Relevant bibliographies by topics / Byzantine architecture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Byzantine architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Byzantine architecture"

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Bogdanović, Jelena. "Evocations of Byzantium in Zenitist Avant-Garde Architecture." Journal of the Society of Architectural Historians 75, no. 3 (September 1, 2016): 299–317. http://dx.doi.org/10.1525/jsah.2016.75.3.299.

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Evocations of Byzantium in Zenitist Avant-Garde Architecture considers references to Byzantium in the architecture and philosophy of Zenitism, an Eastern European avant-garde movement founded by Ljubomir Micić in 1921. In this article, Jelena Bogdanović analyzes the visionary projects for the Zeniteum, designed by the only architect member of the Zenitist group, Jo Klek (Josip Seissel), as a singular example of Byzantine-modernist architecture, which incorporated aspects of Byzantine total design, spirituality, and aesthetics of dematerialization. She outlines the ways Zenitist theories and visionary drawings privileged the “Byzantine” dichotomy of a dome and a wall over Western European trabeated architecture while also deviating from the historicist, neo-Byzantine architectural style popular in Eastern Europe. Zenitism used indirect evocations of the Byzantine to create a dynamic Byzantine-modernist architecture, the study of which enriches discourse on tradition and the avant-garde in architecture.
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Jarak, Mirja. "ON THE HISTORY OF BYZANTINE DALMATIA IN VIEW OF EARLY MEDIEVAL CHURCH ARCHITECTURE." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 141 (2019): 55–60. http://dx.doi.org/10.17721/1728-2640.2019.141.11.

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The article presents examples of Byzantine church architecture, mostly in the towns of Dalmatia. After a short review of the Byzantine influence in the ecclesiastic architecture of the 6th century, the author shows its continuation during the early Middle Ages when the territory under Byzantine political authority was reduced to the coastal towns and northern Adriatic islands. Besides the famous rotunda of St. Donatus in Zadar, of the Byzantine influence in the medieval architecture speaks especially the cross in square church plan, which was accepted in several towns of Byzantine Dalmatia. The cross in square churches in Kotor and Dubrovnik were built in close connection with political and religious relationships with Byzantium, so the architecture can be seen in a broader historical frames.
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Milosevic, Predrag. "Foundations of Byzantine late middle ages architecture thoughtfulness." Facta universitatis - series: Architecture and Civil Engineering 2, no. 5 (2003): 395–404. http://dx.doi.org/10.2298/fuace0305395m.

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Only in the recent few years have a number of facsimile publications on architecture offered a possibility of studying the original texts from different time periods. Those, already rare studies on the theory of architecture in the western civilization, almost regularly completely omit the Byzantine achievements in the so-called entirety of thoughtfulness (enkyklios paideia), that was a main characteristic of Byzantine learning. This learning, based on the ancient Greek and Hellenistic foundations, in many ways concern architecture, especially the architectural theory. That is why writing a good account of the architectural theory of this, historically such an important country as Byzantium, in such a long historical period (since 312 till 1453), has been a difficult task (this contribution is just the initial part of the study). One should not be disregarded that the architectural theories are never completely independent of historical geographical or even personal prejudices of their authors. In this sense, a subject matter of this treatise is just one 1141 year long part of the architectural theory of the West (West - in civilizational terms, not a political West), the part that rests on Christian foundations that is the Orthodox, Roman Catholic and Protestant ones, mainly. It is all treated in order, from ancient pagan Greece and Rome, ancient and Middle Ages Orthodox Byzantium, until Middle Ages and New Age Europe, altogether, Orthodox, Roman Catholic and Protestant Europe, and then those parts of the world in which the said civilizational circle managed to take root in: parts of Asia, North and South America, parts of Africa and Australia.
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Mango, Cyril. "Approaches to Byzantine Architecture." Muqarnas 8 (1991): 40. http://dx.doi.org/10.2307/1523151.

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Mango, Cyril. "APPROACHES TO BYZANTINE ARCHITECTURE." Muqarnas Online 8, no. 1 (1990): 40–44. http://dx.doi.org/10.1163/22118993-90000262.

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Karydis, Nikolaos. "Discovering the Byzantine Art of Building: Lectures at the RIBA, the Royal Academy and the London Architectural Society, 1843–58." Architectural History 63 (2020): 171–90. http://dx.doi.org/10.1017/arh.2020.9.

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ABSTRACTAlthough British architects played a major role in the rediscovery of the Byzantine monuments of Greece in the late nineteenth and early twentieth centuries, earlier interest in the subject has remained obscure. Four lectures, read at the Royal Institute of British Architects, the Royal Academy and the London Architectural Society from 1843 to 1857, reflect a lively interest in Byzantine church architecture in the mid-nineteenth century. Delivered by Charles Robert Cockerell (1843), Edwin Nash (1847), Thomas Leverton Donaldson (1853) and John Louis Petit (1858), these lectures constitute some of the earliest attempts in England to explore both well-known monuments such as Hagia Sophia and lesser-known churches in Greece, Turkey and elsewhere. The manuscript records of these lectures show that influential British architects were not only familiar with Byzantine monuments, but were also able to look at them from the viewpoint of the designer and the builder. Emphasising the potential of Byzantine architecture to inform new design, they paved the way for the Byzantine revival, half a century later, and for the systematic investigation of Byzantine architecture from the late nineteenth century onwards.
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Ousterhout, Robert, and Dmitry Shvidkovsky. "Kievan Rus’." Scientific and analytical journal Burganov House. The space of culture 17, no. 1 (March 10, 2021): 51–67. http://dx.doi.org/10.36340/2071-6818-2021-17-1-51-67.

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Robert Ousterhout, the author of a magnificent book “Eastern Medieval Architecture. The Building Traditions of Bizantium and Neighboring Lands”, published by Oxford University Press in 2019, the remarkable scholar and generous friend, was so kind to mention in his C. V. on the sight of Penn University (Philadelphia, USA) that he had been the Visiting professor of the Moscow architectural Institute (State Academy), as well as simulteniously of the Hebrew University in Jerusalem, but he did not say that he had been awarded the degree of professor honoris causa by the academic council of MARHI. Unfortunately, his life in muscovite hostel, nevertheless we tried to do our best to provide the best possible accommodation in a “suit” with two rooms with a bathroom, had been radically different from the wonderful dwelling chosen for the visiting teaching stuff from MARHI in the University of Illinois. And Robert called our hostel “Gulag”. He had been joking probably. It is impossible to overestimate the role of professor Robert Ousterhaut in the studies of the history of Byzantine art. At the present day he is the leader in the world studies of the architecture of Byzantium, the real heir of the great Rihard Krauthaimer and Slobodan Curcic, whom he had left behind in his works. His books are known very well in Russia. R. Ousterhaut graduated in the history of art and architecture at the University of Oregon, the Institute of European Studies in Vienna, Universities of Cincinati and Illinois. Не worked at the department of history of art at the University of Oregon, department of history of architecture at the University of Illinois, had the chair of the history of architecture and preservation at the University of Illinois, which is considered, as we know, one of the twenty best American universities. He always worked hard and with success. When I had finished reading my course of the history of Russian architecture at Illinois, he said: “Yes, next term the students are to be treated well…” Now he is professor emeritus of the history of art in the famous Penn University. He taught the courses of the “History of architecture from Prehistory to 1400” and “Eastern medieval architecture” as well as led remarkable seminars devoted to the different problem of the history of architecture of the Eastern Meditarenian, including the art of Constantinopole, Cappadoce, meaning and identity in medieval art. His remarkable 4-years field work at Cappadoce, which he described in several books, and his efforts of the preservation of the architectural monuments of Constantinopole are very valuable, Among his books one certainly must cite Holy Apostels: Lost Monument and Forgotten Project, (Washingtone, D. C., 2020); Visualizing Community: Art Material Culture, and Settlement in Byzantine Cappadocia, Dumbarton Oaks Studies 46 (Washington, D. C., 2017); Carie Camii (Istambul, 2011); Architecture of the Sacred: Space, Ritual, and Experience from Classical Greece to Byzantium (Cambridge University Press, 2012), ed. with Bonna D. Wescoat; Palmyra 1885: The Wolfe Expedition and the Photographs of John Henry Haynes, with B. Anderson (Istanbul: Cornucopia, 2016) John Henry Haynes: Archaeologist and Photographer in the Ottoman Empire 1881–1900 (2nd revised edition, Istanbul: Cornucopia, 2016). Several of his books were reprinted. He edited Approaches to Architecture and Its Decoration: Festschrift for Slobodan Ćurčić (Aldershot: Ashgate, 2012), with M. Johnson and A. Papalexandrou. His outstanding book Мaster Builders of Byzantium (2nd paperback edition, University of Pennsylvania Museum Publications, 2008) was translated into Russian and Turkish. In this work Robert Ousterhaut for the first time in English speaking tradition is regarding the architecture of Bazantium from the point of view of building art and technology. On the base of the analysis of primary written sources, contemporary archeology data, and careful study of existing monuments the author concludes that the Byzantine architecture was not only exploiting the traditions, but was trying to find new ways of the development of typology and construction techniques, which led to transformation of artistique features. Professor R. Ousterhaut discusses the choice of building materials, structure from foundations to vaults, theoretical problems which solved the master masons of Byzantium. In his recent book Eastern Medieval Architecture: The Building Traditions of Byzantium and Neighboring Lands, (Oxford University Press, 2019) Robert Ousterhaut is going further. He writes in the introduction: “I succeded my mentor at the University of Illinois… I had the privilege and challenge of teaching “Early Christian and Byzantine Architecture” to generations of the architecture students inspired my 1999 book, Master Builders of Byzantium. The work of Robert Ousterhaut, published 2019, is the new and full interpretation of the architectural heritage of Byzantine Commonwealth. The author devoted the first part of his book to Late Antiquity (3–7 centuries), beginning with the relations of Domus Ecclesiastae and Church Basilica, then speaking of Konstantinopole and Jerusalem of the times of St. Constantine the Great, liturgy, inspiration, commemoration and pilgrimage, adoration of relics as ritual factors which influenced the formation of sacred space, methods and materials, chosen by the Bizantine builders with their interaction of the mentality of the East and West. Special attention is given to dwelling, urban planning and fortification Naturally a chapter is devoted to Hagia Sophia and the building programs of Emperor Justinian. The second part speaks of the transition to what is called Middle Byzantine architecture both in the capital and at the edges of the Empire. The third part tells the story of the 9th, 10th and 11th centuries and includes the rise of the monasteries, once more secular and urban architecture, the craft of church builders. Churches of Greece and Macedonia, Anatolia, Armenia and Georgia, as well as of the West of Byzantium – Venice, Southern Italy and Sicily. The chapter is devoted to Slavonic Balkans – Bulgaria and Serbia and Kievan Rus. The last fourth part of the book describes the times of the Latin Empire, difficult for Byzantium, to the novelty of the architecture of Palewologos and the development of Byzantine ideas in the Balkans and especially in the building programs of the great powers of the epoch Ottoman Empire and Russia. There is a lot more to say about the book of professor Robert Ousterhaut, but we have to leave this to the next issue of this magazine, and better give the space to the words of the author – his text on the architecture of Kievan Rus.
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Ousterhout, Robert. "An Apologia for Byzantine Architecture." Gesta 35, no. 1 (January 1996): 21–33. http://dx.doi.org/10.2307/767224.

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Piórecka, Agnieszka. "Stefan Uroš II Milutin – działalność fundacyjna serbskiego króla." Vox Patrum 66 (December 15, 2016): 459–76. http://dx.doi.org/10.31743/vp.3470.

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Biographer of Stefan Uroš II Milutin, Archbishop Danilo II, states in his book that about fifteen churches and monastery buildings, were erected under the aus­pices of the Serbian king. They were created in Serbia, Constantinople, Thessa­lonica, Athos, Jerusalem and Sinai. Similarly, as byzantine Emperor, the Serbian king not always founded new objects. Occasionally, as it was in the case of the church in Staro Nagoričino, he only resurrected run-down buildings. Probably, as the result of this activity there is such an architectural variety of his foundations. Since the moment of his marriage to the daughter of the Byzantine Emperor, An­dronikos II Palaiologos, Simonis in 1299, started the specific spread of byzantine domination in Serbia, also in architecture. Erecting buildings in byzantine style, the king employed master builders from the area of Empire. In the case of church­es in Prizren (Bogorodica Ljeviška) and in Staro Nagoričino, we can observe in­fluence of Epirus architecture.
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Milosevic, Predrag. "Documents on early Christian and Byzantine architecture." Facta universitatis - series: Architecture and Civil Engineering 8, no. 3 (2010): 277–91. http://dx.doi.org/10.2298/fuace1003277m.

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There are many models in the entire history of architecture which have travelled across the world, from one to another part of the big world. For various reasons, very frequently not at all scientific or professional, in our part of the world, be it Serbian or Yugoslav, or south Slav, some like to remain silent, when it comes to the transition of a Byzantine model, which by nature is rooted in the Orthodox Christian faith at the south east of Europe and the outmost west of Asia, to their areas, pervaded to a great extent by the Roman Catholic Christian belief, or Islam. There are numerous evidences of the transition of a model, one of many which found their new home on the west-European soil after the fall of Byzantium, mostly after the Crusades, when looters, but also scientists and artists in Italy, came by new wealth, and new knowledge, in the capital of the fallen Empire, observing its magnificent edifices, and taking its parts to their boats and shipping them to Venice and other cities in Italy and placing them on their buildings and squares, as they have done with the columns of the Augusteion of Constantinople, the square dedicated to Justinian's mother Augusta, which now decorate the square near the famous Venetian church of Saint Marco. Some other, also numerous accounts, explain how the Ottoman Turkish architecture in almost the same way, adopted its mosque construction model at the same place, in the same manner, retaining the actual structures but changing the religious insignia, or by copying this Byzantine model in building the new mosques.
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Dissertations / Theses on the topic "Byzantine architecture"

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Botez, Ana. "Rich Materiality: A Hermeneutic Approach to Byzantine Architecture." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1313768425.

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Ruggieri, Vincenzo. "Byzantine architecture (A.D. 582-867) : churches and monasteries." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328006.

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Yioutani-Iacovides, Maria. "Post-Byzantine Church architecture in Cyprus, 1191-1571." Thesis, University of Liverpool, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400408.

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Post-Byzantine Church Architecture in Cyprus during the period 1191-1571is crucial in the history of the island's architecture. It was influenced by two different traditions: the eastern Byzantine and the western medieval Gothic-Renaissance This architecture has been undervalued and only briefly discussed by scholars and historians, whereas the firescoes in the monuments have been thoroughly studied. This thesis seeks to establish how Post-I]yzantine Church Architecture developed under the influence of the historic circumstances of that time. it deals with Post-Byzantine architectural styles, lljcantine and Franco-Býwantine, the churches' typology, and the construction technology employed throughout the island. The research method has pursued two lines: extensive recording by visits to the churches and a review of the relevant literature. The intention of this research was to consider and study all the Post-Byzantine churches (around 301 churches) that were built or altered in the period 1191-1571, and which have retained their Original characteristics until the present day. Extensive visits were only possible to 206 of them; the others were studied through the literature, earlier photos, drawings, engravings and historical maps. An additional valuable source of information has been the fivsco-icons that illustrate models of the churches. The method of analysis was based on the classification of the churches according to their architectural style, types and their chronology. The thesis is divided into three parts (seven chapters). The first part tram historical information from the survey of the literature and analyses the author's observations after an assessment of the structural condition of the churches. The second, and main part describes the historical value of the churches and examines the development of the churches' architectural styles and types, their characteristics and architectural details. It also looks at construction materials, methods and techniques, and examines the geophysical characteristics of the island. ne third part sets out the conclusions.
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Ousterhout, Robert G. "The architecture of the Kariye camii in Istambul /." Washington : Dumbarton oaks research library and collection, 1987. http://catalogue.bnf.fr/ark:/12148/cb37394946g.

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Teteriatnikov, Natalia. "The liturgical planning of Byzantine churches in Cappadocia." Roma : Pontificio Istituto Orientale, 1996. http://books.google.com/books?id=W1xhAAAAMAAJ.

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Clark, Anne L. (Anne Lauren). "An architecture study of a Byzantine-resilient processor using authentication." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/34101.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 1994.
Includes bibliographical references (p. 121-123).
This architecture study provides the ground work for implementing a new generation of Byzantine resilient processors using authentication. The use of authentication allows a significant reduction in the theoretical requirements necessary for providing Byzantine resilience, or the ability to continue correct operation in the presence of arbitrary or even malicious faults. This decrease in requirements led to a goal of providing a system which combines the stringent standards embodied by Byzantine resilience with the lower costs necessary to make the system viable for more markets than previous Byzantine resilient processors. A layering scheme is proposed which can be placed between the user and hardware. These layers consist of protocols which provide the basic building blocks of the architecture. The proposed authentication protocol which provides the digital signatures used to verify the origin and contents of messages is a public-key protocol using 32-bit Cyclic Redundancy Codes (CRC's) to encode the message with 32-bit modular inverse key pairs to sign and authenticate the CRC. An interactive consistency protocol responsible for correctly distributing single-source data between processors is built using the SM(m) algorithm from [LSP82] with improvements suggested in [Dol83]. A voting protocol responsible for generating a group consensus value guaranteed to be the same on all nonfaulty processors suggests exchanging unsigned messages and then using a full-set majority vote choice() function to calculate the group consensus value. Finally, the proposed synchronization protocol needed to provide synchronized virtual clocks on all nonfaulty processors is placed on top of a full message exchange (FME) known as a From_all exchange to read the clocks on other processors. A time adjustment is then calculated using a technique suggested in [LM84].
by Anne L. Clark.
M.S.
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Hatjigiannis, Michel. "L'architecture byzantine à l'époque des paléologues : le cas du Catholicon de l'Olympiotissa à Elasson (Thessalie)." Paris 1, 1989. http://www.theses.fr/1989PA010541.

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L'Olympiotissa est la seule église byzantine a coupole de Thessalie, qui est restée intacte. Cette église porte, plus que les autres, l'empreinte de la tradition architecturale de la Macédoine voisine. La datation (1296-1305) est établie grâce à l'inscription figurant sur la porte en bois sculpte. L'église est conforme au type assez rare désigne sous le nom d' "église à coupole avec galeries enveloppantes". La coupole est du type "macédonien simple". Les hautes arcades aveugles, des façades nord et sud, sont un élément que la Thessalie et l'Épire ont emprunte à la macédoine. Les faites et les corniches festonnées caractérisent les églises macédoniennes et constantinopolitaines. Le décor de briques très abondant de l'église et les proportions élancées marquent l'architecture des paléologues. Le cachet particulier de Thessalonique et de son entourage se fait clairement sentir
The church of Panaghia Plympiotissa is the single one with dome of the region of Thessaly (central Greece) that has been preserved undamaged. Its architecture is influenced by the architectural tradition of the neighbouring Macedonia, more than the others remained churches of the Thessaly. The datation of the church in the early palaeologan period (1294-1305) is given by the inscription on its woodcarved door. The plan of the church is of the so called "ambulatory type". The dome belongs to the "simple Macedonian type". The high blind arcades of the northern and southern facades are borrowed elements from Macedonia. The eaves lines are usually scalloped in Macedonia and Constantinople. The architecture of the palaeologan period is marked by an abondant decorative brickwork and the general morphology presents slender structural elements. The obvious influence of the architecture of Thessaloniki, especially that of the holy apostles, is clearly established on the bases of comparisons between the Thessalian, Macedonian and Serbian churches of the early Palaeologan period
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Sinkević, Ida. "The Church of St. Panteleimon at Nerezi architecture, programme, patronage /." Wiesbaden : Reichert, 2000. http://catalogue.bnf.fr/ark:/12148/cb39168651h.

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Milson, David. "Aspects of the impact of Christian art and architecture on synagogues in Byzantine Palestine." Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:17261fb5-fbfb-4417-90a3-f0d01673f262.

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This thesis examines the relationship between Jews and Christians in the Holy Land from the age of Constantine the Great to the conquest of the eastern provinces by the Arabs from an archaeological viewpoint. At stake is a better understanding of how Jews adapted to changing times, particularly during the rise of Christianity in Palestine. Whereas earlier scholars have viewed the growth of the Byzantine empire as time of persecution toward the Jews, a re-evaluation of the archaeological evidence indicates that Jews prospered along with their Christian neighbors. In scope, this dissertation aims first to re-evaluate how many ancient building remains can be classified as synagogues, and how many of those can be accurately dated. For only after a solid body of archaeological research is firmly established can further progress be made toward our better understanding of the ancient world. Diversity in contemporaneous synagogue layouts, rather than a linear development throughout this period is the norm. Yet, in the sixth-century, one-third of all known synagogues in Palestine bear similar features to early Byzantine churches: basilical layouts, mosaic floors, apses, and chancel screens. Since no single fourth-century synagogue had an apse or chancel screen in its repertoire of furnishings, a reform must have taken place, which ultimately enhanced the synagogue. It has long been held that this change had originated under the influence of the growing Christian population in the Holy Land. Examining the nature of early Christian liturgical practice throws light on these changes to synagogues. For the focal point of the early Christian basilica, the altar in the sanctuary, separated from the hall by a chancel screen, was adapted by these Jewish communities. By placing the Torah Shrine in the apse of synagogues, the sacred nature of the Five Books of Moses was glorified. In focusing on the apse and niche it is suggested that rather than a positive influence toward the Jews, the deeply-rooted rivalry between Christianity and Judaism was the main implement for change. Jewish leaders built synagogues with apses and chancel screens to amplify and venerate the most important object in the hall - the Torah Scrolls - kept in the Torah Ark. Unlike earlier buildings, the Torah Shrine was set in the same position as the altar in churches, in the apse. Renovating interiors, changes to entrances, and new types of furnishings in synagogues were the physical changes to this institution which reflect the impact of Christian art on synagogues.
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Ristovska, Ana. "L'église Saint-Georges de Pološko (Macédoine) : recherche sur le monument et ses peintures murales (XIVe siècle)." Paris, EPHE, 2010. http://www.theses.fr/2010EPHE5015.

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La thèse porte sur l’étude de l’église funéraire de Saint-Georges, monastère de Pološko se trouvant aujourd’hui en République de Macédoine. Cette étude examine le monument, son histoire, son architecture et surtout sa peinture. L’étude du décor de l’église, en grande partie encore inédite, a permis d’éclaircir plusieurs éléments iconographiques originaux, rares, ou qui apparaissent pour la première fois dans l’art byzantin. Elle a aussi permis de mieux comprendre l’art byzantin de l’époque, l’activité des différents ateliers de la peinture, le rôle des donateurs dans la conception de la peinture, ainsi que la situation politique et la société dans cette partie des Balkans au XIVe siècle
The thesis is a study of the funeral church of St. George, monastery of Pološko in the Republic of Macedonia. This study examines the monument, its history, its architecture and especially its painting, dating from the 14th century. The study of the decor of the church, mostly still unpublished, clarified several original and rare iconographic elements, or elements that appear for the first time in Byzantine art. It allowed a better understanding of the byzantine art of the epoch, the activity of different painting workshops, the role of the donors in the creation of the painting, as well as the political situation and the society in this part of the Balkans in the 14th century
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Books on the topic "Byzantine architecture"

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Mango, Cyril A. Byzantine architecture. Milan: Electa Editrice, 1985.

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Krautheimer, Richard. Early Christian and Byzantine architecture. 4th ed. Harmondsworth, Middlesex, England: Penguin, 1986.

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Krautheimer, Richard. Early Christian and Byzantine architecture. 4th ed. Harmondsworth: Penguin, 1986.

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Slobodan, Ćurčić, ed. Early Christian and Byzantine architecture. 4th ed. New Haven: Yale University Press, 1986.

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Krautheimer, Richard. Early Christian and Byzantine architecture. 4th ed. New Haven: Yale University Press, 1986.

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Ćurčić, Slobodan. Architecture as icon: Perception and representation of architecture in Byzantine art. Princeton, N.J: Princeton University Art Museum, 2010.

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Rodley, Lyn. Byzantine art and architecture: An introduction. Cambridge: Cambridge University Press, 1994.

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Savelʹev, I︠U︡ R. "Vizantiĭskiĭ stilʹ" v arkhitekture Rossii: Vtorai︠a︡ polovina XIX-nachalo XX veka. Sankt-Peterburg: "Liki Rossii", 2005.

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Dosseva, Iva. Early Byzantine and medieval architectural sculpture in Sozopol. Sofia: Accent96, 2012.

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Hidryma, Trapeza Kyprou Politistiko, ed. Middle Byzantine architecture on Cyprus: Provincial or regional? Nicosia: Bank of Cyprus Cultural Foundation, 2000.

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Book chapters on the topic "Byzantine architecture"

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Gloag, John, and Hilton Wright. "Transitional: Byzantine." In Guide to Western Architecture, 85–104. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003333494-4.

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Roth, Leland M., and Amanda C. Roth Clark. "Early Christian and Byzantine Architecture." In Understanding Architecture, 248–67. 4th ed. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003143956-17.

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Zbierski, Maciej. "Iwazaru: The Byzantine Sequencer." In Architecture of Computing Systems – ARCS 2013, 38–49. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-36424-2_4.

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Riccardi, Lorenzo. "Art and architecture for Byzantine monks in Calabria." In Greek Monasticism in Southern Italy, 96–143. 1st [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315585871-5.

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Feist, Sabine. "Some Remarks on the ‘Dark Age’ Architecture of Hagia Sophia, Thessalonike *." In Byzantine Greece: Microcosm of Empire?, 121–33. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003429470-10.

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Olympios, Michalis. "Architecture, Use of Space, and Ornament in the Mendicant Churches of Latin Greece. An Overview." In Studies in Byzantine History and Civilization, 45–75. Turnhout, Belgium: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.sbhc-eb.5.128076.

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Braemer, Frank. "9. Stratigraphie, architecture et mobilier des époques romaine tardive et byzantine." In Bassit 2 (Syrie) - Fouilles Paul Courbin (1971-1984), 347–59. Turnhout: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.lema-eb.5.134056.

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Öztürk Büke, Fatma Gül. "Questioning Boundaries in Byzantine Cappadocia: Secular Spaces, Sacred Spaces, and Interfaces In Between." In Architecture and Visual Culture in the Late Antique and Medieval Mediterranean, 223–37. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.ama-eb.5.124444.

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Bogdanović, Jelena, Ljubomir Milanović, and Marina Mihaljević. "Art and Architecture in the Balkans and the Lower Danube Regions." In The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600, 44–61. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003121480-5.

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Dauterman Maguire, Eunice, and Henry Maguire. "‘The Forgotten Symbols of God’: Screening Patterns from the Early Christian and Byzantine Worlds." In Architecture and Visual Culture in the Late Antique and Medieval Mediterranean, 89–103. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.ama-eb.5.124436.

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Conference papers on the topic "Byzantine architecture"

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Drobysheva, Natalia. "BYZANTINE STYLE IN THE ARCHITECTURE OF BULGARIA." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s15.035.

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COROIU, PETRUTA-MARIA. "BYZANTINE ARTS AESTHETIC PRINCIPLES IN MUSIC AND ICONOGRAPHY." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s12.001.

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Coppola, Giovanni. "Assedi e macchine da guerra nel Mezzogiorno normanno, XI e XII secolo." In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18071.

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The establishment of Norman authority in southern Italy and Sicily was the result of an unprecedented effort that would substantially alter the future political order of the Mediterranean. The most effective military action adopted by Norman commanders was siege warfare, carried out against the main fortifications and major urban centers. This technique, very much related to Byzantine military traditions, consisted in surrounding with the army the place to be conquered with one or more small "counter-castles", preventing supplies from the outside, and at the same time engineering some powerful war machines, built for the occasion by the doctissimi artifices, which hammered the walls with intensity forcing it to surrender. The sophisticated lignorum machinae presented different types: mobile towers equipped with battering-rams, petrary, ballistae in addition to the well-known trebuchets with rope or counterweight devices.Starting from the written sources of the period, the essay aims to describe the salient phases of the main sieges conducted by the Normans between the 11th and 12th centuries, in which they experimented with singular warfare tools and strategies to get the better of the Lombard, Byzantine and Muslim armies.
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Ghelfi, Giorgio. "The parish church of San Michele Arcangelo in Metelliano: the path of knowledge of a vernacular architecture." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15675.

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The parish church of San Michele a Metelliano, located in Tuscany near the city of Arezzo, is a unique case of vernacular architecture. The building is the result of a synthesis of traditional local architecture and a strong Byzantine influence. It became a national monument in 1907.
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Loveless, Andrew, Christian Fidi, and Stefan Wernitznigg. "A Proposed Byzantine Fault-Tolerant Voting Architecture using Time-Triggered Ethernet." In AeroTech Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2017. http://dx.doi.org/10.4271/2017-01-2111.

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Vilciu, Marian. "THE BYZANTINE ICONOGRAPHY, ART AND FORM OF REPRESENTATION OF THE SPIRITUAL WORLD." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s12.008.

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Marmolejo Cantos, Francisco. "El palacio fortificado de Ibn Ḥafṣūn y sus ḥuṣūn-abwāb. La supuesta edilicia ḥafṣūní y los modelos orientales en el occidente malagueño." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11464.

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The fortified palace of Ibn Ḥafṣūn and its ḥuṣūn-abwāb. The supposed ḥafṣūní architecture and the oriental models in western MalagaNew interpretative approaches are raised about ḥafṣūní architecture based on the archeological data in the medieval city of Bobastro and its most immediate castles, all located in the limits of the municipal terms of Ardales and Alora, to the northwest from the capital of Malaga. We focus our attention on the palatine complex built by Ibn Ḥafṣūn during the Umayyad emirate and we present numerous nearby fortress, which has allowed us to first approach the knowledge of the defensive system that protected the medieval city. Among the recent evidence of the ḥafṣūní palace, as a result of this study, structural and ornamental elements are discovered that derive from the classical tradition, but they are unknown by local structures and must respond to the influence of the Syrian-Byzantine model.
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Araujo, Rodolfo Pereira, Igor Machado Coelho, Luiz Satoru Ochi, and Vitor Nazario Coelho. "LibBFT: A High-Performace Timed Automata Library Collection for Byzantine Fault Tolerance." In 2019 31st International Symposium on Computer Architecture and High Performance Computing (SBAC-PAD). IEEE, 2019. http://dx.doi.org/10.1109/sbac-pad.2019.00045.

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Ćirić, Jasmina S. "BEYOND CONSTANTINOPLE: CONSTRUCTING ΧΏΡΑ IN THE KING’S CHURCH OF STUDENICA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.465c.

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This article explores the King’s Church of Studenica, and its connections to the Byzantine Chora Church in Constantinople. By examining the architectural and artistic elements of the King’s Church, the article argues that King Stefan Uroš II Milutin sought to create a choral experience for the viewer, immersing them in a world of divine beauty and tran- scendence. Through the use of art and architecture, King Milutin sought to establish his strong cultural and political identity and assure the viewer of his divinity, elevating the prestige of the Serbian Land and its monarch in the eyes of both local and foreign visitors.
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Villada Paredes, Fernando. "De cerca medieval islámica a frente abaluartado: génesis y evolución del Frente de Tierra de Ceuta." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11403.

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From Medieval Islamic Wall to Bastioned Land Front: Genesis and evolution of the Land Front of CeutaCeuta is built on a peninsula at the southern shore of the Strait of Gibraltar. It’s a strategic point for communications between the Mediterranean Sea and the Atlantic Ocean and between two continents: Europe and Africa. As Ceuta ships rule the Gibraltar Strait in Medieval and Modern Ages, main defensive efforts were tuned of to Land Front. Consequently, in 950 ‘Abd al-Rahman III built a new fence in order to protect the madina reusing Roman and Byzantine fortifications. Although repaired and enlarged by Almohads, Marinids, and Portuguese, these walls and towers protected the Land Front of Ceuta until the sixteenth century. But, at this moment, pirobalistic artillery development had made this defensive device obsolete and a new bastioned front, an early and outstanding example of the new Renaissance ideas for the defense of the cities, was built. Archival documents, cartographic sources, etc., let us follow the main lines of this evolution. Recently, an archaeological research project has added new data on how this evolution, from Medieval to Renaissance fortifications, took place.
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