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Journal articles on the topic 'Bühner'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Greiff, Samuel, Katarina Krkovic, and Jarkko Hautamäki. "The Prediction of Problem-Solving Assessed Via Microworlds." European Journal of Psychological Assessment 32, no. 4 (2016): 298–306. http://dx.doi.org/10.1027/1015-5759/a000263.

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Abstract. In this study, we explored the network of relations between fluid reasoning, working memory, and the two dimensions of complex problem solving, rule knowledge and rule application. In doing so, we replicated the recent study by Bühner, Kröner, and Ziegler (2008) and the structural relations investigated therein [ Bühner, Kröner, & Ziegler, (2008) . Working memory, visual-spatial intelligence and their relationship to problem-solving. Intelligence, 36, 672–680]. However, in the present study, we used different assessment instruments by employing assessments of figural, numerical,

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2

Hilmes, Carola. "Maria Bühner / Maren Möhring (Hg.): Europäische Geschlechtergeschichten." Das Historisch-Politische Buch 67, no. 2 (2019): 295–96. http://dx.doi.org/10.3790/hpb.67.2.295.

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3

Petermann, Franz. "Bühner, M. (2006). Einführung in die Test- und Fragebogenkonstruktion." Zeitschrift für Psychiatrie, Psychologie und Psychotherapie 57, no. 3 (2009): 227–28. http://dx.doi.org/10.1024/1661-4747.57.3.227.

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4

Bühner, Ruben A. "Interaktion mit dem Fremden. Grenzen und Möglichkeiten der Tischgemeinschaft anhand von Daniel und Ester." Zeitschrift für die alttestamentliche Wissenschaft 133, no. 3 (2021): 329–45. http://dx.doi.org/10.1515/zaw-2021-3001.

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Abstract Most recent publications dealing with the question of table fellowship between Jews and gentiles in Early Judaism stake the assumption for granted that there is a common discourse behind the available sources. Thus, the relevant Jewish narratives (Dan, Est, Jdt, JosAs, Tob, Arist) are mutually used for explanation. In contrast, Ruben A. Bühner uses the Daniel and Ester narratives to exemplify that the texts present complex discourses that must be distinguished from one another and that testify to different lines of reasoning, which cannot be reduced to a uniform discourse.

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5

Kleinschmidt, Laura Marie, and J. Jill Heatley. "Modified Bühner suture technique in a guinea pig (Cavia porcellus) with penile prolapse." Veterinary Record Case Reports 3, no. 1 (2015): e000159. http://dx.doi.org/10.1136/vetreccr-2014-000159.

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6

Ashton, John. "The Johannine Son of Man: A New Proposal." New Testament Studies 57, no. 4 (2011): 508–29. http://dx.doi.org/10.1017/s0028688511000178.

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How is the association of the descent/ascent motif with the Johannine Son of Man to be explained if the gnosticism theory no longer holds? ἀναβέβηκεν (3.13) is usually taken to refer to Jesus' final ascension. But Odeberg saw that it refers to a tradition of heavenly ascent in Jesus' lifetime. Bühner argued rather for a double reference—to the ascent of a visionary seer involving a metamorphosis into a heavenly beinganda final ascent at death. Yet he ignores the likelihood, sustained by Jarl Fossum and Morton Smith, that the transfiguration tradition was based on an authentic memory. In chs. 9

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7

Hellú, José Abdo de Andrade, Gilson Hélio Toniollo, and Isaías Marques Neto. "Descrição de duas novas técnicas cirúrgicas para o tratamento de prolapso vaginal em vacas zebuínas: vaginectomia parcial e vaginopexia dorsal." Ciência Rural 45, no. 11 (2015): 2026–32. http://dx.doi.org/10.1590/0103-8478cr20140528.

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Com o aumento da casuística e o insucesso da aplicação das técnicas convencionais de Caslick, Bühner ou Flessa, na redução do prolapso vaginal não associado à gestação em vacas zebuínas, caracterizada pela elevação significativa da recorrência da afecção, este trabalho teve por objetivo avaliar duas novas técnicas cirúrgicas na correção do prolapso vaginal, denominadas de vaginectomia parcial e vaginopexia dorsal em vacas. O estudo foi conduzido a campo, por um período de quatro anos, utilizando-se 812 vacas zebuínas (Nelore, Gir e Brahman), em idade reprodutiva, alojadas em diversas proprieda

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8

Wozniak, Thomas. "Peter Bühner, Die Freien und Reichsstädte des Heiligen Römischen Reiches. Kleines Repertorium. (Schriftenreihe der Friedrich-Christian-Lesser-Stiftung, Bd. 38.) Petersberg, Imhof 2018." Historische Zeitschrift 311, no. 1 (2020): 147–48. http://dx.doi.org/10.1515/hzhz-2020-1259.

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9

Alves, Maíra Bianchi R., Fernando J. Benesi, Lilian Gregory, et al. "Prolapso vaginal e uterino em ovelhas." Pesquisa Veterinária Brasileira 33, no. 2 (2013): 171–76. http://dx.doi.org/10.1590/s0100-736x2013000200006.

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O presente trabalho objetivou realizar um estudo retrospectivo sobre os prolapsos vaginal e uterino em ovelhas atendidas no Serviço de Clínica de Bovinos e Pequenos Ruminantes (CBPR) da FMVZ/USP no período compreendido entre 2000 a 2010, no qual, foram atendidas 56 ovinos com problemas inerentes ao sistema reprodutivo, dessas, 25 apresentaram prolapso vaginal ou uterino (44,6%). O prolapso vaginal total foi o de maior frequência (72%). As ovelhas acometidas, em sua maioria, possuíam idade superior a quatro anos (64%), eram sem raça definida (44%) ou da raça Ile de France (40%). As manifestaçõe

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10

Zunft, H. J. "T. Bühner und K. Hausmann: Biologie und Computer. 119 Seiten, 45 Abb., 2 Tab. Gustav Fischer Verlag, Stuttgart, New York 1987. Preis: 28,— DM." Food / Nahrung 31, no. 9 (1987): 926. http://dx.doi.org/10.1002/food.19870310921.

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11

Schemmel, Herta. "Wirkfaktor Bühne Bühne und Raum im Psychodrama." Zeitschrift für Psychodrama und Soziometrie 1, no. 1 (2002): 31–39. http://dx.doi.org/10.1007/s11620-002-0004-2.

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12

Schnegg, Matthias. "Bühne frei." Leidfaden 9, no. 3 (2020): 83–85. http://dx.doi.org/10.13109/leid.2020.9.3.83.

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13

Unterstell, Rembert. "Bühne frei!" forschung 43, no. 1 (2018): 26–27. http://dx.doi.org/10.1002/fors.201870107.

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14

Toccafondi, Fiorenza. "De Karl Bühler à Karl R. Popper." Philosophiques 26, no. 2 (2002): 279–300. http://dx.doi.org/10.7202/004992ar.

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RÉSUMÉ Popper a passé sa licence sous la direction de Bühler en 1928. Affirmer que Popper a été profondément influencé, non seulement par la théorie du langage de Bühler, mais aussi par sa psychologie, ne correspond pas à l’opinion courante. Le deuxième chapitre de Die beiden Grundprobleme der Erkenntis montre clairement que Karl Bühler a représenté l’un des points de départ les plus importants de la théorie de l’esprit de Popper. Selon Popper, dans l’épistémologie de Carnap, il y a un « préjudice inductif » : afin de rétablir une opinion neutre et adopter une épistémologie qui soit indépendan

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15

Tischel, A. "Bühnen des Erzählens." Germanistische Mitteilungen 37, no. 1 (2011): 39–50. http://dx.doi.org/10.33675/gm/2011/1/7.

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16

Spitzer-Prochazka, Sabine. "Auf kargen Bühnen." Zeitschrift für Psychodrama und Soziometrie 11, no. 2 (2012): 281–95. http://dx.doi.org/10.1007/s11620-012-0153-x.

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17

Cattaruzza, Serena. "Meinong and Bühler." Axiomathes 7, no. 1-2 (1996): 103–10. http://dx.doi.org/10.1007/bf02357201.

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18

Leoni, Federico Albano. "Attualitŕ di Bühler." PARADIGMI, no. 3 (December 2011): 121–34. http://dx.doi.org/10.3280/para2011-003009.

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L'articolo propone una succinta lettura dellae di altri scritti di Bühler da un'angolatura linguistica. Viene cosě richiamata l'attenzione su alcuni punti ancora attuali e non del tutto messi a frutto nel dibattito teorico contemporaneo sulle scienze del linguaggio. In particolare l'Autore si sofferma su: a) il concetto di campo; b) la teoria dei due campi e l'integrazione tra il campo simbolico e il campo deittico, con un accenno alla questione dell'ellissi; c) l'assiomatica di B., con particolare riferimento al suo modello di segno e sul sistema simbolo/campo; d) la prospettiva gestaltica ne

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19

Petz, Susanne. "Bühne frei für ..." working@office 12, no. 1 (2011): 50–53. http://dx.doi.org/10.1365/s35131-011-0115-z.

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20

Vogt, Ludgera, and Matthias Bandtel. "Neue Bühnen, neue Risiken." Soziale Welt 67, no. 4 (2016): 369–88. http://dx.doi.org/10.5771/0038-6073-2016-4-369.

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21

Rousseau, André. "Bühler et la subjectivité." Germanica, no. 26 (June 30, 2000): 163–84. http://dx.doi.org/10.4000/germanica.2419.

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22

Lax, Peter. "Remembering Walter Kaufmann-Bühler." Mathematical Intelligencer 9, no. 4 (1987): 19. http://dx.doi.org/10.1007/bf03023723.

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23

Mosich, Cai. "Bühnenspiel – Spiel der Bühnen." Zeitschrift für Psychodrama und Soziometrie 17, no. 1 (2017): 121–33. http://dx.doi.org/10.1007/s11620-017-0427-4.

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24

Karr, Sarah. "Eine Geschichte des Wissens // A History of Knowledge // Una historia del conocimiento." Ecozon@: European Journal of Literature, Culture and Environment 7, no. 1 (2016): 238–41. http://dx.doi.org/10.37536/ecozona.2016.7.1.998.

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Book review of Benjamin Bühler und Stefan Riege's Vom Wuchern der Pflanzen. Ein Florilegium des Wissens, Bunte Steine. Ein Lapidarium des Wissens, Ein Machinarium des Wissens.Resumen Reseña de Vom Wuchern der Pflanzen. Ein Florilegium des Wissens, Bunte Steine. Ein Lapidarium des Wissens, Ein Machinarium des Wissens de Benjamin Bühler und Stefan Riege.

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25

Primac, Daniel W. "Measuring Change in a Brief Therapy of a Compulsive Personality." Psychological Reports 72, no. 1 (1993): 309–10. http://dx.doi.org/10.2466/pr0.1993.72.1.309.

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In the short-term therapy over 16 50-min. sessions of a compulsive personality, there were unanimous positive changes on 17 verbal measures, with no activity shown on one measure. The verbal measures of Mahl, Raimy, and Bugental were used, along with Bühler, Bühler, and Lefever's Basic Rorschach Score and a qualitative analysis of the Rorschach. There were indications of decreases in procrastination, narcissism, and disorderliness.

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26

Bohrer, Karl Heinz. "Die Bühne war überall." Zeitschrift für Ideengeschichte 10, no. 1 (2016): 67–86. http://dx.doi.org/10.17104/1863-8937-2016-1-67.

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27

Maehler, Herwig. "IO AUF DER BÜHNE." Acta Antiqua Academiae Scientiarum Hungaricae 40, no. 1-4 (2000): 321–29. http://dx.doi.org/10.1556/aant.40.2000.1-4.27.

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28

Gabriel, Johannes. "Bühne. Grenzen des Wissens." Indes 1, no. 4 (2012): 92–100. http://dx.doi.org/10.13109/inde.2012.1.4.92.

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29

Templin, Christina. "Nonkonformismus auf der Bühne." Indes 5, no. 3 (2016): 55–61. http://dx.doi.org/10.13109/inde.2016.5.3.55.

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30

Wulff, Claudia. "Biologie auf der Bühne." Biologie in unserer Zeit 40, no. 4 (2010): 235. http://dx.doi.org/10.1002/biuz.201090056.

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31

Koller, Sabine. "Der Text Als Bühne." Poetica 47, no. 1 (2015): 103–34. http://dx.doi.org/10.30965/25890530-04701005.

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32

Koller, Sabine. "Der Text Als Bühne." Poetica 47, no. 1-2 (2015): 103–34. http://dx.doi.org/10.30965/25890530-0470102005.

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33

Koller, Sabine. "DER TEXT ALS BÜHNE." Poetica 47, no. 1-2 (2015): 103–34. http://dx.doi.org/10.1163/25890530-047-01-90000005.

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34

Horber, Matthias. "Schnellwechselkabine auf der Bühne." JOT Journal für Oberflächentechnik 44, no. 10 (2004): 62–63. http://dx.doi.org/10.1007/bf03240923.

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35

Otto, Angelika. "Das Schaufenster als Bühne." NeuroTransmitter 28, no. 7-8 (2017): 66–67. http://dx.doi.org/10.1007/s15016-017-6059-0.

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36

Klein, Ulf. "Die Neurophysiologie der Bühne." Zeitschrift für Psychodrama und Soziometrie 11, no. 2 (2012): 207–15. http://dx.doi.org/10.1007/s11620-012-0147-8.

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37

Jansen, Jan. "Polities and Political Discourse: Was Mande Already A Segmentary Society in the Middle Ages?" History in Africa 23 (January 1996): 121–28. http://dx.doi.org/10.2307/3171937.

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Stephan Bühnen has applied some of my ideas to a wider region than southwestern Mali, and shown that the principles of Mande status discourse make possible new interpretations on sources and political processes in the entire West African Sudan. Inspired by Bühnen's analysis, I am convinced that the principles of Mande status discourse may shed light on various processes, varying from political struggles between families to the construction of contemporary ethnic identities. I hope that this reply will not be the end of the discussion on West African genealogies, and that others will join us.Al

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38

Bouveresse, Jacques. "Karl Bühler, penseur du langage." La lettre du Collège de France, no. 26 (June 1, 2009): 29–30. http://dx.doi.org/10.4000/lettre-cdf.146.

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39

Brock, Adrian. "Whatever happened to Karl Bühler?" Canadian Psychology/Psychologie canadienne 35, no. 3 (1994): 319–29. http://dx.doi.org/10.1037/0708-5591.35.3.319.

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40

Berg, Frank. "Schwere Bühnen für große Lasten." JOT Journal für Oberflächentechnik 47, no. 11 (2007): 38. http://dx.doi.org/10.1007/bf03241761.

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41

Vykypěl, Bohumil. "Karl Bühler a TCLP znovuobjevovaní." Linguistica Brunensia, no. 2 (2020): 105–7. http://dx.doi.org/10.5817/lb2020-2-9.

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42

Hopf, Matthias. "Die Psalmen als „verbale Bühnen“." Biblische Zeitschrift 65, no. 1 (2021): 1–27. http://dx.doi.org/10.30965/25890468-06501001.

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Abstract Many psalms display characteristics that are – in literary theory – associated with performance texts like “dramas”. The criteria for this are that texts feature a “lexis” (direct speech out of the mouth of a discernible character), an “opsis” (elements evoking a scenery etc., often presented in direct speech), and plot structures (not only story plots, but also character development and the like). Many psalms fit this criterology, even though some more than others, as well as partially with some very unique characteristics. Still, this allows for understanding several psalms as minia

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43

Wildner, Manfred. "Vorhang auf!" Das Gesundheitswesen 81, no. 07 (2019): 525–26. http://dx.doi.org/10.1055/a-0951-9397.

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„Vorhang auf!“–Dieser Zuruf öffnet Bühnen und Arenen für mannigfaltige Darbietungen: für Komödien, Tragödien und anderweitige Dramen, für die Darbietungen von Heldentenören und Chören und auch für diverse Zirkuskunststücke. Im Zentrum stehen dabei die jeweiligen Akteure (engl. actors): die in den verschiedenen Rollen Handelnden, welche in vielfachen Interaktionen Heiterkeit und Betroffenheit, Ergriffenheit und innere Bewegung, bisweilen auch begeisterte Bewunderung hervorrufen. So werden die Bühnen zu Orten, wo das Wechselspiel der Akteure, wenn ihre Rollen und Persönlichkeiten verstanden sind

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44

Fuchs, Marc. "Structural Process: Efficient Manufacture of Ductile and Weldable Die Cast Aluminum Components." Solid State Phenomena 116-117 (October 2006): 387–91. http://dx.doi.org/10.4028/www.scientific.net/ssp.116-117.387.

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45

Felsner, Johanna, David Fließer, Livia Neutsch, Valentino Massoglio, and Anna Spitta. "Auf den Spuren von Charlotte und Karl Bühler – Die Erschliessung der Exilbibliothek." Mitteilungen der Vereinigung Österreichischer Bibliothekarinnen und Bibliothekare 69, no. 2 (2016): 304–13. http://dx.doi.org/10.31263/voebm.v69i2.1641.

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Der Artikel stellt die Ergebnisse einer Vorstudie zur endgültigen Erschließung der Exilbibliothek von Charlotte und Karl Bühler vor. Bei einer Nachlassbibliothek wie der Exilbibliothek von Charlotte und Karl Bühler machen vor allem die Benutzungs- und Lesespuren den einmaligen Wert des Bestands aus. Demgemäß ging es in erster Linie darum, diese Exemplarspezifika zu sichern, zu erfassen und zugänglich zu machen. Da es derzeit allerdings (noch) keine einheitliche Vorgehensweise innerhalb des Österreichischen Bibliothekenverbunds bezüglich der elektronischen Verzeichnung von exemplarspezifischen

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46

Case, Sue-Ellen. "Cyberbodies auf der transnationalen Bühne." Die Philosophin 12, no. 24 (2001): 10–27. http://dx.doi.org/10.5840/philosophin2001122420.

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47

Gabriel, Leon. "Die Bühne in Schwingung versetzen." Double jeu, no. 10 (December 31, 2013): 73–87. http://dx.doi.org/10.4000/doublejeu.523.

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48

Kessler, Frank, and Sabine Lenk. "Max Linder auf der Bühne." Maske und Kothurn 54, no. 1-2 (2008): 43–51. http://dx.doi.org/10.7767/muk.2008.54.12.43.

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49

Zeeb, Gunda. "Freeze – Stillstand auf der Bühne." Figurationen 13, no. 1 (2012): 122–29. http://dx.doi.org/10.7788/figurationen.2012.13.1.122.

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50

Frohn, Elke. "Die Bühne gehört jetzt Ihnen!" Zeitschrift für Psychodrama und Soziometrie 11, no. 2 (2012): 189–205. http://dx.doi.org/10.1007/s11620-012-0146-9.

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