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Books on the topic 'But in this section'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

Christian, Bertel, ed. [section][section] 169 bis 321 StGB. 9th ed. Wien: Springer, 2010.

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2

United States. Executive Office of the President., ed. Health Security Act section-by-section analysis. Washington, DC: [Executive Office of the President], 1993.

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3

Office, Library of Congress Copyright. Section 202.17: [section] 202.17, 37 C.F.R. : renewals. Washington, D.C: Copyright Office, Library of Congress, 1994.

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4

Library of Congress. Copyright Office. Section 202.17: [section] 202.17, 37 C.F.R. : renewals. Washington, D.C: Copyright Office, Library of Congress, 1994.

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5

Etheridge, Donald McGee. Private foundations, section 4940 and section 4944. Washington, D.C: Tax Management, 1999.

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6

Mark, Dyer J., and Lambeth Conference (1998), eds. Section report summaries: Official section report summaries. Harrisburg, Pa: Morehouse Pub., 1999.

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7

Library of Congress. Copyright Office. Section 202.17: [section] 202.17, 37 C.F.R. : renewals. Washington, D.C: Copyright Office, Library of Congress, 1994.

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8

Library of Congress. Copyright Office. Section 202.17: [section] 202.17, 37 C.F.R. : renewals. Washington, D.C: Copyright Office, Library of Congress, 1994.

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9

International, Amnesty. Irish section. London: Amnesty International., 1987.

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10

Ferguson, G., ed. Organic Section. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-017-3154-6.

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11

Ferguson, G., ed. Organic Section. Dordrecht: Springer Netherlands, 1992. http://dx.doi.org/10.1007/978-94-017-3157-7.

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12

Flamm, Bruce L., and Edward J. Quilligan, eds. Cesarean Section. New York, NY: Springer New York, 1995. http://dx.doi.org/10.1007/978-1-4612-2482-2.

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13

Wilson, Ian. Section 53. Vancouver: Fine Arts Gallery, University of British Columbia, 1989.

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14

National Institute for Clinical Excellence., ed. Caesarean section. London: National Institute for Clinical Excellence, 2004.

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15

National Institute for Clinical Excellence., ed. Caesarean section. London: National Institute for Clinical Excellence, 2004.

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16

Borden, R. C. Section eight. Bluffton, SC: Arm Press, 1999.

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17

Claret, Alain. Clichy-section. [Paris]: Flammarion, 1991.

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18

American Bar Association. Section of International and Comparative Law., ed. Section manual. [Chicago: American Bar Association, 1994.

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19

C, Plauché Warren, ed. Cesarean section. Philadelphia: Saunders, 1988.

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20

Nārāyaṇakaṇṭha and Brunner-Lachaux Hélène, eds. Mṛgendrāgama: Section des rites et section du comportement. Pondichery: Institut français d'indologie, 1985.

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21

Bascot, Séverine. Seoul: The city in section-by-section maps. [S.l.]: Alfred A Knopf, 2013.

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22

Thalheimer, Karol. Die Vorfeldstrafbarkeit nach [section][section] 30, 31 StGB. Frankfurt am Main: Peter Lang, 2008.

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23

Library of Congress. Copyright Office. Copyright notice: Section 202.2 : [section] 202.2, 37 C.F.R. [Washington, D.C: Copyright Office, Library of Congress, 1993.

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24

Inc, Alfred A. Knopf, ed. Hawaii: The island in section-by-section maps. New York: A.A. Knopf, 2004.

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25

Inc, Alfred A. Knopf, ed. Barcelona: The city in section-by-section maps. New York: Alfred A. Knopf, 2001.

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26

Antinoensis, Serenus, Serenus Antinoensis, Decorps-Foulquier Micheline editor, Federspiel Michel translator, Serenus Antinoensis, Serenus Antinoensis, and Nikolantonakis Konstantinos contributor, eds. La section du cylindre: La section du cône. Paris: Les Belles Lettres, 2019.

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27

Editor & Publisher Syndicate Directory Section for 1999: Section Two of Two Sections. Editor & Publisher, 1999.

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28

Editor & Publisher Syndicate Directory Section for 1998: Section Two of Two Sections (Serial). 7th ed. Editor & Publisher, 1998.

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29

McClare, Victoria. Neutron Cross Sections: Neutron Cross Section Curves. Academic Press, 1989.

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30

Cross Section Man Of War: Cross-sections. USA New York: Dorling Kindersley, 1993.

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31

Clark, Lynn G. Systematics of Chusquea Section Swallenochloa, Section Verticillate, Section Serpentes, & Section Longifoliae (Systematic Botany Monographs, Vol 27). American Society of Plant Taxonomists, 1989.

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32

Biesty, Stephen, and Ross Stewart. Greece in Spectacular Cross-section (Cross Section). Oxford University Press, 2006.

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33

Stewart, Ross. Greece in Spectacular Cross-section (Cross Section). Oxford University Press, 2006.

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34

Section 1983 Litigation: Forms (Section 1983 Litigation). Aspen Publishers, 1999.

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35

Olsen, Scott. Golden Section. Wooden Books, 2006.

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36

Street, Krista. Section 12. Midnight Press, 2018.

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37

Vicentini, Stefano. Caesarean Section. Jaypee Brothers Medical Publishers, 2017.

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38

McLeod, M. W. Section Seven. M. W. McLeod, 2022.

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39

Glasper, Edward Alan, Gillian McEwing, and Jim Richardson, eds. Reference section. Oxford University Press, 2010. http://dx.doi.org/10.1093/med/9780198569572.003.0033.

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Types of communication 984Action for Sick Children 986The role of the Citizen's Advice Bureau (CAB) 988Common investigations 990• Communication is a transfer of information, and the flow of communication will be hindered if the non-verbal cues and the spoken message are incongruous....

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40

Pouillaude, Frédéric. Section 1. Translated by Anna Pakes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199314645.003.0017.

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The contemporary is perhaps displayed, even staged. Maybe the contemporary (choreographic?) stage can be read as somehow representing the spirit of our times, our own era. A defining feature of human time is its tendency to represent itself, depicting its own image, even performing itself onstage. Those products traditionally called “works of art” are the favored medium of this self-representation. This would suggest that any discussion of dance and the contemporary need merely decode dance works and their stage environment to reveal something like an image of the times, the figure of ...

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41

Pouillaude, Frédéric. Section 2. Translated by Anna Pakes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199314645.003.0018.

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The first feature of the transformation described above consists in the dissolution of stable companies. Temporary and local coalitions took the place of stable teams of salaried collaborators (what used to be called “companies). These coalitions brought together around a defined project a group of individuals with their own independent artistic careers. The coalition model is both liberal and libertarian, in linking labor to the temporary mission and the circumscribed consent of the participants. Yet its presence in dance is not merely a response to economic pressures, as the dissolution of Mathilde Monnier’s company in 1999 indicates. This was not driven by real financial necessity (the company was well known and in receipt of funding as a Centre Chorégraphique National) but rather responded to the state of impasse generated by salaried employment within a company (what Monnier calls “family neurosis”) and to an acute consciousness that the reciprocal engagement of dancer and choreographer did not reach beyond mutual investment in particular projects. Precarity of labor thus became an internal artistic norm. The absence of permanent (or at least long-term) contracts for performers was no longer deplored; such contracts were shunned for reasons internal to artistic production. The regime of freelance work was no longer a poor substitute for coveted salaried employment; it became the social manifestation and indispensable accompaniment of dance artists’ acceptance and embodiment of economic liberalism. Boris Charmatz articulates the shift in exemplary fashion, defining freelancing as “accepting and embodying (social) precarity for the benefit of (artistic) exchange” (...

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42

Pouillaude, Frédéric. Section 3. Translated by Anna Pakes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199314645.003.0019.

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In the previous section, we saw how contemporary choreography reflects on the essence of the stage and its contemporaneity, in the very moment of performance itself. In parallel, a renewed consciousness of historicity and memory is also evident, complementing rather than opposing the transformations outlined. In the contemporary moment that I am trying to describe, there is a desire to wrench dance from its subjective absence of history, from its fixation in the perennial routines of tradition, as well as from its imprisonment in the bare present of experience. Dance-making seeks to ...

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43

Cesarean Section. Johns Hopkins University Press, 2018. http://dx.doi.org/10.1353/book.58899.

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44

Iverson, Cheryl. Acknowledgment Section. Oxford University Press, 2009. http://dx.doi.org/10.1093/jama/9780195176339.021.33.

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45

Ali. Amma Section. Darf Publishers Ltd, 1998.

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46

Viscio, Frank A. Section #3. 1st Books Library, 2002.

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47

Kiernan, Alan. Section Alpha. Kiernan, Alan, 2012.

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48

Garton, Greg A. Section 36. AuthorHouse, 2005.

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49

Androutsopoulos, Georgios, ed. Caesarean Section. InTech, 2018. http://dx.doi.org/10.5772/intechopen.72159.

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50

Third Section. Penguin Random House, 2012.

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