Relevant bibliographies by topics / Buffalo dance

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Buffalo dance'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Buffalo dance"

1

Somba, Robby. "KOREOGRAFI GARONTO’ EANAN: VISUALISASI KERBAU DALAM KEHIDUPAN MASYARAKAT TORAJA." Joged 13, no. 2 (2020): 112–24. http://dx.doi.org/10.24821/joged.v13i2.3592.

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Garonto’ Eanan adalah karya tari yang terinspirasi tentang hewan kerbau dalam kehidupan masyarakat Toraja, terkhusus dalam upacara pemakaman Rambu Solo’. Kerbau merupakan hewan yang sangat penting bagi masyarakat Toraja untuk menandai status sosial seseorang. Dalam upacara Rambu Solo’ kerbau wajib dikurbankan untuk memberikan penghormatan terakhir serta menjadi bekal kubur dan harta bagi orang yang meninggal. Tema tari Garonto’ Eanan adalah kekuatan dan kebersamaan. Koreografi ini disajikan dengan pola large group composition, ditarikan tujuh penari laki-laki sebagai presentasi hewan kerbau, d
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Young-Mason, Jeanine. "Dance ’til the Buffalo Come." Clinical Nurse Specialist 30, no. 5 (2016): 308. http://dx.doi.org/10.1097/nur.0000000000000227.

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Eza Afrilia and Afifah Asriati. "Bentuk Penyajian Tari Ngadu Tanduk Di Desa Siulak Panjang Kecamatan Siulak Kabupaten Kerinci Jambi." Jurnal Kajian dan Penelitian Umum 1, no. 5 (2023): 80–92. http://dx.doi.org/10.47861/jkpu-nalanda.v1i5.426.

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This article aims to analyze the presentation of the Ngadu Horn Dance in Siulak Panjang Village, Siulak District, Kerinci District, Jambi. The type of research used in this study is qualitative research with descriptive methods. The research instrument used in this study was the researcher himself who was assisted by supporting instruments such as stationery, cameras and flash drives. Data collection techniques were carried out by means of literature study, observation, interviews and documentation. Stages of data analysis in the form of data collection, data reduction, data presentation and c
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Afrilia, Eza, and Afifah Asriati. "The Form of Presentation of Ngadu Tanduk Dance in Siulak Panjang Village, Siulak District, Kerinci Regency, Jambi." Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan 2, no. 1 (2023): 46–55. http://dx.doi.org/10.24036/ag.v2i1.94.

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This article aims to analyze the presentation of the Ngadu Horn Dance in Siulak Panjang Village, Siulak District, Kerinci District, Jambi. The type of research used in this study is qualitative research with descriptive methods. The research instrument used in this study was the researcher himself who was assisted by supporting instruments such as stationery, cameras and flash drives. Data collection techniques were carried out by means of literature study, observation, interviews and documentation. Stages of data analysis in the form of data collection, data reduction, data presentation and c
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Saputri, Willia dwi, and Jonet Sri Kuncoro. "Penciptaan Tari Calengsai Karya Rianto." Greget 22, no. 1 (2023): 18–28. http://dx.doi.org/10.33153/grt.v23i1.4779.

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ABSTRACT Calengsai is an acronym for the words Calung, Lengger, and Barongsai. The Calengsai dance depicts a cultural journey between China and Banyumas. with the existence of Calung, Lengger and Barongsai which were worked on, developed and acculturated so as to produce a new dance work entitled Calengsai dance which was staged in the Lengger Metamorphosis show. Rianto's Calengsai dance is a new dance creation, a development of Sri Rahayu's Calengsai dance. Rianto developed the Calengsai dance from the form of a calengsai dance performance with the addition of a Chinese singer, Barongan Banyu
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6

Chiarofonte, Lorenzo. "Being Inspired, Being Possessed: Performative Techniques for the Embodiment of the Spirits in Burmese Urban Ceremonies." European Journal of Musicology 23, no. 1 (2025): 31–50. https://doi.org/10.5450/ejm.23.1.2025.31.

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Dance is regarded as the expression of spirit possession in Burma. In nat kana pwe (private urban ceremonies), the nat kadaw (spirit medium) dances, embodying consecutively the Thirty-Seven nats, a defined pantheon of spirits whom devotees propitiate in order to gainhealth and wealth. In embodying these as well as other spirits, the medium moves fluidly between human and animal, masculine and feminine, young and old, refined and harsh spirit characters. The ritual performance is supported and controlled by the clashing sound of the hsaing waing, the Burmese tuned drums and gongs ensemble. Toge
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Saputri, Willia Dwi, and Jonet Sri Kuncoro. "PENCIPTAAN TARI CALENGSAI KARYA RIANTO." Greget Jurnal Pengetahuan dan Penciptaan Tari 22, no. 1 (2023): 22–34. http://dx.doi.org/10.33153/grt.v22i1.4779.

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The Calengsai Dance is a creative work born from the acronym of three cultural elements: Calung, Lengger, and Barongsai. This dance portrays the unique cultural journey between China and Banyumas, where the elements of Calung, Lengger, and Barongsai are crafted, developed, and acculturated into a harmonious unity. The result is the creation of a new dance work titled Calengsai Dance, which is performed in the Metamorphosis Lengger show. This dance is a form of development from the original work created by Sri Rahayu, which was further developed by Rianto. In its development process, Rianto add
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8

Smoak, Gregory E., and Sam A. Maddra. "Hostiles? The Lakota Ghost Dance and Buffalo Bill's Wild West." Western Historical Quarterly 38, no. 3 (2007): 387. http://dx.doi.org/10.2307/25443574.

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Iriani, Ni Wayan, and Ni Wayan Mudiasih. "Character Education in Panca Sani Pependetan Dance Creation." Mudra Jurnal Seni Budaya 38, no. 3 (2023): 331–40. http://dx.doi.org/10.31091/mudra.v38i3.2452.

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The pependetan dance "Panca Sani" is a creative dance whose movements are based on a developed traditional dance. This dance describes the reception and expression of gratitude to the gods who descend into the natural world. The idea for this work was inspired by the Wayang Istri dance at the Pangrebongan Kesiman temple. Wayang Istri dance is a ngerebong traditional dance of the Kesiman people held at the Agung Petikan Pengarebongan Kesiman Temple, Denpasar. This ceremonial dance is held every 6 months and falls on Buda Cemeng Langkir Day. The movements and costumes are presented very simply b
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Kryder, John B. "Discovering the Inclusive Art of Poetry." English Journal 96, no. 1 (2006): 34–39. http://dx.doi.org/10.58680/ej20065687.

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Inclusion and collaboration are the keys to creating an annual arts celebration in Buffalo, New York. High school teacher John B. Kryder describes how educators across grade levels have brought poetry, music, and dance together in ways that help students better understand and appreciate these art forms. He also suggests smaller-scale possibilities for connecting poetry with art, math, and science.
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Dissertations / Theses on the topic "Buffalo dance"

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Maddra, Sam Ann. "'Hostiles' : the Lakota Ghost Dance and the 1891-92 tour of Britain by Buffalo Bill's Wild West." Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/3973/.

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This dissertation concentrates on both the Lakota Ghost Dance of 1890 and on Buffalo Bill’s Wild West from 1890 through to 1892, exploring the nature, the significance and the consequence of their interaction at this particularly crucial time in American Indian history. The association of William F. Cody’s Wild West with the Lakota Ghost Dance has produced evidence that offers a new insight into the religion in South Dakota. Further, it questions the traditional portrayal of the Lakota Ghost Dance, which maintains that the leaders ‘perverted’ Wovoka’s doctrine of peace into one of war. It is c
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Velická, Eva. "Bohuslav Martinů - Voják a tanečnice." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342290.

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The first opera by Bohuslav Martinů (from the total of 16) named Voják a tanečnice (The Soldier and the Dancer), H. 162 was created in the initial years of Martinů's stay in Paris (1926-1927), when the effort to reflect different contemporary music trends and influences can be traced in his compositions. Voják a tanečnice is an original example of absorbing such influences on the background of the three-act comic opera. Together with the librettist, Jan Löwenbach, they tried to create a "new opera buffa", which was however not understood by the contemporary reviewers. The opera was first perfo
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Books on the topic "Buffalo dance"

1

Zitkala-Sa. Dance in a buffalo skull. South Dakota State Historical Society Press, 2007.

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2

ill, Vidal Beatriz, ed. Buffalo dance: A Blackfoot legend. Little, Brown and Co., 1993.

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3

ill, Zelinsky Paul O., ed. Toy dance party: Being the further adventures of a bossyboots Stingray, a courageous Buffalo, and a hopeful round someone called Plastic. Schwartz & Wade Books, 2008.

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4

(Publisher), Pomegranate, ed. Buffalo Dance (Bookmark). Arizona Highways Books, 1999.

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5

Panther-Yates, Donald. Hopi Buffalo Dance. Blurb, 2009.

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Panther-Yates, Donald. Hopi Buffalo Dance. Blurb, 2009.

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7

Hokeah, Jack. Buffalo Dance (Bookmark). Arizona Highways Books, 1999.

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8

Highways, Arizona. Buffalo Dance 1930. Arizona Highways Books, 1999.

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9

Panther-Yates, Donald. Hopi Buffalo Dance. Blurb, 2009.

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10

Always Dance With A Buffalo. Scholastic, 2014.

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Book chapters on the topic "Buffalo dance"

1

"Buffalo Dance." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.21.

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"Historical Note." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.3.

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"A Love Supreme." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.73.

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"Perfume." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.29.

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"Super(in)huMane." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.54.

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"York Haichu." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.63.

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"No Offense." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.23.

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"Ornithologists." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.37.

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"Primer." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.11.

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"Souvenir." In Buffalo Dance. The University Press of Kentucky, 2022. http://dx.doi.org/10.2307/j.ctv2z9g0h9.71.

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