): 211. http://dx.doi.org/10.2307/45061924.

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28

Winchester, Juti A. "New Western History Doesn't Have to Hurt: Revisionism at the Buffalo Bill Museum." Public Historian 31, no. 4 (2009): 77–79. http://dx.doi.org/10.1525/tph.2009.31.4.77.

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Abstract In early exhibition planning, Buffalo Bill Museum curatorial staff hoped to center a reinstallation around William F. Cody while reflecting thinking influenced by study of New Western History. Gallery planning included consultation with historical experts including a Lakota historian and Wild West Show Indian descendant. One section of the museum was set aside to feature a Lakota point of view concerning Indian participation in Buffalo Bill's Wild West. Visitor studies regarding the plan showed the museum's board and staff that taking a broader approach to Cody's life and including a Lakota voice would not engender public scandal but instead would pique visitor interest.
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29

Roberts, Phil. "William F. Cody’s Wyoming Empire: The Buffalo Bill Nobody Knows." Agricultural History 83, no. 4 (October 1, 2009): 539–40. http://dx.doi.org/10.1215/00021482-83.4.539.

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30

Phillips, Kendall R. "Unmasking buffalo bill: Interpretive controversy andthe silence of the lambs." Rhetoric Society Quarterly 28, no. 3 (June 1998): 33–47. http://dx.doi.org/10.1080/02773949809391123.

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31

Maus de Rolley, T. "The Meanings of Magic: From the Bible to Buffalo Bill." French Studies 64, no. 2 (March 29, 2010): 241–42. http://dx.doi.org/10.1093/fs/knp275.

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32

Nicholas, Liza. "William F. Cody's Wyoming Empire: The Buffalo Bill Nobody Knows." Western Historical Quarterly 40, no. 1 (February 2009): 103–4. http://dx.doi.org/10.1093/whq/40.1.103.

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33

Murphy, J. Thomas. "Buffalo Bill from Prairie to Palace and The Life of Hon. William F. Cody, Known as Buffalo Bill and The Wild West in England." Annals of Iowa 72, no. 3 (July 2013): 295–97. http://dx.doi.org/10.17077/0003-4827.1725.

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34

Brand, Stampor. "Feline Reactions to Bearded Men: Buffalo Bill Under Observation." Annals of Improbable Research 7, no. 4 (July 1, 2001): 8. http://dx.doi.org/10.3142/107951401782383920.

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35

Slagle, Jefferson D. "The Heirs of Buffalo Bill: Performing Authenticity in the Dime Western." Canadian Review of American Studies 39, no. 2 (January 2009): 119–38. http://dx.doi.org/10.3138/cras.39.2.119.

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36

Burke, Flannery. "Buffalo Bill in Bologna: The Americanization of the World, 1869–1922." American Nineteenth Century History 15, no. 3 (September 2, 2014): 366–67. http://dx.doi.org/10.1080/14664658.2014.978992.

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37

Homberger, E. "Buffalo Bill in Bologna: The Americanization of the World, 1869-1922." English Historical Review CXXI, no. 493 (September 1, 2006): 1192–93. http://dx.doi.org/10.1093/ehr/cel260.

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38

Browne, Ray B. "Buffalo Bill in Bologna: The Americanization of the World, 1869-1922." Journal of American Culture 29, no. 1 (March 2006): 65. http://dx.doi.org/10.1111/j.1542-734x.2006.00280.x.

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39

Jackson, Kathy Merlock. "Four Years in Europe with Buffalo Bill by Charles Eldridge Griffin." Journal of American Culture 34, no. 1 (January 2011): 107. http://dx.doi.org/10.1111/j.1542-734x.2011.00766_11.x.

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40

Rydell, Robert W., and Rob Kroes. "Buffalo Bill in Bologna: The Americanization of the World, 1869–1922." Comparative American Studies An International Journal 4, no. 1 (March 2006): 105–15. http://dx.doi.org/10.1177/1477570006061329.

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41

Murphy, J. T. "Buffalo Bill on the Silver Screen: The Films of William F. Cody." Annals of Iowa 73, no. 3 (July 2014): 284–85. http://dx.doi.org/10.17077/0003-4827.12127.

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42

Olmstead, Jacob W. "“Un-Southern”: Buffalo Bill, the Texas State Centennial, and Texas’s Western Turn." Southwestern Historical Quarterly 122, no. 4 (2019): 370–94. http://dx.doi.org/10.1353/swh.2019.0024.

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43

MCPHERSON, ROBERT S. "NATIVE PERFORMERS IN WILD WEST SHOWS: From Buffalo Bill to Euro Disney." Utah Historical Quarterly 82, no. 3 (July 1, 2014): 240–41. http://dx.doi.org/10.2307/45063072.

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44

Baraniecka-Olszewska, Kamila. "Buffalo Bill and Patriotism: Criticism of the Wild West Show in the Polish-Language Press in Austrian Galicia in 1906." East Central Europe 47, no. 2-3 (November 9, 2020): 313–33. http://dx.doi.org/10.30965/18763308-04702007.

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Abstract The article juxtaposes two perspectives guiding the perception of ethnographic shows, namely, a contemporary and an earlier one. The article uses the example of Buffalo Bill’s Wild West shows, staged in 1906 in the Polish territories under Austrian rule. Deriving from present criticisms of ethnographic shows and their interpretation through the prism of colonial studies, the author examines the types of reception of such performances met in places in which the inhabitants did not identify with colonialism. Analyzing reactions to the Wild West shows published in the Polish-language dailies, the author offers an interpretation of these performances as foreign, distant from the local social context, and evoking antipatriotic acts. While presently, criticism of ethnographic shows inspires reflection on human rights and equality, the article looks at how the philippics directed against Buffalo Bill’s performances contributed to the promotion of patriotic attitudes by the intellectual elites of the time.
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45

Bandy, Annie. "Tristesse de la terre: une histoire de Buffalo Bill Cody par Éric Vuillard." French Review 89, no. 4 (2016): 283–84. http://dx.doi.org/10.1353/tfr.2016.0205.

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46

Davies, Owen. "The Meanings of Magic: From the Bible to Buffalo Bill by Amy Wygant." Modern Language Review 103, no. 1 (2008): 161–62. http://dx.doi.org/10.1353/mlr.2008.0202.

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47

Hamès, Constant. "Amy Wygant, (éd.), The Meanings of Magic. From the Bible to Buffalo Bill." Archives de sciences sociales des religions, no. 140 (December 1, 2007): 157–310. http://dx.doi.org/10.4000/assr.12253.

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48

Bush, Elizabeth. "Presenting Buffalo Bill: The Man Who Invented the Wild West by Candace Fleming." Bulletin of the Center for Children's Books 70, no. 2 (2016): 71–72. http://dx.doi.org/10.1353/bcc.2016.0784.

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49

S. Jay Kleinberg. "Buffalo Bill in Bologna: The Americanization of the World, 1869–1922 (review)." American Studies 48, no. 1 (2010): 152–53. http://dx.doi.org/10.1353/ams.0.0131.

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50

Culver, Lawrence. "Connecting Myth to History: Interpreting the Western Past at the Buffalo Bill Historical Center." Western Historical Quarterly 29, no. 4 (1998): 515. http://dx.doi.org/10.2307/970406.

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