Relevant bibliographies by topics / Building of the exhibition pavilion

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Building of the exhibition pavilion'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Building of the exhibition pavilion"

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ShEINA, T. V., and A. V. IVANOV. "CONSTRUCTION AND BUILDING MATERIALS IN ARCHITECTURE OF NATIONAL EXHIBITION HALLS AT THE WORLD UNIVERSAL EXHIBITION OF THE EXPO." Urban construction and architecture 1, no. 4 (December 15, 2011): 38–44. http://dx.doi.org/10.17673/vestnik.2011.04.8.

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The results of investigating structural solution and building materials of exhibition pavilions of Russia taken at different epochs are presented in this article. Features of architectural formation of exhibition pavilion demonstrate the application of new build materials and constructions. There is presented the development building technology trends, which find the further application in the world architecture. Innovative architectural methods, the unusual thing of setting and forms of pavilions show the achievements of Russia in such areas as science, culture, technology and building materials at its best.
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ShEINA, T. V., and A. V. IVANOV. "THE CONSTRUCTIVE DECISION AND BUILDING MATERIALS OF EXHIBITION PAVILIONSOF GREAT BRITAIN THROUGH THE EXAMPLE THE FIRST AND LAST WORLD EXHIBITION-EXPO." Urban construction and architecture 1, no. 3 (September 15, 2011): 86–91. http://dx.doi.org/10.17673/vestnik.2011.03.19.

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The results of investigating structural solution and building materials of exhibition pavilions of Great Britain taken at different epochs are presented in this article. Features of architectural formation of exhibition pavilion demonstrate the application of new building materials and constructions. There is presented the development building technology trends, which find the further application in the world architecture. Innovative architectural methods, the unusual thing of setting and forms of pavilions show the achievements of Great Britain in such areas as science, culture, technology and building materials at its best.
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Nikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Russian Sections at World and International Fairs." Advanced Materials Research 1065-1069 (December 2014): 2674–80. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2674.

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Russian exposition pavilions at world and international fairs, expressive and unique in their artistic formulation, were always among the most visible national buildings. Beginning with the first structures at the 1867 World Fair in Paris, Russia presented medieval Russian architectural forms at all subsequent exhibitions. An important feature of Russia’s exhibition building abroad was the supreme desire to achieve high quality despite the fact that the structures were doomed to destruction. Russian architects strove to create an original image of the national exhibition pavilion, and so their appeal to medieval Russian architecture was natural. The path followed by Russia when participating in world and international exhibitions was not chosen by chance. This was the route to Russia’s assertion of her national culture in the West.
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Kadurina, A. O., and Yu S. Nazarchuk. "Symbols of the Dyukovsky Park constructions in Odessa. Heritage of the 1950s agricultural exhibition." Collected Works of Uman National University of Horticulture 1, no. 97 (December 28, 2020): 181–90. http://dx.doi.org/10.31395/2415-8240-2020-97-1-181-190.

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Purpose. The research is devoted to the analysis of the agricultural exhibition pavilions symbolism in Dyukovsky Park in Odessa in 1950s years. Methodology. Field study and bibliographic research, synthesis and analysis, historical method, and method of analogies are used in that work. Results. The stages of Dyukovsky Park formation have been studied, from the Duke de Richelieu, which gave the name to the park, dacha creation to the active construction and landscaping of the park in the XX century. In particular, from the symbolism point of view, the architectural and artistic decor of the agricultural exhibition pavilions of the 1950s years is analyzed. These are: a pavilion of Vegetable growing which is crowned by layers of wheat and a 5-pointed star (the first place in the wheat export); the pavilion of the Textile Industry and other goods decorated with jugs and towels with symbols of fertility and abundance; the pavilion of the Vinery State Farms with plant motifs and the Fish Pavilion with high reliefs of fish, anchors, ship noses and bas-reliefs of nets (active development of sea fishing). In general, the symbolism of all presented pavilions reflects the idea of wealth, prosperity and active development of the main directions of agriculture and industry of the country. For the first time, the architectural heritage of the agricultural exhibition, which is the compositional core of the Odessa Dyukovsky Park, is analyzed from the symbolism point of view. At the same time, the decoding of the semantic loads inherent in the architectural and artistic decor of the pavilions is correlated with the theme of the exhibition, as well as with the historical features of the construction period. Today, all buildings of the former exhibition pavilions are empty or are used as warehouses. Perhaps the analysis of the information code of these buildings will again attract the attention of the city authorities to the issues of reconstruction of the city's historical heritage, reviving it.
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Nikitin, Yury. "ARCHITECTURE OF RUSSIAN EXHIBITION PAVILIONS AT INTERNATIONAL NORDIC EXHIBITIONS IN THE LATE 19TH – EARLY 20TH CENTURIES." Architecture and Engineering 5, no. 4 (2020): 35–43. http://dx.doi.org/10.23968/2500-0055-2020-5-4-35-43.

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Introduction: In the 19th – early 20th centuries, Russia actively participated in world’s and international exhibitions in Europe and the USA. Purpose of the study: We aim to study the typology of Russian expo construction abroad consisting of three branches: construction of model facilities, construction of official ceremonial buildings and facades, and, finally, construction of exposition pavilions. Methods: Despite the inevitable demolition of the facilities, Russian exposition pavilions built abroad always strained after high quality of architecture, which is quite important. Results: A peculiar type of buildings — the Russian national exhibition pavilion — formed, which is traditionally styled after old Russian architecture but, at the same time, meets the new exposition and functional requirements.
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Sevilla, Laura Lizondo. "Mies's Opaque Cube: The Electric Utilities Pavilion at the 1929 Barcelona International Exposition." Journal of the Society of Architectural Historians 76, no. 2 (June 1, 2017): 197–217. http://dx.doi.org/10.1525/jsah.2017.76.2.197.

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Mies's Opaque Cube: The Electric Utilities Pavilion at the 1929 Barcelona International Exposition focuses on the dramatic, opaque, white cube-shaped building designed by Ludwig Mies van der Rohe for the German electricity industry's display at the exposition. Like many emblematic projects of modern architecture, the pavilion was created for a temporary exhibition and is known only through the photographic and graphic documentation of the era. Mies used the Electricity Supply Company Pavilion to experiment with a variety of ideas, including the use of photo murals and a new expression of structure and space, that featured in his later buildings. Through archival research, Laura Lizondo Sevilla has reconstructed this pavilion, the original plans for which no longer exist, and her article reinterprets the building's contribution to Mies's subsequent architecture.
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Łątka, Jerzy F., and Michał Święciak. "The Obverse/Reverse Pavilion: An Example of a Form-Finding Design of Temporary, Low-Cost, and Eco-Friendly Structure." Buildings 11, no. 6 (May 25, 2021): 226. http://dx.doi.org/10.3390/buildings11060226.

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Temporary pavilions play an important role as experimental fields for architects, designers, and engineers, in addition to providing exhibition spaces. Novel structural and formal solutions applied in pavilions also can give them an unusual appearance that attracts the eyesight of spectators. In this article, the authors explore the possibility of combining structural novelty, visual attractiveness, and low cost in the design and construction of a temporary pavilion. For that purpose, an innovative structural system and design approach was applied, i.e., a membrane structure was designed in Rhino and Grasshopper environments with the use of the Kiwi!3D IsoGeometric analysis tool. The designed pavilion, named Obverse/Reverse, was built in Opole, Poland, for the occasion of World Architecture Day in July 2019. The design and the construction were performed by the authors in cooperation with students belonging to the Humanization of Urban Environment organization from the Faculty of Architecture Wroclaw University of Science and Technology. The resultant pavilion proved the potential of obtaining a low-budget but visually attractive architectural solution with the adaption of parametrical design tools and some scientific background with innovative structural systems.
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Zeng, Lin Hui, Guang Ming Li, Song Li, and Yong Zheng. "Carbon Reduction in Mega Event’s Building: a Case Study of China Pavilion." Advanced Materials Research 997 (August 2014): 766–69. http://dx.doi.org/10.4028/www.scientific.net/amr.997.766.

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Building sector is one of the main sources of anthropogenic greenhouse gases emissions. Comprehensive countermeasures are needed in cities to mitigate carbon emissions from buildings. This paper reviewed sustainable strategies that implemented in China Pavilion, the main exhibition building of Expo 2010 Shanghai China, and analyzes the achievement that the building has made in carbon mitigation. The results showed that energy saving design in construction and energy efficient technologies in appliance played a vital role in energy reduction and carbon mitigation in building. It also showed that solar photovoltaic power generation system applied in building would bring carbon reduction. The technologies bring with the building a reduction 6.5 kt CO2 each year. These green measures not only helpful in realize the goal of green event, but also will play a role in realizing low carbon society in the future.
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Xi, Liao Liao, Hu Peng, and Lin Zhang. "Exploration on Regional Ecological Architecture Design — Taking the Design of Houji Jiaojia Garden Exhibition as an Example." Applied Mechanics and Materials 174-177 (May 2012): 3111–14. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.3111.

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In recent decades, sustainable buildings have been increasingly concerned, architects, teachers and college students are involved into a number of theoretical and practical exploration. A variety of sustainable building design strategies and cases spring up. Taking Houji Jiaojia garden agricultural exhibition pavilion design as an example, on the basis of exhausting analysis of the local climate, geographical conditions, it focuses particularly on the use of local ecological straw materials in the building to achieve the sustainability of the project, which can provide some reference for the current and future sustainable architectural design.
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Ivanov, Aleksandr. "Something there is that doesn’t love a wall… (Notes on the 16th Venice Architecture Biennale 2018)." Judaic-Slavic Journal, no. 1 (2) (2019): 148–68. http://dx.doi.org/10.31168/2658-3364.2019.1.1.5.

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The article reviews two exhibitions presented at the Israeli and German pavilions at the 2018 Venice Architecture Biennale,where the 16th International Architecture Exhibition was themed and titled as FREESPACE.The Manifesto,written by Yvonne Farrell and Shelley McNamara, the chief curators of the Biennale, proclaimed, among other things, that FREESPACE provides its participants with «…freedom to imagine the free space of time and memory, binding past, present and future together, building on inherited cultural layers, weaving the archaic with the contemporary…» In accordance with the Manifesto, the curators of the Israeli exhibition named In Statu Quo: Structures of Negotiation attempted to deconstruct, in the historical and architectural perspective,the stages of interfaith struggle for holy sites in Israel and on the West Bank of the Jordan River. The German exhibition Unbuilding Walls was dedicated to the twenty-eighth anniversary of the destruction of the Berlin Wall. One of its key exhibits was the visual installation Wall of Opinions, composed of video interviews with residents of various countries, including Israel, where demarcation lines (all kinds of walls, fences, barriers) still exist today, turning «free spaces» into exclusion zones. Both exhibitions convincingly showed the political and social problems that the modern society faces when attempting to create «free spaces» for informal interaction between diverse ethnic and social groups in different countries. Moreover, the exhibition of the Israeli pavilion clearly points at the hidden dangers of new demarcation barriers when the sides of interethnic and interconfessional conflicts fail to reach an agreement about the status of one or another place, while the curators from Germany, symbolically dismantling the global walls of misunderstanding, give us hope to overcome such problems.
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Dissertations / Theses on the topic "Building of the exhibition pavilion"

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Bui, Trung Thanh. "Nosná ocelová konstrukce objektu výstavního pavilonu." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2018. http://www.nusl.cz/ntk/nusl-371852.

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This diploma thesis deals with design of the supporting steel structure of the building of the exhibition pavilion with 84 m length and 30 m width. Roofing structure is designed and examined in two versions. Variant A is designed like tubular truss girder with axis distance 6 m. Variant B is also designed like tubular truss girder, but with different look, with same axis distance. These versions are compared by weight, manufacturing complexity and appearance, preferable version is processed in detail. Drawing documentation includes an anchor plan, layout structure and truss production drawing.
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Tůmová, Tereza. "ZOO DVŮR KRÁLOVÉ - PAVILON AFRICKÉ SAVANY." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-215680.

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My thesis is concerned with design of architecture form representing the context of existing site and in the appropriate manner integrating animal expositions to present to public in the most natural way. The purpose of this project was reaching the understanding of demands between animals and visitors. The designed organic form comes from these needs and also tries to be integated with surrounding area.
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Španihel, Jiří. "Výstavní pavilon." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2012. http://www.nusl.cz/ntk/nusl-225567.

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The subject of the diploma thesis is design and examination of supporting steel structure of the exhibition pavilion situated at the Brno Exhibition Centre, including a comparison with the second variant. The design emphasis has been placed on keeping the architectural character of building related to its purpose. The structure consists of 11 sections shaped as elliptical arcs, formed by truss frames with variable length of semi-axes, while the largest size (the smallest) is 13 m (7 m) for minor semi-axis and 20 m (14 m) for the main semi-axis, height is 16 m (10 m) and distance of support 38.92 m (25.30 meters). For the analysis of internal forces has been assembled spatial bar shaped model. Cladding is made of Kalzip system.
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Ander, Aleš. "ZOO DVŮR KRÁLOVÉ - VSTUPNÍ PAVILON." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-215645.

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The main subject of the thesis is the development of the architectural study of the new Zoo entrance pavilion in Dvůr Králové. This Zoo specializes in breeding of African animals. The emphasis is placed on wide program of associated functions, on exhibition and multipurpose premises with restaurants and facilities for the visitors. Prerequisite is usage of progressive and unconventional principles of exhibiting with application of newest technologies in order to inform visitors of the main theme - Africa, before they start the tour around the zoo.
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Santos, Jorge António Pereira de Sousa. "O lugar da arte-museu, arquitectura, arte e sociedade." Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 2002. http://dited.bn.pt:80/29523.

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Udovicki-Selb, Danilo. "The elusive faces of modernity : the invention of the 1937 Paris Exhibition and the Temps Nouveaux pavilion." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/11394.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture and Planning, 1994.
Includes bibliographical references (p. 342-374).
The 1937 Paris Exhibition, the "final European enactment of the ritual of peace and progress before the deluge," remains the least researched and most misunderstood in the history of the World's Exhibitions in France. This study deals primarily with the years that preceded the opening of the Exhibition and with the broad debates that led to its "invention." In order to establish the historical foundations of the Exhibition, attention is given first to the political, aesthetic and economic discourses developed throughout the nineteenth century in France on the occasion of its Expositions Universelles. This analysis reveals the existence of a specific typology of the French Exposition Universelle grounded in the French Enlightenment and in its encyclopedist ideals. The present study claims that this type culminates in the 1867 Exhibition, when, for the first time, the Dideroan encyclopedist ideal and the Saint-Simonian modernist credo--two theoretical premises of these exhibitions-- receive their most convincing spatial translation. Conversely, the 1937 Exhibition appears as the "end" of this long typological development when the specific spatial concept of the Exposition Universelle created in the eighteenth century finally collapses. This evolution reflects two different approaches to the Enlightenment. One stems from an authoritarian interpretation of the encyclopedist universalism which appeals to Napoleon Ill's regime. The other emerges as a populist, and perhaps Voltairian interpretation of the Siecle des Lumieres that reaches its full expression in 1937, hand in hand with the advent of the Front Populaire. The evanescence of the nineteenth century universalist authoritarianism, and its concomitant quest for a controlling style creates an ambiguous space for the emergence of a planned stylistic pluralism. Such relativization of the concept of style, evident in 1937, in turn announces the end of the concept of "style" altogether, or else of modernity understood as an issue of style. The principled openness to "all styles" propounded by the leadership of the 1937 Exhibition alienates from the outset, the most radical proponents of modernism in the arts, on suspicions of cultural fraud. Such accusations set the stage for still enduring misinterpretations of the event, namely for the belief that the leadership of the 1937 Exhibition was part of a conspiracy against "progressive" modernity. Under such circumstances, current scholarship explains the apparently paradoxical presence of many modernist architects and artists at the 1937 Exhibition as the work of the Front Populaire. The present study explains why this was not the case. The central place given here to Le Corbusier reflects the major role the architect played in his militant efforts to take control over the ...
by Danilo Udovicki-Selb.
Ph.D.
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Dishon, Dalit. "South Kensington's forgotten palace : the 1862 International Exhibition Building." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428483.

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Giraldo, Verónica. "Here we are building a museum together: An interactive exhibition." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22327.

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It has been established by several studies that interactive exhibitions in museums bring many benefits to the experience of its visitors. This thesis explores how to make the exhibition Människor och idéer i rörelse (People and Ideas in Motion) interactive. This exhibition took place at the Workroom of Rörelsernas Museum (Museum of Movements) in Malmö. The exhibition was designed so that no one needed to go inside, but rather view and interact with the content of the exhibition from the street, which was displayed on the windows of the Workroom.Through a context-based design approach, the design process consisted of three main phases: inspiration, ideation and implementation. Throughout the design process, it was defined that in order to maintain the distance measures needed, it was adamant to employ technology as a design material. Following a number of testings, the specific technologies that were to be used were defined, namely capacitive sensors. Following this, the project delves into the steps needed in order to define the output of sensors. The final product consisted of four sensors. Two of these were connected to surprise boxes that enhanced the visual content of the exhibition. The other two were connected to a sound system that employed the windows as speakers, providing extra information about the museum and the exhibition.
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Shay, Alice (Alice Ann). "The contemporary International Building Exhibition (IBA) : innovative regeneration strategies in Germany." Thesis, Massachusetts Institute of Technology, 2012. http://hdl.handle.net/1721.1/73709.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2012.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student submitted PDF version of thesis. Pages [142] and [143] are blanks.
Includes bibliographical references (p. 118-[123]).
The Internationale Bauausstellung or International Building Exhibition (IBA) is a planning methodology implemented over the course of the 20th century and into the 21st century in Germany. The IBA is unique and characterized by a mix of seemly contradictory conditions. In composition, IBAs are characterized by being site- and time-specific by a mix of seemly contradictory conditions. In composition. IBAs are characterized by being site- and time-specific, long-term and temporary, driven by experimentation and independent in their urban development role. Conceptually, the IBA is driven by theoretical and practical experimentation and a goal to produce "models for the city of the future" that address paradigmatic shifts in urban development. After urban renewal, physical planning lost efficacy and the confidence for imaginative visions to be concretely brought to life. The IBA sits as an outlier in this commonly held conception of physical planning and urban design history. The IBA remains capable of large-scale transformations alongside careful experimentation that pushes existing thinking about the city forward. It is both conceptually ambitious and sensitively grounded in local regeneration. This study is focused on the meaning-making of the IBA-how it constructs new understandings of building: physical transformation and image-making for the city. Three contemporary IBAs were selected as cases to analyze the IBA methodology in its current implementation: 2010 IBA Saxony-Anhalt, 2013 IBA Hamburg and nascent 2020 IBA Berlin. In order to understand the dynamics of the IBA, this thesis is organized around three theoretical frames to analyze the IBA: city imaging, cultural regeneration and mega-events. Each of these frames deals with the complexity of building as an ideological act that shapes not only physical form but also the shape of the city in our minds. Based on analysis of the IBA, this thesis offers strategies for an approach towards the project of the city that can be as variegated as the urban context requires while maintaining the ambitions of urban design towards new models for the city of the future. towards new models for the city of the future.
by Alice Shay.
M.C.P.
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Carvalho, Kleber Santos. "Pavilhões e centros de exposições em São Paulo: cidadelas modernas do mundo globalizado." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-22032010-163041/.

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Este trabalho estuda as edificações denominadas Pavilhão e Centros de Exposição, com total da área coberta para exposições superior a 20.000m², na cidade de São Paulo. Inicialmente são apresentados os antecedentes das atividades que precederam as atuais Feiras de Negócios e Exposições Industriais e seu rebatimento no espaço desde a antiguidade clássica, passando pelas feiras medievais e pela revolução industrial na Europa até as Exposições Universais, num passado mais recente. A partir desse levantamento é detalhada a operacionalidade dessa tipologia, seus agentes e as relações entre as suas principais atividades, o local onde se encontram e outros equipamentos urbanos com funções complementares. Em seguida, são analisados os exemplos nesta Capital e em outras cidades, procurando extrair os componentes que confi guram um pavilhão ou centro de exposições. Com essa análise chega-se a um programa geral proposto e à representação gráfi ca do arranjo físico dessas edificações (fl uxograma). Por fim, a partir do estudo da dinâmica das feiras e exposições são identifi cadas características que podem influenciar e/ ou determinar a necessidade e confi guração dos espaços. São então apresentadas as principais conclusões sobre o tema central, como contribuições em futuros estudos de exemplares desse tipo de edifi cação, seja para reforma, requalificação ou novas implantações.
This paper studies the types of buildings called Pavilions and Exhibition Centers of a covered area in excess of 20,000 sq. m. (215.28 sq. ft) as exhibition space existing in the city of São Paulo. First, a survey is presented on the background of the developments that preceded the current Trade Fairs and Industrial Shows and their reverberations in space, from Classical Antiquity, through Medieval Fairs and the Industrial Revolution in Europe to the Universal Exhibitions. Based on that framework, the operationality of this typology, its agents and the relations underlying its main activities, their location and other urban facilities with complementary functions are detailed. Next, examples from our state capital and from other cities are reviewed, in an attempt to draw the components that characterize a pavilion or exhibition center. These approaches lead the way to a proposed general program and to the graphic representation of the physical layout of these buildings (fl ow chart). Finally, a study on the dynamics of fairs and exhibitions identifi es the characteristics capable of exerting an infl uence and/or determining the need and confi guration of spaces. The main conclusions on the core theme are then set out as a contribution to future studies on this type of construction, whether for the purpose of construction renovation or retrofi tting or for new implementation.
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Books on the topic "Building of the exhibition pavilion"

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New York State pavilion. Charleston, South Carolina: Arcadia Publishing, 2014.

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Competition, Di Stasio Ideas. Venice Biennale: New Australian pavilion : Di Stasio Ideas Competition. St Kilda, Vic: Di Stasio Ideas Competition, 2008.

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International Exhibition of Architecture (6th 1996 Venice, Italy). The architecture of information: British pavilion : Venice biennale 1996, VI international exhibition of architecture. London: British Council, 1996.

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Archea, Studio, and Favero & Milan ingegneria, eds. Urban best practice area B3-2 pavilion: Shanghai world Expo 2010. Poggibonsi (Siena): Forma, 2010.

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Shanghai World Expo (2010 : China), ed. Belgium beyond expectations: The Belgian EU Pavilion at World Expo Shanghai 2010. Brussels: ASP/Academic & Scientific Pub., 2010.

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DWP: Digital water pavilion at Zaragoza's Milla digital and Expo 2008. Milano: Electa, 2008.

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2010 nian Shanghai shi bo hui Zhongguo guan: China pavilion .EXPO.2010.Shanghai. Guangzhou: Hua nan li gong da xue chu ban she, 2010.

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Expo 2010 Shaghai Italy Pavilion: The city of man living the Italian way. Milan: Mondadori Electa, 2010.

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Shanghai 2010 shi bo hui: Chang guan jing biao jing jie ji du shi kao cha = Shanghai Expo 2010 : concursos de los pabellones & análisis urbano = Shanghai Expo 2010 : pavilion competition entries & urban reviews. Hangzhou: Zhejiang da xue chu ban she, 2010.

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Commissariato generale per l'esposizione universale (Italy) and Shanghai World Expo (2010 : China), eds. Competition ideas for the Italian Pavilion at Expo Shanghai 2010: The future of cities is made in Italy = Idee in gara per il Padiglione Italiano all'Expo Shanghai 2010 : il futuro delle città vesta made in Italy. Roma: Gangemi Editore, 2010.

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Book chapters on the topic "Building of the exhibition pavilion"

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Rubio-Bellido, Carlos, Miguel León-Muñoz, and Jesús Alberto Pulido-Arcas. "Management of the Building Process in Temporary Constructions: Case Study of the Unicaja Exhibition Pavilion." In Construction and Building Research, 35–42. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-7790-3_5.

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Tutchener, David. "Royal Exhibition Building." In Encyclopedia of Global Archaeology, 1–4. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51726-1_2280-2.

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Tutchener, David. "Royal Exhibition Building." In Encyclopedia of Global Archaeology, 6383–86. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_2280.

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Tutchener, David. "Royal Exhibition Building." In Encyclopedia of Global Archaeology, 9339–42. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2280.

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Lawrenson, Anna, and Chiara O’Reilly. "Building capacity and professionalism." In The Rise of the Must-See Exhibition, 92–113. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315597119-5.

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Pohl, Göran. "Fibre Reinforced Building Envelopes Inspired by Nature: Pavilion COCOON_FS." In Biologically-Inspired Systems, 103–21. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9398-8_6.

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Stephen, Daniel. "Building the Exhibition in India and British West Africa." In The Empire of Progress, 53–80. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137325129_3.

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Lukito, Yulia Nurliani. "The Dutch Pavilion at the 1931 International Colonial Exhibition in Paris: Contrasting Authenticity and Modernity." In Exhibiting Modernity and Indonesian Vernacular Architecture, 69–119. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-11605-7_3.

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Koebel, Kathrin, Doris Agotai, Stefan Arisona, and Matthias Oberli. "Biennale 4D – Exploring the Archives of the Swiss Pavilion at the «Biennale di Venezia» Art Exhibition." In Interactive Storytelling, 327–31. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-71027-3_36.

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Weng, Min-Hsien, Chih-Wei Chao, Kuo-Shu Luo, Li-Dien Fu, and Tung-Hung Lu. "Building a RFID Anti-Collision Environment for Conference and Exhibition Industry." In Global Perspective for Competitive Enterprise, Economy and Ecology, 511–18. London: Springer London, 2009. http://dx.doi.org/10.1007/978-1-84882-762-2_48.

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Conference papers on the topic "Building of the exhibition pavilion"

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Ceravolo, R., G. Coletta, E. Lenticchia, D. Minervini, and A. Quattrone. "Dynamic Investigations on the Health State And Seismic Vulnerability of Morandi’s Pavilion V of Turin Exhibition Center." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0224.

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<p>Modern architectural heritage raises issues connected to its preservation or rehabilitation and require in-depth analysis and appropriate protections. Just recently, the collapse of the Polcevera Bridge in Genoa cast a shadow on the durability itself of established materials and technologies, in particular prestressed concrete. Another aspect deserving special attention in this heritage is seismic provision. The underground Pavilion V is an iconic structure designed by Morandi, conceived in 1958 as an expansion of the exhibition space hosting the industrial vehicle section of the Turin Automobile Show. The pavilion consists of a single wide space, 69 m in width and 151 m in length, and is located 8 m below ground level. The present contribution illustrates the recent experimental investigations conducted on this stunning building, with emphasis on the dynamic characterization tests. The tests were deemed necessary for the interpretation of the structural system in view of a possible reuse as part of the university campus of architecture. The interpretation of the experimental campaign stimulated a broader range discussion on the structural and seismic reliability of this type of scheme, as well as its possible seismic improvement and rehabilitation.</p>
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Cartwright, Virginia. "TRANSITORY BUILDINGS - LASTING EFFECT: AALTO'S EXHIBITION DESIGNS: PARIS WORLDS' FAIR, LAPUA FORESTRY PAVILION, AND NEW YORK WORLDS' FAIR." In CIE 2017 Midterm Meetings and Conference on Smarter Lighting for Better Life. International Commission on Illumination, CIE, 2018. http://dx.doi.org/10.25039/x44.2017.op23.

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Campo-Ruiz, Ingrid. "Experimenting with prototypes: architectural research in Sweden after Le Corbusier’s projects." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.893.

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Abstract: Le Corbusier’s architectural production throughout the twentieth century served as a reference for subsequent developments in architecture and urban planning in Sweden. Some of the buildings and urban plans subsequently developed in Sweden and influenced by Le Corbusier’s ideas and projects also impacted on the international architectural scene. This research analyses how the study of Le Corbusier’s works affected projects in Sweden from the 1920s to the 1970s and how they also became an international standard. Le Corbusier’s works provided a kind of prototype, with which Swedish architects experimented in alternative ways. During the 1920s, Le Corbusier’s Pavilion de l’Esprit Nouveau and the Stuttgart Weissenhofsiedlung impressed influential Swedish architect, including Uno Åhrén, Gunnar Asplund and Sven Markelius, who later became proponents of modernism in Sweden. The 1930 Stockholm Exhibition marked a breakthrough for functionalism in Sweden. After 1930, urban plans for Stockholm and its suburbs reflected some of Le Corbusier’s ideas, such as the urban plan by Sven Markelius, and Vällingby’s town centre by Leif Reinius and Sven Backström. After 1950, Léonie Geisendorf , Ralph Erskine, Sigurd Lewerentz and Peter Celsing placed considerable emphasis on rough texture in poured concrete. Lewerentz, who admired the works of Le Corbusier, designed the churches of Markuskyrkan in 1956 and St Peter’s in Klippan in 1966, with a wider international impact. Reyner Banham included several works by Le Corbusier and also Markuskyrkan Church by Lewerentz in his book The New Brutalism: Ethic or Aesthetic? in 1966. Keywords: Sweden, twentieth-century architecture, urban planning, prototype, architectural experiment, functionalism. DOI: http://dx.doi.org/10.4995/LC2015.2015.893
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Xin, Wang Xin. "The applications of integrated design in brand building and system constructing of virtual pavilion." In 2010 International Conference on Audio, Language and Image Processing (ICALIP). IEEE, 2010. http://dx.doi.org/10.1109/icalip.2010.5684396.

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Gelpi, Nicholas R. "Painting Architecture: House Paint Pavilion In Detroit Michigan." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intlp.2016.19.

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This project was commissioned to mark the grand opening of a new arts center and gallery, housed within a renovated fire station in the eastern market neighborhood of Detroit. The existing building which housed the gallery was largely preserved intact, with little modification to its rough walls and exposed concrete floors. As a result, the pavilion was conceived of as a freestanding structure which not only created a type of space which was diverse from its surroundings, but also created a new type of surface for displaying art, one that blurred the boundary between the art and architecture itself.
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Harrison, Ariane Lourie. "Architecture and Analogous Habitats." In AIA/ACSA Intersections Conference. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.aia.inter.20.5.

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Harrison Atelier proposes architecture for multiple species in projects that range from pavilion-scale agricultural infrastructure to speculations for new urban ecologies. Such built work represents the application of principles from architectural theories of the posthuman, namely a focus that seeks to integrate habitats for non-humans into architectural design concerns. The Pollinators Pavilion by architect Ariane Harrison, seeks a larger role for architecture in environmental activism and focuses on biodiversity conservation and materials exploration. Harrison Atelier uses artificial intelligence and automated scientific monitoring strategies to create and analyze habitat systems and increase building awareness.
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Kloosterman, Henk Jaap. "Subsurface Capability Building." In SPE Annual Technical Conference and Exhibition. Society of Petroleum Engineers, 2014. http://dx.doi.org/10.2118/170673-ms.

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Monsen, E., R. Randen, and L. Sonneland. "Multi-Scale Volume Model Building." In 67th EAGE Conference & Exhibition. European Association of Geoscientists & Engineers, 2005. http://dx.doi.org/10.3997/2214-4609-pdb.1.p297.

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Deaves, Craig. "Building a Vietnamese Company." In SPE Annual Technical Conference and Exhibition. Society of Petroleum Engineers, 2004. http://dx.doi.org/10.2118/89794-ms.

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Lechner, Martin. "Building augmented reality environments." In the 1st International Conference and Exhibition. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1823854.1823911.

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