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1

The library of Robert Burton. Oxford: Oxford Bibliographical Society, 1988.

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2

Kiessling, Nicolas K. The legacy of Democritus Junior, Robert Burton: An exhibition to commemorate the 350th anniversary of the death of Robert Burton (1577-1640). Oxford: Bodleian Library, 1990.

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3

C, Allen Barbara, ed. Taking with the left hand: Enneagram craze, people of the bookmark, & the Mouravieff 'phenomenon'. Fairfax, Calif: Arete Communications, 1998.

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4

1874-1948, Jackson Holbrook, ed. The anatomy of melancholy. New York: New York Review of Books, 2001.

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5

Burton, Robert. The anatomy of melancholy. Oxford [England]: Clarendon Press, 1989.

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6

Burton, Robert. Anatomía de la melancolía. Madrid: Alianza Editorial, 2006.

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7

Breitenberg, Mark. Anxious masculinity in early modern England. Cambridge [England]: Cambridge University Press, 1996.

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8

Generating texts: The progeny of seventeenth-century prose. Charlottesville: University Press of Virginia, 1996.

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9

Lund, Mary Ann. Melancholy, Medicine and Religion in Early Modern England: Reading 'The Anatomy Of Melancholy'. Cambridge University Press, 2013.

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10

Robert Burton and the Powers and Pleasures of the Early Modern Imagina. Taylor & Francis Group, 2016.

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11

Patterson, William Patrick, and Barbara C. Allen. Taking With the Left Hand: Enneagram Craze, People of the Bookmark, & The Mouravieff "Phenomenon". Arete Communications, 1998.

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12

Whitehead, James. ‘A Precarious Gift’. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.003.0001.

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This chapter (along with those following) concerns reception, broadly conceived, beginning with the Romantic reception of classical and early modern commonplaces about poetic madness. The chapter examines the status of earlier topoi such as the furor poeticus and the vesanus poeta in the Romantic period, by looking at the way in which these topoi were handled or discussed in the period. Subjects include Plato’s dialogue Ion, via Coleridge’s notebooks and Shelley’s Platonic translations, the Aristotelian Problems, Byron’s translation of Horace’s Ars Poetica, and figurations of Renaissance melancholy in Ficino, Robert Burton, and Shakespeare, especially Hamlet, as they were discussed by Romantic writers, especially Coleridge in his influential lectures on the play.
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13

Burton, Robert. The anatomy of melancholy,. Cornell University Library, 2009.

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14

Burton, Robert. The Anatomy of Melancholy. Ams Pr Inc, 1993.

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15

Burton, Robert. The Anatomy of Melancholy,. University of Michigan Library, 2009.

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16

Burton, Robert. The Anatomy of Melancholy. Fyfield Books, 2004.

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