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1

Buy now, pay later. London: Cassell, 1990.

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Buy now, pay later. Brookfield, Conn: Millbrook Press, 1992.

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3

Olney, Martha L. Buy now, pay later: Advertising, credit, and consumer durables in the 1920s. Chapel Hill: University of North Carolina Press, 1991.

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4

Paine, Lauran. Murder now, pay later. Bath, England: Chivers Press, 1998.

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Save now, buy later: Finding unit prices. Chicago, IL: Norwood House Press, 2013.

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Antony, J. J. Closure costs (pay me now and pay me later). Littleton, CO: Society for Mining, Metallurgy, and Exploration, Inc, 1994.

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7

Jonathan, Bumas, ed. Poison pen, or, Live now and pay later. [Winston-Salem, N.C.]: Stuart Wright, 1986.

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8

Bakun, W. H. Pay a little now, or a lot later. Menlo Park, CA: U.S. Geological Survey, 1995.

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9

Story, Jack Trevor. Live now, pay later: The Albert Argyle trilogy. London: Allison & Busby, 1989.

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10

Movement, Philippine Rural Reconstruction, ed. Pay now, not later: Essays on environment and development. Quezon City, Philippines: Philippine Rural Reconstruction Movement, 1994.

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11

Millar, John S. HIV, hepatitis, and injection drug use in British Columbia: Pay now or pay later? Victoria, B.C: Office of the Provincial Health Officer, B.C. Ministry of Health, 1998.

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12

Love now, pay later?: Sex and religion in the fifties and sixties. London: SPCK, 2010.

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13

Cashin, Paul. Spend now, pay later?: Tax smoothing and fiscal sustainability in South Asia. [Washington, D.C.]: International Monetary Fund, Research Department, and IMF Institute, 1999.

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14

Scotland, Accounts Commission for. Bye now, pay later?: The management of early retirement in local government. Edinburgh: The Commission, 1997.

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15

Scotland, Audit. Bye now, pay later?: A follow-up review of the management of early retirement. Edinburgh: Audit Scotland, 2003.

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16

Fight now, pay later: The future costs of funding the Iraq War : hearing before the Joint Economic Committee, Congress of the United States, One Hundred Tenth Congress, second session, June 12, 2008. Washington: U.S. G.P.O., 2009.

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17

Buy Now Pay Later. Self Counsel Pr, 1995.

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18

Yardley, Thompson. Buy Now, Pay Later!: Be a Careful Shopper (Spaceship Earth Series). Continuum International Publishing Group, 1990.

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19

Pay Now or Pay Later. Washington, D.C.: National Academies Press, 1991. http://dx.doi.org/10.17226/1750.

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20

Dessau, Joanna. Take Now, Pay Later. Soundings, 2005.

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21

Story, Jack Trevor. Live Now Pay Later. Allison & Busby, 1989.

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22

Kill Now, Pay Later. Leisure Books, 2007.

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23

Shaykin, Maurice J. Puff Now - Pay Later. Vantage Pr, 1992.

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24

Take Now, Pay Later. Ulverscroft Large Print, 1997.

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25

Pay equity: Plan now or pay later. Mississauga, Ont: Insight Press, 1989.

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26

(US), National Research Council. Cybersecurity Today and Tomorrow: Pay Now or Pay Later. National Academies Press, 2002.

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27

Cybersecurity today and tomorrow: Pay now or pay later. Washington, D.C: National Academy Press, 2002.

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28

Live Now Pay Later (Trilogy) Story J Trevor. Allison & Busby, 1989.

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29

American Association of State Highway and Transportation Officials. and Road Information Program, eds. Rough roads ahead: Fix them now or pay for it later. Washington, D.C: AASHTO, 2009.

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30

American Association of State Highway and Transportation Officials. and Road Information Program, eds. Rough roads ahead: Fix them now or pay for it later. Washington, D.C: AASHTO, 2009.

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31

Lucal, Jane B. Plan Now or Pay Later: Judge Jane's No-Nonsense Guide to Estate Planning. Bloomberg Press, 2001.

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32

(US), National Research Council. Pay Now or Pay Later: Controlling Cost of Ownership from Design Throughout the Service Life of Public Buildings. National Academies Press, 1991.

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33

National Research Council (U.S.). Committee on Setting Federal Construction Standards to Control Building Life-Cycle Costs., ed. Pay now or pay later: Controlling cost of ownership from design throughout the service life of public buildings. Washington, D.C: National Academy Press, 1991.

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34

New York (State). Legislature. Senate. Committee on Mental Hygiene, ed. Pay now-- or pay later: A look at mental health services for children in New York State : a report. [Albany, N.Y.?: The Committee, 1987.

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35

Publicover, Laurence. Turks and Tournaments. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806813.003.0005.

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This chapter analyses Thomas Kyd’s little-known play Soliman and Perseda (1588–91), focusing on how Kyd shapes his Mediterranean world through literary and dramatic traditions. Contesting one critic’s reading of Soliman and Perseda as a play that critiques chivalric values and takes a significant interest in Mediterranean geopolitics, it argues instead that Kyd adapts his source, a prose romance, so as to bring it into line with late-Elizabethan dramatic fashions. Kyd’s emphasis on private values over national interests, it argues, partially—though by no means fully—unanchors the play from the Mediterranean world contemporary with its staging. Finally, the chapter explores how clowning in Soliman and Perseda and in some later Mediterranean dramas unsettles both the generic and the spatial decorum of the plays in which it operates.
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36

Cornwell, Hannah. Peace in the New Age of Augustus. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805632.003.0004.

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This chapter examines the evolution of pax at Rome within the wider display of the new age (novum saeculum), which is intimately associated with Augustus’ control over the res publica and empire. The monumentalization and dramatization of pax with external peoples is analysed through the lens of how Augustus and the senate depicted diplomatic success with the Parthians at the end of the 20s BC, after decades of unsuccessful military campaigns. In this ‘moment’ pax is not explicitly foregrounded, but rather the diplomatic aspects of peace are subsumed into a rhetoric of empire and triumphalism, displayed in monumental form both at the time and in later Augustan buildings, such as the forum Augustum. Peace was integrated into a rhetoric of Roman victory, firmly associated with the concept of imperium and imperial rule.
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37

Gorn, Elliott J., and Allison Lauterbach. The Voice of Los Angeles. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037610.003.0009.

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This chapter pays homage to Los Angeles Dodgers broadcaster Vin Scully, who has provided the team's play-by-play for more than six decades years, with “elegance and ease and seeming effortlessness.” Born in 1927, Vincent Edward Scully grew up in the Bronx listening to sportscasters on the radio. He took up broadcasting while a student at Fordham University. Scully joined the Dodgers at spring training in Vero Beach, Florida, in March 1950. More than sixty years later, he is still with the team, the longest tenured announcer in American sports history. With a strong sense of perspective—of history—Scully emphasizes to listeners that baseball is a special little world, fascinating to be sure, but not to be overvalued. This chapter first provides a background on Scully's career in radio broadcasting before considering him from different generational perspectives. It argues that Scully “is more than just a well-loved sportscaster. He is the voice of L.A.” Angelenos' sense of civic identity resonates with that voice.
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38

Behrens, Paul. The Duty of Non-Interference. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198795940.003.0016.

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The duty not to interfere in the internal affairs of the receiving State was not included in the original draft by the ILC’s Special Rapporteur, but was introduced through a later amendment. Given the significance which incidents of (alleged) interference had attained even then, this is a somewhat surprising development. In contemporary diplomatic relations, such charges play an important role and affect a wide variety of fields, ranging from criticism of the receiving State, human rights monitoring, support given to factions in that State, etc. This chapter explores the concept of interference, but it also reflects on legitimate interests on the side of the sending State which may allow (and even compel) a diplomatic agent to take measures which his hosts may consider interference. The chapter also suggests mechanisms, including the employment of proportionality, which are capable of mediating between the interests advanced on both sides of the divide.
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39

Gordon, Robert. “Old Situations, New Complications”. Edited by Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0004.

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Forumrepresents an idiosyncratic attempt to reconcile the principles of musical comedy with Sondheim’s avowed preference for writing integrated musical drama. The sources of its plot in Roman farce become a pretext for a camp pastiche of the vulgar clichés of American burlesque and vaudeville. By analyzing the dramaturgical function of the individual songs, the chapter illustrates the various ways in which their evocation of the thought processes of type characters motivates the causal logic of the plot. The ingenuity of their placement and form is shown to shape the mood and pace of the action, while their stylistic cleverness is revealed as an enhancement of the metatheatricality of Shevelove and Gelbart’s book, producing a play of self-reflexive ironies that foreshadows Sondheim’s later experiments with the nonlinear structure of the postmodern musical.
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40

Rios, Fernando. Panpipes & Ponchos. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190692278.001.0001.

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Melodious panpipes and kena flutes. The shimmering strums of a charango. Poncho-clad musicians playing “El Cóndor Pasa” at subway stops or street corners while selling their recordings. These sounds and images no doubt come to mind for many “world music” fans when they recall their early encounters with Andean music groups. Termed “Andean conjuntos” in this book and “pan-Andean bands” in other scholarship, four-to-six member ensembles of this type have long formed part of the “world music” circuit of the Global North, and also been present in the music scenes of Latin America’s major cities. It is only in Bolivia, however, that the Andean conjunto format has represented the preeminent ensemble line-up for interpreting “national music” since the late 1960s. The La Paz band Los Jairas is widely credited, by scholars and local musicians alike, with canonizing the Andean conjunto tradition in the Bolivian context. When the group debuted in 1966, though, their interpretive approach and instrumentation did not represent a radically new direction for the Bolivian folklore movement. As this book reveals, Los Jairas made popular in Bolivia a style of “national music” interpretation with roots in the folklorization practices developed by previous generations of urban criollo-mestizo musicians. A major goal of this book is to illuminate how urban La Paz folkloric musical trends, practices, and initiatives of the early-to-mid 20th century paved the way for Los Jairas’ dramatic ascent to national stardom in the mid-to-late 1960s and facilitated Bolivia’s ensuing canonization of the Andean conjunto. The second principal aim is to shed light on the Bolivian state’s role in the folkloric music movement, from the period when indigenismo first became a major influence on La Paz artists (the 1920s), to the boom decade of the local folklore movement (the 1960s). The third major goal is to elucidate how La Paz folkloric musical practices articulated with non-Bolivian artistic currents. Perhaps surprisingly to many people, given Bolivia’s image internationally as one of the most “Indian” and therefore culturally traditional countries of Latin America, the Bolivian folkloric music movement developed in close dialogue with a wide array of transnational or cosmopolitan musical trends in the pivotal era spanning the 1920s to 1960s.
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41

Choi, Jinhee. Ozuesque as a Sensibility. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190254971.003.0006.

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This chapter considers “Ozuesque” as an individual sensibility that could be rooted in and extrapolated from the thematic and stylistic traditions of both Japan and Hollywood. Ozu’s austere yet ludic constitution comprises his distinctive sensibility that is rarely emulated by any other director. In order to delineate Ozu’s aesthetic sensibility, the chapter turns to the conception of sensibility advanced by art historian Roger Fry, who argues for a need to distinguish between sensibility in design and the sensibility in texture, the latter of which he calls “surface sensibility.” Such a distinction not only helps identify Ozu’s sensibility, but further explains the uneasiness in loosely employing the term “Ozuesque” in the discussion of directors who are influenced by, or pay homage to, Ozu. The latter half of the chapter examines Kore-eda Hirokazu, who is often compared to Ozu, not through formal terms, but instead via their shared, muted sensibility.
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42

Hyysalo, Sampsa, and Jouni K. Juntunen. User Innovation and Peer Assistance in Small-Scale Renewable Energy Technologies. Edited by Debra J. Davidson and Matthias Gross. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190633851.013.22.

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There have been many attempts to include citizens as more active players in the proliferation of renewable energy technologies. However, the roles that citizen users play in renewables proliferation are not limited to adoption, but include technological domestication, innovation, and market creation. This chapter first reviews innovation by citizen users in the early phases of small-scale renewable energy technologies (S-RET) technology development in wind turbines, solar collectors, and low-energy housing. It then examines user innovation and peer assistance in the later phases of diffusion in air-source and ground-source heat pumps, pellet-burning systems, and solar collectors. It reviews research user motivations, diffusion pathways, and peer intermediation, and pays particular attention to how the forms of innovative citizen energy communities are changing from locality-based community energy initiatives to distributed and Internet-mediated energy communities. The chapter concludes by drawing policy implications regarding user innovation and peer assistance in the transformation of energy systems.
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43

von der Goltz, Anna. The Other '68ers. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198849520.001.0001.

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This is the first book about West German centre-right students in 1968, a major moment of political and cultural contestation in the Federal Republic and indeed across much of the globe. Based on interviews with former activists and a wealth of new archival sources, it examines the ideas, experiences, and repertoires of activists we do not normally associate with 1968. Writing them back into the history of 1968 and its afterlives, as this book does, reveals that the protest movement of these years was a broader, more politically versatile, and, ultimately, even more consequential phenomenon than the traditionally narrower focus on left-wing radicals allows. Many of the protagonists of this book would later play major roles in Christian Democratic politics, especially during the era of Helmut Kohl. By tracing their influence on German political culture, this study helps us to understand why the age of Christian Democracy was interrupted but never really ended in the Federal Republic—at least until now.
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44

van der Vossen, Bas, and Jason Brennan. Correcting the Past. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190462956.003.0008.

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One popular argument for global redistribution focuses on the history of colonialism, which is rife with injustices perpetrated by the former governments of Western nations. Current citizens of these societies can be taxed to pay reparations to people their former colonies. The chapter inspects two different arguments for this view: one focusing on unjustly gotten gains for rich Western citizens, the other focusing on unjust harms befalling citizens of developing nations. The former argument fails because it misdecribes the fact; contrary to popular belief, most Western citizens were actually harmed by colonialism. The latter argument is better, and actually supports a case for reparations. However, contrary to its proponents’ beliefs, such reparations ought not take the form of large-scale redistribution, but the form of removing the unjust barriers people face that continue the harms they now experience. The duty to repair past injustice mostly strengthens the conclusions of this book.
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45

Fullington, Doug. Finding the Balance: Pantomime and Dance in Ratmansky’s New/Old Sleeping Beauty. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935321.013.169.

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This article focuses on the development of the pas d’action by Marius Petipa, its zenith in his 1890 The Sleeping Beauty, and its twenty-first-century restoration by Alexei Ratmansky in his 2015 production of The Sleeping Beauty for American Ballet Theatre. Source materials inform a context-setting discussion of the mid-nineteenth-century scène dansante as found in Giselle (1841), Paquita (1846), and Le Corsaire (1856). Petipa’s subsequent utilization of the elements of the scène dansante in the large-scale pas d’action is introduced with examples from his The Pharaoh’s Daughter (1862) and La Bayadère (1877). The culmination of the form is found in Petipa’s The Sleeping Beauty (1890), in which each act includes a pas d’action as its centerpiece. The tradition of the pas d’action continued in Petipa’s late Raymonda (1898) and even into the twentieth century, with Stravinsky’s Apollon-Musagète (1927–1928).
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46

Reynolds, Susan. Still Fussing about Feudalism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198777601.003.0009.

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Most medieval historians interested in whatever it is that they think of as feudalism do not pay much, if any, attention the early twelfth-century work known as Consuetudines (or Libri) Feudorum, which is generally considered to be more or less irrelevant to the history of property and society, except possibly in Italy. That is, in a way, quite right. But though the Libri is indeed a poor reflection of norms and practice at the time it was written, it has since the sixteenth century been extremely important in the historiography of medieval Europe. The argument of this chapter is that modern ideas about the origin of fiefs and their gradual acquisition of rights derive, not from records of medieval law in practice, but from sixteenth-century interpretations of the Libri Feudorum and the commentaries written on it by later medieval academic lawyers.
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47

Charnock, Emily J. The Rise of Political Action Committees. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190075514.001.0001.

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This book explores the origins of political action committees (PACs) in the mid-twentieth century and their impact on the American party system. It argues that PACs were envisaged, from the outset, as tools for effecting ideological change in the two main parties, thus helping to foster the partisan polarization we see today. It shows how the very first PAC, created by the Congress of Industrial Organizations (CIO) in 1943, explicitly set out to liberalize the Democratic Party by channeling campaign resources to liberal Democrats while trying to defeat conservative Southern Democrats. This organizational model and strategy of “dynamic partisanship” subsequently diffused through the interest group world—imitated first by other labor and liberal allies in the 1940s and 1950s, then adopted and inverted by business and conservative groups in the late 1950s and early 1960s. Previously committed to the “conservative coalition” of Southern Democrats and northern Republicans, the latter groups came to embrace a more partisan approach and created new PACs to help refashion the Republican Party into a conservative counterweight. The book locates this PAC mobilization in the larger story of interest group electioneering, which went from a rare and highly controversial practice at the beginning of the twentieth century to a ubiquitous phenomenon today. It also offers a fuller picture of PACs as not only financial vehicles but electoral innovators that pioneered strategies and tactics that have come to pervade modern US campaigns and helped transform the American party system.
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48

Ruse, Michael. Darwinian Theory Comes of Age. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190867577.003.0010.

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As professional science, Darwinian theory is now a fully functioning paradigm. Darwinism as religion continues and war continues as a good confirmatory case study. There is now, thanks both to fossil finds and to refined molecular techniques, a much better understanding of human evolution and its history. This is new; the interpretations are not. There is much talk about killer apes, owing as much to Augustine as to Darwin, with speculations by Konrad Lorenz backed by dramatic writings by the film-script-writer-turned-amateur-anthropologist Robert Ardrey. Starting to play a major role are sophisticated studies of the great apes, notably Jane Goodall on wild chimpanzees and Frans de Waal on caged chimpanzees, the former moving more toward the innate nature of ape violence and the latter rather the other way. Major clashes about nature versus nurture occurred with anthropologist Ashley Montagu on the one side and biologist Edward O. Wilson on the other. There are an increasing number of naysayers, especially the Quaker bird-song specialist, William Thorpe, but the traditional picture persists. War is part of our biological heritage; it had to be a good thing inasmuch as it led progressively upward to humans, but it is now outdated and dangerous, and we can and should eliminate it.
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49

Carwile, Christey. From Salsa to Salzonto. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.026.

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Since its emergence among Spanish-speaking immigrants in New York City in the 1960s, salsa dance (and music) has become a quintessential symbol of Latin identity in and outside of the United States. The worldwide adoption of the dance has opened up new possibilities for identity construction. Using field research from Accra, Ghana, this chapter explores the ways in which salsa dance has come to inform a pan-African identity, creating moments where local ethnicities become deemphasized. “Traditional” dances in Ghana have historically been viewed as reflecting local “tribal” and/or ethnic identities and later appropriated by national dance companies as a way to construct and display a Ghanaian “national culture.” However, the adoption of salsa dance in Ghana is what I call an “inventive dance tradition,” one not espoused by colonial administrators or postcolonial leaders, but pioneered by a new generation of urban youth with more global agendas.
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50

Scott, Tom. Faction in Geneva. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198725275.003.0028.

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Geneva was forced to pay Bern substantial military reparations; moreover, it struggled to reclaim the vidomnat. Only in August 1536 was its Burgrecht with Bern renewed. In 1538 it was rumoured that Bern proposed to keep Geneva as an ‘open city’, that is, without defensive walls. Ineptly conducted negotiations with Bern in 1539 by the so-called Articulants resulted in several Genevan villages passing into Bernese hands. Such disputes continued until 1544. Despite the Reformation mandate of May 1536 Farel and his new acolyte Jean Calvin encountered opposition, and were dismissed in 1538, though readmitted three years later. Calvin’s vision of Reform brought him into conflict with Bern.
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