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Dissertations / Theses on the topic 'Byron'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Barsky, Robert F. "Byron and catastrophism." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63758.

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2

Kramar, A. "Augusta Ada Byron." Thesis, Sumy State University, 2015. http://essuir.sumdu.edu.ua/handle/123456789/40415.

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Augusta Ada Byron was born 10 December 1815 as the only child of the poet Lord Byron and his wife Anne Isabella Byron. Byron did not have a relationship with his daughter.Ada was often ill, beginning in early childhood. At the age of eight, she experienced headaches that obscured her vision. In June 1829, she was paralyzed after a bout of measles. She was subjected to continuous bed rest for nearly a year. By 1831, she was able to walk with crutches. Despite being ill Ada developed her mathematical and technological skills. At age 12, this future "Lady Fairy", as Charles Babbage affec

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3

Olsen, Gregory. "Byron and God: representations of religion in the writings of Lord Byron." Thesis, University of Auckland, 2010. http://hdl.handle.net/2292/6763.

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Although Lord Byron's poetry has been studied in some depth over the last two hundred years, one particular aspect of that poetry has often been slighted: his representation of religion. Religion is a major feature of Byron's poetry, both as a source of imagery and as a subject of commentary. In the early nineteenth century, readers could be expected to understand and to respond to a range of biblical references and theological concepts, and this thesis explores those representations. Ten of Byron's major poems are considered in detail here: Childe Harold's Pilgrimage, Don Juan, The Giaour, Th

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4

Huish, Davies Margaret Elizabeth. "Byron and the Bible." Thesis, University of Liverpool, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406821.

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5

Peach, Annette Julia. "The portraiture of Byron." Thesis, Royal Holloway, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338883.

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6

Wimbish, Andrew Hunter. "The Catherine Byron Letters." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/71662.

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The Catherine Byron Letters is an edited and annotated collection of letters mostly exchanged between Catherine Byron, the mother of the poet, and her solicitor John Hanson. The importance of this correspondence was first established by Doris Langley-Moore in Lord Byron: Accounts Rendered (1974), which documents the poet's finances from the time of his birth. Since then the letters have been used extensively by Megan Boyes in My Amiable Mamma: A Biography of Mrs. Catherine Gordon Byron (1991) and by J. V. Beckett and Sheila Aley in Byron and Newstead: The Aristocrat and the Abbey (2001). For t

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7

Hurst, Mary. "Byron and the 'Catholic Persuasion'." Thesis, University of Liverpool, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433018.

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8

Zembruski, Soeli Staub. "Um outro Byron no Brasil." Florianópolis, SC, 2008. http://repositorio.ufsc.br/xmlui/handle/123456789/91082.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação em Estudos da Tradução<br>Made available in DSpace on 2012-10-23T18:37:12Z (GMT). No. of bitstreams: 1 262182.pdf: 604418 bytes, checksum: 609a1f3d76b91468dd0e9e731329ab0d (MD5)<br>Este trabalho tem por objetivo discutir conceitos, possibilidades e impossibilidades relacionadas à tradução poética seus princípios e estratégias, sob a luz das concepções teóricas históricas e contemporâneas. A partir da obra de George Gordon Byron, sua massiva tradução no Brasil principalm

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9

Padilla, Elena M. "Byron and the Modernist Writers." W&M ScholarWorks, 2002. https://scholarworks.wm.edu/etd/1539626365.

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10

Disque, J. Graham. "The Work of Byron Katie." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etsu-works/2840.

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11

Disque, J. Graham. "The Work of Byron Katie." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etsu-works/2843.

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12

Waylett, Dianne Marie. "Does anyone know Lord Byron?" CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1507.

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13

Ramadier, Bernard-Jean. "L'errance romantique : Byron, Shelley, Keats." Grenoble 3, 1998. http://www.theses.fr/1998GRE39042.

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Les trajectoires errantes des existences de byron, shelley et keats s'organisent en itineraires par l'ecriture poetique. D'autre part, l'etude de la traduction onirique de l'errance dans les oeuvres fait emerger une convergence profonde des trois poetes par leur usage des images et des symboles en relation avec le theme. Un + complexe d'ahasverus ; informe a des degres divers des poemes aussi differents que childe harold's pilgrimage, don juan , alastor , et endymion. La structure totalisante du mythe du juif errant, mise en evidence par les anthropologues et les sociologues, superpose ontogen

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14

Marandi, Seyed Mohammad. "Lord Byron, his critics and Orientalism." Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397121.

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15

Barbour, John Francis. "Byron among the classics : a study of the influence of classical poetry on the work of lord Byron." Thesis, Durham University, 1994. http://etheses.dur.ac.uk/5816/.

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This study begins by defining epic to determine if Byron's claims, regarding Don Juan,to be writing an epic, are justified, concluding that though most epics preserve the form ofearlier epics, substituting a different "message" or heroic ethos, Byron, in defiance of thistradition, attempts to preserve the essence of Homeric epic, particularly its new heroicethos, but in a new form. This is where Byron and Vergil's imitations of Homer differ,Byron rejecting both Vergil's manner of imitation and his heroic ethos. In a series ofimitations, Byron parodies Vergil, borrowing his imagery to suggest t

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16

Frey, Büchel Nicole. "Perpetual performance: selfhood and representation in Byron's writing." Tübingen Francke, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2897269&prov=M&dok_var=1&dok_ext=htm.

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17

Chu, Chih-yu. "Byron's literary fortunes in China /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19672263.

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18

Showalter, Adrienne Markley A. A. "Sensational lives Byron and Robinson's Lives mirrored in literature /." [University Park, Pa.] : Pennsylvania State University, 2009. http://honors.libraries.psu.edu/theses/approved/WorldWideIndex/EHT-19/index.html.

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19

Webb, Stephen. "Lord Byron and Nation : Education and Reification." Thesis, Uppsala universitet, Historiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-210032.

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20

Bolton, Zoe Ann. "Textuality and travel from Gray to Byron." Thesis, Lancaster University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.539636.

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21

Leyland, David. "Aspects of morality : Byron and the body." Thesis, University of Liverpool, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272655.

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22

Addison, Catherine Anne. "Adventurous and contemplative : a reading of Byron's Don Juan." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26947.

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This dissertation on Byron's Don Juan begins with a history and analysis of the stanza form. Since ottava rima is a two-fold structure, comprising an alternately rhyming sestet followed by an independent couplet, it encourages the expression of dialectical ideas. Byron's prosodic virtuosity uses this potential to create a multivalent tissue of tones which is essentially—and almost infinitely—ironic. A view of prosody is developed here which is unique in its perception of the poem's existence in terms of a reading that unfolds in "real time." For various reasons, "reader-response" critics have

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23

Hüffer, Angela. ""Action in character" die Dramatik von Selbstreflexion und Selbstentwurf im lyrischen Drama der englischen Romantik ; Wordsworths "The Borderers", Byrons "Manfred" und Brownings "Paracelsus"." Trier Wiss. Verl. Trier, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2826336&prov=M&dok_var=1&dok_ext=htm.

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24

Throsby, Corin. "Flirting with fame : Byron and his female readers." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522806.

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25

Smith, Melissa Ann. "A TEI Transcription of Conversations with Lord Byron." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/33006.

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This project accompanies a TEI transcription of Lady Blessingtonâ s Conversations with Lord Byron, currently available on the Life and Times of Lord Byron online archive. Although often cited in biographies of Lord Byron, Lady Blessingtonâ s Conversations of Lord Byron has received little critical attention. Further, the genre of Blessingtonâ s work, the conversation as a biographical form, suffers the same dearth of critical material. My aims, then, are to 1) present a brief history of the conversation as biographical form; 2) examine the publication history of the Conversations and unde

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26

Lévy-Bertherat, Déborah. "L'artifice romantique : Byron, Pouchkine, Nerval, Poe, Lermontov, Baudelaire." Limoges, 1989. http://www.theses.fr/1989LIMO0501.

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Si le romantisme est traditionnellement considere comme la consecration du naturel, six ecrivains - byron, pouchkine, nerval, poe, lermontov et baude- laire- ont pourtant choisi de rehabiliter l'artifice, en exaltant la beaute et la puissance que l'homme poursuit en corrigeant la nature. La transformation du decor, qui traduit une volonte de puissance sur la matiere, est un premier defi au createur. Par la parure, l'homme se dote d'une apparence divine ; il devient sa propre creature, et se soustrait ainsi a l'auto- rite de dieu. Le travestissement va plus loin encore : le personnage deguise s

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27

Kang, Gina Mallory Anne. "The Death of Women in Wordsworth, Byron, and Poe." [Greenville, N.C.] : East Carolina University, 2010. http://hdl.handle.net/10342/2830.

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28

Sultana, Fehmida. "Romantic orientalism and Islam : Southey, Shelley, Moore, and Byron /." Thesis, Connect to Dissertations & Theses @ Tufts University, 1989.

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Thesis (Ph.D.)--Tufts University, 1989.<br>Submitted to the Dept. of English. Includes bibliographical references (leaves 209-215). Access restricted to members of the Tufts University community. Also available via the World Wide Web;

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29

Earle, Edward A. "The balance of the mind : Byron and Popeian ethics." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63975.

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30

Stock, Paul. "The idea of Europe and the Shelley-Byron circle." Thesis, Birkbeck (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504734.

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This thesis investigates how Percy Shelley, Lord Byron and their circle understood 'Europe'. It examines the geographical, political and ideological concepts they associated with the term, and the locations, historical episodes, political institutions or opposing 'others' they used to construct those understandings. The thesis builds upon recent work which questions the traditional association of Romanticism with nationalism. However, my discussion does not promote a transnational 'cosmopolitan ideal'. Instead, I am interested in Europe as a concept rich with analytic possibilities: it can evo

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31

Abdul-Razāk, Hanāʼ Muḥammad. "Keats, Shelley and Byron in Nāzik al-Malāʼikah's poetry". Thesis, University of Glasgow, 1989. http://theses.gla.ac.uk/4959/.

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The main purpose of this thesis is to trace the impact of the English Romantic poets, especially Keats, Shelley and Byron, on Arab/Iraqi Romantic poetry and thought, in particular that of Nazik al-Mala'ikah. The thesis is divided into two volumes. The first volume consists of three chapters, each divided into short sections. The first chapter is a detailed introduction to the three other chapters. It discusses the problem of defining the term 'Romanticism'. It studies comparatively the four fundamentals of the English and Arabic Romantic theories. It traces the origin and the development of Ar

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32

McColl, Robert Duncan. "Stirring age : history and romance in Scott and Byron." Thesis, University of Liverpool, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433780.

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33

Westwood, Daniel. "The concept of quest in Byron, Shelley, and Keats." Thesis, University of Sheffield, 2017. http://etheses.whiterose.ac.uk/18219/.

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This thesis examines the role of quest in the poetry of Byron, Shelley, and Keats. It argues that as proponents of a self-conscious quest poetry, each poet presents quest as a mode that gives shape to desire, but also one that demands scrutiny in its pursuit of potentialities. Utilising a new-formalist approach to poetry, the thesis presents these poets’ interrogations of quest as inseparable from the formal and generic qualities of their work, showing each poet locating artistic achievement in a performative approach to difficulty and struggle. Developing Harold Bloom’s argument that the Roma

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34

Squires, Matthew Lorin. "The Byronic Myth in Brazil: Cultural Perspectives on Lord Byron's Image in Brazilian Romanticism." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd758.pdf.

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35

Davis, G. Todd. ""The age of oddities" Byronism and the fictional representations of Byron /." Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1070042896.

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36

Vega, Olave Carolina. "Liquid writing: when subjectivity colours writing: a revision of Lord Byron's Childe Harold's pilgrimage and his letters." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143284.

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37

Mole, Thomas Seymour. "Byron's romantic celebrity : industrial culture and the hermeneutic of intimacy." Thesis, University of Bristol, 2003. http://hdl.handle.net/1983/36823ff2-0435-43b5-be8e-fcc88fdc179b.

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This thesis argues that modern celebrity culture took shape in the Romantic period, and that Byron should be understood as one of its earliest examples and most astute critics. It investigates the often strained interactions of artistic endeavour and commercial enterprise, the material conditions of Byron's publications, and the place of celebrity culture in the history of the self. It understands celebrity as a cultural apparatus structured by the relations between an individual, an industry and an audience, which emerged at a distinct historical moment. In the Romantic period, it contends, i

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38

Howe, A. R. "System and poetry : studies in the writings of Lord Byron." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604665.

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The thesis aims to offer new insights into Lord Byron's writing, focusing in particular on <i>Don Juan</i>. It attempts this through an investigation into the concept of 'system', a highly resonant term in the early nineteenth century and one the poet repeatedly invoked in a pejorative sense to indicate an unresponsive mind-set antithetical to the poetic. The introductory chapter offers an historical description of 'system' and its related vocabulary, drawing out the different applications of the world (intellectual religious, political and aesthetic). In particular, Byron's antisystematic att

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39

Sourgen, Gavin Oliver. "'Artlessness and artifice' : Byron and the historicity of poetic form." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:c5487012-3205-483f-9a98-4e679662a74d.

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This thesis examines the conscious amalgamation of conflicting forms in Byron’s verse, and how these forms strain to create meaning in the processes of his poetry. Through a series of close readings and critical engagements with other Romantic poets, I endeavour to show how Byron’s poetry is often a rich site of contention between revolutionary and conservative impulses; both in its style and subject matter, and more often than not, in the complicated relationship between them. Beginning with Byron’s problematic place in the English Romantic canon, I attempt to lay a foundation for my claims t

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40

Erchinger, Philipp. "Kontingenzformen : Realisierungsweisen des fiktionalen Erzählens bei Nashe, Sterne und Byron." Würzburg Königshausen & Neumann, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3178492&prov=M&dokv̲ar=1&doke̲xt=htm.

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41

Erchinger, Philipp. "Kontingenzformen : Realisierungsweisen des fiktionalen Erzählens bei Nashe, Sterne und Byron /." Würzburg : Königshausen & Neumann, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3178492&prov=M&dok%5Fvar=1&dok%5Fext=htm.

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42

Nicholl, Kaila, and Kaila Nicholl. "Some Other Being: The Autobiographical Phantom in Wordsworth and Byron." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12504.

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I explore Wordsworth and Byron's use of a mediating "other Being," or a third-person narrative voice, that functions as a "guide" through their autobiographical texts. After establishing this poetic voice, both poets employ their "other Being" to navigate spaces of ruin. Founded on fragments of memory and experience, as well as mediatory gaps, the poetry of Wordsworth and Byron illuminates the autobiographical poet's struggle with textual self-representation and the sustention of a poetic subjectivity that often substitutes for the poet's own. Through the rhetorical device of prosopopoeia, Wor

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43

Zembruski, Soeli Staub. "A tradução da ironia em Don Juan de Lord Byron." reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/xmlui/handle/123456789/123074.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.<br>Made available in DSpace on 2014-08-06T17:45:33Z (GMT). No. of bitstreams: 1 326308.pdf: 1751176 bytes, checksum: b260d009c11087f8a428dbbe282a20ba (MD5) Previous issue date: 2013<br>Abstract : The present work investigates the possibilities and implications of the translation of irony on the published parts of Don Juan by George Gordon Byron (1818-1823) in Brazil by seven Brazilian translators of distinct historical and cultur

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44

Darongsuwan, Nida. "Class and gender identity in 'male Gothic' from Walpole to Byron." Thesis, University of York, 2008. http://etheses.whiterose.ac.uk/14103/.

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The purpose of this thesis is to investigate works by major male writers of Gothic fiction-namely, Horace Walpole, William Beckford, Matthew Lewis and Lord Byron-in the context of the changing social and cultural climate of the late eighteenth and early nineteenth centuries. The "male Gothic," as I will argue, represents a kind of social performance, and it is a subgenre of fiction in which there is a persistent engagement with questions of class and gender identity. Between around the 1760s and the 1820s, Britain started to witness the gradual decline of aristocratic cultural hegemony and a m

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45

Sampson, Kathryn Ann. "The romantic literary pilgrimage to the Orient : Byron, Scott, and Burton /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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46

Haslett, Moyra. "Byron's "Don Juan" and the Don Juan legend /." Oxford [GB] : Clarendon press, 1997. http://catalogue.bnf.fr/ark:/12148/cb367003812.

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47

Orsini, Philippe Claudon Francis. "Le poète héros et le poète déchu romantisme et réalisation de l'idéal chez Lord Byron et Alfred de Musset /." Créteil : Université de Paris-Val-de-Marne, 2008. http://doxa.scd.univ-paris12.fr:8080/theses-npd/th0406674.htm.

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48

Anderson, Mark Richard. "Theatres of contention : vital instability in the poetry of Byron and Shelley." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12477/.

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This thesis explores the poetry of Byron and Shelley, emphasising their individual responses to shared poetic challenges. In particular, it examines the phenomenon of ‘instability’ of meaning in their work, arguing that such instability takes expressive forms more various and subtle than has hitherto been explored. Broadly but not restrictively formalist in approach, the thesis offers a reading of the poems as, in part, enactive explorations of the possibilities and constraints of poetic making, to an extent which sets Byron and Shelley apart from other Romantic poets. Building on and, when ap

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49

Wohlgemut, Esther. "Cosmopolitan affinities, the question of the nation in Edgeworth, Byron, and Maturin." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0019/NQ48120.pdf.

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50

Simpson, Michael Raymond. "Closet reading and political writing in the dramas of Byron and Shelley." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.276633.

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