Relevant bibliographies by topics / Bulat Okudzhava

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Bulat Okudzhava'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Bulat Okudzhava"

1

Aleksandrova, Maria А. "The image of Lermontov in the Soviet poetry and Meeting by Bulat Okudzhava." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 2 (2021): 212–18. http://dx.doi.org/10.18500/1817-7115-2021-21-2-212-218.

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The article examines the literary context of one of the most important poems of Bulat Okudzhava. Special emphasis is placed on the pattern of making a classic poet a myth in the belles-lettres of the Soviet era. The connections of the poem Meeting with Lermontov’s poetry are noted, the functions of reminiscences are examined. The place of Lermontov’s image in the ‘poetic mythology’ of Okudzhava’s poetry is defined.
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2

Sazontchik, Olga. "Булат Окуджава, „Мне не нравится мой силуэт…”, или несколько размышлений о вкусе поэта". Slavica Wratislaviensia 163 (17 березня 2017): 213–27. http://dx.doi.org/10.19195/0137-1150.163.18.

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Bulat Okudzhava, Mne Ne Nravitsya Moy Siluet…I Donʼt Like My Silhouette…, or some reflections upon the taste of poetThe article deals with one of late poems by Bulat Okudzhava Mne ne nravitsja moj siluet..., in which in the first place various auto-intertextual associations are reviewed. Although in a superficial embodiment of an aged poet who is dissatisfied with himself a clear bitter reckoning with his own work can be perceived, the outcome, however, which can be discerned on the next level, is a deeper and by all means positive conception of the sense of life of an artist, hardly correlati
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Dewhirst, Martin. "Bulat Okudzhava: 9 May 1924 (Moscow)–12 June 1997 (Paris)." Slavonica 4, no. 1 (1997): 128–30. http://dx.doi.org/10.1179/sla.1997.4.1.128.

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4

Novikov, Vladimir I. "Satirical comedy in Bulat Okudzhava’, Vladimir Vysotsky’ & Alexander Galich’ poetic works." Philological Sciences. Scientific Essays of Higher Education, no. 4 (July 2017): 74–80. http://dx.doi.org/10.20339/phs.4-17.074.

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5

Koloshuk, Nadiia. "The triad Faith — Hope — Love as a symbol in the lyrics of the representatives of the 1960s generation — Bulat Okudzhava and Yevhen Sverstiuk." Synopsis: Text Context Media 26, no. 4 (2020): 138–44. http://dx.doi.org/10.28925/2311-259x.2020.4.4.

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The inquiry is focused on two poems of the Sixties Poets: “Three Sisters” by B. Okudzhava and “Faith — Hope — Love” by Ye. Sverstiuk. They are united by the symbolic image of a triad of Christian martyrs. The aim of the study is an interpretation of texts, associated with a common cultural tradition, as well as an indication of differences in the development of national cultures of the former USSR, that cause further divergence in the modern mentality of citizens in the country that had divided. The research adheres to comparative hermeneutic methodology. Problem Statement. Personalized images
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6

Popovich, Olga A., and Natalya F. Krylova. "PRECEDENT NAMES IN THE POETIC ONOMASTICON OF BULAT OKUDZHAVA: HISTORICAL AND POLITICAL FIGURES." Bulletin of the Moscow State Regional University (Russian philology), no. 3 (2020): 24–36. http://dx.doi.org/10.18384/2310-7278-2020-3-24-36.

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7

Marina, Pozina. "The Collapse of the Romantic Illusions in the Story of Bulat Okudzhava "Be Healthy, Schoolboy"." History Research 7, no. 2 (2019): 32. http://dx.doi.org/10.11648/j.history.20190702.12.

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8

Aleksandrova, Maria А. "The Poem by Bulat Okudzhava My Son’s Tin Soldier in the Cultural and Historic Context of the 1960s." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 19, no. 4 (2019): 455–59. http://dx.doi.org/10.18500/1817-7115-2019-19-4-455-459.

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9

Alexandrova, Maria Alexandrovna. "The Poet’s Roses: the Poem of Bulat Okudzhava «I don’t Want to Write…» in the Context of Classical Tradition." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 12, no. 1 (2012): 111–15. http://dx.doi.org/10.18500/1817-7115-2012-12-1-111-115.

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10

Mosova, Diana Vladimirovna. "The Poem of Bulat Okudzhava «You’re Not Drunkards, You’re Not Vagrants…»: the Dialogue with Blok on the Background of Kipling." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 12, no. 2 (2012): 85–88. http://dx.doi.org/10.18500/1817-7115-2012-12-2-85-88.

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Dissertations / Theses on the topic "Bulat Okudzhava"

1

Romanska, Magdalena. "Bulat Okudzhava : bard and voice of a waking Russian nation." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82930.

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Bulat Shalvovich Okudzhava, the originator of the style of Russian bards, was the first to express his nation's disillusionment over the country's political system and government in a new and alternative way.<br>For this purpose, he used the direct impact of his poetry, a part of which he would sing for audiences, accompanied only by his guitar. This sort of communication between the writer and his interlocutors remained in sharp contrast with the means traditionally used by the official Soviet mass culture. The spreading of guitar poetry was impossible to control by authorities, since
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2

Ouvarova, Svetlana. "Metaistorija Bulata Okudžavy : Obraz dokumenta v romane Putešestvie diletantov." Doctoral thesis, Stockholms universitet, Slaviska institutionen, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8420.

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This study examines Okudzhava’s depiction of the process of documentalization of the past as a defining feature of the novel Puteshestvie diletantov, giving reason to consider it a form of metahistory, or an artistic statement on the subject of historical knowledge. The image of the document plays a central role in the novel Puteshestvie diletantov. Through it, Okudzhava depicts the process of knowing and (re)creating the past, as well as the process of its deformation, supplementation and modification. In the form of a document, the past finds existence in time and space, finds its author and
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Borková, Anna. "Překladatelská tvorba Jaromíra Nohavici." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-393573.

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The diploma thesis focuses on the translation of Jaromir Nohavica's work. The aim of the thesis is to define Nohavica's translation style on the basis of detailed translatological analysis of his translations of Bulat Okudzhava and Vladimir Vysotsky. At the same time, the translations of Milan Dvorak and Petr Kovarik are analysed. The analysis is extended by a brief analysis of a song score which works as a verification of a hypothesis whether the chosen translations are songful not only in Jaromir Nohavica's presentation. The theoretical part of the thesis is dedicated to Jaromir Nohavica's p
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Books on the topic "Bulat Okudzhava"

1

Bulat Okudzhava. 2nd ed. "Molodai Ła gvardii Ła", 2009.

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2

Bulat Okudzhava. "Moloda︠i︡a gvardi︠i︡a", 2009.

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3

Shilov, Lev Alekseevich. Bulat Okudzhava: Diskografii͡a︡. Gos. literaturnyĭ muzeĭ, 1985.

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4

E, Krylov A., and Shcherbakova Vera, eds. Bulat Okudzhava: "--iz samogo nachala". Bulat, 2008.

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5

Anninskiĭ, Lev Aleksandrovich. Tri barda: Bulat Okudzhava, Aleksandr Galich, Vladimir Vysot︠s︡kiĭ. Tretʹi︠a︡ volna, 1999.

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6

Regionalʹnyĭ obshchestvennyĭ fond Bulata Okudzhavy and Gosudarstvennyĭ dom-muzeĭ Bulata Okudzhavy, eds. Bulat Okudzhava, ego krug, ego vek: Materialy vtoroĭ mezhdunarodnoĭ nauchnoĭ konferent︠s︡ii, 30 noi︠a︡bri︠a︡-2 dekabri︠a︡ 2001 g., Peredelkino. Solʹ, 2004.

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7

Shilov, Lev Alekseevich. Fenomen Bulata Okudzhavy. Gosudarstvennyĭ literaturnyĭ muzeĭ, 1998.

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8

Chaĭkovskiĭ, Roman Romanovich. Istiny Bulata Okudzhavy. Kordis, 2006.

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9

Shilov, Lev Alekseevich. Fenomen Bulata Okudzhavy. [s.n.], 1998.

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10

Chaĭkovskiĭ, R. R. Kontekst Bulata Okudzhavy. Izdatelʹstvo "Pero", 2014.

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