Journal articles: 'Burma in art'

1

Bernier, Ronald M., and Paul Strachen. "Imperial Pagan: Art and Architecture of Burma." Journal of the American Oriental Society 111, no. 4 (October 1991): 810. http://dx.doi.org/10.2307/603426.

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Colman, Xan, and Tamara Searle. "Performing Resistance in Burma." TDR/The Drama Review 53, no. 1 (March 2009): 141–46. http://dx.doi.org/10.1162/dram.2009.53.1.141.

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Art—or at least the kind we most like to write about—is almost always political, whether it is inter/national or personal; and though TDR has already taken this up in its “War and Other Bad Shit” issue, the topic remains center stage. In his review of Dutch theatre troupe Dood Paard's medEia, Jacob Gallagher-Ross notes the emergence of “a new age of the chorus” in which spectatorship becomes inseparable from paralyzed witnessing and Medea's tragedy is reconceived as a metaphor for the West's tragic relations with the East. Laurietz Seda explores Guillermo Gómez-Peña's recent performance/installation Mapa/Corpo 2: Interactive Rituals for the New Millennium, a fluid piece that, like much of the artist's recent work, addresses the xenophobia and “war on difference” that underlies the US's ongoing War on Terror. The Burmese stand-up trio the Moustache Brothers is the subject of Xan Colman and Tamara Searle's personal account of how performance can be both art and resistance in a contradictory and charged political regime.

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Pearce, R. L. "SH07ï¿½COATES AND DUNLOP - ART PATRONS OF THE BURMA RAILROAD." ANZ Journal of Surgery 79 (May 2009): A75. http://dx.doi.org/10.1111/j.1445-2197.2009.04931_7.x.

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Robinne, François. "Memorial Art as an Anthropological Object (Chin State of Burma)." Journal of Burma Studies 19, no. 1 (2015): 199–241. http://dx.doi.org/10.1353/jbs.2015.0001.

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Cho, Violet. "Noted: Frontline humour takes on generals." Pacific Journalism Review : Te Koakoa 15, no. 1 (May 1, 2009): 242–43. http://dx.doi.org/10.24135/pjr.v15i1.979.

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This is is a new political cartoon collection by Burmese artist and cartoonist Harn Lay. It is a revealing insight into Burma—where political resistance and traditional art and performance meet. The book demonstrates and is part of the ongoing resistance to an unjust abuse of power. Lay portrays key issues such as political prisoners, extended house arrest of pro-democracy icon Aung San Suu Kyi, the military’s response to sanctions, Burma-ASEAN relations and business deals with neighbouring countries.

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Kowitt, Sarah Dorothy, Dane Emmerling, Diane Gavarkavich, Claire-Helene Mershon, Kristin Linton, Hillary Rubesin, Christine Agnew-Brune, and Eugenia Eng. "A Pilot Evaluation of an Art Therapy Program for Refugee Youth From Burma." Art Therapy 33, no. 1 (January 2, 2016): 13–20. http://dx.doi.org/10.1080/07421656.2015.1127739.

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7

Mufti, Nasser. "Kipling’s Art of War." Nineteenth-Century Literature 70, no. 4 (March 1, 2016): 496–519. http://dx.doi.org/10.1525/ncl.2016.70.4.496.

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Nasser Mufti, “Kipling’s Art of War” (pp. 496–519) This essay looks at the British empire’s most ambitious years, when it saw Britain and its settler colonies as belonging to a global nation-state, most commonly referred to as “Greater Britain.” The apex of this imperial-national imagination came with the outbreak of the Second Anglo-Boer War, which jingoists like Arthur Conan Doyle and Rudyard Kipling celebrated as a civil war because it was seen to be a conflict between the “blood brotherhood” of empire: Britons and Boers. Hence the characterization of the Boer War as “the last of the gentleman’s wars” or “a sahibs’ war,” because it was said to be fought between the civilized fellow-citizens of the British empire. But Kipling also had to confront the fact that British and Boer tactics were decidedly “ungentlemanly” at the war front. I turn to his short story “A Sahibs’ War” (1901), which is especially concerned about the “gentleman’s war” in South Africa looking identical to anticolonial wars in Afghanistan and Burma, which in Kipling’s mind were barbaric frontier conflicts. Kipling registers this ambivalence between civil and colonial war in the language of his story, which strategically puns across English, Afrikaans and Urdu/Hindi. These translingual puns make legible and sensible the tensions between the intra-national and extra-national, domestic and foreign, civil and imperial that characterized Greater British discourse at the turn of the century.

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Hasinoff, Erin L., and Laurel Kendall. "Making spirits, making art, Nat carving and contemporary painting in pre-transition Myanmar (Burma)." Material Religion 14, no. 3 (July 3, 2018): 285–313. http://dx.doi.org/10.1080/17432200.2018.1485428.

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9

Stadtner, Donald M. "A Fifteenth-Century Royal Monument in Burma and the Seven Stations in Buddhist Art." Art Bulletin 73, no. 1 (March 1991): 39. http://dx.doi.org/10.2307/3045777.

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Miksic, John N. "Burma - Pagan: Art and Architecture of Old Burma. By Paul Strachan. Whiting Bay, Arran, Scotland: Kiscadale Publications, 1989. [Also published by University of Hawaii Press under the title: Imperial Pagen: Art and Architecture of Old Burma.] Pp. x, 159. Plates, Diagrams, Notes, Bibliography, Index." Journal of Southeast Asian Studies 21, no. 2 (September 1990): 479–80. http://dx.doi.org/10.1017/s0022463400003556.

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Rowe, Cassandra, Rose Watson-Ormond, Lacey English, Hillary Rubesin, Ashley Marshall, Kristin Linton, Andrew Amolegbe, Christine Agnew-Brune, and Eugenia Eng. "Evaluating Art Therapy to Heal the Effects of Trauma Among Refugee Youth." Health Promotion Practice 18, no. 1 (July 9, 2016): 26–33. http://dx.doi.org/10.1177/1524839915626413.

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Background. Art therapy uses the creative process to encourage personal growth and alleviate symptoms of mental illness. The Art Therapy Institute provides programs for refugee adolescents from Burma to decrease their trauma-related symptoms. This article describes and discusses the methods and findings from an evaluation of this program. The challenges of assessing art therapy with this population and assessment tool gaps are explored and suggestions for future evaluations discussed. Method. Four validated clinical assessment tools were administered to 30 participants at baseline and follow-up to measure symptoms of anxiety, depression, and behavioral problems. Focus group discussions with clinicians were used to assess the evaluation. Results. Nearly all participants had experienced one or more traumatic events. At baseline, results showed a higher prevalence of depression than national rates among adolescents. Follow-up results showed improvements in anxiety and self-concept. Qualitative findings suggest that specific benefits of art therapy were not adequately captured with the tools used. Discussion. This evaluation showed some effects of art therapy; however, symptom-focused assessment tools are not adequate to capture clients’ growth resulting from the traumatic experience and this unique intervention. Future evaluations will benefit by using an art-based assessment and measuring posttraumatic growth.

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MAURYA, SATISH, SARANG A. BOKIL, ASHWINI M. DARSHETKAR, MANDAR N. DATAR, and RITESH KUMAR CHOUDHARY. "Second-step lectotypification of the name Wormia mansonii, the basionym of Dillenia mansonii (Dilleniaceae)." Phytotaxa 432, no. 2 (February 10, 2020): 221–22. http://dx.doi.org/10.11646/phytotaxa.432.2.11.

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While revising the genus Dillenia Linnaeus (1753: 535) for Malaysia, Hoogland (1952) proposed the new combination, Dillenia mansonii (Gage 1906: 73) Hoogland (1952: 83) by transferring Wormia mansoni Gage (1906: 73) (Wormia mansonii). Gage (1906) in the protologue of W. mansonii cited the specimen examined as ‘In ripis fluminis Yunzalin, prope confluentum cum Salween, Tenasserim. Manson!’. Hoogland (1952) cited ‘Type specimen: Manson, banks of Yunzalin, Riv. above its junction with the Salween, Burma, May 1905; holotype in CAL’ under D. mansonii. During the study, we could trace out four such specimens housed at CAL (CAL0000004061, CAL0000004062, CAL0000004063 and CAL0000004064), three of which are annotated by Hoogland as ‘type’ (CAL0000004061, CAL0000004063, CAL0000004064) and the remaining one as ‘ISOTYPE’. However, in our opinion, these specimens are to be considered as syntypes following Art. 40, Note 1 (McNeill 2014, Turland et al. 2018). The citation of ‘Holotype’ by Hoogland has to be accepted as a correctable error under Art. 9.10 (Turland et al. 2018). There are more than one specimens at CAL of a single gathering and it cannot be ascertained which specimen Hoogland (1952) designated as the holotype. Hence, the holotype designated by Hoogland (1952) should be corrected to first-step lectotype (Art. 9.17: Turland et al. 2018). We have designated here a second-step lectotype following the Art. 9.17 (Turland et al. 2018).

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Renard, John. "Black Robe White Mist: The Art of the Japanese Buddhist Nun Rengetsu Eclectic Collecting: Art from Burma in the Denison Museum Holy Land Reborn: Pilgrimage and the Tibetan Reinvention of Buddhist India." Religion and the Arts 13, no. 4 (2009): 618–19. http://dx.doi.org/10.1163/107992609x12524941450442.

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Raymond, Catherine. "Notes on a Burmese Version of the Vessantara Jataka, as Represented on three Shwe Chi Doe in the NIU Burma Art Collection." Journal of Burma Studies 16, no. 1 (2012): 123–48. http://dx.doi.org/10.1353/jbs.2012.0001.

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Choi, Tina Young. "THE LATE-VICTORIAN HISTORIES OF INDIAN ART OBJECTS: POLITICS AND AESTHETICS IN JAIPUR'S ALBERT HALL MUSEUM." Victorian Literature and Culture 41, no. 2 (February 15, 2013): 199–217. http://dx.doi.org/10.1017/s1060150312000356.

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Recent guidebooks for the Westerner traveling to Northern India generally refer the prospective visitor to a common range of cities around Delhi – Agra, Jaipur, and Udaipur; within these, the Taj Mahal, Jaipur's Pink City and nearby Amber Fort, and Udaipur's glamorous lake palaces usually merit must-see status. Until its refurbishment a few years ago, the Albert Hall Museum, an elaborate structure with old-fashioned interiors and a location a kilometer south of Jaipur's city center, ranked as a second- or even third-tier tourist attraction; travel guides from recent years mention it with indifference, describing its collections as “dusty” and “fine, if carelessly exhibited” (Bindloss and Singh 170), or even suggesting that “a slow circular turn around the building in a car will suffice” (Frommers 520). Yet a century ago the Museum proudly occupied a primary place in British travel guides to India. It opened with ceremony and fanfare in 1887, and by 1898 almost three million Indian and over ten thousand European visitors had passed through its doors (Hendley, Report 9). A striking example of colonial architecture, constructed of white stone with numerous courtyards, covered walkways, and ornamented domes (Figure 1), it was regarded as perhaps the most noteworthy edifice within a noteworthy Indian city. Thomas Holbein Hendley, resident Surgeon-Major in Jaipur, chief curator for the 1883 Jaipur Exhibition, and the Albert Hall Museum's Secretary and tireless champion, recommended that travelers in Jaipur for a single day make two visits, both morning and evening, to the site, and that those with an additional day to spend in the city schedule a third visit. Murray's Handbook for Travellers in India, Burma and Ceylon concurred, describing it as “a beautiful museum – an Oriental South Kensington, suitably housed” (174), and just after the turn of the century, English journalist Sidney Low recalled that it was “the best museum, with one exception, in all India, a museum which, in the careful selection and the judicious arrangement of its contents, is a model of what such an institution ought to be” (114).

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16

Blackmore, Thaung. "Pagan: art and architecture of old Burma. By Paul Strachan. pp. x, 159, illus. in col. and bl. and wh. Arran, Scotland, Kiscadale Publications, 1989. £35.00." Journal of the Royal Asiatic Society 1, no. 1 (April 1991): 147–50. http://dx.doi.org/10.1017/s1356186300000389.

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Krasner, Stephen D. "State, Power, Anarchism." Perspectives on Politics 9, no. 1 (March 2011): 79–83. http://dx.doi.org/10.1017/s1537592710003312.

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The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia.By James C. Scott. New Haven: Yale University Press, 2009. 464p. $35.00.The book under discussion is James C. Scott's latest contribution to the study of agrarian politics, culture, and society, and to the ways that marginalized communities evade or resist projects of state authority. The book offers a synoptic history of Upland Southeast Asia, a 2.5 million–kilometer region of hill country spanning Vietnam, Cambodia, Laos, Thailand, Burma, and China. It offers a kind of “area study.” It also builds on Scott's earlier work on “hidden transcripts” of subaltern groups and on “seeing like a state.” The book raises many important theoretical questions about research methods and social inquiry, the relationship between political science and anthropology, the nature of states, and of modernity more generally. The book is also deeply relevant to problems of “state-building” and “failed states” in places like Afghanistan, Iraq, and Somalia. As Scott writes, “The huge literature on state-making, contemporary and historic, pays virtually no attention to its obverse: the history of deliberate and reactive statelessness. This is the history of those who got away, and state-making cannot be understood apart from it. This is also what makes it an anarchist history” (p. x).In this symposium, I have invited a number of prominent political and social scientists to comment on the book, its historical narrative, and its broader theoretical implications for thinking about power, state failure, state-building, and foreign policy. How does the book shed light on the limits of states and the modes of resistance to state authority? Are there limits, theoretical and normative, to this “anarchist” understanding of governance and the “art of being governed”?—Jeffrey C. Isaac, Editor

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Roberts, Neil. "State, Power, Anarchism." Perspectives on Politics 9, no. 1 (March 2011): 84–88. http://dx.doi.org/10.1017/s1537592710003324.

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The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia. By James C. Scott. New Haven: Yale University Press, 2009. 464p. $35.00.The book under discussion is James C. Scott's latest contribution to the study of agrarian politics, culture, and society, and to the ways that marginalized communities evade or resist projects of state authority. The book offers a synoptic history of Upland Southeast Asia, a 2.5 million–kilometer region of hill country spanning Vietnam, Cambodia, Laos, Thailand, Burma, and China. It offers a kind of “area study.” It also builds on Scott's earlier work on “hidden transcripts” of subaltern groups and on “seeing like a state.” The book raises many important theoretical questions about research methods and social inquiry, the relationship between political science and anthropology, the nature of states, and of modernity more generally. The book is also deeply relevant to problems of “state-building” and “failed states” in places like Afghanistan, Iraq, and Somalia. As Scott writes, “The huge literature on state-making, contemporary and historic, pays virtually no attention to its obverse: the history of deliberate and reactive statelessness. This is the history of those who got away, and state-making cannot be understood apart from it. This is also what makes it an anarchist history” (p. x).In this symposium, I have invited a number of prominent political and social scientists to comment on the book, its historical narrative, and its broader theoretical implications for thinking about power, state failure, state-building, and foreign policy. How does the book shed light on the limits of states and the modes of resistance to state authority? Are there limits, theoretical and normative, to this “anarchist” understanding of governance and the “art of being governed”?—Jeffrey C. Isaac, Editor

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Greenhouse, Carol J. "State, Power, Anarchism." Perspectives on Politics 9, no. 1 (March 2011): 88–92. http://dx.doi.org/10.1017/s1537592710003336.

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The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia. By James C. Scott. New Haven: Yale University Press, 2009. 464p. $35.00.The book under discussion is James C. Scott's latest contribution to the study of agrarian politics, culture, and society, and to the ways that marginalized communities evade or resist projects of state authority. The book offers a synoptic history of Upland Southeast Asia, a 2.5 million–kilometer region of hill country spanning Vietnam, Cambodia, Laos, Thailand, Burma, and China. It offers a kind of “area study.” It also builds on Scott's earlier work on “hidden transcripts” of subaltern groups and on “seeing like a state.” The book raises many important theoretical questions about research methods and social inquiry, the relationship between political science and anthropology, the nature of states, and of modernity more generally. The book is also deeply relevant to problems of “state-building” and “failed states” in places like Afghanistan, Iraq, and Somalia. As Scott writes, “The huge literature on state-making, contemporary and historic, pays virtually no attention to its obverse: the history of deliberate and reactive statelessness. This is the history of those who got away, and state-making cannot be understood apart from it. This is also what makes it an anarchist history” (p. x).In this symposium, I have invited a number of prominent political and social scientists to comment on the book, its historical narrative, and its broader theoretical implications for thinking about power, state failure, state-building, and foreign policy. How does the book shed light on the limits of states and the modes of resistance to state authority? Are there limits, theoretical and normative, to this “anarchist” understanding of governance and the “art of being governed”?—Jeffrey C. Isaac, Editor

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Manicas, Peter. "State, Power, Anarchism." Perspectives on Politics 9, no. 1 (March 2011): 92–98. http://dx.doi.org/10.1017/s1537592710003348.

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The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia. By James C. Scott. New Haven: Yale University Press, 2009. 464p. $35.00.The book under discussion is James C. Scott's latest contribution to the study of agrarian politics, culture, and society, and to the ways that marginalized communities evade or resist projects of state authority. The book offers a synoptic history of Upland Southeast Asia, a 2.5 million–kilometer region of hill country spanning Vietnam, Cambodia, Laos, Thailand, Burma, and China. It offers a kind of “area study.” It also builds on Scott's earlier work on “hidden transcripts” of subaltern groups and on “seeing like a state.” The book raises many important theoretical questions about research methods and social inquiry, the relationship between political science and anthropology, the nature of states, and of modernity more generally. The book is also deeply relevant to problems of “state-building” and “failed states” in places like Afghanistan, Iraq, and Somalia. As Scott writes, “The huge literature on state-making, contemporary and historic, pays virtually no attention to its obverse: the history of deliberate and reactive statelessness. This is the history of those who got away, and state-making cannot be understood apart from it. This is also what makes it an anarchist history” (p. x).In this symposium, I have invited a number of prominent political and social scientists to comment on the book, its historical narrative, and its broader theoretical implications for thinking about power, state failure, state-building, and foreign policy. How does the book shed light on the limits of states and the modes of resistance to state authority? Are there limits, theoretical and normative, to this “anarchist” understanding of governance and the “art of being governed”?—Jeffrey C. Isaac, Editor

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21

Clunan, Anne. "State, Power, Anarchism." Perspectives on Politics 9, no. 1 (March 2011): 99–102. http://dx.doi.org/10.1017/s153759271000335x.

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The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia. By James C. Scott. New Haven: Yale University Press, 2009. 464p. $35.00.The book under discussion is James C. Scott's latest contribution to the study of agrarian politics, culture, and society, and to the ways that marginalized communities evade or resist projects of state authority. The book offers a synoptic history of Upland Southeast Asia, a 2.5 million–kilometer region of hill country spanning Vietnam, Cambodia, Laos, Thailand, Burma, and China. It offers a kind of “area study.” It also builds on Scott's earlier work on “hidden transcripts” of subaltern groups and on “seeing like a state.” The book raises many important theoretical questions about research methods and social inquiry, the relationship between political science and anthropology, the nature of states, and of modernity more generally. The book is also deeply relevant to problems of “state-building” and “failed states” in places like Afghanistan, Iraq, and Somalia. As Scott writes, “The huge literature on state-making, contemporary and historic, pays virtually no attention to its obverse: the history of deliberate and reactive statelessness. This is the history of those who got away, and state-making cannot be understood apart from it. This is also what makes it an anarchist history” (p. x).In this symposium, I have invited a number of prominent political and social scientists to comment on the book, its historical narrative, and its broader theoretical implications for thinking about power, state failure, state-building, and foreign policy. How does the book shed light on the limits of states and the modes of resistance to state authority? Are there limits, theoretical and normative, to this “anarchist” understanding of governance and the “art of being governed”?—Jeffrey C. Isaac, Editor

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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 163, no. 1 (2008): 134–220. http://dx.doi.org/10.1163/22134379-90003683.

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Michele Stephen; Desire, divine and demonic; Balinese mysticism in the paintings of I Ketut Budiana and I Gusti Nyoman Mirdiana (Andrea Acri) John Lynch (ed.); Issues in Austronesian historical phonology (Alexander Adelaar) Alfred W. McCoy; The politics of heroin; CIA complicity in the global drug trade (Greg Bankoff) Anthony Reid; An Indonesian frontier; Acehnese and other histories of Sumatra (Timothy P. Barnard) John G. Butcher; The closing of the frontier; A history of the maritime fisheries of Southeast Asia c. 1850-2000 (Peter Boomgaard) Francis Loh Kok Wah, Joakim Öjendal (eds); Southeast Asian responses to globalization; Restructuring governance and deepening democracy (Alexander Claver) I Wayan Arka; Balinese morpho-syntax: a lexical-functional approach (Adrian Clynes) Zaharani Ahmad; The phonology-morphology interface in Malay; An optimality theoretic account (Abigail C. Cohn) Michael C. Ewing; Grammar and inference in conversation; Identifying clause structure in spoken Javanese (Aone van Engelenhoven) Helen Creese; Women of the kakawin world; Marriage and sexuality in the Indic courts of Java and Bali (Amrit Gomperts) Ming Govaars; Dutch colonial education; The Chinese experience in Indonesia, 1900-1942 (Kees Groeneboer) Ernst van Veen, Leonard Blussé (eds); Rivalry and conflict; European traders and Asian trading networks in the 16th and 17th centuries (Hans Hägerdal) Holger Jebens; Pathways to heaven; Contesting mainline and fundamentalist Christianity in Papua New Guinea (Menno Hekker) Ota Atsushi; Changes of regime and social dynamics in West Java; Society, state and the outer world of Banten, 1750-1830 (Mason C. Hoadley) Richard McMillan; The British occupation of Indonesia 1945-1946; Britain, the Netherlands and the Indonesian Revolution (Russell Jones) H.Th. Bussemaker; Bersiap! Opstand in het paradijs; De Bersiapperiode op Java en Sumatra 1945-1946 (Russell Jones) Michael Heppell; Limbang anak Melaka and Enyan anak Usen, Iban art; Sexual selection and severed heads: weaving, sculpture, tattooing and other arts of the Iban of Borneo (Viktor T. King) John Roosa; Pretext for mass murder; The September 30th Movement and Suharto’s coup d’état in Indonesia (Gerry van Klinken) Vladimir Braginsky; The heritage of traditional Malay literature; A historical survey of genres, writings and literary views (Dick van der Meij) Joel Robbins, Holly Wardlow (eds); The making of global and local modernities in Melanesia; Humiliation, transformation and the nature of cultural change (Toon van Meijl) Kwee Hui Kian; The political economy of Java’s northeast coast c. 1740-1800; Elite synergy (Luc Nagtegaal) Charles A. Coppel (ed.); Violent conflicts in Indonesia; Analysis, representation, resolution (Gerben Nooteboom) Tom Therik; Wehali: the female land; Traditions of a Timorese ritual centre (Dianne van Oosterhout) Patricio N. Abinales, Donna J. Amoroso; State and society in the Philippines (Portia L. Reyes) Han ten Brummelhuis; King of the waters; Homan van der Heide and the origin of modern irrigation in Siam (Jeroen Rikkerink) Hotze Lont; Juggling money; Financial self-help organizations and social security in Yogyakarta (Dirk Steinwand) Henk Maier; We are playing relatives; A survey of Malay writing (Maya Sutedja-Liem) Hjorleifur Jonsson; Mien relations; Mountain people and state control in Thailand (Nicholas Tapp) Lee Hock Guan (ed.); Civil society in Southeast Asia (Bryan S. Turner) Jan Mrázek; Phenomenology of a puppet theatre; Contemplations on the art of Javanese wayang kulit (Sarah Weiss) Janet Steele; Wars within; The story of Tempo, an independent magazine in Soeharto’s Indonesia (Robert Wessing) REVIEW ESSAY Sean Turnell; Burma today Kyaw Yin Hlaing, Robert Taylor, Tin Maung Maung Than (eds); Myanmar; Beyond politics to societal imperatives Monique Skidmore (ed.); Burma at the turn of the 21st century Mya Than; Myanmar in ASEAN In: Bijdragen tot de Taal-, Land- en Volkenkunde no. 163 (2007) no: 1, Leiden

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Green, Alexandra. "Visions from the Golden Land: Burma and the Art of Lacquer. By Ralph Isaacs and T. Richard Blurton. pp. 240, 185 [cat.] plates, maps [pp. 12–13]. London, British Museum Press, 2000." Journal of the Royal Asiatic Society of Great Britain & Ireland 11, no. 2 (July 2001): 320–23. http://dx.doi.org/10.1017/s1356186301540262.

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Shoda, Hirofumi, Shuji Sumitomo, Keishi Fujio, and Kazuhiko Yamamoto. "Synovial Bursa Protruding Through the Triceps Brachii Muscle." Arthritis & Rheumatology 66, no. 4 (March 28, 2014): 1060. http://dx.doi.org/10.1002/art.38330.

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Abbasi, Nadia. "Depiction of Shuttlecock Burqa in Pakistani contemporary Art." Volume-04 Issue-1 04, no. 01 (June 30, 2020): 141–63. http://dx.doi.org/10.36968/jpdc-v04-i01-08.

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The main objective of this dissertation is to explore and study the core features of controversy that surrounds Shuttlecock Burqa in Pakistani contemporary art. This paper is divided into two portions including the conclusion. The first part traces the historical view as veil (parda) and its origin. The second and final section presents a discussion on Pakistani controversial (especially) contemporary art, with emphasis on the paintings which are based on the subject of shuttlecock burqa. To explore whether the status of shuttlecock burqa is controversial or not? The researcher conducted a survey and presented quantified information / data. The findings and analysis of the survey, provides answers about how our public in the post 9/11 scene, perceives the issues that builds up controversy around shuttlecock burqa. Conclusion of the research is based on analysis of survey findings and portrayal of shuttlecock burqa in Pakistani contemporary art.

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Crawley, William. "Britain in Burma: The last act." Asian Affairs 16, no. 3 (October 1985): 308–12. http://dx.doi.org/10.1080/03068378508730199.

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Szempruch, Matylda. "Twórczość feministyczna a kobieca podmiotowość: ujęcie monstrualne." Przegląd Humanistyczny, no. 64/4 (April 20, 2021): 73–83. http://dx.doi.org/10.31338/2657-599x.ph.2020-4.5.

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The article shows the relationship between philosophical thought and feminist art in terms of searching for subjectivity in women’s creations. This is a review of the theories proposed by Luce Irigaray, Hélène Cixous, Julia Kristeva, and by Judith Butler, Donna Haraway, and Rosi Braidotti, which, as this article proves, manifest themselves in the art that defines itself as feminist. Monstrosity is an important prospect here. The author presents écriture féminine and women’s literature, namely Charlotte Roche’s Wet Places and Izabela Filipiak’s Total Amnesia. Moreover, visual arts by Cindy Sherman, Chili Kumari Burman, Jo Spece, as well as a performance by Carolee Schneemann and ORLAN are discussed.

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Suen, Wong Hong. "Picturing Burma: Felice Beato's Photographs of Burma 1886–1905." History of Photography 32, no. 1 (January 9, 2008): 1–26. http://dx.doi.org/10.1080/03087290701723139.

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Tamaki, Hiromichi, Mitsumasa Kishimoto, and Masato Okada. "Clinical Images: Iliopsoas bursa rupture mimicking psoas muscle abscess." Arthritis & Rheumatism 62, no. 6 (March 26, 2010): 1769. http://dx.doi.org/10.1002/art.27472.

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Jarvie, Ian. "The Burma Campaign on Film: ‘Objective Burma’ (1945), ‘The Stilwell Road’ (1945) and ‘Burma Victory’ (1945)." Historical Journal of Film, Radio and Television 8, no. 1 (January 1988): 55–73. http://dx.doi.org/10.1080/01439688800260031.

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Canoso, J. J., N. Liu, M. R. Traill, and V. M. Runge. "Physiology of the retrocalcaneal bursa." Annals of the Rheumatic Diseases 47, no. 11 (November 1, 1988): 910–12. http://dx.doi.org/10.1136/ard.47.11.910.

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Fontein, Jan, Damrong Rajanubhab, and Kennon Breazeale. "Journey through Burma in 1936." Artibus Asiae 53, no. 3/4 (1993): 493. http://dx.doi.org/10.2307/3250529.

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Shannon, Richard. "Excerpt fromThe Lady of Burma." Women & Performance: a journal of feminist theory 20, no. 2 (July 2010): 141–48. http://dx.doi.org/10.1080/0740770x.2010.492169.

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Brocq, Olivier, Liana Euller-Ziegler, Emmanuel Petit, and Gérard Ziegler. "First reported case of infection of the suprapatellar bursa of the knee due to Streptococcus pneumoniae." Arthritis & Rheumatism 33, no. 7 (July 1990): 1063–64. http://dx.doi.org/10.1002/art.1780330728.

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Cohen, Roberta. "The Burma Cyclone and the Responsibility to Protect." Global Responsibility to Protect 1, no. 2 (2009): 253–57. http://dx.doi.org/10.1163/187598409x424324.

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AbstractInternational consensus has developed that R2P should not have been applied to Burma when it denied access to the victims of Cyclone Nargis. The author argues that Burma could well have been an R2P case under whose umbrella political and humanitarian action could have been mobilized. Needed are effective criteria for deciding in which situations the Security Council should act and performance standards for measuring government responses to natural disasters so that populations can be better protected.

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Araujo, Arturo. "Book Review: Andrea Pozzo and Video Art. By Felix Burda-Stengel." Theological Studies 76, no. 1 (March 2015): 228. http://dx.doi.org/10.1177/0040563914565315y.

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Selth, Andrew. "Burma, Hollywood and the politics of entertainment." Continuum 23, no. 3 (June 2009): 321–34. http://dx.doi.org/10.1080/10304310902842983.

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Lindell, Kristina, Gerry Abbot, and Min Thant Han. "The Folk-Tales of Burma: An Introduction." Asian Folklore Studies 60, no. 1 (2001): 179. http://dx.doi.org/10.2307/1178716.

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Feingold, David A. "The Burmese traffic-jam explored: Changing dynamics and ambiguous reforms." Cultural Dynamics 25, no. 2 (July 2013): 207–27. http://dx.doi.org/10.1177/0921374013498137.

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Burma/Myanmar has been the epicenter of human trafficking and unsafe migration in mainland Southeast Asia. While “root causes” of trafficking are always complex, clearly, counter-productive agricultural and tax policies, political repression, military actions, and widespread human rights violations are heavily implicated in the underlying political ecology of trafficking/unsafe migration. Burma has been the embodiment of an “ethnocratic state,” in that the majority ethnic group in the country seeks to both dominate and exclude minorities. One result is that ethnic minorities have been disproportionately represented among irregular migrants and those most at risk of trafficking. Today, reforms are taking place in Burma. An eager international community embraces an optimism that may be the triumph of hope over experience. Yet Aung San Suu Kyi has warned of the dangers of “reckless optimism.” This paper examines the dynamics of trafficking in Burma and the possible implications of the current reform process.

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WINFIELD, JORDAN CARLYLE. "Buddhism and Insurrection in Burma, 1886–1890." Journal of the Royal Asiatic Society 20, no. 3 (June 4, 2010): 345–67. http://dx.doi.org/10.1017/s1356186310000076.

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AbstractThis article examines the significance of Buddhism in the insurgency that followed the annexation of the kingdom of Burma in 1886, demonstrating that Buddhism was a critically important part of the Burmese polity and identity. Moreover, it indicates that opposition to the British after the full colonisation of Burma was not only instantaneous, but also fuelled primarily by Buddhist sentiment. This challenges the prevailing notion that anti-colonialism in Burma – Buddhist-inspired or otherwise – was a twentieth century phenomenon. Beginning with the pre-colonial era, the article explores the intimate connection between Buddhism, the Burmese polity and the national psyche. The critical importance of the Buddhist king is emphasised in particular. When the kingdom of Burma was annexed in 1886, opposition to the British manifested itself instantaneously in the form of rebellions and insurgency. This period, sometimes referred to as the “pacification”, has been often ignored in studies. The article, using British colonial documents, shows clearly the importance of Buddhist sentiment in these uprisings as a response to the abolition of Burma's last Buddhist king. Buddhist themes present in translated rebel proclamations, as well as the widespread participation of Buddhist monks corroborate this.

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Byun, Seung Deuk, Yong Ho Hong, Sung Kyung Hong, Jin Won Song, Seung Beom Woo, Jae Hyun Noh, Jong Min Kim, and Zee Ihn Lee. "Effects of Repeated Steroid Injection at Subacromial Bursa With Different Interval." Annals of Rehabilitation Medicine 38, no. 6 (2014): 805. http://dx.doi.org/10.5535/arm.2014.38.6.805.

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Pegg, Scott. "Sanctions Beyond Borders: Multinational Corporations and U.S. Economic Statecraft. By Kenneth A. Rodman. Lanham, MD: Rowman & Littlefield Publishers, Inc., 2001. 288p. $75.00 cloth, $26.95 paper." American Political Science Review 96, no. 4 (December 2002): 891–92. http://dx.doi.org/10.1017/s0003055402360477.

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The 1990s saw a resurgence in demand for economic sanctions. The United States imposed extraterritorial sanctions on Cuba through the Helms-Burton Law and on Iran and Libya through the Iran-Libya Sanctions Act. Environmental and human rights activists also sought, albeit with limited success, to impose sanctions against the military regimes in Burma and Nigeria.

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Gerould, Daniel C. "Andrzej Bursa: An Introduction." PAJ: A Journal of Performance and Art 27, no. 2 (May 2005): 99–105. http://dx.doi.org/10.1162/1520281053850901.

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Choi, Won Duck, Dong Hyun Cho, Yong Ho Hong, Jae Hyun Noh, Zee Ihn Lee, and Seung Deuk Byun. "Effects of Subacromial Bursa Injection With Corticosteroid and Hyaluronidase According to Dosage." Annals of Rehabilitation Medicine 37, no. 5 (2013): 668. http://dx.doi.org/10.5535/arm.2013.37.5.668.

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Balint, P. V. "Inflamed retrocalcaneal bursa and Achilles tendonitis in psoriatic arthritis demonstrated by ultrasonography." Annals of the Rheumatic Diseases 59, no. 12 (December 1, 2000): 931–34. http://dx.doi.org/10.1136/ard.59.12.931.

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Grabowsky, Volker. "Gravers, Mikael (ed.): Exploring Ethnic Diversity in Burma." Anthropos 103, no. 2 (2008): 594–96. http://dx.doi.org/10.5771/0257-9774-2008-2-594.

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Tannenbaum, Nicola, and Monique Skidmore. "Karaoke Fascism: Burma and the Politics of Fear." Anthropologica 48, no. 2 (2006): 288. http://dx.doi.org/10.2307/25605321.

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Ebert, Karen H. "Grammatical marking of speech act participants in Tibeto-Burman." Journal of Pragmatics 11, no. 4 (August 1987): 473–82. http://dx.doi.org/10.1016/0378-2166(87)90090-7.

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Gavin Douglas. "Mahagitá Harp and Vocal Music of Burma, and: Nai Htaw Paing Ensemble: Mon Music of Burma, and: Princess Nicotine: Folk and Pop Music of Myanmar (Burma) (review)." Journal of American Folklore 123, no. 487 (2009): 113–16. http://dx.doi.org/10.1353/jaf.0.0115.

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Byun, Seung Deuk, Dong Hwi Park, Won Duck Choi, and Zee Ihn Lee. "Subacromial Bursa Injection of Hyaluronate with Steroid in Patients with Peri-articular Shoulder Disorders." Annals of Rehabilitation Medicine 35, no. 5 (2011): 664. http://dx.doi.org/10.5535/arm.2011.35.5.664.

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Journal articles on the topic 'Burma in art'

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