Relevant bibliographies by topics / Building Art, Medieval Architecture, Medieval. Architecture in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Building Art, Medieval Architecture, Medieval. Architecture in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Building Art, Medieval Architecture, Medieval. Architecture in art"

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Blair, Sheila. "A Medieval Persian Builder." Journal of the Society of Architectural Historians 45, no. 4 (1986): 389–95. http://dx.doi.org/10.2307/990209.

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Lacking many of the documentary and archival sources available to scholars of the medieval Western world, historians of Islamic architecture are forced to turn to another feature of architectural decoration to reconstruct the building tradition: the written word. A builder's signature on a set of luster tiles in the Metropolitan Museum of Art allows us to connect the set to an early-14th-century shrine complex in central Iran. Reading of another inscription on the tiles, hitherto unnoticed and containing a signature and date, allows us to reconstruct the building campaign at the site and to ev
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Caskey, Jill. "Steam and "Sanitas" in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages." Journal of the Society of Architectural Historians 58, no. 2 (1999): 170–95. http://dx.doi.org/10.2307/991483.

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This study presents five little-known bathing chambers from the region of Amalfi in southern Italy. Dating from the thirteenth century, the baths define with remarkable consistency a type of structure that has not previously been identified or considered in histories of medieval architecture in the West. The study begins with an analysis of the five bathing chambers and their specific architectural features, technological remains, and domestic contexts. The diverse antecedents of the buildings, which appear in ancient Roman, medieval Italian, Byzantine, and Islamic architecture, are explored,
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E.V., Kilimnik. "ARCHITECTURAL MONUMENTS OF THE MEDIEVAL LIVONIAN ORDER." Global problems of modernity 1, no. 9 (2020): 4–18. http://dx.doi.org/10.26787/nydha-2713-2048-2020-1-9-4-18.

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The main purpose of the presented work is a cultural and historical analysis of the evolution of the cul-tural development of medieval Livonia on the example of monuments of defense architecture. The task is to conduct an art analysis of the existing variety of architectural forms of medieval castle complexes of the 13th and 16th centuries, located in different regions of Latvia and Estonia, which have undergone expansion by the feudal Germany, Denmark and Sweden. Creation of architectural and historical clas-sification of castle forms that were in the regions of the medieval Livonian Order of
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Fehér, Krisztina, Balázs Halmos, and János Krähling. "Frigyes Schulek’s Calvinist Reformed Church in Szeged: A Particular Case of Medieval Design in Historicism." Periodica Polytechnica Architecture 48, no. 1 (2017): 28–34. http://dx.doi.org/10.3311/ppar.11135.

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Analysing the original drawings of Frigyes Schulek’s Calvinist Reformed Church in Szeged from 1882 kept in the Plan Collection and Archives of the BME Department for History of Architecture and of Monuments, its design process of geometric proportioning method can be entirely reconstructed. The result of this analysis shows that the Historicism of Schulek was not merely the replication of stylistic patterns of Gothic art but also the application of Medieval architectural principals and ideas. In the case of the Calvinist Reformed Church in Szeged, the essence of the design ‘in style’ was inspi
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Peno, Vesna, and Marija Obradovic. "On the chanting space and hymns that were sung in it. Searching for chanting-architectural connections in the middle ages." Muzikologija, no. 23 (2017): 145–73. http://dx.doi.org/10.2298/muz1723145p.

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The search for the unexplained interactions of domestic medieval liturgical music and sacred architecture of the Moravian style has not been the subject of interdisciplinary study so far. A reflection on the potential relationg between church chanting and architecture is absent from the largest part of the existing literature on the development of medieval sacral art. The scarcity of written historical sources, and especially musical ones, made it particularly difficult to define the connection between the chanting circumstances and the changes in the architectural form of the late Byzantine p
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Ousterhout, Robert, and Dmitry Shvidkovsky. "Kievan Rus’." Scientific and analytical journal Burganov House. The space of culture 17, no. 1 (2021): 51–67. http://dx.doi.org/10.36340/2071-6818-2021-17-1-51-67.

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Robert Ousterhout, the author of a magnificent book “Eastern Medieval Architecture. The Building Traditions of Bizantium and Neighboring Lands”, published by Oxford University Press in 2019, the remarkable scholar and generous friend, was so kind to mention in his C. V. on the sight of Penn University (Philadelphia, USA) that he had been the Visiting professor of the Moscow architectural Institute (State Academy), as well as simulteniously of the Hebrew University in Jerusalem, but he did not say that he had been awarded the degree of professor honoris causa by the academic council of MARHI. U
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E.V., Kilimnik. "THE INTERNATIONAL FORM IN THE WORLD OF THE WORLD OF THE WEST EUROPE AND FORTIFICATION ART OF THE CRUSADERS IN THE MIDDLE EAST OF THE XIth AND XIIIth CENTURY." Global problems of modernity 1, no. 7 (2020): 4–16. http://dx.doi.org/10.26787/nydha-2713-2048-2020-1-7-4-16.

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The main purpose of the study is to conduct architectural and historical analysis of the formation of medieval feudal castles as a phenomenon of chivalrous culture of Europe and the Middle East. The task of the study is to analyze the general and special in the evolution of forms in the castle architecture of Western Europe and the Jerusalem medieval kingdom. Creation of architectural and historical typology of castle forms that existed in the regions of medieval Western Europe and the Levant. In the course of the analysis of the formation of Middle Eastern castle complexes of the 12th - 13th
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Polyakov, E. N., and T. V. Donchuk. "ARCHITECTURAL HERITAGE OF Ch.R. MACKINTOSH." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 6 (January 2, 2019): 9–32. http://dx.doi.org/10.31675/1607-1859-2018-20-6-9-32.

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The article is devoted to the most famous architectural projects of residential, public and religious buildings of Charles Rennie Mackintosh (1868–1928). It is shown that he adhered to the traditions of neo-romanticism, preferred the traditions of Celtic symbolical art, the Scottish folk architecture and the so-called baronial style which make his buildings similar to medieval castles. It is noted that in design solutions and especially organization of internal space of buildings, the architect used the most advanced construction technologies, structures and materials. The article considers si
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Neto, Maria João. "A CANOPY FROM THE PORTUGUESE MEDIEVAL MONASTERY OF BATALHA: A SINGULAR EXAMPLE OF MICRO-ARCHITECTURE IN THE CLOISTERS COLLECTION." ARTis ON, no. 9 (December 26, 2019): 181–91. http://dx.doi.org/10.37935/aion.v0i9.250.

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The MET Cloisters acquired a peculiar architectural canopy in 2016 that belonged to the main portal of the medieval monastery of Santa Maria da Vitória in the Portuguese village of Batalha. This piece, now in New York, surmounted one of the twelve statues of the Apostles. In the 19th century, during restoration works, the portal was altered from its initial dimension and many of its original sculptural elements were replaced by copies.
 This research note intends to trace the current location of all the original elements, in both public and private collections, as well as their path in th
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Jarošová, Markéta. "Hearstův hrad. Kalifornský sen v záři evropské umělecké tradice." Muzeum Muzejní a vlastivedná práce 57, no. 1 (2020): 25–37. http://dx.doi.org/10.37520/mmvp.2019.004.

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Hearst Castle is one of the world‘s most famous public museums. Its architect Julia Morgan built the magnificent building near San Simeon on the Pacific Coast in Central California for William Randolph Hearst between 1919–1947. Its architectural form is mostly based on the examples of the Mediterranean architecture of Spain and southern Italy. The private residence where Hearst had hosted the famous Hollywood Society became a public cultural heritage in 1957. Since then, visitors have been allowed to admire Casa Grande and other suites, furnished with an unusually rich collection of European w
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Dissertations / Theses on the topic "Building Art, Medieval Architecture, Medieval. Architecture in art"

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Beech, Robert. "The hammer-beam roof : tradition, innovation and the carpenter's art in late medieval England." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5863/.

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This thesis is about late medieval carpenters, their techniques and their art, and about the structure that became the fusion of their technical virtuosity and artistic creativity: the hammer-beam roof. The structural nature and origin of the hammer-beam roof is discussed, and it is argued that, although invented in the late thirteenth century, during the fourteenth century the hammer-beam roof became a developmental dead-end. In the early fifteenth century the hammer-beam roof suddenly blossomed into hundreds of structures of great technical proficiency and aesthetic acumen. The thesis assess
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Swarbrick, Elizabeth Joy. "The medieval art and architecture of Scottish collegiate churches." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12210.

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Collegiate churches were founded for two essential aims: the augmentation of divine worship, and the salvation of souls. This thesis brings to light just how important material and aesthetic enrichments were in regards to these functions. The vast majority of collegiate churches in Scotland were substantially augmented around the time of their foundation. Patrons undertook significant building programmes and provided a variety of furnishings and ornaments to facilitate and enrich the services their body of clergy performed. Precise statutes were laid down in order to ensure that clergy were sk
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Gallin, Pauli. "Mamluk Art Objects in Their Architectural Context." Thesis, Boston College, 2017. http://hdl.handle.net/2345/bc-ir:107566.

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Thesis advisor: Sheila S. Blair<br>The field of Mamluk art and architectural history is well developed but there has been a tendency to discuss objects apart from their architectural contexts. My research seeks to explore the relationship between Mamluk objects, furnishings, and fittings attached to particular foundations in Cairo, The aim of this study is to examine the dialogue between design elements in different media and explore their aesthetic and functional relationship to their surroundings. This will give insight into how designs are transferred across media, and how architecture acte
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Lindley, P. G. "The monastic cathedral at Ely, circa 1320 to circa 1350 : art and patronage in Medieval East Anglia." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.355020.

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Malleck, Amy Elizabeth. "Intersections of Architecture and Religion In the Medieval Mediterranean: The Cappella Palatina, Palermo, and The Cathedral of St Sophia, Nicosia." Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/213120.

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Art History<br>M.A.<br>This paper explores the relationships between medieval religious buildings across the Mediterranean, where Muslim, Byzantine, and Western courts created a repertoire of churches and mosques whose patrons, architects, architectural iconographies, cultural contexts, and performative dimensions overlapped to a high degree. Tracing the analogies between the Cappella Palatina in Palermo and St. Sophia Cathedral in Nicosia testifies eloquently to these transmissions of adoption and integration because Sicily and Cyprus both passed between Byzantine, Islamic, and Latin Christia
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Crites, Danya Alexandra. "From mosque to cathedral: the social and political significations of Mudejar architecture in late medieval Seville." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/481.

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During the late Middle Ages, Iberian Christian and Jewish patrons commissioned intriguing monuments that incorporate Islamic-derived features. Determining possible reasons for the patronage of this architecture, commonly referred to as Mudejar architecture, has the potential to provide important insights into the complex, multi-cultural society that produced it, yet studies on its patronage have been limited in number and scope. Most of the early Spanish scholarship on Mudejar architecture focuses on formal issues and simply attributes its patronage to economic factors, an admiring fascination
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King, Rachel. "Divine Constructions: A Comparison of the Great Mosque of Cordoba and Notre-Dame-du-Chartres." Thesis, Boston College, 2007. http://hdl.handle.net/2345/504.

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Thesis advisor: Katherine Nahum<br>This thesis is a comparison between medieval Christian and Islamic sacred architecture, using the Great Mosque of Cordoba and the Cathedral of Notre-Dame in Chartres as examples. The paper links a formal analysis and comparison of the buildings, including their use of space, light, and decoration to an analysis and comparison of each religion's philosophy and theology. It includes a discussion of the role of Neo-Platonist philosophy on the architecture of each religion<br>Thesis (BA) — Boston College, 2007<br>Submitted to: Boston College. College of Arts and
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Angers, Philippe 1968. "Principles of religious imitation in mediaeval architecture : an analysis of the Holy Sepulchre in Jerusalem and its European copies from the Carolingian period to the late Romanesque." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98534.

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This study concerns the concept of sacred architectural imitation, using the Platonic notion of mimesis which then later finds expression in the medieval idea of imitatio. In Religious as well as in artistic and architectural forms of expression, the notion of imitation is indeed a very central and complex issue. At the heart of this concept is the question of meaning, or, more precisely, the transference or translation of meaning; from original to copy, from prototype to reproduction.<br>In order to better illustrate and understand the principles guiding the notion of medieval sacred architec
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Graves, Margaret Susanna. "Worlds writ small : four studies on miniature architectural forms in the medieval Middle East." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5489.

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While academic discussion of ornament within medieval Islamic art has laboured much over the codification and meaning of certain forms, there has been relatively little research to date on the visual and iconographic function of architecture as ornament in this context. Those few authors that have dealt with this issue have focused overwhelmingly on two-dimensional architectural representations, largely ignoring the considerable body of portable objects from the medieval Middle East that imitate architecture through three-dimensional forms, whether in a mimetically coherent fashion or in a mor
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Rozestraten, Artur Simões. "A iconografia do portador do modelo de arquitetura na arte medieval." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-20082009-090910/.

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Contrastando com a raridade dos vestígios materiais de supostas maquetes de arquitetos medievais há uma profusão de representações artísticas (mosaicos, afrescos e esculturas) que retratam figuras (Papas, Reis, Príncipes e Santos) portando modelos de arquitetura, particularmente igrejas. Esta pesquisa, apoiada pela FAPESP, concentra-se sobre este motivo artístico da figura portando o modelo de arquitetura relacionando-o à arquitetura real, à representação tridimensional da arquitetura e ao imaginário medieval acerca da criação arquitetônica. Para tanto esta pesquisa identifica, descreve, anali
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Books on the topic "Building Art, Medieval Architecture, Medieval. Architecture in art"

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Medieval building techniques. Tempus, 2004.

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Building the medieval world. J. Paul Getty Museum, 2010.

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1951-, Tronzo William, ed. Medieval Naples: An Architectural & Urban History, 400-1400. ITALICA PRESS, 2011.

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Smith, Timothy B. Art as politics in late medieval and renaissance Siena. Ashgate Publishing Company, 2012.

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Medieval and Renaissance Famagusta: Studies in Architecture, Art and History. ASHGATE, 2012.

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The art of medieval urbanism: Parthenay in romanesque Aquitaine. Pennsylvania State University Press, 2007.

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Ploeg, Kees van der. Art, architecture and liturgy: Siena Cathedral in the Middle Ages. Forsten, 1993.

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The traveler's key to medieval France: A guide to the sacred architecture of medieval France. Knopf, 1986.

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Guigon, Philippe. L' architecture pré-romane en Bretagne: Le premier art roman. Institut culturel de Bretagne, 1993.

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Working with limestone: The science, technology, and art of medieval limestone monuments. Ashgate, 2010.

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Book chapters on the topic "Building Art, Medieval Architecture, Medieval. Architecture in art"

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Sears, Tamara I. "Building beyond the Temple: Sacred Centers and Living Communities in Medieval Central India." In A Companion to Asian Art and Architecture. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444396355.ch6.

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Camerlenghi, Nicola. "How Long Are the Lives of Medieval Buildings?" In The Long Lives of Medieval Art and Architecture. Routledge, 2019. http://dx.doi.org/10.4324/9781351181129-2.

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Fergusson, Peter. "Cistercian Architecture." In A Companion to Medieval Art. John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch35.

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Murray, Stephen. "The Study of Gothic Architecture." In A Companion to Medieval Art. John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch21.

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Hamburger, Jeffrey F. "The Art and Architecture of Female Monasticism." In A Companion to Medieval Art. John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch34.

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Pancaroğlu, Oya. "Figural Ornament in Medieval Islamic Art." In A Companion to Islamic Art and Architecture. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch20.

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Kendrick, Laura. "Making Sense of Marginalized Images in Manuscripts and Religious Architecture." In A Companion to Medieval Art. John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch16.

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O’Donnell-Morales, Maeve. "Resurrecting the Medieval Altar." In The Long Lives of Medieval Art and Architecture. Routledge, 2019. http://dx.doi.org/10.4324/9781351181129-9.

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Porter, Venetia, Liana Saif, and Emilie Savage-Smith. "Medieval Islamic Amulets, Talismans, and Magic." In A Companion to Islamic Art and Architecture. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch21.

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Fernie, Eric. "Definitions and Explanations of the Romanesque Style in Architecture from the 1960s to the Present Day." In A Companion to Medieval Art. John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch17.

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Conference papers on the topic "Building Art, Medieval Architecture, Medieval. Architecture in art"

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Oulmas, Mohand, Amina Abdessemed-Fouda, and Ángel Benigno González Avilés. "Évaluation de degré de défense de l’architecture défensive pré-coloniale en Algérie : cas des villages fortifiés." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11376.

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Assassing the defensibility of the pre-colonial defensive architecture in Algeria: case study on the medieval fortified villagesAlgeria’s pre-colonial towns of the medieval period still exist in different typologies, ranging from the isolated buildings (forts, castles) and town enclosures to whole urban units (fortified villages, defensives towns). Indeed, the constituent of these fortresses was their defense system, characterized by its large dimension, constituted essentially by the enclosure wall, and architectural features of defensiveness correlated with the outside and the inside of the
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Slavko Dragović, Magdalena, Aleksandar Čučaković, and Milesa Srećković. "Geometric approach to the revitalization process of medieval Serbian monasteries." In The 13th International Conference on Engineering and Computer Graphics BALTGRAF-13. Vilnius Gediminas Technical University, 2015. http://dx.doi.org/10.3846/baltgraf.2015.009.

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Among the standard approaches concerning cultural heritage preservation, the architectural point of view deserves particular attention. The special place in medieval Serbian history of architecture belongs to the world famous monastery complexes Studenica, Dečani and Gračanica. Beside them numerous significant monuments (churches and monasteries) exist as witnesses of the national testimony, currently in the state of ruins, archaeological sites, or damaged ones. A lot of them have adequate needs for revitalisation, where the start point is engineering documentation. The focus of the research i
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Orihuela Uzal, Antonio. "Nuevas aportaciones sobre la cronología de los restos conservados de las murallas medievales de Almería (España)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11461.

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New contributions on the chronology of the preserved remains of the medieval city walls of Almeria (Spain)The medieval city walls of Almeria have abundant references in Arabic sources and numerous preserved remains, either in all its elevation, or as small archaeological remains on the current slope and even under the ground. This circumstance has given rise to a lot of scientific literature on the chronology of each of the different existing precincts: Alcazaba, Medina, suburbs and outer enclosure. The problem lies in the fact that, since its foundation in the tenth century until the conquest
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Dangles, Philippe. "Armenian Medieval Architecture along Boundary Akhurian River. French Researches in Turkey and Armenia." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.29.

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Kazaryan, Armen. "Contemporary State of Research, Goals and Preliminary Conclusions Regarding the Architecture of Medieval Crimea." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.33.

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Ismail, Salah. "The Hidden Heritage of Ankara Citadel: an Ambigous Future between Conservation and Transformation." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.223.

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Although Ankara gained international attention mainly after its declaration as Capital of the Turkish Republic in 1923, the city hosts many buildings and monuments from different historical eras. The remains of Roman, Byzantine, Seljuk and Ottoman Empires discovered in the center of the city, clearly bear witness to the rich and diverse heritage of the capital. However, this heritage appears as less documented, studied and even not properly conserved. The citadel of Ankara, which dominates the narrow streets of the old city has withstood its long history very well and today houses a small neig
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Gurriarán Daza, Pedro. "Las técnicas constructivas en las murallas medievales de Almería." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11546.

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Building techniques in the medieval walls of AlmeríaAlmería was one of the most important cities in al-Andalus, a circumstance that was possible thanks to the strength of its port. Its foundation as an urban entity during the Caliphate of Córdoba originated a typical scheme of an Islamic city organized by a medina and a citadel, both walled. Subsequent city’s growths, due to the creation of two large suburbs commencing in the eleventh century, also received defensive works, creating a system of fortifications that was destined to defend the place during the rest of the Middle Ages. In this wor
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Cecamore, Stefano. "Traces of a fortified hamlet. Iconography and urban development of San Valentino in Abruzzo Citeriore." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11390.

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The paper proposes a reading of the possible urban development of the historic centre of San Valentino in Abruzzo Citerore starting from the analysis of its architectural heritage. The image of a fortified hamlet surrounded by walls, represented in a painting dating back to the mid-nineteenth century, appears in cartographic reliefs and representations accessible at the local and extra regional archives. The reading of the current architectural set of givens, which are characterized by the continuous use of building techniques related to the processing of local limestones, seeks through compar
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Kazaryan, Armen. "On the Character of the Medieval Architecture on the Example the “Domed Halls” of Ani Andvicinity of the 10th–11th Centuries." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.74.

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Serreli, Giovanni. "La seconda metà del XVI secolo: un punto di svolta nell’organizzazione difensiva del Regno di Sardegna." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11404.

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The second half of the sixteenth century: a turning point in the organization of the Kingdom of Sardinia defenseIn the second half of the sixteenth century, in accordance with the centralization and reorganization of the administrative and military apparatus desired by Philip II in the States of the Iberian Monarchy, military defense was reorganized in the Kingdom of Sardinia, against the threatened Franc-Turkish invasion of the Island. Until that time, in fact, the defense of the Kingdom was based only on the modernization of the main Royal Cities fortifications. The inspiring principle of th
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