Relevant bibliographies by topics / Burgundy court

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  2. Dissertations / Theses
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Academic literature on the topic 'Burgundy court'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Burgundy court"

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Prochno, Renate, and Kathleen Morand. "Claus Sluter. Artist at the Court of Burgundy." Zeitschrift für Kunstgeschichte 55, no. 4 (1992): 595. http://dx.doi.org/10.2307/1482630.

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Small, G. "For a Long Century of Burgundy. The Court, Female Power and Ideology." BMGN - Low Countries Historical Review 126, no. 1 (2011): 54. http://dx.doi.org/10.18352/bmgn-lchr.7219.

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Planchart, Alejandro Enrique. "Guillaume Du Fay's benefices and his relationship to the court of Burgundy." Early Music History 8 (October 1988): 117–71. http://dx.doi.org/10.1017/s0261127900000917.

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In the years since Craig Wright published his study of Du Fay at Cambrai interest in the composer has grown apace. In his recent study of the composer David Fallows has given us a ‘rich harvest of “adjusted” information’ concerning Du Fay's life as well as valuable insights into the music. This study is a continuation of the process of adjusting details in our view of Du Fay's life and his work. It presents new documents and some hypotheses based upon them and upon consideration of the cultural and liturgical traditions that shaped Du Fay's life and his work. I shall start with what is perhaps
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CAMBRIDGE, MATT. "THE MOURNERS: TOMB SCULPTURES FROM THE COURT OF BURGUNDY BY SOPHIE JUGIE." Art Book 17, no. 4 (2010): 55–56. http://dx.doi.org/10.1111/j.1467-8357.2010.01137_8.x.

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Macey, Patrick. "Galeazzo Maria Sforza and musical patronage in Milan: Compère, Weerbeke and Josquin." Early Music History 15 (October 1996): 147–212. http://dx.doi.org/10.1017/s0261127900001546.

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Galeazzo Maria Sforza (1444–76), fifth Duke of Milan, set out when he acceded to power in 1466 to style himself as one of the most glorious of rulers and to make his court (in the words of the contemporary chronicler Bernardino Corio) one of ‘the most splendid in the universe’. Galeazzo, a contemporary of King Louis XI of France and Duke Charles the Bold of Burgundy, entertained grand designs of turning his ducal coronet into a king's crown and transforming Lombardy into a royal realm, just as Charles the Bold sought to elevate the duchy of Burgundy to a kingdom. The two dukes, as vassals of t
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Arblaster, Paul, Gerard Nijsten, and Tanis Guest. "In the Shadow of Burgundy: The Court of Guelders in the Late Middle Ages." Sixteenth Century Journal 36, no. 4 (2005): 1129. http://dx.doi.org/10.2307/20477614.

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Wilson, Katherine Anne. "Commerce and Consumers: The Ubiquitous Chest of the Late Middle Ages." Journal of Interdisciplinary History 51, no. 3 (2020): 377–404. http://dx.doi.org/10.1162/jinh_a_01591.

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Contrary to their ubiquity within written, visual, and material sources, chests have largely remained overlooked in studies of the late Middle Ages. Bill Brown’s “thing theory” helps to explicate the ways in which chests can transform from unnoticed “things” in the background to meaningful “objects” when viewed through their entanglements with commercial, consumer, political, and moral concerns. The interdisciplinary study of chests in the late Middle Ages brings together a range of evidence including inventories, guild accounts, court pleas, contemporary writings, images, and material culture
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Eörsi, Anna. "“Imaige A La Vierge Marie” The Hours of Mary Of Burgundy, Her Marriage, and Her Painter, Hugo Van Der Goes." Acta Historiae Artium 61, no. 1 (2020): 19–53. http://dx.doi.org/10.1556/170.2020.00002.

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AbstractThe Vienna Hours, illuminated by the artist known as the “Master of Mary of Burgundy”, was originally commissioned by Margaret of York. The later parts of the manuscript commemorate the love and marriage between Mary of Burgundy and Maximilian of Habsburg, and their (newborn or expected) child.The miniatures and texts in question convey the same idea expressed on several occasions by the official historian, Jean Molinet: in the Burgundian court, the duchess was venerated as the Virgin Mary (and in consequence of this, Maximilian – and Philip – came to be revered as the Saviour, and Fre
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Hayhoe, J. D. "Neighbours before the Court: Crime, Village Communities and Seigneurial Justice in Northern Burgundy, 1750-1790." French History 17, no. 2 (2003): 127–48. http://dx.doi.org/10.1093/fh/17.2.127.

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Planchart, Alejandro Enrique. "Connecting the dots: Guillaume Du Fay and Savoy during the schism." Plainsong and Medieval Music 18, no. 1 (2009): 11–32. http://dx.doi.org/10.1017/s0961137109000941.

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ABSTRACTFollowing the Council of Basel in 1439, which initiated the papal schism between Eugenius IV and Felix V (Duke Amadeus VIII of Savoy), Guillaume Du Fay appears to have resumed his northern connections, leaving the court of Savoy and returning to the patronage of the Duke of Burgundy. This article sheds new light on the timing of the composer's move, and on his continued contact with the court of Savoy during the schism of the 1440s. Examination of liturgical sources from the cathedral of Cambrai and elsewhere brings to light a liturgical and musical anomaly in Du Fay's polyphonic setti
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Dissertations / Theses on the topic "Burgundy court"

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Millar, Alistair. "Olivier de la Marche and the Court of Burgundy, c.1425-1502." Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/1540.

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The principal aim of the thesis is to give a detailed analysis of the career and literary output of the Burgundian courtier and chronicler, Olivier de la Marche, within the context of the political and cultural milieu of the Burgundian court in the second half of the fifteenth century. There is a full and comprehensive survey of the progression of la Marche’s career under the last two Valois Dukes of Burgundy and their Habsburg successors, and this simultaneously attempts to shed some light on the world of the princely court in the late medieval period. Consideration of la Marche’s major achie
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Helfenstein, Eva. "The Goblet of Philip the Good. Precious Vessels at the Court of Burgundy." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10480.

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Vessels made of precious materials such as gold, silver and hardstone once filled the treasuries of late medieval rulers and were counted among their most valuable and representative possessions. Only a minimal fraction survived until today; the large majority went to the melting pot. The Burgundian Court Goblet (Vienna, Kunsthistorisches Museum), a rock-crystal cup set in gold and adorned with gemstones, is one of the rare surviving examples of a precious vessel from a fifteenth-century secular context. It also happens to be the most elaborate crystal vessel listed in the Inventory of Philip
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Nijsten, Gerard. "In the shadow of Burgundy : the court of Guelders in the late Middle Ages /." Cambridge [u.a.] : Cambridge Univ. Press, 2004. http://www.h-net.org/review/hrev-a0e6e7-aa.

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Huesmann, Jutta M. "Hospitality at the court of Philip the Good, Duke of Burgundy (c. 1435-67)." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367461.

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Heron, Andrew Glen. "'Il fault faire guerre pour paix avoir' : crusading propaganda at the Court of Duke Philippe le Bon of Burgundy (1419-1467)." Thesis, University of Cambridge, 1991. https://www.repository.cam.ac.uk/handle/1810/272756.

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Morel, Yann. "Approvisionner, nourrir, représenter. L’alimentation à la cour des ducs de Bourgogne, d’après les écrous de la dépense (1450-1477)." Thesis, Versailles-St Quentin en Yvelines, 2015. http://www.theses.fr/2015VERS005S/document.

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Alors que la connaissance de l’alimentation à la cour des ducs de Bourgogne de la maison de Valois s’est surtout limitée à l’étude des grands banquets à entremets, ce travail, fondé sur l’exploitation de sources comptables, en particulier des écrous de la dépense, complétées par les ordonnances de l’hôtel et les récits des mémorialistes et chroniqueurs « bourguignons », a cherché à prendre en considération l’ensemble de la « chaîne alimentaire » au sein de l’hôtel de Philippe le Bon et Charles le Téméraire, tant lors des repas quotidiens qu’à l’occasion des festins qui y étaient organisés. Apr
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de, Blieck Edgar. "The 'Cent nouvelles nouvelles' : text and context : literature and history at the court of Burgundy in the fifteenth century." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/40983/.

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The following study of history through literature uses a French text composed by and for the court of Burgundy in the mid fifteenth century: the Cent nouvelles nouvelles. It demonstrates that philological interpretation of the text has floundered when it has ignored the historical context in which the work was composed. Alongside this critique, the thesis comes to the positive conclusion that it is valuable to restore an appreciation of the benefits of historical scholarship to the discipline of philology. In the first chapter, the case is made for reclaiming the text as a historical document
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Small, Graeme. "The chronicle and career of George Chastelain (c.1415-1475) : a study in the political and historical culture of the Court of Burgundy." Thesis, University of Edinburgh, 1994. http://hdl.handle.net/1842/20790.

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George Chastelain (c.1415-1475) was the official historian of the last two Valois dukes of Burgundy, Philip the Good († 1467) and Charles the Bold († 1477). This study of his Chronicle and career seeks to contextualise - and thereby understand - his work by examining it in relation to the political and historical culture of the Burgundian court. The first chapter reconstructs Chastelain's family background and early career, and notes the differences between the chronicler's account of this period and new record evidence relating to it. The years he was thought to have spent in France were not
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Cockshaw, Pierre. "Prosopographie des secrétaires de la cour de Bourgogne : (1384-1477) /." Ostfildern : Thorbecke, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015491631&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Niedermann, Christoph. "Das Jagdwesen am Hofe Herzog Philipps des Guten von Burgund /." Bruxelles : Archives et bibliothèques de Belgique, 1995. http://catalogue.bnf.fr/ark:/12148/cb370694047.

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Books on the topic "Burgundy court"

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1921-, Finn David, and Sluter, Claus, ca. 1345-1405 or 6., eds. Claus Sluter: Artist at the court of Burgundy. Harvey Miller, 1991.

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Sluter, Claus, ca. 1345-1405 or 6. and Finn David 1921-, eds. Claus Sluter: Artist at the court of Burgundy. University of Texas Press, 1991.

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Metropolitan Museum of Art (New York, N.Y.), ed. The mourners: Tomb sculptures from the court of Burgundy. FRAME/French/Regional/American Museum Exchange, 2010.

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Whaley, Judith I. The Burgundian court and its music. American Recorder Society, 1991.

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George Chastelain and the shaping of Valois Burgundy: Political and historical culture at court in the fifteenth century. Royal Historical Society, 1997.

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1963-, Small Graeme, ed. Court and civic society in the Burgundian Low Countries c.1420-1530. Manchester University Press, 2007.

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Paravicini, Werner, and Holger Kruse. Die Hofordnungen der Herzöge von Burgund. Thorbecke, 2005.

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The golden age of Burgundy: The magnificent dukes and their courts. Phoenix, 2001.

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Paravicini, Werner. Menschen am Hof der Herzöge von Burgund: Gesammelte Aufsätze. Thorbecke, 2002.

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Taubert, Karl Heinz. Barock-Tanze: Geschichte, Wesen und Form, Choreographie und Tanz-Praxis : Tanz-Zyklus I, "La Bourgogne" Burgund : Courante, Bourrée, Sarabande, Passepied : Choreographie von Louis Pécour für Marie Adelaide Herzogin von Burgund um 1697 : Tanzbeschreibungen, Notenbeilage, Bilder zu Tanz- und Kulturgeschichte. Verlag Musikhaus Pan, 1986.

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Book chapters on the topic "Burgundy court"

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Wrisley, David. "Translating Power and Knowledge at the Fifteenth-Century Court of Burgundy." In The Medieval Translator. Traduire au Moyen Age. Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.tmt-eb.3.2260.

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"Fables (selections)." In Fénelon, edited by Ryan Patrick Hanley. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190079581.003.0002.

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The Fables are drawn from several short texts that Fénelon’s editors have previously gathered under the title Fables et opuscules pédagogiques. They comprise a range of writings that Fénelon composed for the political education of the Duke of Burgundy, grandson of Louis XIV and Petit Dauphin, during his tenure as court tutor. Important contributions to a genre pioneered by Aesop and La Fontaine, they have long been regarded as significant literary achievements as well as key vehicles for lessons in the virtues necessary for just rule and the means of establishing political order.
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"Correspondence." In Fénelon, edited by Ryan Patrick Hanley. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190079581.003.0005.

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Chapter 4 presents three of Fénelon’s letters. The Letter to Louis XIV is a striking excoriation of both the character and rule of Louis XIV. An enduring model of what it looks like to speak truth to power, the Letter offers an uncompromising critique of the obsession with grandeur and glory that led Louis to privilege his image and the image of his court over the well-being of his people. Alongside it appear two further selections from Fénelon’s extensive correspondence—a letter to the chief advisor to the King of Spain and a letter to the Duke of Burgundy grown to adulthood—that likewise offer insight into his views on the responsibilities of advisors to and holders of executive authority.
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Bruijn, Jaap R. "Introduction." In The Dutch Navy of the Seventeenth and Eighteenth Centuries. Liverpool University Press, 2011. http://dx.doi.org/10.5949/liverpool/9780986497353.003.0101.

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During the Middle Ages a number of territories within the boundaries of the modern Netherlands, Belgium and northern France each developed similar ruling institutions in the form of local parliaments or states. In the fifteenth century, the dukes of Burgundy succeeded in joining most of these territories together under a single ruler, but the tradition of provincial autonomy remained strong. At long last, the Habsburg emperor Charles V (who reigned 1515-1555) ruled all the territories, seventeen in number. The seat of the central government was established at Brussels, with the rights of the provincial institutions being largely oppressed in favour of the Brussels' court. From 1556 onwards, however, Charles V's son and successor, King Philip II of Spain, and his governors rekindled the old spirit of provincial opposition against centralized rule by pursuing fierce religious and fiscal policies. The Protestant iconoclasm of 1566 shook the foundations of their power and caused Philip to install the Duke of Alba as his military governor. Alba's high-handed and arbitrary rule subsequently provoked the Dutch revolt. In 1572, after some initial disturbances, the provincial ruling States of Holland and Zeeland, under the leadership of William of Orange (the Silent), launched a revolt against Alba that soon gained the support of other provinces. A long and fierce struggle ensued, finally to result in the birth of the Republic of the Seven United Provinces, comprising Holland, Zeeland and the five other northern provinces of Utrecht, Gelderland, Overijssel, Groningen and Friesland....
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"Preliminary Material." In Magic and Divination at the Courts of Burgundy and France. BRILL, 1998. http://dx.doi.org/10.1163/9789004247376_001.

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"INTRODUCTION." In Magic and Divination at the Courts of Burgundy and France. BRILL, 1998. http://dx.doi.org/10.1163/9789004247376_002.

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"CHAPTER ONE: THE TREATISE AND ITS AUTHOR." In Magic and Divination at the Courts of Burgundy and France. BRILL, 1998. http://dx.doi.org/10.1163/9789004247376_003.

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"CHAPTER TWO: THE PACT WITH THE ENEMY." In Magic and Divination at the Courts of Burgundy and France. BRILL, 1998. http://dx.doi.org/10.1163/9789004247376_004.

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"CHAPTER THREE: HISTORY AND DIVINATION." In Magic and Divination at the Courts of Burgundy and France. BRILL, 1998. http://dx.doi.org/10.1163/9789004247376_005.

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"CHAPTER FOUR: A CRITIQUE OF SUPERSTITION." In Magic and Divination at the Courts of Burgundy and France. BRILL, 1998. http://dx.doi.org/10.1163/9789004247376_006.

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