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1

I︠U︡khnovskiĭ, Igorʹ Rafailovich. Promyslovistʹ budivelʹnykh materialiv. Kyïv: Analitychno-konsulʹtatyvna rada z pytanʹ ekonomiky, 1999.

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2

Regionale Besonderheiten der Preisbildung und Ansätze zur Förderung des Wettbewerbs auf dem Berliner Baustoffmarkt. Berlin: Duncker & Humblot, 1986.

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3

Markaz-i Āmār-i Īrān. Daftar-i Intishārāt va Iṭṭilāʻʹrasānī and Sāzmān-i Mudīrīyat va Barnāmahʹrīzī-i Kishvar (Iran), eds. Natāyij-i āmārgīrī az qīmat-i maṣāliḥ-i sākhtimānī: Nīmah-i avval-i 1385. Tihrān: Markaz-i Āmār-i Īrān, Daftar-i Intishārāt va Iṭṭilāʻʹrasānī, 2006.

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4

Markaz-i Āmār-i Īrān. Daftar-i Riyāsat va Umūr-i Bayn al-Milal va Ravābiṭ-i ʻUmūmī, ed. Natāyij-i āmārgīrī az qīmat-i maṣāliḥ-i sākhtimānī: Nīmah-i duvvum-i 1391. Tihrān: Daftar-i Riyāsat, Ravābiṭ-i ʻUmūmī va Hamkārīʹhā-yi Bayn al-Milal, 2013.

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5

Susan, Alexander. Environmental ramifications of various materials used in construction and manufacture in the United States. Portland, Or. (319 S.W. Pine St., Portland 97208): U.S. Dept. of Agriculture, Forest Service, Pacific Northwest Research Station, 1991.

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6

Tutton, Michael. Construction as Depicted in Western Art. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462982550.

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The Art of Building has captured the interest of artists from the Roman period to today. The process of construction appears in western art in all its details, trades, and operations. Michael Tutton investigates the representation of building processes and materials through an examination of paintings, illuminated manuscripts, watercolours, prints, drawings and sculpture. Technical terms are explained and detailed interpretations of each work are provided, with insights into the artists' inspiration and themes. Even paintings not wholly or principally devoted to construction sites may give tantalising glimpses of building activity. How do these images convey meaning? How much is imagined; how much is authentic? Fully referenced endnotes, bibliography, and glossary complement the text and captions, informing not only the architectural and construction historian, but also those simply interested in art.
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7

Delhi (India : Union Territory). Directorate of Economics & Statistics., ed. bricks Prices of building materials & wage rates in Delhi. Delhi: Directorate of Economics & Statistics, 1995.

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8

Wessex database building: 1989 price book. 6th ed. Poole: Wessex Electronic Publishing, 1989.

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9

Nigerian Institute of Quantity Surveyors., ed. Nigeria construction price book. Zaria: Tamaza Pub. Co., 1994.

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10

Zentralamt, Österreichisches Statistisches, ed. Der Österreichische Baupreisindex 1971-1985. Wien: Das Zentralamt, 1986.

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11

LAXTON'S BUILDING PRICE BOOK 2007, 179th Edition (Laxton's Price Book). Butterworth-Heinemann, 2006.

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12

Statistics, Fiji Bureau of, ed. Methodology report on the building material price index: Base average 12 months 1989=100. Suva, Fiji: Bureau of Statistics, 1991.

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13

G, Altukhov I͡U︡, Vsesoi͡u︡znyĭ nauchno-issledovatelʹskiĭ institut nauchno-tekhnicheskoĭ informat͡s︡ii i ėkonomiki promyshlennosti stroitelʹnykh materialov (Soviet Union), Gosudarstvennai͡a︡ assot͡s︡iat͡s︡ii͡a︡ promyshlennosti stroitelʹnykh materialov (R.S.F.S.R.), and Nauchno-tekhnicheskiĭ t͡s︡entr "Strominnot͡s︡entr" (R.S.F.S.R.), eds. T͡S︡eny mirovogo rynka na stroitelʹnye materialy: Spravochnik. Moskva: VNIIĖSM, 1991.

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14

Suriname. Algemeen Bureau voor de Statistiek., ed. Statistiek van de lonen & prijzen in de bouwnijverheid, 1990-Juli 2001 =: Statistics of wages & prices in the construction industry. [Paramaribo, Suriname]: Algemeen Bureau voor de Statistiek, 2001.

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15

Johnson, V. B. Laxton's Building Price Book 2008, 180th Edition (Laxton's Price Book). Butterworth-Heinemann, 2007.

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16

Wessex SMM7 estimating price book. Poole: Wessex Electronic Publishing, 2004.

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17

Catalogue and price list, effective April 1st, 1916. Calgary: Albertan Job Dept., 1994.

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18

Griffiths complete building price book: A full and indispensible reference to materials and labour costs. 4th ed. Bournemouth: Glenigan Cost Information Services, 2000.

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19

Bhatia, Varuni. Recovering Bishnupriya’s Loss. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190686246.003.0005.

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Shri Bishnupriya Patrika was one of the earliest Vaishnava periodicals in Bengal, published by the stridently anticolonial Amrita Bazar Patrika publishing house. The chapter analyses this key journal and its contribution to the making of middle-class Vaishnavism in a period of rising anticolonialism. The chapter argues that the journal channelized the religious aspects of Vaishnava devotion into an instrument of self-pride and assertion against the colonizer. It did so by (a) making Chaitanya into an icon for Bengal, (b) turning Vaishnava material culture (such as manuscripts and sacred spaces, performance traditions and mendicants) into integral aspects of Bengali national culture, and (c) by making the recovery and protection of Vaishnava material culture and history the basis of collective organization and community building in late nineteenth-century Bengal. These efforts culminated in the public celebration of Chaitanya’s birth anniversary as a devotional procession in the heart of Calcutta in 1899.
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20

Blick, Andrew. Prime Minister and Cabinet. Edited by David Brown, Gordon Pentland, and Robert Crowcroft. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198714897.013.34.

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While British political history is frequently preoccupied with the role and actions of prime ministers and Cabinets, the formal study of those institutions remains underdeveloped. In part this is because those roles have often been imprecisely defined, and understood largely in terms of the personnel who discharged them. The value of biography, or collective biography, in analysing these subjects is therefore considered in this chapter, alongside a wider treatment how work on the offices has developed over time. Issues of change and continuity are assessed against broader developments in British political history. Building on this, the chapter considers which questions the political historian should ask of these key institutions, including how they should be defined, and what source material might best be used to advance our understanding of them.
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21

Bigelow, Allison Margaret. Mining Language. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469654386.001.0001.

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Mineral wealth from the Americas underwrote and undergirded European colonization of the New World; American gold and silver enriched Spain, funded the slave trade, and spurred Spain's northern European competitors to become Atlantic powers. Building upon works that have narrated this global history of American mining in economic and labor terms, Mining Language is the first book-length study of the technical and scientific vocabularies that miners developed in the sixteenth and seventeenth centuries as they engaged with metallic materials. This language-centric focus enables Allison Bigelow to document the crucial intellectual contributions Indigenous and African miners made to the very engine of European colonialism. By carefully parsing the writings of well-known figures such as Cristóbal Colón and Gonzalo Fernández de Oviedo y Valdés and lesser-known writers such Álvaro Alonso Barba, a Spanish priest who spent most of his life in the Andes, Bigelow uncovers the ways in which Indigenous and African metallurgists aided or resisted imperial mining endeavors, shaped critical scientific practices, and offered imaginative visions of metalwork. Her creative linguistic and visual analyses of archival fragments, images, and texts in languages as diverse as Spanish and Quechua also allow her to reconstruct the processes that led to the silencing of these voices in European print culture.
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22

Gamberini, Andrea. The Clash of Legitimacies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824312.001.0001.

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This book aims to make an innovative contribution to the history of the state-building process in late medieval Lombardy (thirteenth–fifteenth centuries), by illuminating the myriad conflicts attending the legitimacy of power and authority at different levels of society. Through the analysis of the rhetorical forms and linguistic repertoires deployed by the many protagonists (not just the prince, but also cities, communities, peasants, and factions) to express their own ideals of shared political life, the work proposes to reveal the depth of the conflicts in which opposing political actors were not only inspired by competing material interests—as in the traditional interpretation to be found in previous historiography—but were often also guided by differing concepts of authority. From this comes a largely new image of the late medieval–early Renaissance state, one without a monopoly of force—as has been shown in many studies since the 1970s—and one that did not even have the monopoly of legitimacy. The limitations of attempts by governors to present the political principles that inspired their acts as shared and universally recognized are revealed by a historical analysis firmly intent on investigating the existence, in particular territorial or social ambits, of other political cultures which based obedience to authority on different, and frequently original, ideals.
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23

Pollard, Natalie. Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852605.001.0001.

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This book examines why it is important to appreciate cultural artefacts such as poems, sculptures, and buildings not as static, perfected objects, but as meshworks of entangled, mutable, and trans-personal forces. Offering six such case studies across the long twentieth century, the book focuses on how poetic works activate closer appreciation of literature’s hybridity. The book analyses how such texts are collaborative, emergent, and between-categories, and shows why this matters. It focuses, first, on how printed poetry is often produced collaboratively, in dialogue with the visual and plastic arts; and second, how it comes about through entangled and emergent agencies. Both have been overlooked in contemporary scholarship. Although this proposal makes some trouble for established disciplinary modes of reception and literary classification, for this reason, it also paves the way for new critical responses. Chiefly, Fugitive Pieces encourages the development of modes of literary critical engagement which acknowledge their uncertainty, vulnerability, and provisionality. Such reading involves encountering poems as co-constituted through materials that have frequently been treated as extra-literary, and in some cases extra-human. Focusing on works by Djuna Barnes, David Jones, F.T. Prince, Ted Hughes, Denise Riley, and Paul Muldoon, Fugitive Pieces fosters closer attention to how literary works operate beyond the boundaries of artistic categorization and agency. It examines the politics of disciplinary criticism, and the tensions between anthropocentric understandings of value and intra-agential collaborative practices. Its purpose is to stimulate much-needed analysis of printed works as combinatorial and hybrid, passing between published versions and artforms, persons and practices.
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