Relevant bibliographies by topics / Buzura

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Buzura'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Buzura"

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Liu, M., Z. Hu, B. Liang, F. Jin, M. Li, and T. Xie. "Physical mapping of buzura suppressaria nuclear polyhedrosis virus genome." Archives of Virology 128, no. 3-4 (1993): 357–62. http://dx.doi.org/10.1007/bf01309445.

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Hu, Z. H., R. W. Goldbach, B. M. Arif, et al. "Distinct gene arrangement in the Buzura suppressaria single-nucleocapsid nucleopolyhedrovirus genome." Journal of General Virology 79, no. 11 (1998): 2841–51. http://dx.doi.org/10.1099/0022-1317-79-11-2841.

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van Oers, M. M., B. M. Arif, Z. Hu, J. W. van Lent, E. A. van Strien, and J. M. Vlak. "The single-nucleocapsid nucleopolyhedrovirus of Buzura suppressaria encodes a P10 protein." Journal of General Virology 79, no. 6 (1998): 1553–62. http://dx.doi.org/10.1099/0022-1317-79-6-1553.

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Zhu, Zheng, Feifei Yin, Xiaoping Liu, et al. "Genome Sequence and Analysis of Buzura suppressaria Nucleopolyhedrovirus: A Group II Alphabaculovirus." PLoS ONE 9, no. 1 (2014): e86450. http://dx.doi.org/10.1371/journal.pone.0086450.

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Hu, Z. H., M. F. Liu, F. Jin, et al. "Nucleotide sequence of the Buzura suppressaria single nucleocapsid nuclear polyhedrosis virus polyhedrin gene." Journal of General Virology 74, no. 8 (1993): 1617–20. http://dx.doi.org/10.1099/0022-1317-74-8-1617.

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Chen, Shi-Chun, Xiao-Qing Wang, Jin-Jun Wang, Xiang Hu, and Ping Peng. "The complete mitochondrial genome of a tea pest looper, Buzura suppressaria (Lepidoptera: Geometridae)." Mitochondrial DNA Part A 27, no. 5 (2015): 3153–54. http://dx.doi.org/10.3109/19401736.2015.1007310.

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Hu, Z. H., R. Broer, J. Westerlaken, et al. "Characterization of the ecdysteroid UDP-glucosyltransferase gene of a single nucleocapsid nucleopolyhedrovirus of Buzura suppressaria." Virus Research 47, no. 1 (1997): 91–97. http://dx.doi.org/10.1016/s0168-1702(96)01406-2.

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Hu, Z. H., B. M. Arif, J. S. Sun, et al. "Genetic organization of the HindIII-I region of the single-nucleocapsid nucleopolyhedrovirus of Buzura suppressaria." Virus Research 55, no. 1 (1998): 71–82. http://dx.doi.org/10.1016/s0168-1702(98)00029-x.

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Das, Rupjyoti, Gautam Handique, Somnath Roy, and Rashmi Rekha Saikia. "On biological parameters of tea looper Biston (Buzura) suppressaria (Lepidoptera: Geometridae) as influenced by host plants." Indian Journal of Entomology 80, no. 3 (2018): 1060. http://dx.doi.org/10.5958/0974-8172.2018.00174.8.

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Prasad, Anjali Km, and Ananda Mukhopadhyay. "First Attempt of Complete Rearing of Tea Looper, Biston (=Buzura) suppressaria, on Artificial and Natural Diet." Proceedings of the National Academy of Sciences, India Section B: Biological Sciences 86, no. 4 (2015): 897–903. http://dx.doi.org/10.1007/s40011-015-0532-y.

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Dissertations / Theses on the topic "Buzura"

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Buzun, Nazar [Verfasser]. "Bootstrap in high dimensional spaces / Nazar Buzun." Berlin : Humboldt-Universität zu Berlin, 2021. http://d-nb.info/1226153208/34.

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Namazi, M. (Mahmoud). "Philosophical and mystical dimensions in the thought and writings of Mîr Findiriskî (ca. 970-10501560-1640) with special reference to his Qaṣîdah Ḥikmîyah (Philosophical ode)". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84533.

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Mir Abu al-Qasim Findiriski (970/1560 1050/1640) a prominent scholar of the Ṣafwid period (906/1501 1148/1736) played an important role in the development of Shi'i Irfan and Ḥikmah. He was a classmate and close friend of Mir Damad (950/1543 1041/1631) and Shaykh-i Baha'i (953/1546 1030/1622). Beside the other major juridical, traditional, philosophical, and mystical accomplishments of the School of Isfahan, the philosophical and mystical contributions of Mir Findiriski are invaluable. Although he was not a fertile writer, the uniqueness of his works has drawn remarkable attention. Many considered him a great teacher of peripatetic philosophy. This thesis aims to display Mir Findiriski's achievements in these fields and attempts to exhibit the originality in his exceptional mystico-philosophical ode (qaṣidah ḥikmiyyah ). In this ode Mir Findiriski summarized the principles of ḥikmah. Considering his mystical and scientific writings, and various narrative accounts of his spirituality and super-natural powers, his reputation as a great philosopher and mystic of the Ṣafavid period appears to be well deserved. This thesis evaluates various aspects of his life in some detail and a number of ambiguities surrounding the corpus of his writings are resolved through a complete list of his works. Finally, an overview of his doctrines on ontological as well as epistemological problems in his work is presented.
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Abdmouleh, Nabil. "La tradition du nây arabe : les deux maîtres : Amîn al-Buzarî et 'Alî al-Darwîsh." Paris 8, 2006. http://www.theses.fr/2006PA082685.

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Cette recherche est essentiellement consacrée à la vie et à l’œuvre des deux grands maîtres du nây (flûte en roseau usitée dans l’ensemble de musique savante de l’école syro-égyptienne) : Amîn al-Buzarî (1855-1935) et al-Shaykh ‘Alî al-Darwîsh (1884-1952). Ces deux personnages furent des disciples de maîtres turcs et les initiateurs d’un style de jeu exceptionnel de cet instrument. Une bonne partie de cette recherche est consacrée à l’analyse de l’œuvre de ces deux maîtres du nây arabe, analyse de leur technique de jeu virtuose et de leur style d’interprétation du répertoire savant après transcription de leur taqsîm (improvisation) et des pièces instrumentales qu’ils gravèrent pour diverses compagnies de disques. Une partie de cette recherche sera également consacrée à l’étude organologique du nây (son histoire, sa morphologie, son principe de fonctionnement, sa facture et sa technique de jeu). Nous consacrons un long chapitre aux différents types de nây et aux maqâm-s (modes) pouvant être joués à l’aide de ces instruments. La partie organologique sera précédée d’un aperçu sur l’univers musical égyptien vers la fin du 19e siècle. Nous y abordons la musique savante égyptienne, depuis l’avènement du règne du Khédive Ismâ‘îl ainsi que l’aspect sacré du nây dans la confrérie Mawlawiyya. Nous mettons l’accent sur les formes instrumentales et le discours du takht et ses instruments, sans oublier le système modal propre à la musique égyptienne<br>This research is essentially devoted to the life and the work of the two great masters of the nây (reed flute used in the great music of the syrian-egyptian school) : Amîn al-Buzarî and al-Shaykh ‘Alî al-Darwîsh. These two characters were the disciples of Turkish masters and the innovators of an exceptional style of playing of this instrument. A large part of this research is given over to the analysis of the work of these 2 masters of the Arab nây, the analysis of their virtuoso playing technique, that of their style in interpreting the traditional repertoire after transcription of their taqsîm (improvisation) as well aw the instrumental pieces they engraved for several disc companies. One part of this research will also be devoted to the organologic study of the nây (its history, its morphology, its functioning principles and its playing technique). We dedicated a long chapter to different types of nây and to maqâm-s (modes) which can be played with those instruments. The organologic part will be preceded by a survey on the egyptian musical universe by the end of the 19th century. We will tackle the Egyptian scholar music since the start of the reign of Khedive Ismâ‘îl as well as the sacred aspect of the nây in the Mawlawiyya brotherhood. We put the stress on the instrumental forms and speeches of takht and its instruments as well as the modal system proper to the egyptian music
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Stark, Christian [Verfasser], Torsten [Akademischer Betreuer] Buzug, and Robert [Akademischer Betreuer] Huber. "Polarimetrische Bestimmung von Glucose in Anwesenheit von Störstoffen / Christian Stark ; Akademische Betreuer: Torsten Buzug, Robert Huber." Lübeck : Zentrale Hochschulbibliothek Lübeck, 2021. http://d-nb.info/1232526576/34.

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Buza, Wiebke [Verfasser], and Ellen [Akademischer Betreuer] Kienzle. "Untersuchung zur Simulation einer zäkalen Azidose beim Pferd durch Raftilosefütterung mittels Caesitec / Wiebke Buza ; Betreuer: Ellen Kienzle." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2016. http://d-nb.info/1119073669/34.

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Lages, Luiza Chequer dos Santos. "Gabor Buza e sua contribuição como professor de violino em Belo Horizonte: aspectos biográficos e procedimentos metodológicos." Universidade Federal de Minas Gerais, 2008. http://hdl.handle.net/1843/GMMA-7XNM4G.

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Gábor Buza, hungarian violinist, student of Jenö Hubay and Carl Flesch, acted as a soloist, chamber musician and teacher in his country in the first half of the twentieth century. He came to Brazil in August of 1949, settling definitely in Belo Horizonte. In this city, he stood out as a violin teacher at several institutions, graduating several generations of students. This study, through testimonies of ex-students, relatives, co-workers and directors of the institutions in which he acted, come to give an account of the biographical aspects and recover the memory of Gábor Buza as a violin teacher. It analyses his contribution to the teaching of violin between the fifties and eighties in Minas Gerais capital, gives an account of his methodology of teaching and presents part of the educational material created by him.<br>Gábor Buza, violinista húngaro, aluno de Jenö Hubay e Carl Flesch, atuou como solista, camerista e professor, de 1927 a 1941 na cidade de Debrecen na Hungria. Veio para o Brasil em Agosto de 1949, radicando-se definitivamente em Belo Horizonte. Nesta cidade, destacou-se como professor de violino em várias instituições, formando várias gerações de alunos. Este estudo, através dos depoimentos de ex-alunos, familiares, colegas e dirigentes das instituições de ensino em que atuou, vem relatar aspectos biográficos e resgatar a memória de Gábor Buza como professor de violino. Analisa a sua contribuição para o ensino do violino entre as décadas de 50 e 80 na capital mineira, relata sua metodologia de ensino e apresenta parte do material didático por ele criado.
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Černohorský, Vilém. "Sledování polohy s využitím GPS a PDA." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2008. http://www.nusl.cz/ntk/nusl-235933.

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This work presents steps in creation of remote position tracking application. Document introduces history of geographical positioning and navigation, and describes development of navigation from primitive utilities to complex radio navigation systems. Global Positioning System is described in more detail including NMEA protocol used by GPS receivers. This work also presents several current navigation applications. Based on obtained information work presents analysis, object-oriented design and implementation of remote position tracking system.
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Fang, Meei-Chi, and 方美琪. "The Analysis of Coordination between the Commercial Pension and the Public Pension." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/buz2ba.

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Jorge, Rui Pedro Rodrigues Pereira. "Soou-me aos ouvidos como uma lúgubre buzina: sobre ao som na criação musical contemporânea." Doctoral thesis, 2016. http://hdl.handle.net/10362/19115.

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A viragem do séc. XIX para o séc. XX implicou enormes alterações na escuta e na análise do som, no que diz respeito à forma de o registar, de o reproduzir, de o editar e de o arquivar. essas mudanças tiveram como operador fundamental o desenvolvimento de inúmeros e diversificados instrumentos de registo, reprodução e manipulação, de cariz tecnológico. Como consequência dessa mudança, o som passa a desempenhar um papel diferente em muitos aspectos da vida das pessoas, uma vez que estas passam a ter uma noção cada vez mais alargada do que ele é, daquilo que pode significar, daquilo para que serve e do modo como ele se lida. A escuta, sofrendo essa alteração proporcionada pelo desenvolvimento tecnológico, passou a ser uma actividade mais escrutinada, à qual se passa a conferir mais atenção, por se ter percebido que ela contém um dinamismo muito grande. Nesse contexto, a música enquanto arte que vive dos sons, acolheu para si, como consequência e também por vontade própria, muitas dessas mudanças tecnológicas surgidas. É neste quadro que se constata que a música, a partir do séc. XX, passa a lidar com o som de uma maneira mais alargada, versátil e dinâmica do que tinha acontecido até aí. Esta tese trata de ensaiar as análises das implicações que teve, ao nível da criação musical, o desenvolvimento tecnológico em torno do som. Aprofundando a ideia central de que o papel do som, na música, é definido por um enquadramento que traduz aspectos filosóficos, estéticos e políticos, esta tese investiga o desenvolvimento dessa noção de enquadramento e do modo como ele, a partir do início do séc. XX, muda de tal forma, que essa mudança se constitui como radical e abrangente, a ponto de se considerar um marco fundamental na definição da composição musical contemporânea. O quadro de exemplos sugeridos e de análises de caso segue uma determinação mais conceptual do que propriamente histórica, mostrando, assim, que a proliferação de técnicas, estéticas e metodologias de criação musical emergentes no séc XX se entende melhor através de uma perspectiva de comparação e intersecção, ao invés de uma linear progressão histórica apenas.<br>The turn of the 20th century entailed enormous changes in listening and sound analysis approach, in particular with regard to the recording, editing and archiving processes. Those changes had, as key operator, the development of numerous and diverse technology-driven tools for sound recording, playback and editing. As a result of this shift, sound started to play a diferent role in many aspects of people's lives, since they to have an increasingly broad notion of what it is, what it can mean, for what it serves and how one deals whith it. Listening, assuming this change provided by technological development, has become a more scrutinized activity, getting a greater emphasis, imthat it was peceived therein a great dynamism. As result of this scenario, music as an art of sounds, hosted, by consequence and by own volition, many of those arising technological changes. In this context, it turns out that music, from the begining of the 20th century, comes to deal with sound in a broader, versatile, and dynamic way, than what happened so far. This thesis comes to essay some analysis of the implications that had, in terms of musical creation, technological development concerning sound. Deepening the central idea that the role of sound in music is defined by a framework that reflects philosophical, aesthetic and political aspects, this thesis investigates the development of this frame question, and the way, from the beginning of 20th century, it changes in such an extent, that becomes as radical and comprehensive, as to be considered a milestone in the definition of contemporary musical composition. the presented set of examples and case analysis follows a more conceptual exposure than a properly historical one, thus showing that the proliferation of technical, aesthetic and emerging musical creation methodologies in the 20th century, better be understood from a comparison and intersection perspective, rather than just a linear historical progression.
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Procházková, Zuzana. "Výuka orientačního běhu na 2.stupni ZŠ." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-390446.

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Title: Teaching of orienteering at primary school Author: Bc. Zuzana Procházková Department: Department of Physical Education Supervisor: PaedDr. Ivan Přibyl Objectives: The aim of this study is to present orienteering to pupils of primary school. Examine the effect of orienteering on pupils. Introduce history and the rules of orienteering, the system of competitions and the organization of trainings. Familiarize the reader with the other orienteering sports. Present developmental psychology of children aged 11 to 15. To put orienteering in curriculum for primary school. Methods: The method of questioning was used. We also organized the orienteering race for children. The results were evaluated into spreadsheets, graph and commentary was also used. Results: There are pupils from primary school in this research. Pupils are 11-16 years old. Most of the pupils knew about orienteering before this research. Most pupils ran between 15-20 minutes for one kilometre in the race. Fifteen pupils from 95 didn't find the control point. Pupils felt good after the race. Half from them want to participate orienteering race again. Keywords: Running, map, compass, terrain, orienteering, spare time, puberty
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Books on the topic "Buzura"

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Personajul dilematic la Augustin Busura. Editura ARC, 1999.

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Simuț, Ion. Augustin Buzura: Monografie, antologie comentată, receptare critică. Aula, 2001.

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Tamannāʼī, Salīm. Buzurg cahre. Salīm Tamannāʼī, 1993.

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Cand buzurg. 2nd ed. Milne kā patā, Siṭī Pres Buk Shāp, 1999.

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Shukurov, M. Ravshangari buzurg. "Adib", 2006.

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ʻAlavī, Buzurg. Nāmahʹhā-yi Birlin: Az Buzurg ʻAlavī dar dawrān-i iqāmat-i Ālmān. Farzān, 1998.

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Hayʼat-i Maʻārif-i Jang-i Shahīd Sipahbud ʻAlī Ṣayyād Shīrāzī, ред. Naṣr-i buzurg. Intishārāt-i ʻArshān, 2005.

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Durūgh-i buzurg. Īrānzamīn, 1986.

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Islāmī, Markaz-i. Asnād-i. Inqilāb-i., ed. Taqallub-i buzurg. 7th ed. Intishārāt-i Markaz-i Asnād-i Inqilāb-i Islāmī, 2009.

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Farīb-i buzurg. Nashr-i Nishānah, 2006.

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Book chapters on the topic "Buzura"

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Pfeifer, Anke. "Buzura, Augustin." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9022-1.

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Pfeifer, Anke. "Buzura, Augustin: Refugii." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9023-1.

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Elsie, Robert. "Buzuku, Gjon." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11824-1.

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Camaj, Martin. "Buzuku, Gjon: Meshari." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11825-1.

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Turan, Tevfik. "Bener, Vüs'at O.: Buzul Çağının Virüsü." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_1301-1.

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"Buzuran." In Old Babylonian Period (2003-1595 B.C.). University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781442678033-032.

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"Chapter 4: The Sea Stories of Buzurg ibn Shahriyār." In Seafarers of the Seven Seas. De Gruyter, 2013. http://dx.doi.org/10.1515/9783112209011-009.

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"Turzismen im Seelsorgehandbuch des Gjon Buzuku." In Die sekundären nominalen Wortbildungsmuster im Altalbanischen bei Gjon Buzuku. Harrassowitz, O, 2016. http://dx.doi.org/10.2307/j.ctvc7719c.7.

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"Chapter 3: Buzurg ibn Shahriyār: A Historical and Geographical Perspective." In Seafarers of the Seven Seas. De Gruyter, 2013. http://dx.doi.org/10.1515/9783112209011-008.

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"Buza, Yelisei Yuryevich (?–?)." In The Eastern Arctic Seas Encyclopedia. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24237-8_102.

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Conference papers on the topic "Buzura"

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K. Hamdan, W., and S. N. AL-Jawad. "3D- Static Modeling for Carbonate Mushrif Formation in Buzurgan Field." In First EAGE Workshop on Iraq - Hydrocarbon Exploration and Field Development. EAGE Publications BV, 2012. http://dx.doi.org/10.3997/2214-4609.20143574.

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Shome, Dipankar, and Ganesh Manekar. "Development of Green Corridor for the Pollution Abatement at Dongri Buzurg Opencast Mine of M/s MOIL Limited, India." In 2018 International Conference and Utility Exhibition on Green Energy for Sustainable Development (ICUE). IEEE, 2018. http://dx.doi.org/10.23919/icue-gesd.2018.8635781.

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Arango, Julian J., Esteban Viveros Astorga, Fernando Iazzetta, and Cristiano Figueiró. "BUZU: Retrieving public transportation data for sonification." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10420.

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This paper discusses the conception, design and exhibition of BUZU, an audiovisual installation that generates an auditory image of the São Paulo bus transportation system. BUZU makes perceptible information of both the system’s planning and behavior during a particular week in October 2017. The work is an artistic outcome of the InterSCity project, an inter-institutional research initiative concerning the Future Internet and the Smart Cities. Along with the discussion of the BUZU creation process we will examine mining and processing strategies related to the sonification of big data, the data-to-sound mapping methods, the auditory structure for displaying the material and the public exhibition of the work in the context of an artistic event.
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Mattos, Giorgia, Danielle Da Silva, and Josilene Moreira. "A Utilização de Kits de Robótica como Ferramenta para o Ensino de Programação à Meninas do Ensino Médio." In Workshop sobre Educação em Computação. Sociedade Brasileira de Computação - SBC, 2015. http://dx.doi.org/10.5753/wei.2015.10254.

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Uma das dificuldades do ingresso de mulheres na área de Ciência da Computação é que, em geral, elas não se sentem aptas nem capazes de lidar com a tecnologia. O presente relato descreve a estratégia de utilização da Robótica como instrumento da capacitação em Programação e da divulgação da Ciência da Computação para meninas, realizada em uma Escola Pública de Ensino Médio na cidade de João Pessoa-PB. A escola disponibilizou os seus kits de robótica para as atividades que foram divididas em duas fases. A fase 1 consistiu na montagem dos robôs e a fase 2 no desenvolvimento de programas que testaram as funcionalidades específicas para o modelo de kit utilizado, como por exemplo como acender os faróis e soar a buzina.
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HAVRYLIUK, Yuliia. "The Influence of climate changes on the water balance in the Western Bug River basin – Kamianka Buzka." In Air and Water Components of the Environment Conference. Casa Cartii de Stiinta, 2017. http://dx.doi.org/10.24193/awc2017_26.

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Madias, Jorge, and Alberto Moreno. "ESTRATEGIAS CONTRA LA REOXIDACIÓN DEL ACERO LÍQUIDO EN LA COLADA CONTINUA DE PALANQUILLAS CON BUZA CALIBRADA." In 45º Seminário de Aciaria - Internacional. Editora Blucher, 2014. http://dx.doi.org/10.5151/1982-9345-24202.

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