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1

Leddy, Annette. "Christine Burgin Gallery Records." Archives of American Art Journal 58, no. 1 (March 2019): 92–93. http://dx.doi.org/10.1086/703666.

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2

Iversen, Margaret. "BURGIN BETWEEN POLITICS AND ART." Art History 11, no. 1 (March 1988): 133–35. http://dx.doi.org/10.1111/j.1467-8365.1988.tb00288.x.

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Panero Gomez, Ana. "Tecnología, medios contemporáneos y transversalidad en la construcción de la serie Gradiva de Victor Burgin." Ñawi 4, no. 2 (July 17, 2020): 103. http://dx.doi.org/10.37785/nw.v4n2.a7.

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El presente artículo estudia y examina la serie fotoliteraria de Victor Burgin titulada Gradiva (1982). Este artista y teórico de la imagen reflexiona en ella acerca de las asunciones culturales que limitan el lenguaje y las posibilidades expresivas de dos medios como la fotografía y el cine. A través del argumento de la novela de Wilhelm Jensen Gradiva: una fantasía pompeyana (1903), Burgin aúna su interés por el psicoanálisis y su trabajo como filósofo de los medios de comunicación. La iconología de esta heroína se enriquece con las posibilidades de lectura surgidas gracias a la utilización del rebus como instrumento expresivo en la obra de Burgin.
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4

Habib, André. "Voyage to Italy de Victor Burgin (fragments photographiques)." Protée 35, no. 2 (2007): 55. http://dx.doi.org/10.7202/017467ar.

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VAN LOON, J. "Typologie van de middeleeuwse namen op-burgin de Nederlanden." Naamkunde 31, no. 3 (August 1, 1999): 139–56. http://dx.doi.org/10.2143/nk.31.3.2002964.

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6

Wilson, Frank. "A Thousand Natural Shocks: Selected Stories by Richard Burgin." Hopkins Review 12, no. 2 (2019): 302–5. http://dx.doi.org/10.1353/thr.2019.0045.

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7

Bishop, Ryan, and Sean Cubitt. "Camera as Object and Process: An Interview with Victor Burgin." Theory, Culture & Society 30, no. 7-8 (October 7, 2013): 199–219. http://dx.doi.org/10.1177/0263276413501346.

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Using a number of his recent site-specific installations, conceptual artist and theorist Victor Burgin discusses the status and future of the camera from photography to moving image to computer-generated virtual works that combine both still and moving images. In the process he modifies Bazin’s question ‘What is cinema?’ to ask ‘What is a camera?’ These works extend and develop Burgin’s long-standing interest in the relationship of aesthetics and politics as rendered through visualization technologies, especially as it pertains to space. Burgin’s discussion constructs a genealogy of seeing, visualizing and image-making as technologically-determined and crafted. The ideology of vision and the ideological artefacts produced by and through visual technologies from perspectival painting to analog photography to computer imaging constitute, in Burgin’s argument, ‘the ideological chora of our spectacular global village’.
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Weinstein, B. "ANGUS BURGIN. The Great Persuasion: Reinventing Free Markets since the Depression." American Historical Review 118, no. 4 (October 1, 2013): 1155. http://dx.doi.org/10.1093/ahr/118.4.1155.

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9

Bishop, Ryan. "A Circle of Fragments: Barthes, Burgin, and the Interruption of Rhetoric." Theory, Culture & Society 37, no. 4 (May 17, 2020): 135–65. http://dx.doi.org/10.1177/0263276420911436.

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Roland Barthes’ entire career pursued a dream of being freed from the tyranny of ossified, institutionalized, rote language use, as articulated from his first massively influential work on ‘writing degree zero’ in 1953. The anaemic role of institutional rhetoric and its dusty formulations dulled the capacity for using language and thought otherwise. For Barthes, fragments played a privileged role in the escape from the tyranny of meaning imposed by doxa and received wisdom, sometimes called ‘literature’ and ‘rhetoric’. Barthes once referred to almost all of his writing, and indeed theorizing, as ‘a circle of fragments’. The artist and theorist Victor Burgin has been profoundly influenced by Barthes’ writings and his attempts to escape the ideological constraints of language, institutions and images. His visual rhetorical practice now often takes the form of projection loops that are accessible by gallery attendees at any point in the loop. Their basic building block is also the fragment, and the loop constitutes another circle of fragments. His 2016 work Belledonne uses the time Barthes spent in the sanatorium for tuberculosis treatment as the basis for the piece, its computer-generated imagery and textual intertitles. This article examines Barthes’s writings on pre-Socratic rhetoric, as well as his self-reflexive engagement with his own theorizing, combined with Burgin’s reconsideration of moving image work in gallery or museum spaces as attempts to offer potentially liberatory strategies for eluding rote use and effects of language, image and thought.
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10

Henry, John F. "Angus Burgin: The Great Persuasion: Reinventing Free Markets Since the Depression." Journal of Economic Issues 50, no. 1 (January 2, 2016): 297–99. http://dx.doi.org/10.1080/00213624.2016.1148992.

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11

Hammond, J. Daniel. "Angus Burgin, The great persuasion: Reinventing free markets since the depression." Review of Austrian Economics 26, no. 3 (February 16, 2013): 355–58. http://dx.doi.org/10.1007/s11138-013-0206-z.

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12

Johnston, F. R. "Commentary on Burgin and Wild (1967): Stock control—experience and usable theory." Journal of the Operational Research Society 51, no. 10 (October 2000): 1111. http://dx.doi.org/10.1057/palgrave.jors.2601037.

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Johnston, F. R. "Commentary on Burgin and Wild (1967): Stock Control. Experience and Usable Theory." Journal of the Operational Research Society 51, no. 10 (October 2000): 1111. http://dx.doi.org/10.2307/253922.

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14

Zissu, Boaz, Amir Ganor, Eitan Klein, and Alon Klein. "NEW DISCOVERIES AT HORVAT BURGIN IN THE JUDEAN SHEPHELAH: TOMBS, HIDING COMPLEXES, AND GRAFFITI." Palestine Exploration Quarterly 145, no. 1 (March 2013): 29–52. http://dx.doi.org/10.1179/0031032812z.00000000028.

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15

Kazemi, Foroogh, and Narjes Ghasemi Ateni. "Evaluating different types of signs in Reuters photos from the Peirce and Burgins perspectives." JOURNAL OF ADVANCES IN LINGUISTICS 6, no. 3 (December 28, 2016): 1057–62. http://dx.doi.org/10.24297/jal.v6i3.5168.

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This article sought to comparatively examine different types of signs in Reuters news agency photos from Peirce and Burgins perspectives. The research data are photos with social and cultural themes being selected from the Reuters news agency which depicted the Iranian customs, traditions and culture. The research is accomplished focusing on a variety of signs from Peirce and Burgins perspectives. This study attempted to answer these questions that In Reuters social photos which sign has the highest frequency, Can semiotic theories be applied for photo interpretation and does the semiotics study of Reuters social photos lead to the fact that photography has an arbitrary system The findings showed that 14 photos were consistent in terms of Burgin and Peirces perspectives, but for 16 photos, these two views were incompatible with each other. According to the fact that the data analyzed in this study were photos, all photos had an iconic relationship with their object (theme).Therefore, the iconic signs were 30 enjoying the highest frequency. The indexical signs had a frequency of 14 and the last belonged to symbolic signs with 10 cases. The findings also suggested that semiotic theories can be applied in photos interpretation. In addition, the semiotics in Reuters social photos made it clear that photography has an arbitrary system
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16

Burgin, Mark, and Jaime F. Cárdenas-García. "A Dialogue Concerning the Essence and Role of Information in the World System." Information 11, no. 9 (August 21, 2020): 406. http://dx.doi.org/10.3390/info11090406.

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The goal of this paper is to represent two approaches to the phenomenon of information, explicating its nature and essence. In this context, Mark Burgin demonstrates how the general theory of information (GTI) describes and elucidates the phenomenon of information by explaining the axiomatic foundations for information studies and presenting the comprising mathematical theory of information. The perspective promoted by Jaime F. Cárdenas-García is based on Gregory Bateson’s description of information as “difference which makes a difference” and involves the process of info-autopoiesis as a sensory commensurable, self-referential feedback process.
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17

Barker, Rodney. "The Great Persuasion: Reinventing free markets since the Depression Angus Burgin Harvard University Press, 2012." Public Policy Research 19, no. 4 (January 2013): 263–66. http://dx.doi.org/10.1111/j.1744-540x.2013.00719.x.

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18

Baggett, James L. "Doc: The Story of a Birmingham Jazz Man by Frank “Doc” Adams and Burgin Matthews." Alabama Review 67, no. 4 (2014): 416–18. http://dx.doi.org/10.1353/ala.2014.0039.

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19

Podnos, Theodor H. "Violin Forum: Intonation and Speed." American String Teacher 36, no. 4 (November 1986): 70–71. http://dx.doi.org/10.1177/000313138603600432.

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Theodor Podnos has authored four articles and two books on the subject of intonation. He has twenty-five compositions to his credit and has lectured in Ireland and at Columbia University. Mr. Podnos received his formal education at Peabody and Curtis Institutes, Boston University, and with Richard Burgin, long-time concertmaster of the Boston Symphony Orchestra. He has played as concertmaster under Serge Koussevitzky at Tanglewood and Paul Whiteman in New York. In 1984 he retired as a member of the first violin section of the New York Philharmonic, with which he was associated for nineteen years.
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20

Davis, Martin. "Mark Burgin. Super-recursive algorithms. Monographs in Computer Science, Springer, New York, 2005, xiv + 304 pp." Bulletin of Symbolic Logic 13, no. 2 (June 2007): 240–41. http://dx.doi.org/10.2178/bsl/1185803807.

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21

Bruyère, Vincent. "Le martyre de sainte Sébastienne." reproduire, no. 17 (September 8, 2011): 119–30. http://dx.doi.org/10.7202/1005752ar.

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Cet article se propose de reproduire l’expérience hagiographique de Victor Burgin devant un autoportrait de Helmut Newton à partir d’interventions critiques de la part de Laura Mulvey, Michel de Certeau, Daniel Arasse et Georges Didi-Huberman. Au centre de cette expérience se situe la figure insaisissable de sainte Sébastienne ainsi que l’amorce de la question de sa différence en tant qu’événement à la fois visuel et de genre dans le discours de l’histoire sur l’image (d’art). Poursuivant le spectre de Sébastienne à travers ses diverses incarnations chez Helmut Newton, Louise Bourgeois et Antonello de Messine, l’objectif est de questionner l’opérativité critique du « re- » qui conditionne à la fois un retour à l’image et le retour du regard dans l’image.
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22

Szilágyi-Gál, Mihály. "The Aesthetics of the Public Space." East Central Europe 30, no. 2 (2003): 63–67. http://dx.doi.org/10.1163/187633003x00144.

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AbstractThese words of Victor Burgin serve as the motto of the first issue of the Review. In fact, the very same sentences can be taken as the motto also of this review of the Review. One of the authors in Idea's first issue, Boris Groys recalls Greenberg's words, that the avant-gard imitates art, and art imitates the world itself - the avant-gard imitates art because art is part of the world. Idea leaves the impression of a report of an avant-gard renaissance in the present art of the East-Central European and Balkan regions. It does not commit itself to any particular artistic current: its foci are the aesthetic phenomena of everyday life, and the concordant relationship between art and society.
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23

Fowler, Joan. "Victor Burgin, Office at Night, Orchard Gallery, Derry 28 June - 26 July, 1986. Between. Published by Blackwell, 1986." Circa, no. 30 (1986): 51. http://dx.doi.org/10.2307/25557139.

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24

Bell, Desmond. "Is there a doctor in the house? A riposte to Victor Burgin on practice-based arts and audiovisual research." Journal of Media Practice 9, no. 2 (January 1, 2008): 171–77. http://dx.doi.org/10.1386/jmpr.9.2.171_3.

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25

Kolozi, Peter. "The Great Persuasion: Reinventing Free Markets since the Depression. By Angus Burgin. Cambridge, MA: Harvard University Press, 2012. 320p. $29.95." Perspectives on Politics 12, no. 3 (September 2014): 729–31. http://dx.doi.org/10.1017/s1537592714001868.

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26

Bawden, David, and Lyn Robinson. "Still Minding the Gap? Reflecting on Transitions between Concepts of Information in Varied Domains." Information 11, no. 2 (January 29, 2020): 71. http://dx.doi.org/10.3390/info11020071.

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This conceptual paper, a contribution to the tenth anniversary Special Issue of Information, gives a cross-disciplinary review of general and unified theories of information. A selective literature review is used to update a 2013 article on bridging the gaps between conceptions of information in different domains, including material from the physical and biological sciences, from the humanities and social sciences including library and information science, and from philosophy. A variety of approaches and theories are reviewed, including those of Brenner, Brier, Burgin and Wu, Capurro, Cárdenas-García and Ireland, Hidalgo, Hofkirchner, Kolchinsky and Wolpert, Floridi, Mingers and Standing, Popper, and Stonier. The gaps between disciplinary views of information remain, although there has been progress, and increasing interest, in bridging them. The solution is likely to be either a general theory of sufficient flexibility to cope with multiple meanings of information, or multiple and distinct theories for different domains, but with a complementary nature, and ideally boundary spanning concepts.
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27

Floyer, J. N. "Comment on Johnston (2000): Commentary on Burgin and Wild (1967): Stock control—experience and usable theory. J Opl Res Soc51: 1111." Journal of the Operational Research Society 52, no. 7 (July 2001): 844. http://dx.doi.org/10.1057/palgrave.jors.2601146.

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28

Bockman, Johanna. "The Great Persuasion: Reinventing Free Markets since the Depression. By Angus Burgin (Cambridge, Mass., Harvard University Press, 2012) 320 pp. $29.95." Journal of Interdisciplinary History 44, no. 1 (May 2013): 113–15. http://dx.doi.org/10.1162/jinh_r_00504.

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29

Livingston, Brendan. "The Great Persuasion: Reinventing Free Markets Since the Depression.. By Angus Burgin. Cambridge, MA: Harvard University Press. 2012. Pp. 303. $20.54, hardcover." Journal of Economic History 73, no. 4 (November 15, 2013): 1181–83. http://dx.doi.org/10.1017/s0022050713000995.

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30

Yoshino, Yusuke. "Angus Burgin, The Great Persuasion: Reinventing Free Markets since the Depression. Cambridge, MA.: Harvard University Press, 2012, 320 pp." History of Economic Thought 57, no. 2 (2016): 116–17. http://dx.doi.org/10.5362/jshet.57.2_116.

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31

Mira Pastor, Enric. "Factores epistemológicos y contextuales en la genealogía de la teoría de la fotografía en la segunda mitad del siglo XX." Arbor 196, no. 798 (December 30, 2020): a584. http://dx.doi.org/10.3989/arbor.2020.798n4008.

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El giro crítico del arte conceptual en los años sesenta, la subsiguiente aparición de estrategias de hibridación y escenificación a finales de los setenta y, en paralelo, la institucionalización de la fotografía con su entrada al museo y el surgimiento de un pujante mercado fotográfico, constituyen el caldo de cultivo en el que se gesta la demanda de la teoría de la fotografía como disciplina con identidad epistemológica propia. Esta demanda se hizo explícita a través de las iniciativas llevadas a cabo por Rosalind Krauss y Annette Michelson en el número 5 de la revista October en 1978, por Alan Trachtenberg en Classic Essays on Photography en 1980 y de modo más categórico por Victor Burgin en Thinking Photography en 1982. El presente artículo analiza los argumentos y posiciones intelectuales sobre la necesidad de articular un discurso teórico sobre fotografía, así como los aspectos epistemológicos y sociales asociados a la idea de teoría subyacente en cada una de las propuestas. Por último, se realiza una breve aproximación al ámbito teórico español a través de la publicación en 1984 del libro Estética fotográfica y en 1997 de El beso de Judas, ambos de Joan Fontcuberta.
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Smith, Craig. "Angus Burgin, The Great Persuasion: Reinventing Free Markets since the Depression (Cambridge, MA: Harvard University Press, 2012), pp. 320, $29.95. ISBN 978-0-67405-813-2." Journal of the History of Economic Thought 35, no. 2 (May 10, 2013): 268–70. http://dx.doi.org/10.1017/s1053837213000138.

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Santos, Joseph M. "Angus Burgin. The Great Persuasion: Reinventing Free Markets Since the Depression. Cambridge, MA: Harvard University Press, 2012. 303 pp. ISBN 978-0-674-05813-2, $17.85 (paper)." Enterprise & Society 17, no. 2 (April 6, 2016): 466–68. http://dx.doi.org/10.1017/eso.2016.15.

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Rutherford, Malcolm. "Angus Burgin. The Great Persuasion: Reinventing Free Markets since the Depression. Cambridge, MA: Harvard University Press, 2012. 226 pp. $29.95 (hardcover). ISBN-13: 978-0-674-05813-2." Journal of the History of the Behavioral Sciences 49, no. 4 (September 2013): 436–38. http://dx.doi.org/10.1002/jhbs.21626.

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35

Ignashev, Diane Nemec. "Sophia Parnok: The Life and Work of Russia's Sappho. By Diana Lewis Burgin. New York: New York University Press, 1994. xxvi, 355 pp. Appendix. Indexes. $50.00, hard bound; $17.95, paper." Slavic Review 54, no. 3 (1995): 734–35. http://dx.doi.org/10.2307/2501757.

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36

Mirowski, Philip. "The Great Persuasion: Reinventing Free Markets since the Depression. By Angus Burgin. Cambridge, Mass.: Harvard University Press, 2012. 303 pp. Notes, index. Cloth, $29.95. ISBN: 978-0-674-05813-2." Business History Review 87, no. 4 (2013): 800–802. http://dx.doi.org/10.1017/s0007680513001189.

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37

Greenberg, Udi. "Thinking in Public: Strauss, Levinas, Arendt. By Benjamin Aldes Wurgaft. Intellectual History of the Modern Age. Edited by Angus Burgin et al.Philadelphia: University of Pennsylvania Press, 2016. Pp. viii+304. $59.95." Journal of Modern History 89, no. 4 (December 2017): 925–27. http://dx.doi.org/10.1086/694349.

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Toews, John E. "Identity: The Necessity of a Modern Idea. By Gerald Izenberg. Intellectual History of the Modern Age. Edited by Angus Burgin et al.Philadelphia: University of Pennsylvania Press, 2016. Pp. viii+542. $59.95." Journal of Modern History 90, no. 1 (March 2018): 154–55. http://dx.doi.org/10.1086/695886.

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Arnaud, Sabine. "Suffering Scholars: Pathologies of the Intellectual in Enlightenment France. By Anne C. Vila. Intellectual History of the Modern Age. Edited by Angus Burgin et al.Philadelphia: University of Pennsylvania Press, 2018. Pp. viii+268. $65.00." Journal of Modern History 91, no. 4 (December 2019): 935–37. http://dx.doi.org/10.1086/705853.

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40

Lang, Michael. "Nietzsche in the Nineteenth Century: Social Questions and Philosophical Interventions. By Robert C. Holub. Intellectual History of the Modern Age. Edited by Angus Burgin et al.Philadelphia: University of Pennsylvania Press, 2018. Pp. x+524. $85.00." Journal of Modern History 92, no. 2 (June 1, 2020): 458–60. http://dx.doi.org/10.1086/708591.

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Ash, Mitchell G. "Homo Cinematicus: Science, Motion Pictures, and the Making of Modern Germany. By Andreas Killen. Intellectual History of the Modern Age. Edited by Angus Burgin et al.Philadelphia: University of Pennsylvania Press, 2017. Pp. viii+268. $65.00." Journal of Modern History 91, no. 1 (March 2019): 222–23. http://dx.doi.org/10.1086/701567.

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Gubser, Michael. "The Moment of Rupture: Historical Consciousness in Interwar German Thought. By Humberto Beck. Intellectual History of the Modern Age. Edited by Angus Burgin et al. Philadelphia: University of Pennsylvania Press, 2019. Pp. xii+208. $59.95." Journal of Modern History 93, no. 3 (September 1, 2021): 736–37. http://dx.doi.org/10.1086/715315.

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Jainchill, Andrew. "The Labor of the Mind: Intellect and Gender in Enlightenment Cultures. By Anthony J. La Vopa. Intellectual History of the Modern Age. Edited by Angus Burgin et al.Philadelphia: University of Pennsylvania Press, 2017. Pp. x+348. $79.95." Journal of Modern History 91, no. 3 (September 2019): 668–69. http://dx.doi.org/10.1086/704398.

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Kryszeń, Adam. "Functional Differentiation in Hittite Festival Texts. An Analysis of the Old Hittite Manuscripts of the KI.LAM Great Assembly. By James M. Burgin. Studien zu den Boǧazköy-Texten 65. Wiesbaden: Harrassowitz Verlag, 2019. Pp. xii + 232. 70€ (cloth)." Journal of Near Eastern Studies 80, no. 1 (April 1, 2021): 199–202. http://dx.doi.org/10.1086/712950.

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Hannabuss, Stuart. "The Real Story: A Guide to Nonfiction Reading Interests200714Edited by Sarah Statz Cords and Robert Burgin. The Real Story: A Guide to Nonfiction Reading Interests. Westport, Colorado and London: Libraries Unlimited Inc. 2006. xxxii+460 pp., ISBN: ISBN 1‐59158‐283‐0 hardback US$55.00." Library Review 56, no. 3 (March 27, 2007): 265–67. http://dx.doi.org/10.1108/00242530710736154.

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Rokiski Lázaro, Mª Luz. "Esteban Jamete en Burgos." Archivo Español de Arte 75, no. 297 (March 30, 2002): 55–57. http://dx.doi.org/10.3989/aearte.2002.v75.i297.359.

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Simón Palmer, María Del Carmen. "Carmen de Burgos, traductora." Arbor 186, Extra (June 30, 2010): 157–68. http://dx.doi.org/10.3989/arbor.2010.extrajunion3018.

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48

Burton, Tristesse, Johanna E. Adlam, Megan Murphy-Belcaster, Melva Thompson-Robinson, Carolee Dodge Francis, Daryl Traylor, Eboni Anderson, Kristina Ricker-Boles, and Sutton King. "Stress and Coping among American Indian and Alaska Natives in the Age of COVID-19." American Indian Culture and Research Journal 44, no. 2 (April 1, 2020): 49–70. http://dx.doi.org/10.17953/aicrj.44.2.burton.

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The COVID-19 pandemic compounds stressors of daily life among American Indian/Alaska Natives. This study investigated the impact of COVID-19 among American Indian/Alaska Natives and non-Hispanic whites by examining depressive symptoms, overall stress, resilience, and coping, utilizing the Transactional Model of Stress and Coping. Of the 207 individuals participating in this study, 109 identified as American Indian/Alaska Native and 98 as non-Hispanic white. Despite demographic similarities, American Indian/Alaska Natives exhibited more stressors related to COVID-19 as well as higher depressive symptom scores compared to non-Hispanic whites. Furthermore, COVID-19 stressors were more positively correlated with depressive symptoms for American Indian/Alaska Natives than non-Hispanic whites. For American Indian/Alaska Natives, the predominant coping processes identified were planful problem solving, escape-avoidance, and self-controlling. This study provides data to support programs and policies centered on improving the psychosocial health for American Indians/Alaska Natives and decreasing COVID-19-related health disparities.
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Molina, César Antonio. "Carmen de Burgos y Nápoles." Arbor 186, Extra (June 30, 2010): 99–103. http://dx.doi.org/10.3989/arbor.2010.extrajunion3012.

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Yılmaz, Hüseyin Baki. "Nasal septal schwannoma." Journal of Medical Updates 4, no. 2 (August 1, 2014): 77–80. http://dx.doi.org/10.2399/jmu.2014002009.

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