Relevant bibliographies by topics / BWV 997 fugue of J

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  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic 'BWV 997 fugue of J'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "BWV 997 fugue of J"

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Kharakoz, Hаnna. "On the genre and performance peculiarities of J. S. Bach’s choral fugue (on the example of comparative analysis of BWV 131 and BWV 131a)." Aspects of Historical Musicology 21, no. 21 (2020): 164–79. http://dx.doi.org/10.34064/khnum2-21.11.

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Background. Despite the vast musical material associated with the embodiment in the choral texture of the highest polyphonic form – the fugue, there is lack of the literature that would outline the specificity of this arrangement, its fundamental principles. Many researchers have addressed choral polyphony on the material of the works of various composers. However, the problem of identifying the specificity of the choral fugue hasn’t been highlighted yet as a major issue in domestic musicology. Among the most recent works, which include the consideration of the issue of choral fugue, we should
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Dirksen, Pieter. "Zur Echtheit der Johann Christoph Bach (1642-1703) zugeschriebenen Clavierwerke." Bach-Jahrbuch 96 (March 13, 2018): 217–48. http://dx.doi.org/10.13141/bjb.v20101886.

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Der Artikel geht auf die Echtheit folgender J. C. Bach möglicherweise zuzuordnender Werke ein: Präludium und Fuge ES-Dur BWV Anh. 177, zwei Variationsreihen über Aria-Melodien in ES-Dur und a-moll und eine über eine Sarabande, sowie Choralbearbeitungen. Eine Zugehörigkeit zu den Sarabanden-Variationen J. C. Bachs wird im Artikel auch für BWV 990 diskutiert. Unter den Choralbearbeitungen wird besonders Ach Gott, vom Himmel sieh darein beleuchtet, die als BWV 741 bisher J. S. Bach zugeschrieben wurde, im vorliegenden Text aufgrund verschiedener Überlegungen jedoch J. C. Bach zugewiesen wird. Zud
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Sousa, Natanael Martins de, and Marcos da Silva Maia. "Uma digitação do Prelúdio da Suíte para Alaúde BWV 997 de J. S. Bach transcrito para o violão." Per Musi, no. 32 (December 2015): 394–419. http://dx.doi.org/10.1590/permusi2015b3215.

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Resumo:Este trabalho apresenta uma digitação violonística para transcrições do prelúdio da Suíte BWV 997, original para alaúde, de Johann Sebastian Bach (1685-1750). Os aspectos musicais abordados para fundamentar a digitação foram divididos e classificados em motivo, melodia polifônica, contraponto, arpejo e homogeneidade tímbrica. O cotejamento foi aplicado como modelo de análise, em algumas transcrições para violão dessa obra, nas quais foram verificadas digitações diversificadas e notações distintas quanto à representação de alguns valores rítmicos e de determinadas alturas.
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4

Reef, John S. "A “Proto-Theme” in Some of J. S. Bach’s Fugal Works." Music Theory Online 26, no. 4 (2020). http://dx.doi.org/10.30535/mto.26.4.7.

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This article focuses on a pattern of harmony and voice leading that appears, elaborated, in several fugue expositions (and generically related passages) by J. S. Bach. I contextualize this pattern in examples of “schematic” Baroque fugal writing and suggest that for Bach it functions as a sort of “proto-theme,” with respect to which certain expositions stand as “variations.” These expositions eschew normative I–V–I progressions of Stufen and thus offer a challenge to William Renwick’s exhaustive methodology for fugue analysis. Bach’s variations may respond motivically and energetically to a se
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Reef, John S. "A “Proto-Theme” in Some of J. S. Bach’s Fugal Works." Music Theory Online 26, no. 4 (2020). http://dx.doi.org/10.30535/mto.26.4.7.

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This article focuses on a pattern of harmony and voice leading that appears, elaborated, in several fugue expositions (and generically related passages) by J. S. Bach. I contextualize this pattern in examples of “schematic” Baroque fugal writing and suggest that for Bach it functions as a sort of “proto-theme,” with respect to which certain expositions stand as “variations.” These expositions eschew normative I–V–I progressions of Stufen and thus offer a challenge to William Renwick’s exhaustive methodology for fugue analysis. Bach’s variations may respond motivically and energetically to a se
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Leahy, Anne. "Bach’s Prelude, Fugue and Allegro for Lute (BWV 998): a Trinitarian Statement of Faith?" Journal of the Society for Musicology in Ireland, December 6, 2005, 33–51. http://dx.doi.org/10.35561/jsmi01054.

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It is now widely acknowledged and accepted today that in the realm of his sacred music J. S. Bach was deeply influenced not only by the liturgy of the Lutheran Church but also by the writings of Martin Luther and other theologians. It is equally accepted that in general Bach used the same musical language in all of his works, sacred and secular. Might one therefore ask the question that if theology permeates the musical language of his sacred works, then does theology similarly undergird his freer instrumental works, works that stand well outside the liturgical constraints of his sacred music?
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Dissertations / Theses on the topic "BWV 997 fugue of J"

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Oliveira, Nery André Borges de. "A Memória como um componente na preparação da performance musical: um estudo de caso sobre a Fuga BWV 997 de J. S. Bach." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/3608.

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Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2014-11-13T20:41:28Z No. of bitstreams: 2 Dissertaçao - Nery André Borges de Oliveira - 2014.pdf: 19554984 bytes, checksum: 67993ab902a0fd34ee3890930ddef57f (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2014-11-14T18:51:51Z (GMT) No. of bitstreams: 2 Dissertaçao - Nery André Borges de Oliveira - 2014.pdf: 19554984 bytes, checksum: 67993ab902a0fd34ee3890930ddef57f (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a77
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Liao, Wei-Chun. "A Study of Musical Rhetoric in J. S. Bach's Organ Fugues BWV 546, 552.2, 577, and 582." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427983542.

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Marney, Dylan. "The application of musico-rhetorical theory to stretto, double, and triple fugue| Analyses of "Contrapuncti V--XI" from J. S. Bach's "The Art of the Fugue", BWV 1080." Thesis, The University of Arizona, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3594949.

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<p> Analysis of Johann Sebastian Bach's (1685-1750) keyboard works and the study of fugue are often complemented by an understanding of Baroque rhetorical theory. In the Baroque Era, the principles of oration and argument established by Greek rhetoricians were thought of as analogous to musical ideas and forms. Notable Baroque theorists Joachim Burmeister (c. 1566-1629) and Johann Mattheson (1681-1764) related the fugal process to an active and elaborate discourse. They connected the basic parts of rhetorical disposition to fugue in an attempt to define and clarify its skeletal framework.</p><
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Alonso, Orlay. "Illuminated Scores and the Architectural Design of Musical Form." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429802524.

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廖克紹. "The performing interpretation and research on J. S. Bach's lute suite No. 2 BWV 997." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/87895086262835860824.

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"J. S. Bach's WTC Book I Prelude and Fugue in B-flat Minor BWV 867: An Analysis and Study of Related Works." Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.57285.

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abstract: The core element of this research paper is an analysis of the B-flat minor prelude and fugue BWV 867. The author’s analysis is then compared with the main contributors to Bach’s analytical studies. An understanding of the work’s structure, together with its motivic and harmonic details, help the performer develop an interpretive approach to the work. Significant Bach scholars, including David Ledbetter and Peter Williams, are used as the source for the additional works to be studied. These scholars also mention close associates of Bach who offer additional insight into his music: Ki
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Book chapters on the topic "BWV 997 fugue of J"

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"BWV 131a Fugue in G minor." In The Organ Music of J. S. Bach. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9780511481871.002.

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