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Relevant bibliographies by topics / Buffalo. Pan-American Exposition, 1901

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Academic literature on the topic 'Buffalo. Pan-American Exposition, 1901'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Buffalo. Pan-American Exposition, 1901"

1

Manson, Michael Tomasek. "Northeast Modern Language Association." PMLA/Publications of the Modern Language Association of America 114, no. 4 (1999): 910. http://dx.doi.org/10.1632/s0030812900154045.

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The Northeast Modern Language Association will celebrate the new millennium by participating in a centenary reexamination of the Pan-American Exposition of 1901. The convention will be held 7–8 April 2000 at the Hyatt Regency Hotel in Buffalo, New York. Erie Community College will host the convention, and the local arrangements chair is Annette Magid. The keynote speech will be delivered by Michael Frisch, a historian at the State University of New York, Buffalo, who is orchestrating the scholarly reexamination of the 1901 Expo. The convention will feature readings by the poets Charles Bernstein, Robert Creeley, Carl Dennis, Irving Feldman, and Dennis Tedlock. Scholars are invited to respond to the call for papers by 1 September 1999. The call is available on the Web site or from the executive director.

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Kachun, Mitch. "“Big Jim” Parker and the Assassination of William McKinley: Patriotism, Nativism, Anarchism, and the Struggle for African American Citizenship." Journal of the Gilded Age and Progressive Era 9, no. 1 (2010): 93–116. http://dx.doi.org/10.1017/s1537781400003790.

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On September 6, 1901, at the Buffalo Pan-American Exposition, Leon Czolgosz, the son of immigrants and an avowed anarchist, shot President William McKinley. As McKinley clung to life for several days before succumbing, praise was heaped upon James B. “Big Jim” Parker, an African American Exposition employee who was credited with saving McKinley's life by subduing and disarming Czolgosz. By the time of Czolgosz's execution, government officials and the mainstream press were characterizing Parker as a glory-seeker who had played no role in capturing Czolgosz. African American spokespersons vigorously defended Parker, contrasting the brave, patriotic black hero with the treacherous foreign radical whose murderous act struck symbolically at the heart of the nation. These black commentators constructed a framework for understanding the assassination as a cultural critique of an American society that was paying the price for its acquiescence to extralegal violence against blacks. At the same time, black spokespersons used the assassination to create a narrative in support of African Americans’ claims to American citizenship and national belonging.

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Books on the topic "Buffalo. Pan-American Exposition, 1901"

1

1946-, Sholes Elizabeth C., and Buffalo and Erie County Historical Society., eds. Buffalo's Pan-American Exposition. Arcadia, 1998.

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2

Fox, Austin M. Symbol and show: The Pan-American Exposition of 1901. Meyer Enterprises, 1987.

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Loos, William H. The forgotten "Negro Exhibit": African American involvement in Buffalo's Pan-American Exposition, 1901. Buffalo & Erie County Public Library and The Library Foundation of Buffalo & Erie County, 2001.

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McPherson, Darwin. To preserve & extend: The Pan-American Exposition lives on through its collectors. Buffalo Spree, 2001.

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Freeman, Joanne B. The last days of President McKinley: Films of William McKinley and the Pan-American Exposition, 1901. 2nd ed. Library of Congress, 1992.

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The guitar and the new world: A fugitive history. State University of New York Press, 2012.

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Belfer, Lauren. City of light. Bantam Dell Publishing Group, 2000.

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City of light. Sceptre, 1999.

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Belfer, Lauren. City of light. Sceptre, 2000.

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Belfer, Lauren. City of light. Thorndike Press, 1999.

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Book chapters on the topic "Buffalo. Pan-American Exposition, 1901"

1

"Occupying a Vast Camp: The 1901 Buffalo Pan-American Exposition." In Health and Medicine on Display. The MIT Press, 2009. http://dx.doi.org/10.7551/mitpress/7691.003.0005.

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Brown, Julie K. "Occupying a Vast Camp: The 1901 Buffalo Pan-American Exposition." In Health and Medicine on Display. The MIT Press, 2009. http://dx.doi.org/10.7551/mitpress/9780262026574.003.0004.

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Christensen, Peter H. "Introduction." In Buffalo at the Crossroads. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749766.003.0001.

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This chapter provides a background of the complete portrait of the city of Buffalo, which moves beyond its relatively small city limits to tell the full story that the Erie Canal, hydroelectric power, international trade, and suburbanization play in the vicissitudes of Buffalo's history. It focuses on both Erie and Niagara counties from the eighteenth century to the present. It also describes Buffalo's periphery to provide useful insights into the full scope of how the grand City of Light, powered by Niagara's heaving currents and celebrated at the Pan-American Exposition of 1901, had its own undercurrents and afterlives. The chapter mentions Reyner Banham, who brought a fresh set of foreign eyes to Buffalo's uncanny importance. It explores how Buffalo is indebted to Banham for cultivating a global interest and local reinvestment in its urban fabric.

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Saab, A. Joan. "Lake Effect." In Buffalo at the Crossroads. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749766.003.0011.

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This chapter talks about Buffalo as a once booming industrial city that enjoyed a prolonged modernist golden age, beginning with the opening of the Erie Canal in 1825. It describes that the Erie Canal was midway en route between New York City and Detroit and linked the Atlantic Ocean to the Great Lakes, which brought an influx of new opportunities to the region and earning Buffalo the moniker of “the Queen City.” It also cites the 1901 Pan-American Exposition that placed Buffalo in the international eye. The chapter explains how Buffalo had become the butt of jokes in the opening monologues of late-night comedians by the 1970s after the opening of the Saint Lawrence Seaway in 1959 made the Erie Canal system obsolete for moving freight. It mentions that the National Endowment for the Arts and the New York State Council on the Arts provided funds for the expansion of the massive neoclassical Albright-Knox complex.

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