Academic literature on the topic 'Bushido. Samurai'

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Journal articles on the topic "Bushido. Samurai"

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Sudarsih, Sri. "NILAI PATRIOTIK DALAM AJARAN BUSHIDO DI JEPANG." KIRYOKU 2, no. 4 (December 4, 2018): 38. http://dx.doi.org/10.14710/kiryoku.v2i4.38-42.

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Bushido as a moral teaching contains the principles of virtue to form the soul of a knight. A typical Japanese knight is a Samurai. The moral teaching is inherited verbally from generation to generation until now. Japanese people practice these teachings seriously into everyday life. They live every principle with full sincerity, honesty, and wholeheartedly to form a patriotic soul. The principles of teaching are formulated in writing into seven principles that are inseparable from one another. Because every principle underlies and animates other principles. A Samurai cannot abandon one principle of teaching because if he abandons one principle the quality of a samurai will disappear so that he does not have a patriotic soul. Therefore, Bushido is able to form a patriot who is always superior.
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Rodríguez Navarro, María Teresa, and Allison Beeby. "Self-Censorship and Censorship in Nitobe Inazo, Bushido: The Soul of Japan, and Four Translations of the Work." TTR 23, no. 2 (May 16, 2012): 53–88. http://dx.doi.org/10.7202/1009160ar.

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This paper looks at self-censorship and censorship in Bushido: The Soul of Japan (1900) by Nitobe, Inazo (1862-1933) as well as in four different translations of the book. In Bushido, probably the best known of Nitobe’s books, the renowned Japanese writer and diplomat tried to act as an inter-cultural mediator between East and West and export the concepts and values of Bushido (the path of the samurai). Nitobe was descended from one of the great samurai families, but he converted to Christianity, married an American Quaker from Philadelphia and studied widely in the US and in Europe. Bushido was a valiant attempt to “translate” the ethical code of the samurais for the West, but perhaps in so doing Nitobe idealized the samurai caste by domesticating their values and teaching in order to bring them closer to Christian values and teaching. The main purpose of his book was to make Japanese culture acceptable to and valued by the West and in particular Philadelphia at the beginning of the 20th century, but he also had to assure the approval of the imperial authorities. The original text was written in English, which was not Nitobe’s mother tongue, and it can be studied as a self-translation that involves self-censorship. Writing in a foreign language obliges one to “filter” one’s own emotions and modes of expression. To a certain extent, it also limits one’s capacity for self-expression. Alternatively, it allows the writer to express more empathy for the “other culture.” Furthermore, one is much more conscious of what one wants to say, or what one wishes to avoid saying, in order to make the work more acceptable for intended readers. The four translations are the Spanish translation by Gonzalo Jiménez de la Espada (1909), the French translation by Charles Jacob (1927), the Japanese translation by Yanaihara Tadao (1938) and the Spanish translation by General José Millán-Astray (1941). A descriptive, diachronic study of the translation of selected cultural references shows the four translations to be good examples of the way translations vary over time. They also illustrate the relationship between context, pretext and text (Widowson, 2004) and the visibility or invisibility of the translator (Venuti, 1995). We have also found it useful to draw on skopos theory, as well as some aspects of the Manipulation School, in particular ideology, censorship and the emphasis on translation between distant languages and cultures. The analysis of the four translations shows that censorship of cultural references is evident during periods of conflict (such as the Japanese translation of 1938 and the Spanish translation of 1941). We hope to show that the context/pretext of the translator led to such manipulative or censorial translation decisions that Nitobe’s skopos was lost in at least one of the translations.
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HORVAT, Andrew. "Bushidō and the Legacy of “Samurai Values” in Contemporary Japan." Asian Studies 6, no. 2 (June 29, 2018): 189–208. http://dx.doi.org/10.4312/as.2018.6.2.189-208.

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Though difficult to define as a clear set of moral precepts, aspects of so-called “samurai values”, the combination of orally-transmitted Confucian and Buddhist lore to which Nitobe Inazō refers in his Bushido, can clearly be discerned in Japanese society today. As evidence for the influence of “samurai values”, I have provided examples from two fields with which I am personally familiar: journalism and education. Although in recent years several academic works have exposed historical anomalies in widely-held beliefs about actual samurai behaviour, I argue that the effectiveness of ideologies does not depend on historical accuracy. For example, justification for the right of newspapers to criticise governments in Japan does not stem from inalienable rights originating with European Enlightenment philosophers. Instead, it is linked to the view that the former samurai who in the 1870s became Japan’s first news reporters could be trusted intermediaries between the government and the people, because as samurai they possessed higher standards of morality. That expectations of superior moral conduct continue to justify in the eyes of the general public the right of newspapers to speak truth to power can be seen by mass cancellations of subscriptions of newspapers whose staff betray these expectations through involvement in scandal. Likewise, the emphasis on “character building” (jinkaku keisei) in Japanese higher education is another link to perceived “samurai values.” Some of Japan’s leading private universities were founded in the late nineteenth century by former samurai. As in the case of journalism, the maintenance of superior moral conduct helps strengthen the claim to legitimacy of educational institutions in Japan. Finally, I will present a picture of Nitobe as an example of a former samurai who long after his passing continues to be revered for having adhered to the “samurai values” he both defined and embraced.
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Watahiki, Nobumichi, Yoshikazu Matsui, Violeta Mihaela Dinca, and Waniek Iulia. "The Application of the Bushido – Samurai Code Principles within Romanian Companies." www.amfiteatrueconomic.ro 22, no. 53 (February 2020): 152. http://dx.doi.org/10.24818/ea/2020/53/152.

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Patterson, William R. "El papel del Bushido en el auge del nacionalismo japonés previo a la Segunda Guerra Mundial." Revista de Artes Marciales Asiáticas 3, no. 4 (July 19, 2012): 8. http://dx.doi.org/10.18002/rama.v3i4.386.

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<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 6pt;"><span style="mso-ansi-language: EN-US;" lang="EN-US"><span style="font-size: small;"><span style="font-family: Calibri;">Though some attention has been given to the role that Bushido (the ethical system of the samurai) may have played in the development of nationalism in post-Meiji Japan, the martial arts themselves have largely been absolved of any complicity. I argue in this article that the martial arts did in fact play a role in the rise of Japanese nationalism and therefore share some of the blame for the events that took place leading up to and during the Second World War. The article demonstrates how the martial arts were used to popularize the precepts of Bushido and how these precepts in turn lead to the growth of expansionist nationalism. It also shows how the martial arts were used in the educational system and the military to inculcate the Bushido notions of honor and loyalty in the general public.</span></span></span></p>
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Alyatalatthaf, Muhammad Dicka Ma'arief. "Seppuku dan Nilai-Nilai Bushido dalam Film “Letters from Iwo Jima”." Jurnal ILMU KOMUNIKASI 16, no. 2 (December 2, 2019): 143. http://dx.doi.org/10.24002/jik.v16i2.1500.

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AbstrakPenelitian ini bertujuan untuk mengetahui pemaknaan terhadap budaya seppuku yang terdapat dalam film Letters from Iwo Jima. Film ini mengangkat cerita tentang tentang perjuangan prajurit Jepang pada saat Perang Dunia II. Ketika menghadapi kekalahan, para prajurit Jepang yang ingin tetap mempertahankan harga diri dan kehormatannya memilih jalan seppuku. Penelitian ini menggunakan metode analisis Semiotika Charles Sanders Peirce, yang tandanya terbagi atas icon, index, dan symbol, serta didukung dengan literatur teori komunikasi massa dan literatur kode etik samurai. Hasil penelitian ini menunjukkan bahwa motif seppuku yang dilakukan oleh beberapa karakter di film ini berpedoman pada nilai-nilai bushido.
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Piwowarski, Juliusz, and Krzysztof Jankowiak. "Selected Cultural and Historical Aspects of the Development of the Samurai Ethos with Several Comments on Martial Arts Typology." Security Dimensions 26, no. 26 (June 29, 2018): 30–60. http://dx.doi.org/10.5604/01.3001.0012.7240.

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Modern budo master Fumon Tanaka demonstrates that the spirit of the old samurai Bushido code has survived to this day. Martial arts have become part of culture, and they are perceived with the reverence befitting science. He also reminds us that the beauty of being a warrior lies in the constant readiness to make the greatest of sacrifices. In common parlance, however, there is no difference between how martial arts are taught to students, how combat sports are taught to athletes and how police officers and soldiers are taught close quarters combat, as well as there being no difference in results between these types of training.
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Trikoz, Elena N. "MILITARY-ESTATE CODES IN MEDIEVAL JAPAN: ERA OF THE FIRST SHOGUNATES." RUDN Journal of Law 24, no. 4 (December 15, 2020): 965–84. http://dx.doi.org/10.22363/2313-2337-2020-24-4-965-984.

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The phenomenon of clan-regional rulemaking during the military-oligarchic regime in medieval Japan is studied for the first time. The purpose of the study was a comparative analysis of the texts of the largest princely codes of daimyo and military houses, as well as the norms of the Bushido code . The analysis was carried out on the basis of historical-genetic and synchronous-logical methods using Japanese primary sources with a survey translation, as well as scientific and abstract materials of Japanese, English and Russian medieval studies. Among the results achieved, a typology and hierarchy of sources of traditional law of the Shogun period are identified. The evolution of the system of law sources from the Kamakura shogunate to the Miromati dynasty is traced. One of the most striking monuments of Kamakur law is examined (the military-estate code Goseibai Sikimoku, 1232). Its sources, structure, technic mode and criminal provisions are studied. The analysis of the Bushido code showed that this quasi-legal regulator of the samurai behavior was an eclectic code of norms and rules for the bushi warriors with their ideals of loyalty and patriotism. The main transition to a new stage in the legal history of Japan after the Kammu сode, 1336 and during the period of Warring Provinces was established. It was distinguished by an increase in the number and significance of local law monuments - princely and clan codes, city statutes and charters of merchants' houses. From this list, the author singled out and compared in juridical techniques the ten large bunkokuho codes published by the largest princes- daimyo in order to systematize local laws and streamline the administrative-judicial system.
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Nunes, Gabriel Pinto. "Uma sucinta exposição da noção de honra no Bushidô de Nitobe." Estudos Japoneses, no. 33 (November 25, 2013): 22–34. http://dx.doi.org/10.11606/issn.2447-7125.v0i33p22-34.

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The honor understood as a virtue or as axiological invariant is a term that comes human civilization since ages pristine and has an important role in the formation of the modern subject itself. Their existence raises the question of archetypes to explain how a term can be universalized among men in different times and in different historical contexts and with a strong connotation in the act of the subject. In this small article we will expose a possible reading about this term inside the modern ethic Japanese focused in the work Bushido – The Soul of Japan (1900) of Nitobe Inazo (1868-1933), which presents a reinterpretation of the samurai code of conduct aimed at disseminating modern Nipponese values to the international community of the twentieth century.
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BROWN, R. H. "Yasuoka Masahiro's 'New Discourse on Bushido Philosophy': Cultivating Samurai Spirit and Men of Character for Imperial Japan." Social Science Japan Journal 16, no. 1 (December 8, 2012): 107–29. http://dx.doi.org/10.1093/ssjj/jys021.

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Dissertations / Theses on the topic "Bushido. Samurai"

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Tong, Shuk Ying. "Samurai culture twisted : bushido, shinto and war crimes." HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/666.

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Wada, Masanori. "Engineering Education and the Spirit of Samurai at the Imperial College of Engineering in Tokyo, 1871-1886." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/30781.

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The Meiji Restoration was the revolution that overthrew the feudal regime of the Tokugawa period in late nineteenth-century Japan. It was also the time of the opening of the country to the rest of the world, and Japan had to confront with Western powers. The Meiji government boldly accepted the new technologies from the West, and succeeded in swiftly industrializing the nation. However, this same government had been aggressive exclusionists and ultra-nationalists before the Restoration.

In light of this fact, I investigate how national identity is linked to engineering education in Japan. My focus is on the Imperial College of Engineering (ICE), or Kobu-daigakko, in Tokyo during the late nineteenth century. The ICE was at the forefront of Westernization in the Meiji government. I specifically examine Yozo Yamao and Hirobumi Ito, who studied in Britain and were the co-founders of the college; Henry Dyer, the first principal; and the students of the ICE.

As a result of the investigation, I conclude that the spirit of samurai (former warriors) was the ethos for Westernization at the ICE. They followed ethical code for the samurai, the essence of which was lordly pride as a ruling class. They upheld their ethical standard after the Meiji Restoration. Their spirit of rivalry and loyalty urged Yamao, Ito, and the students to emulate Western technology for ensuring the independence of Japan. The course of the ICE's development reveals that non-engineering motivations shared a mutual relationship with the engineering education of those at the ICE.


Master of Science
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Calisti, Sara. "Bushidō. Breve analisi della "via del guerriero" tra cultura popolare e realtà storica." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16421/.

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Il presente elaborato mira ad analizzare in maniera concisa e oggettiva il bushidō, noto nella cultura popolare come il codice etico e di condotta degli antichi samurai. Esso è stato oggetto di dibattito e di ricerca sia a livello nazionale che internazionale sin dalla fine dell'Ottocento, e costituisce tuttora un aspetto molto controverso della storia e della cultura giapponese. Se ne ripercorreranno le origini storiche, i fattori che hanno influenzato il pensiero dei suoi teorici, le virtù e le idee fondamentali che ne sono alla base attraverso un confronto tra l'interpretazione popolare del bushidō e un'alternativa proposta da studi recenti.
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Ernestrand, Henrik. "Vi som inte fruktar döden : skildringen av samurajklassens hederskodex under Meijikejsarens styre i Den siste samurajen." Thesis, Högskolan Kristianstad, Sektionen för Lärarutbildning, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-8539.

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This essay deals with the political upheavals which occurred in Japan with the Meiji Restoration of 1868 and its impact on the Samurai Class. This transitional period in Japanese history is portrayed in the film The Last Samurai from 2003, and it's the comparison between this Hollywood production and the current research on the subject on which this essay focuses. Two key figures who are portrayed in the film are Nathan Algren (Tom Cruise), an American soldier from the Indian Wars of the 1860/70s who travels to Japan to quell the Samurai rebellion but ends up in captivity; only to learn their codex of honor and way of life and eventually become a Samurai himself. The other character calls himself Katsumoto (Ken Watanabe) and becomes the representative of the Samurai's struggle for their existence. Their friendship and cultural exchanges will remain a cornerstone throughout the film. Katsumoto has his historical counterpart in Saigō Takamori – also known as The Last Samurai during the times of the Meiji Restoration and its aftermath. Closely intertwined with the Samurai come ideals in which the warrior must follow specific precepts and behavior patterns both on the battlefield and in civilian life. Bushidō (“the way of the warrior”) and the ritual suicide that is seppuku (“stomach-cutting”) therefore play a significant role in the film and become a symbol of the clash between the old values of the Samurai and the inevitable process of modernization according to Western standards. The film explores both the theoretical and practical dimension of bushidō and is a tribute to the Samurai; their ideals, living and learning philosophy and to their codex of honor. It also depicts the unexpected and forbidden friendship between a Samurai and a soldier with their separate Western and Eastern values – which ultimately results in their common defeat before the new age in Japan.
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Calais, Linus. "Livsidealet i förändring : En komparativ litteraturstudie kring utvecklingsprocessen och definitionen av begreppet bushidō." Thesis, Högskolan för lärande och kommunikation, Jönköping University, HLK, Ämnesforskning, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-49487.

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The samurai has been viewed as the Oriental equivalent of the feudalistic knights of Europe ever since the Europeans of old first landed on the shores of Japan in the 16th century. This comparison was not only because of their positions as the military class of their respective societies, but also because of the similarities in ethics and morality causing them to personify the concept of chivalry. The code of moral principles, based on the influences of Confucianism, Buddhism, and Shintoism, which the samurai was either instructed or required to observe, is called Bushidō or the Way of the Samurai. By the application of the theory of conceptual history, the study analysed the three works The Book of Five Rings by Miyamoto Musashi, Hagakure – The Way of the Samurai by Yamamoto Tsunetomo, and Bushido – The Soul of Japan by Inazo Nitobe. The purpose of the essay was to analyse and discuss how bushidō has been defined and explained by the three sources written in different time periods and how these three authors differ in their definitions of bushidō. Furthermore, the definitions were contextualized based on the societal changes of Japan between the time of writing the sources. The results showed how the authors focus on different aspects of what is included in bushidō and how the samurai was supposed to act for the benefit of society. Musashi added more focus on the way the samurai was supposed to excel on the battlefield. Tsunetomo, however, wrote his work while peace in Japan had established itself and thus focused on how the samurai was supposed to behave outside of the battlefield. Nitobe’s definition of bushidō also showed implications of a change in society based on how he chose to explain the concept of what bushidō was, and how it had evolved without the knights who had fostered it. Lastly, the study was discussed within an educational context. The samurai have seen a rise in popular history through games, film, advertisements, and more, and thus the curiosity of students, not only in Oriental culture, but Japanese culture in particular has been acknowledged. Therefore, teachers need further development of their own knowledge within the field of Oriental culture, which this study hopefully succeeds in.
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Siefert, Jan. "Das Pflichtgefühl der Samurai der Togukawa-Periode (1603-1868) zwischen Kontinuität und Wandel am Beispiel der Loyalitätsbeziehung zwischen Bushi und Daimyou (Fürst)/Tennou." Universität Potsdam, 2010. http://opus.kobv.de/ubp/volltexte/2011/4991/.

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Inhalt 1. Fragestellung und Vorgehensweise 2. Definition und Bedeutung von Mentalität für Gruppen und einer Gesellschaft am Beispiel der Samurai 3. Giri no Chusei   Treuepflicht im Verständnis Nitobes und Yamamotos 4. Ausblick 5. Fazit
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Books on the topic "Bushido. Samurai"

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Tsunetomo, Yamamoto. Bushido: El Camino del Samurai. Barcelona: Paidotribo Editorial, 2005.

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Hiroshi, Kubo. Samurai no Nihongo. Tōkyō: Gentōsha, 2006.

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Yūzan, Daidōji. The code of the samurai. Rutland, Vt: C.E. Tuttle, 1988.

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Yūzan, Daidōji. The code of the samurai. Rutland, Vt: C.E. Tuttle, 1995.

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Yūzan, Daidōji. The code of the samurai. Rutland, Vt: C.E. Tuttle, 1988.

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Obata, Toshishiro. Modern bushidō: Samurai teachings for modern times. San Gabriel, CA: International Shinkendo Federation, 2012.

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Hagakure: The book of the samurai. Tokyo: Kodansha International, 2002.

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Bushidō no kōsatsu. Kyōto-shi: Jinbun Shoin, 2006.

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B, Day Stacey. The WISDOM OF HAGAKURE: Way of the Samurai of Saga Domain. Saga, Japan, Kyushu University Press, Hakozaki, 7-1-146, Higashi-ku, Fukuoka, Japan, 812: Hagakure Society c/o Saga Prefectural Library, 1994.

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Bennett, Alexander. Bushi no etosu to sono ayumi: Bushidō no shakai shisōshiteki kōsatsu. Kyōto-shi: Shibunkaku Shuppan, 2009.

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Book chapters on the topic "Bushido. Samurai"

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Varghese, Mathew. "The Way of Samurai (Bushido) and Creative Happiness." In A Brief History of Creative Work and Plutonomy, 231–34. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-9263-8_41.

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Taniguchi, Shinko. "The Military Raison d’Etre in Peacetime: The Characteristics of Bushido (the Way of the Samurai) in Early Modern Japan." In The Military in the Early Modern World, 253–66. Göttingen: V&R unipress, 2020. http://dx.doi.org/10.14220/9783737010139.253.

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Benesch, Oleg. "The Shōwa Bushidō Resurgence." In Inventing the Way of the Samurai, 174–213. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198706625.003.0007.

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Keaveney, Christopher T. "Samurai Baseball: The Popular Press and the Making of a National Pastime in Meiji and Taishō Japan." In Contesting the Myths of Samurai Baseball. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455829.003.0002.

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Chapter 1 provides both a background to baseball in Japan and to the origins of the concept of “Samurai baseball” that is central to the issues explored in this book. The first chapter also problematizes the role of the popular press in Japan starting in the Meiji period (1868-1912) of both spreading the gospel of baseball in Japan and of promoting the myths surrounding Japan’s approach to the game, infusing it with dimensions of the rhetoric of Nihonjinron. Many of the qualities that have come to define the myths of Samurai baseball are the result of the press coverage of the Ichikō high school team’s impressive victories against American opponents in the Meiji period. The wide coverage by the popular press of the team’s lopsided victories helped both to initiate Japan’s love affair with baseball and establish the Bushidō-inspired values associated with Samurai baseball.
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Benesch, Oleg. "Bushidō in Post-War Japan." In Inventing the Way of the Samurai, 214–41. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198706625.003.0008.

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Benesch, Oleg. "Before Bushidō: Considering Samurai Thought and Identity." In Inventing the Way of the Samurai, 15–41. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198706625.003.0002.

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Benesch, Oleg. "The Early Bushidō Boom, 1894–1905." In Inventing the Way of the Samurai, 76–110. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198706625.003.0004.

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Benesch, Oleg. "The Late Bushidō Boom, 1905–1914." In Inventing the Way of the Samurai, 111–49. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198706625.003.0005.

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Benesch, Oleg. "The End of the Bushidō Boom." In Inventing the Way of the Samurai, 150–73. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198706625.003.0006.

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Benesch, Oleg. "First Explanations of Bushidō in the Meiji Era." In Inventing the Way of the Samurai, 42–75. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198706625.003.0003.

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