Relevant bibliographies by topics / Buffone

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Academic literature on the topic 'Buffone'

Author: Grafiati
Published: 21 February 2023

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Journal articles on the topic "Buffone"

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Carlson, Marvin. "Book Review: L'arte del buffone. Maschere e spettacolo tra Italia e Baviera nel XVI secolo." Forum Italicum: A Journal of Italian Studies 41, no. 2 (September 2007): 563–64. http://dx.doi.org/10.1177/001458580704100235.

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Stalnaker, Joanna. "Buffon on Death and Fossils." Representations 115, no. 1 (2011): 20–41. http://dx.doi.org/10.1525/rep.2011.115.1.20.

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This article addresses the association between death and fossils that Buffon developed across the thirty-six volumes of his Histoire naturelle and its implications for his literary project. Through a study of the connections between Buffon's physiological theory of death, his fable of the first man, his anthropological treatment of funeral rites among non-European peoples, his statistical studies of life expectancy, and his personalized discussion of fossils at the end of his life, I argue that over the course of Buffon's career the imaginative trope connecting death to ossification and petrification shaped both his natural philosophy and his literary project. This trope found its richest expression in Buffon's last work, the Histoire naturelle des minéraux, which I interpret as his testament.
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Buffone, Jesica Estefanía Estefanía. "El Edipo en la obra de Maurice Merleau-Ponty: notas para el estudio fenomenológico de la infancia." LOGOS Revista de Filosofía 138, no. 138 (February 1, 2022): 127–42. http://dx.doi.org/10.26457/lrf.v138i138.3175.

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El objetivo de este trabajo será analizar la lectura que Merleau-Ponty hace del complejo de Edipo, para identificar, a partir de allí, el recorrido metodológico que el filósofo francés realiza en el estudio fenomenológico de un periodo clave de la infancia. El polimorfismo infantil, la raigambre histórica de los lugares instituidos en una comunidad, el enfoque histórico y dialéctico del desarrollo, y la premaduración serán algunos de los rasgos a partir de los cuales Merleau-Ponty analiza el Edipo. Considero que la descripción que Merleau-Ponty realiza de este complejo junto con la crítica a la concepción universalista del psicoanálisis presentan en sí mismas un enfoque fenomenológico del desarrollo, del que se desprenden, por un lado, lineamientos teóricos relevantes para el estudio situado, corporal y no reduccionista de la experiencia infantil y, por otro, una redefinición del sujeto y del esquema corporal en términos eminentemente intersubjetivos Abstract The aim of this work will be to analyze the reading that Merleau-Ponty makes of the Oedipus complex, to identify, thereof, the path that the French philosopher makes in the phenomenological study of a key period of childhood. Infantile polymorphism, the historical roots of the places established in a community, the historical and dialectical approach to development, and pre-maturation will be some of the features from which Merleau-Ponty analyzes the Oedipus Complex. I consider that the description that Merleau-Ponty makes of this complex together with the critique of the universalist conception of psychoanalysis present in themselves a phenomenological approach to development, from which they emerge; on the one hand, relevant theoretical guidelines for the situated, bodily, and non-reductionist study of infantile experience and, on the other, a redefinition of the subject and the body schema in eminently intersubjective terms. Palabras clave Merleau-Ponty, complejo de Edipo, desarrollo, infancia. Keywords Merleau-Ponty, Oedipus complex, development, childhood. Referencias Bégout, B. (2004). Esquisse d’une théorie phénoménologique de l’habitude. Alter Revue de Phénoménologie, 12, 173-190. Bourdieu, P. (2000). La dominación masculina. Barcelona, España: Anagrama. Buffone, J. (2019). La construcción del esquema corporal infantil desde una perspectiva merleaupontyana: la propiocepción como fundamento del accouplement fenomenológico. Arete, 31(2), 297-320. Buffone, J. (en prensa). Maurice Merleau-Ponty and the personal institution. Oedipus complex and the opening to new ways of sociability. Metis. Revista Interdisciplinaria de Fenomenología. Duportail, G. F. (2013). Cuerpo, amor, nominación. Lacan y Merleau-Ponty (Trads. A. Kripper y L. Lutereau). Buenos Aires, Argentina: Letra Viva. Freud, S. (2011). Tótem y tabú. Madrid, España: Alianza. Freud, S. (2015). Tres ensayos sobre la teoría sexual y otros escritos. Madrid, España: Alianza. Gléonec A. (2017). Institution et passivité. Lectures de Merleau-Ponty. París, Francia: Million. Lacan, J. (2017). Seminario 5. Las formaciones del inconsciente. Madrid, España: Paidós. Merleau-Ponty, M. (1964). Signos (Trads. C. Martínez y G. Oliver). Barcelona, España: Seix Barral. Merleau-Ponty, M. (1976). La estructura del comportamiento (Trad. E. Alonso). Buenos Aires, Argentina: Hachette. Merleau-Ponty, M. (1984). Fenomenología de la percepción (Trad. J. Cabanes). Barcelona, España: Planeta-Agostini (original en francés, 1945). Merleau-Ponty, M. (1995). La nature. Notes du Collège de France. París, Francia: Éditions de Seuil.
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Heringman, Noah. "Deep Time at the Dawn of the Anthropocene." Representations 129, no. 1 (2015): 56–85. http://dx.doi.org/10.1525/rep.2015.129.1.56.

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This essay argues that the concept of deep time is essential to the intellectual history of the Anthropocene—the name widely (though not yet formally) used for our current geological epoch. Buffon’s Epochs of Nature, one of the earliest secular models of geological time in Enlightenment natural history, uses inscription as a metaphor to mark the advent of biological species, including humans, in the course of earth history. The Anthropocene extends this project of writing ourselves into the rock record. Buffon makes a productive interlocutor for the Anthropocene because he is one of the first to examine climate change and related constraints on human agency in the context of deep time. The essay examines Buffon’s natural history and associated Enlightenment discourses of primitive art and culture to gain a purchase on the challenges of scale posed by the Anthropocene.
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NEMÉSIO, ANDRÉ, and CLAUS RASMUSSEN. "The rediscovery of Buffon’s “Guarouba” or “Perriche jaune”: two senior synonyms of Aratinga pintoi Silveira, Lima & Höfling, 2005 (Aves: Psittaciformes)." Zootaxa 2013, no. 1 (February 16, 2009): 1–16. http://dx.doi.org/10.11646/zootaxa.2013.1.1.

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Buffon’s “Guarouba” or “Perriche jaune” is illustrated in his magnificent “Histoire Naturelle des Oiseaux” and was interpreted by Buffon as the same bird described by Marcgrave in the 17th century as “Guarouba” or “Quijubatui”. Nevertheless, the bird described by Marcgrave corresponds to the species formally described by Gmelin (1789) as Psittacus guarouba and currently known as Guarouba guarouba. Buffon’s bird was named Psittacus luteus Boddaert, 1783, became the type-species of the genus Aratinga, and has long been considered a junior synonym of Psittacus solstitialis Linnaeus, 1758 (now Aratinga solstitialis). However, Buffon’s illustration, upon which the description of P. luteus Boddaert, 1783 was based, is not an Aratinga solstitialis, but a similar species recently redescribed and named Aratinga pintoi Silveira, Lima & Höfling, 2005. An earlier, although long overlooked, older synonym of P. luteus, is Psittacus maculatus Statius Müller, 1776, also based on Buffon’s plate, and which turns out to be the valid nomen of this species. Thus, Aratinga maculata (Statius Müller, 1776) comb. nov. is the senior synonym of both Psittacus luteus Boddaert, 1783 syn. nov. and Aratinga pintoi Silveira, Lima & Höfling, 2005 syn. nov. In order to establish nomenclatural stability, the holotype of Aratinga pintoi is here designated as neotype of both Psittacus maculatus and Psittacus luteus, establishing an objective synonymy among the three nomina.
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Guerrini, Anita. "Perrault, Buffon and the natural history of animals." Notes and Records of the Royal Society 66, no. 4 (October 17, 2012): 393–409. http://dx.doi.org/10.1098/rsnr.2012.0044.

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In 1733, as part of a programme to publish its early works in a uniform format, the Paris Academy of Sciences reprinted Mémoires pour servir à l'histoire naturelle des animaux ( Histoire des animaux ), last published in 1676, a work of both natural history and mechanistic anatomy. However, unlike the other works in this enterprise, Histoire des animaux was extensively edited and updated. In 1749 Georges-Louis Leclerc de Buffon published the first volume of Histoire naturelle . Its volumes on quadrupeds, written with Louis-Jean-Marie Daubenton, held significant similarities to Histoire des animaux . The relationship between these works has not hitherto been examined. Buffon's early ideas on species, in particular, resemble the emphasis on particulars of Histoire des animaux .
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Tan, Wei, Jinye Liu, Yongbo Wang, Hongtao Liu, Hongji Ke, Jiawei Fan, Shuyuan Fu, et al. "Complete mitochondrial genome of Buffon’s river garfish Zenarchopterus buffonis (Valenciennes, 1847)." Mitochondrial DNA Part B 4, no. 1 (January 2, 2019): 2001–2. http://dx.doi.org/10.1080/23802359.2019.1617087.

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Jacob, Julia. "Beauty and Civilization." Aesthetic Investigations 4, no. 2 (September 6, 2021): 219–35. http://dx.doi.org/10.58519/aesthinv.v4i2.11916.

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The presence of an aesthetic judgment in an anthropological, scientific study may seem incongruous. One would think that the human body should be approached only in terms of "objective" criteria of functionality and measurable proportions. However, to our surprise, two adjectives keep coming up in Buffon's description of the human body in his Histoire naturelle de l'Homme: 'beautiful' and 'ugly'. To be sure, it is possible to determine that a person is beautiful through measurements and observations of bodily and facial symmetry, but most often, these proportions are not enough to explain why we find a person beautiful. How does Buffon think about beauty when he writes the Natural History of Man? Does he understand it as a classificatory tool based on an objective system of measurement, or does he use his personal preference? On what criteria does he judge the physical aspect of the varieties in the human species?
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Demaître✠, Ann. "Buffon." History of European Ideas 13, no. 4 (January 1991): 417–21. http://dx.doi.org/10.1016/0191-6599(91)90012-n.

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Waymire, Ed. "Buffon Noodles." American Mathematical Monthly 101, no. 6 (June 1994): 550. http://dx.doi.org/10.2307/2975321.

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Dissertations / Theses on the topic "Buffone"

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ALESSI, MARTA. "Giorgio Manganelli e il teatro." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2010. http://hdl.handle.net/2108/202599.

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Nel 1967 Manganelli, che proprio quell’anno si sarebbe proclamato araldo della letteratura come menzogna, pubblicava sul «Verri» un articolo in cui illustrava la sua personalissima idea di teatro, compendiata nel congeniale e versatile binomio di cerimonia e artificio: «una idea piuttosto perplessa, e tuttavia eccitata: un sistema di diffidenze, irritazioni e imprecise speranze». Questo articolo, che secondo qualche interprete andrebbe letto come un vero e proprio manifesto programmatico, è semmai un valido documento dell’atteggiamento ambivalente, misto di perplessità ed eccitazione, sempre mostrato da Manganelli nei confronti del teatro, sin dalle pagine dei suoi giovanili quaderni di appunti, dove il futuro scrittore già tradiva un certo imbarazzo verso una forma d’arte che, ai suoi occhi, appariva troppo compromessa con la vita, e dunque, come dirà poi nel Discorso dell’ombra e dello stemma, costantemente minacciata del rischio di diventare antropomorfica. Pur senza mai sciogliere del tutto le proprie riserve, Manganelli non ha però voluto rinunciare all’opportunità di «cimentarsi con la sfida del testo teatrale»; e dal 1963, anno in cui il suo primo esperimento drammatico, il monologo Iperipotesi, veniva messo in scena nel corso del convegno fondativo del Gruppo 63, per oltre un decennio si è volentieri improvvisato drammaturgo ogni qualvolta gli si è presentata l’occasione, mosso dalla curiosità e dalla segreta “imprecisa speranza” di «trovare […] il sentiero che conduce al teatro». Sfortunatamente quel sentiero si è rivelato per lui non privo di qualche accidente, tra rappresentazioni mancate e accoglienze nient’affatto calorose; tanto che, dopo l’ennesima delusione, lasciata ormai ogni speranza, si è a malincuore rassegnato a desistere dall’impresa. I suoi «vaghi, frammentari» contatti col mondo del teatro, «alleati – diceva lui – delle sue sindromi depressive», sono comunque all’origine di un eccentrico repertorio di testi, finalmente riuniti in una raccolta pressoché completa, Tragedie da leggere, pubblicata nel 2005 per la cura di Luca Scarlini. Al curatore spetta anche l’indiscutibile merito di aver accuratamente ricostruito, attraverso un paziente lavoro di ricerca, tutte le tappe della travagliata avventura teatrale di Manganelli, e di aver richiamato l’attenzione degli studiosi sulle sue “tragedie da leggere”, cui le opere maggiori hanno finito inevitabilmente per rubare la scena. Ma, se è interessante conoscere le vicende che hanno portato l’agorafobo Manganelli a vestire i panni del drammaturgo, è invece indispensabile comprendere le ragioni del suo ambivalente atteggiamento di fronte al teatro, nonché al più grande autore drammatico di tutti i tempi, William Shakespeare. Verso di lui e verso i suoi altrettanto grandi personaggi, Manganelli ha sempre nutrito un’ammirazione incondizionata e perciò inconfessabile, tale da fargli compiere le più spericolate acrobazie pur di riportare il teatro di Shakespeare nel territorio meno compromesso della letteratura, non senza qualche inevitabile forzatura e contraddizione. Anziché tentare di smorzarle, è proprio su queste contraddizioni che conviene concentrare l’attenzione, a partire da quella più clamorosa. Perché è senza dubbio degno di nota il fatto che Manganelli, così sospettoso nei confronti del teatro, e fermamente intenzionato ad assomigliarlo il più possibile alla letteratura, sia invece arrivato a concepire la scrittura come «luogo di eventi sostanzialmente teatrali», dove lo scrittore, «eroico guitto», si trasforma nell’istrione di se stesso, al fine, solo implicitamente dichiarato, di «ingannare e illuminare il lettore», e soprattutto di proteggere la parte più intima di sé, nascondendo dietro un apparato di finzioni le proprie più segrete verità
In 1967 Manganelli, who in the very same year declared himself as herald of the literature as a falsehood («letteratura come menzogna»), published on «Il Verri» an essay with the purpose to explain his very personal idea of theatre, summarized through the congenial and versatile combination of ceremony and artifice: a quite confused and yet excited idea: a scheme of suspicions, annoyance and fuzzy hopes («una idea piuttosto perplessa, e tuttavia eccitata: un sistema di diffidenze, irritazioni e imprecise speranze»). The essay, which – according to some annotators – should be considered as a manifesto, is instead a valuable treatise about the two-sided attitude, mingled and excitement, Manganelli always had towards theatre, as it came out from the pages of his early notebooks, in which he betrayed embarrassment in front of an art form that he regarded as too much intertwined with everyday life and constantly threatened by the risk of becoming anthropomorphic, as he later wrote also in his Discorso dell’ombra e dello stemma. By the way, without making known his ideas on theatre, Manganelli never gave up the opportunity of attempting to measure himself with the theatrical play. So, starting from the first stage play of his first drama monologue Iperipotesi, acted out during the Gruppo 63 foundational meeting, he gladly accepted every chance to work as a dramatist for over a decade, fueled both by curiosity and by his secret “fuzzy hope” to find the path to theatre («trovare […] il sentiero che conduce al teatro»). Unfortunately for him, that path to theatre wasn’t very smooth, amid missed performances and somehow a not so favourable welcome, up to the point that, after the umpteenth disappointment, once abandoned all hope, he reluctantly resigned himself to give up the undertaking. Manganelli’s vague and fragmented contacts with theatre, which he defined as allied to his depressive syndromes, represent the basis of an odd collection of works, brought together in the Tragedie da leggere anthology (Aragno, 2005), published and edited by Luca Scarlini. Scarlini is also eligible as the one who accurately reconstructed, through a painstaking research work, all Manganelli’s theatrical stages, bringing the scholars’ attention on his “tragedie da leggere”, however overshadowed by Manganelli’s major works. In any case, one the one hand, it is interesting to understand the reasons why the agoraphobic Manganelli worked also as a dramatist, on the other, the comprehension of his two-sided approach to theatre and to the major dramatist ever, William Shakespeare, must be considered as essential. In fact, Manganelli always brought forward a strong, unreserved and therefore unmentionable appreciation towards Shakespeare and his famous characters, emotions that led him do his utmost and face some contradictions and twistings to translate Shakespeare’s theatre into the less involved with everyday’s life dimension of literature. Manganelli’s contradictions represent the item on which we should put our focus: the author, while being really cautious against theatre and absolutely willing to compare it to literature, at the same time considers writing as a place made of basically theatrical events («luogo di eventi sostanzialmente teatrali»), in which the writer, as a heroic player («eroico guitto»), becomes a histrionic impressionist of himself («istrione di se stesso») with the implicit purpose to deceive and illuminate the reader («ingannare e illuminare il lettore») and, most of all, to shelter his inner side by hiding his innermost thoughts behind a fiction display
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Hoquet, Thierry. "Buffon : histoire naturelle et philosophie." Paris 10, 2002. http://www.theses.fr/2002PA100176.

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L'Histoire naturelle de Buffon réorganise les quatre composantes classiques des systèmes de philosophie (logique, physique, morale, métaphysique). Elle développe une logique de la comparaison et une ontologie de la relation, s'opposant aux classifications linnéennes et aux physiques mathématiques. Elle constitue une physique systématique et hypothétique, et non une simple histoire-collection d'esprit baconien. Cette physique bannit la curiosité et entend connaître les lois de la Nature comprises comme effets généraux. Buffon étudie trois problèmes classiques (Histoire et Théorie de la Terre, Formation des planètes, Théorie de la génération), où sa méthode procède par observations, inductions, et analogies. Cette physique exclut la morale des causes finales au profit des causes efficientes et secondes. Elle réélabore plusieurs concepts des théologies naturelles providentialistes (lois statistiques, circulation, monuments de la Nature). Enfin, Buffon présente une nouvelle métaphysique, qui décrit l'âme et le corps par la comparaison de leurs rapports. Ainsi, l'histoire naturelle occupe la place naguère occupée par la philosophie
Buffon's natural history offers an important revision of the four principal philosophical disciplines, namely: logic, physics, ethics and metaphysics. Buffon's work is based in a logic of comparison. Buffon is opposed to Linnean classification methods and he rejects the application of mathematics to the study of physics. The work constitutes a systematic and hypothetical physics, in no way reducible to the baconian method which depends on a more historical collection of data or facts. Buffon's physics, moreover, condemns vain curiosity and speculation, aiming instead at the discovery of general effects, such as the laves of nature. Observation, induction and analogy are the key methods Buffon relies on for his investigations. Buffon's physics, furthermore, refutes the validity of moral considerations and denies the importance of final causes or ends. Buffon, additionally, seeks to forge the way for a new metaphysics, describing the body and soul through mutual comparison. It is in these ways, among others, that Buffon redefines the four elements of philosophy
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Hoquet, Thierry. "Buffon, histoire naturelle et philosophie /." Paris : H. Champion, 2005. http://catalogue.bnf.fr/ark:/12148/cb400957772.

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MOREIRA, Romana Maria. "Rousseau e Buffon: Reflexões antropofilosóficas e réplica." Universidade Federal de Pernambuco, 2011. https://repositorio.ufpe.br/handle/123456789/19026.

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Esta pesquisa expôs as reflexões antropológicas do filósofo Jean Jaques Rousseau em debate com as do naturalista George Louis Leclerc de Buffon. Tomamos como objeto de análise a réplica da matéria Animaux carnassierscontida na L’ Histoire naturellede autoria de Buffon.Nela, identificamos a tese do homem frugívoro como objeção fundamental da réplica, cujo texto possibilitou a reconstituição de movimentos do traçado estrutural das ideias naturalistas do filósofo genebrino, o que nos propiciou visualizá-las e reacendê-las. Observamos a pertinência da crítica fornecida por Buffon ao detectar problema relacionado ao método e à inconsistência do suposto caráter científico da tese rousseauniana. Destarte, emerge a possibilidade de compreender a tese de Rousseau através do método da “hermenêutica filosófica” desenvolvida por Hans Gadamer (1900-2002). Concluímos então, na nossa interpretação e compreensão, que o sentimento de piedade foi causa de discussão,e projetou-se enquanto principio moral emprol do desenvolvimento humano,motivado pelo seu significado ético na formação humana. A tais reflexões de Rousseau designamos de antropofilosóficas, e julgamos como indispensáveis e diligentes ao presente e futuro do homem.
This research set out the anthropological reflections of the philosopher Jean Jacques Rousseau in discussion with the naturalist George Louis Leclerc de Buffon. We take as object of analysis the reply Animaux carnassiers matter contained in L 'Histoire naturelle authored by Buffon. Here, we identify the thesis of man as frugivorous fundamental objection to the reply, the text of which allowed the reconstruction of movements of the tracing structural naturalistic ideas of the philosopher Geneva, which gave us view them and relight them. We note the relevance of the criticism given by Buffon to detect problems related to the method and the alleged inconsistency of a scientific theory of Rousseau. Thus emerges the possibility of understanding the theory of Rousseau by the method of "philosophical hermeneutics" developed by Hans Gadamer (1900-2002). We conclude, in our interpretation and understanding, that the feeling of pity was the cause of discussion and was projected as a moral principle in favor of human development, motivated by its ethical significance in the human formation. Such Rousseau’ reflections we named of anthropophilosophicals,and arebelieved to be necessary and diligent to present and future of man.
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Meisen, Lydia. "Die Charakterisierung der Tiere in Buffons Histoire naturelle." Würzburg Königshausen & Neumann, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3052521&prov=M&dokv̲ar=1&doke̲xt=htm.

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Meisen, Lydia. "Die Charakterisierung der Tiere in Buffons Histoire naturelle." Würzburg Königshausen & Neumann, 2007. http://d-nb.info/986961698/04.

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Loveland, Jeff. "Rhetoric and natural history : Buffon in polemical and literary context /." Oxford : Voltaire Foundation, 2001. http://www.gbv.de/dms/goettingen/32877135X.pdf.

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Cauchi, Francesca. "The tragic buffoon : Zarathustra contra Zarathustra." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321394.

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Silva, AntÃnio Klinger GuedÃlha da. "Probabilidade geomÃtrica: generalizaÃÃes do problema da agulha de Buffon e aplicaÃÃes." Universidade Federal do CearÃ, 2014. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=11715.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior
O presente trabalho tem por finalidades: demonstrar o problema da agulha de Buffon, fazer uma pequena generalizaÃÃo do resultado obtido e apresentar aplicaÃÃes baseadas nos fundamentos do referido problema. O problema da agulha de Buffon està inserido no estudo da Teoria das Probabilidades, particularmente na subÃrea de probabilidade geomÃtrica. Para chegarmos à soluÃÃo desta questÃo, alÃm dos conceitos e propriedades atinentes à Teoria das probabilidades à necessÃrio o conhecimento de noÃÃes bÃsicas do cÃlculo integral. Nos capÃtulos 2, 3 e 4 à apresentado um estudo preliminar sobre probabilidade, com os conceitos bÃsicos, propriedades e a formulaÃÃo de alguns modelos probabilÃsticos. Durante o desenvolvimento do trabalho, sempre que possÃvel, os conceitos e definiÃÃes sÃo inseridos com o auxÃlio de um problema motivador e para fixaÃÃo dos mesmos sÃo mostrados exemplos resolvidos. O Ãltimo capÃtulo evidencia a importÃncia do problema de Buffon como mÃtodo para realizar estimativas e como fundamento para o processo de captaÃÃo de imagens pelos aparelhos de tomografia computadorizada, um grande avanÃo para a Medicina no que diz respeito ao diagnÃstico por imagens.
This paper has the objective of showing Buffon's needle problem, doing a minor generalization of the results obtained hereby, and also presenting some applications based upon the fundamentals of such problem. Buffon's needle problem has been inserted into the study of Theory of Probability, particularly in its sub-area of geometrical probability. In order to attain the solution to this question, in addition to the concepts and the properties concerning the theory of probabilities, it is necessary that one should have some basic knowledge about integral calculus. In chapters 2, 3, and 4 there is a preliminary study of probability, with the basic concepts, properties and formulation of some probabilistic models being presented. During the development of this paper, whenever it was possible, the concepts and definitions were inserted with the aid of a motivational problem and they were solved by means of fixing the same examples as shown. The final chapter presents the importance of Buffon's needle problem as a method of making estimates and as a foundation for the process of capturing images in CT (computerized tomography) scanning machines, such a great breakthrough in what concerns the diagnosis by means of imaging.
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Silva, Antônio Klinger Guedêlha da. "Probabilidade geométrica: generalizações do problema da agulha de Buffon e aplicações." reponame:Repositório Institucional da UFC, 2014. http://www.repositorio.ufc.br/handle/riufc/8109.

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SILVA, Antônio Klinger Guedêlha da. Probabilidade geométrica: generalizações do problema da agulha de Buffon e aplicações. 2014. 74 f. Dissertação (Mestrado em Matemática em Rede Nacional) - Centro de Ciências, Universidade Federal do Ceará, Fortaleza, 2014.
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This paper has the objective of showing Buffon's needle problem, doing a minor generalization of the results obtained hereby, and also presenting some applications based upon the fundamentals of such problem. Buffon's needle problem has been inserted into the study of Theory of Probability, particularly in its sub-area of geometrical probability. In order to attain the solution to this question, in addition to the concepts and the properties concerning the theory of probabilities, it is necessary that one should have some basic knowledge about integral calculus. In chapters 2, 3, and 4 there is a preliminary study of probability, with the basic concepts, properties and formulation of some probabilistic models being presented. During the development of this paper, whenever it was possible, the concepts and definitions were inserted with the aid of a motivational problem and they were solved by means of fixing the same examples as shown. The final chapter presents the importance of Buffon's needle problem as a method of making estimates and as a foundation for the process of capturing images in CT (computerized tomography) scanning machines, such a great breakthrough in what concerns the diagnosis by means of imaging.
O presente trabalho tem por finalidades: demonstrar o problema da agulha de Buffon, fazer uma pequena generalização do resultado obtido e apresentar aplicações baseadas nos fundamentos do referido problema. O problema da agulha de Buffon está inserido no estudo da Teoria das Probabilidades, particularmente na subárea de probabilidade geométrica. Para chegarmos à solução desta questão, além dos conceitos e propriedades atinentes à Teoria das probabilidades é necessário o conhecimento de noções básicas do cálculo integral. Nos capítulos 2, 3 e 4 é apresentado um estudo preliminar sobre probabilidade, com os conceitos básicos, propriedades e a formulação de alguns modelos probabilísticos. Durante o desenvolvimento do trabalho, sempre que possível, os conceitos e definições são inseridos com o auxílio de um problema motivador e para fixação dos mesmos são mostrados exemplos resolvidos. O último capítulo evidencia a importância do problema de Buffon como método para realizar estimativas e como fundamento para o processo de captação de imagens pelos aparelhos de tomografia computadorizada, um grande avanço para a Medicina no que diz respeito ao diagnóstico por imagens.
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Books on the topic "Buffone"

1

Gonnella buffone. Milano: Guanda, 1985.

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Schizzerotto, Giancarlo. Gonnella: Il mito del buffone. Pisa: ETS, 2001.

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Schizzerotto, Giancarlo. Gonnella: Il mito del buffone. Pisa: ETS, 2001.

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Felisatti, Massimo. Baruffino buffone: Dramma eroicomico in 7 quadri. Ferrara: Liberty House, 1991.

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Savino, Giulia Lunetta. Il buffone e il poveruomo: Il teatro di Peppino De Filippo. Bari: Dedalo, 1990.

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L' arte del buffone: Maschere e spettacolo tra Italia e Baviera nel XVI secolo. Roma: Bulzoni, 2005.

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Strappini, Lucia. La tragedia del buffone: Percorsi del comico e del tragico nel teatro del XVII secolo. Roma: Bulzoni, 2003.

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Saffioti, Tito. E il signor duca ne rise di buona maniera: Vita privata di un buffone di corte nella Urbino del Cinquecento. Milano: La vita felice, 1997.

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Leclerc, Buffon Georges Louis. Buffon. Edited by Bernasconi Robert. Bristol: Thoemmes Press, 2001.

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Lecco, Alberto. I buffoni. Milano: Spirali, 1998.

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Book chapters on the topic "Buffone"

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Behrends, Ehrhard. "Buffons Nadel." In Fünf Minuten Mathematik, 154–56. Wiesbaden: Springer Fachmedien Wiesbaden, 2012. http://dx.doi.org/10.1007/978-3-658-00998-4_59.

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Gooch, Jan W. "Buffing." In Encyclopedic Dictionary of Polymers, 97. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_1649.

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Williams, Rogel L. "The Buffon Phenomenon." In Botanophilia in Eighteenth-Century France, 45–56. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-015-9849-1_5.

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Chinnici, Ileana, James M. Lattis, Mariafortuna Pietroluongo, Roberto Torretti, Marco Murara, Giancarlo Truffa, Thomas R. Williams, et al. "Comte de Buffon." In The Biographical Encyclopedia of Astronomers, 249. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_5146.

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Bährle-Rapp, Marina. "buffen." In Springer Lexikon Kosmetik und Körperpflege, 76. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_1365.

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Bährle-Rapp, Marina. "buffing cream." In Springer Lexikon Kosmetik und Körperpflege, 77. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_1370.

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Bährle-Rapp, Marina. "buffing file." In Springer Lexikon Kosmetik und Körperpflege, 77. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_1371.

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Bährle-Rapp, Marina. "buffing gel." In Springer Lexikon Kosmetik und Körperpflege, 77. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_1372.

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Bährle-Rapp, Marina. "buffing oil." In Springer Lexikon Kosmetik und Körperpflege, 77. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_1373.

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Bährle-Rapp, Marina. "buffing pad." In Springer Lexikon Kosmetik und Körperpflege, 77. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_1374.

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Conference papers on the topic "Buffone"

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Flajolet, Philippe, Maryse Pelletier, and Michèle Soria. "On Buffon Machines and Numbers." In Proceedings of the Twenty-Second Annual ACM-SIAM Symposium on Discrete Algorithms. Philadelphia, PA: Society for Industrial and Applied Mathematics, 2011. http://dx.doi.org/10.1137/1.9781611973082.15.

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Wang, Alexandra L., and Charles J. Kicey. "On the accuracy of Buffon's Needle." In the 49th Annual Southeast Regional Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2016039.2016100.

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Guo, Yining. "An investigation of Buffon's needle problem." In International Conference on Statistics, Applied Mathematics, and Computing Science (CSAMCS 2021), edited by Ke Chen, Nan Lin, Romeo Meštrović, Teresa A. Oliveira, Fengjie Cen, and Hong-Ming Yin. SPIE, 2022. http://dx.doi.org/10.1117/12.2627592.

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Liu, Daming, Yongfeng Lu, Y. Y. Neo, Weijie Wang, and Tohsiew Low. "Laser buffing of nickel-phosphorous surface after mechanical texturing." In Photonics China '98, edited by ShuShen Deng and S. C. Wang. SPIE, 1998. http://dx.doi.org/10.1117/12.317947.

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Wu, Xiangyang, Zhiyi Zhang, Yongfeng Han, Xiaoyi Yang, and Weihua Zhang. "Buffing Technology of Weld Seams for High-speed Train Bogie." In 2015 International Conference on Advanced Material Engineering. WORLD SCIENTIFIC, 2015. http://dx.doi.org/10.1142/9789814696029_0042.

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Ma, Rui, and Qi Hao. "A wireless laser sensor web for human gait disorder recognition based on the Buffons needle model." In 2013 IEEE Sensors. IEEE, 2013. http://dx.doi.org/10.1109/icsens.2013.6688521.

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Ma, Rui, and Qi Hao. "Buffon's needle model based walker recognition with distributed binary sensor networks." In 2012 IEEE International Conference on Multisensor Fusion and Integration for Intelligent Systems (MFI 2012). IEEE, 2012. http://dx.doi.org/10.1109/mfi.2012.6343025.

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Laugee, Thierry. "PATRINAT: The drawings in Buffon's Histoire naturelle, towards a digitized heritage." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7413864.

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Cremers, Cas, Samed Duzlu, Rune Fiedler, Marc Fischlin, and Christian Janson. "BUFFing signature schemes beyond unforgeability and the case of post-quantum signatures." In 2021 IEEE Symposium on Security and Privacy (SP). IEEE, 2021. http://dx.doi.org/10.1109/sp40001.2021.00093.

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Zeimet, D., and J. Withers. "424. Respiratory Irritation from Floor Waxing, Buffing, and Burnishing: An Industrial Hygiene Evaluation." In AIHce 1996 - Health Care Industries Papers. AIHA, 1999. http://dx.doi.org/10.3320/1.2765107.

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Reports on the topic "Buffone"

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McClenaghan, M. B., I. M. Kjarsgaard, D. Crabtree, and R. N. W. DiLabio. Mineralogy and geochemistry of till and soil overlying the Buffonta kimberlite dike, Kirkland Lake, Ontario. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1995. http://dx.doi.org/10.4095/203640.

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