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Journal articles on the topic 'Byzantine architecture'

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1

Bogdanović, Jelena. "Evocations of Byzantium in Zenitist Avant-Garde Architecture." Journal of the Society of Architectural Historians 75, no. 3 (2016): 299–317. http://dx.doi.org/10.1525/jsah.2016.75.3.299.

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Evocations of Byzantium in Zenitist Avant-Garde Architecture considers references to Byzantium in the architecture and philosophy of Zenitism, an Eastern European avant-garde movement founded by Ljubomir Micić in 1921. In this article, Jelena Bogdanović analyzes the visionary projects for the Zeniteum, designed by the only architect member of the Zenitist group, Jo Klek (Josip Seissel), as a singular example of Byzantine-modernist architecture, which incorporated aspects of Byzantine total design, spirituality, and aesthetics of dematerialization. She outlines the ways Zenitist theories and vi
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Jarak, Mirja. "ON THE HISTORY OF BYZANTINE DALMATIA IN VIEW OF EARLY MEDIEVAL CHURCH ARCHITECTURE." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 141 (2019): 55–60. http://dx.doi.org/10.17721/1728-2640.2019.141.11.

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The article presents examples of Byzantine church architecture, mostly in the towns of Dalmatia. After a short review of the Byzantine influence in the ecclesiastic architecture of the 6th century, the author shows its continuation during the early Middle Ages when the territory under Byzantine political authority was reduced to the coastal towns and northern Adriatic islands. Besides the famous rotunda of St. Donatus in Zadar, of the Byzantine influence in the medieval architecture speaks especially the cross in square church plan, which was accepted in several towns of Byzantine Dalmatia. Th
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3

Milosevic, Predrag. "Foundations of Byzantine late middle ages architecture thoughtfulness." Facta universitatis - series: Architecture and Civil Engineering 2, no. 5 (2003): 395–404. http://dx.doi.org/10.2298/fuace0305395m.

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Only in the recent few years have a number of facsimile publications on architecture offered a possibility of studying the original texts from different time periods. Those, already rare studies on the theory of architecture in the western civilization, almost regularly completely omit the Byzantine achievements in the so-called entirety of thoughtfulness (enkyklios paideia), that was a main characteristic of Byzantine learning. This learning, based on the ancient Greek and Hellenistic foundations, in many ways concern architecture, especially the architectural theory. That is why writing a go
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Likhacheva, D. D. "The Boukoleon Palace in the Madrid Skylitzes’ Miniatures." Art Studies Journal, no. 2 (June 2024): 48–77. https://doi.org/10.51678/2073-316x-2024-2-48-77.

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The article concerns the images of the Boukoleon Palace in the Madrid manuscript of John Skylitzes’ Synopsis of Histories (MS Graecus Vitr. 26-2). This manuscript is a monument to two artistic traditions, Byzantine and Sicilian. Though the miniatures were created by the masters from San Salvatore convent, these were Byzantine manuscripts of the 11th and 12th centuries, brought to the south of Italy from Constantinople, that served as a model for them. The Madrid Skylitzes’ miniatures give us a rare opportunity to find out how Italian masters saw Byzantine architecture, which architectural form
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Nazer, Zeynab, and Péter Rabb. "Metric-Based Comparative Analysis of Seljuk and Byzantine Architectural Practices in Medieval Anatolia." Journal of Design, Planning and Aesthetics Research 4, no. 1 (2025): 78–92. https://doi.org/10.63673/deparch.2025.41.

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The architectural landscape of medieval Anatolia represents a complex synthesis of Byzantine and Seljuk traditions, characterized by significant advancements in construction techniques and decorative methodologies. This study investigates the interplay between these two architectural traditions, analysing key elements such as stonework, tilework, and ornamental patterns. The Seljuks are renowned for their emphasis on intricate geometric motifs, calligraphy, and the innovative application of muqarnas, while Byzantine architecture is distinguished by its monumental scale, intricate masonry, and
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Mango, Cyril. "Approaches to Byzantine Architecture." Muqarnas 8 (1991): 40. http://dx.doi.org/10.2307/1523151.

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Mango, Cyril. "APPROACHES TO BYZANTINE ARCHITECTURE." Muqarnas Online 8, no. 1 (1990): 40–44. http://dx.doi.org/10.1163/22118993-90000262.

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8

Karydis, Nikolaos. "Discovering the Byzantine Art of Building: Lectures at the RIBA, the Royal Academy and the London Architectural Society, 1843–58." Architectural History 63 (2020): 171–90. http://dx.doi.org/10.1017/arh.2020.9.

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ABSTRACTAlthough British architects played a major role in the rediscovery of the Byzantine monuments of Greece in the late nineteenth and early twentieth centuries, earlier interest in the subject has remained obscure. Four lectures, read at the Royal Institute of British Architects, the Royal Academy and the London Architectural Society from 1843 to 1857, reflect a lively interest in Byzantine church architecture in the mid-nineteenth century. Delivered by Charles Robert Cockerell (1843), Edwin Nash (1847), Thomas Leverton Donaldson (1853) and John Louis Petit (1858), these lectures constitu
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9

Ousterhout, Robert, and Dmitry Shvidkovsky. "Kievan Rus’." Scientific and analytical journal Burganov House. The space of culture 17, no. 1 (2021): 51–67. http://dx.doi.org/10.36340/2071-6818-2021-17-1-51-67.

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Robert Ousterhout, the author of a magnificent book “Eastern Medieval Architecture. The Building Traditions of Bizantium and Neighboring Lands”, published by Oxford University Press in 2019, the remarkable scholar and generous friend, was so kind to mention in his C. V. on the sight of Penn University (Philadelphia, USA) that he had been the Visiting professor of the Moscow architectural Institute (State Academy), as well as simulteniously of the Hebrew University in Jerusalem, but he did not say that he had been awarded the degree of professor honoris causa by the academic council of MARHI. U
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Grujoska-Kuneska, Jasna. "An Overview of the Byzantine Churches in North Macedonia." Journal of Balkan Architecture 1, no. 2 (2025): 69–82. https://doi.org/10.69648/utap8487.

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Byzantine architecture has created some of the most iconic historical buildings, which remain a significant part of our cultural heritage to this day. This style combines different aspects and creates spaces of great beauty and spirituality. The territory of North Macedonia has a rich history, with a vast cultural heritage that includes numerous historical buildings from different periods, representing the creative ideas and traditions of the past civilizations that lived there. This paper explores the examples of the Byzantine architecture preserved within the territory of North Macedonia. Th
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11

Ousterhout, Robert. "An Apologia for Byzantine Architecture." Gesta 35, no. 1 (1996): 21–33. http://dx.doi.org/10.2307/767224.

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12

Piórecka, Agnieszka. "Stefan Uroš II Milutin – działalność fundacyjna serbskiego króla." Vox Patrum 66 (December 15, 2016): 459–76. http://dx.doi.org/10.31743/vp.3470.

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Biographer of Stefan Uroš II Milutin, Archbishop Danilo II, states in his book that about fifteen churches and monastery buildings, were erected under the aus­pices of the Serbian king. They were created in Serbia, Constantinople, Thessa­lonica, Athos, Jerusalem and Sinai. Similarly, as byzantine Emperor, the Serbian king not always founded new objects. Occasionally, as it was in the case of the church in Staro Nagoričino, he only resurrected run-down buildings. Probably, as the result of this activity there is such an architectural variety of his foundations. Since the moment of his marriage
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Milosevic, Predrag. "Documents on early Christian and Byzantine architecture." Facta universitatis - series: Architecture and Civil Engineering 8, no. 3 (2010): 277–91. http://dx.doi.org/10.2298/fuace1003277m.

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There are many models in the entire history of architecture which have travelled across the world, from one to another part of the big world. For various reasons, very frequently not at all scientific or professional, in our part of the world, be it Serbian or Yugoslav, or south Slav, some like to remain silent, when it comes to the transition of a Byzantine model, which by nature is rooted in the Orthodox Christian faith at the south east of Europe and the outmost west of Asia, to their areas, pervaded to a great extent by the Roman Catholic Christian belief, or Islam. There are numerous evid
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Bintliff, John. "Charalambos Bouras, Byzantine Athens, 10th-12th Centuries / Nickephoros I. Tsougarakis et al. A Companion to Latin Greece / Joanita Vroom, Medieval and Post-Medieval Ceramics in the Eastern Mediterranean / Joanita Vroom et al., Medieval Masterchef." Journal of Greek Archaeology 6 (December 9, 2021): 431–35. http://dx.doi.org/10.32028/jga.v6i.1064.

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Both the Bouras and Tsougarakis books are splendid introductions to their respective periods, Bouras on Middle Byzantine Athens, and the Tsougarakis-Lock edited volume on Frankish Greece. But the prices surely rule out owning a hard-copy of either book for almost all interested readers. At least Routledge offers a cheap online-version as a reasonable alternative access. Brill’s policy of matching online price to hard copy is quite unfathomable.
 Charalambos Bouras, who died in 2016 shortly before this volume on Athens appeared, was a giant in the field of Byzantine and Post-Byzantine Arch
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15

Georgopoulou, Maria. "Vernacular Architecture in Venetian Crete: Urban and Rural Practices." Medieval Encounters 18, no. 4-5 (2012): 447–80. http://dx.doi.org/10.1163/15700674-12342115.

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Abstract The architecture built in Venice’s colony on Crete between its establishment in 1211 and the Ottoman conquest of the island in 1669 displays an intermingling of Western (Latin) architectural traditions with pre-Venetian Byzantine (Orthodox) forms and styles. Previous scholarship has explored the urban architecture of Venetian Crete, but less attention has been granted to the many rural Orthodox churches of the later medieval period that dot the Cretan countryside. While the official monuments of Cretan cities have been interpreted as employing architectural forms with a strong ideolog
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16

Ousterhout, Robert. "Eastern Medieval Architecture. Russia." Scientific and analytical journal Burganov House. The space of culture 17, no. 2 (2021): 10–27. http://dx.doi.org/10.36340/2071-6818-2021-17-2-10-27.

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We publish in this issue the continuation of the translation of the new book of the outstanding historian of the architecture of Byzantium professor of Penn University (USA) and professor honoris causa of the Moscow Institute for Architecture (State academy) “Eastern Medieval Architecture. The Building Traditions of Byzantium and Neibouring Lands (Oxford University Press, 2019). This part of the book of the scholar is devoted to the development of the Byzantine tradition in Russian postrenaissance architecture. The description of Robert Ousterhaut’s scholarly biography and his impact to the st
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17

Stanković, Nebojša. "Royal canopy over the church entrance: Forms, spatial contexts, iconographic programs, and meaning of the dome in Serbian narthexes of the 14th century." Zbornik radova Filozofskog fakulteta u Pristini 54, no. 3 (2024): 309–47. http://dx.doi.org/10.5937/zrffp54-53038.

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The churches commissioned by King (later Emperor) Stephen Dušan, his important dignitaries, and later Serbian rulers-e.g., Holy Archangels near Prizren, Lesnovo, Hilandar, Markov Manastir, Ravanica, and Manasija-often have a narthex or an entrance porch covered by a dome. This architectural element is additionally emphasized by a specific program of painted decoration-as witnessed by several preserved ensembles-which, like the one in the nave's dome, contains some representation of Christ surrounded by members of the heavenly ranks. Through the choice of iconographic elements of Christ or acco
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18

Pantelić, Bratislav. "Nationalism and Architecture: The Creation of a National Style in Serbian Architecture and Its Political Implications." Journal of the Society of Architectural Historians 56, no. 1 (1997): 16–41. http://dx.doi.org/10.2307/991214.

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From the mid-nineteenth century until the late 1930s the dominant architectural mode in Serbia was a local historicist style termed Serbo-Byzantine. At first it was used only for churches but was soon extended to schools and then to all types of buildings. Although mostly based on academic revivalist forms, this idiom, which purportedly drew its inspiration from Balkan medieval architecture, did, on occasion, display distinctly local characteristics. Although part of a pan-European trend. Serbian historicism was detached from architectural developments elsewhere. Unlike other Romantic-era revi
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19

Anthony Stewart, Charles. "Military Architecture in Early Byzantine Cyprus." Cahiers du Centre d'Etudes Chypriotes 43, no. 1 (2013): 287–306. http://dx.doi.org/10.3406/cchyp.2013.1068.

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20

Brubaker, Leslie. "Byzantine art and architecture, an introduction." Byzantine and Modern Greek Studies 20, no. 1 (1996): 292–95. http://dx.doi.org/10.1179/byz.1996.20.1.292.

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21

PATRICIOS, Nicholas Napoleon. "The Dome in Byzantine Church Architecture." Byzantina Symmeikta 30 (February 11, 2020): 85. http://dx.doi.org/10.12681/byzsym.20382.

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Ο τρούλλος ήταν ένα σημαντικό αρχιτεκτονικό χαρακτηριστικότόσο στη ρωμαϊκή όσο και στη βυζαντινή περίοδο. Υποστηρίζεται ότιυπήρξε συνεχιζόμενη ανάπτυξη της αρχιτεκτονικής μορφής και τουσυμβολισμού του τρούλλου μεταξύ των δύο περιόδων, αλλά με επέκτασητης τυπολογίας του και σημαντική ενίσχυση του συμβολισμού του στηνεκκλησιαστική αρχιτεκτονική της βυζαντινής εποχής. Στο ερώτημα τίδιακρίνει τον τρούλλο μεταξύ των δύο περιόδων, η απάντηση πρέπεινα αναζητηθεί κατά κύριο λόγο στην λειτουργία τους – στην χρήση τουτρούλλου στα κοσμικά κτήρια κατά την Ρωμαϊκή περίοδο σε σύγκριση μετα κατά κύριο λόγο θ
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22

ŠUPUT, Marica. "On the “Immutability” of Byzantine Architecture." Δελτίον Χριστιανικής Αρχαιολογικής Εταιρείας 38 (January 11, 1999): 105. http://dx.doi.org/10.12681/dchae.1199.

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23

Kadijevic, Aleksandar. "The church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times." Zograf, no. 43 (2019): 215–30. http://dx.doi.org/10.2298/zog1943215k.

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Under the influence of Russian and Austrian neo-Byzantinism, as well as increasingly extensive historiographic research, evocations of Byzantine architectural achievements appeared in Serbian architecture in the early 1870s. Their merging with the layers of the national schools of medieval masonry, adapted to the use of modern materials and methods of composition, stemmed from the uncritical identification of these two historical traditions, a view that was also present in scholarship for far too long. Regardless of its theoretical underdevelopment, the emulation of Byzantine monuments became
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24

Заворина, Мария Леонидовна. "Архитектура Охридской архиепископии в XIII – XIV веках". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 692–710. https://doi.org/10.18688/aa2414-10-56.

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The article attempts to present a comprehensive picture of the development of architecture in the lands under the jurisdiction of the Ohrid Archbishopric in the 13th–14th centuries. At that time, during the constant military clashes during the rivalry of the Byzantine and Slavic medieval states for supremacy in the Balkans, the borders of the diocese were constantly changing, geographically the Archbishopric turned out to be part of different states, but retained autocephaly. The article reveals and characterizes the architectural originality of the monuments of the Ohrid Archbishopric in the
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25

Скотникова, Г. В. "Византийский вектор в гуманитарной культуре России 1870‑х годов". Труды кафедры богословия Санкт-Петербургской Духовной Академии, № 2(26) (26 травня 2025): 210–23. https://doi.org/10.47132/2541-9587_2025_2_210.

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В статье представлена панорама феноменов, проявивших византийский вектор в русском самосознании 1870‑х годов. Автор обращается к сфере культурфилософии, византологии, отечественной исторической науки, государственному заказу на «византийский стиль» в церковном зодчестве, ознаменовавшему православно- цивилизационную сущность России. Подчеркивается научно- мировоззренческий прорыв мирового уровня, осуществленный в фундаментальных концепциях Н. Я. Данилевского, К. Н. Леонтьева, В. И. Ламанского, в трудах собственно историков Византии и византийского искусства В. Г. Васильевского, Ф. И. Успенского
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Roter-Blagojević, Mirjana, and Marko Nikolić. "Introduction of Vernacular Architecture studies at the Faculty of Architecture in Belgrade." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 191–212. http://dx.doi.org/10.5937/saj1901191r.

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The paper examines the work of Aleksandar Deroko at the University of Belgrade's Faculty of Architecture and the inclusion of his rich personal knowledge about the vernacular architecture in the study programme, which he gained from long-term field research. As an assistant professor, he introduced the interpretation of vernacular architecture in the course on Byzantine and Old Serbian Architecture in 1929. After the study programme reform in 1935, a new course - named Old Serbian Architecture - was established, with one semester dedicated to the medieval monumental architecture and the second
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Kolomiiets, Oleksandra. "Constructive solution of window frames and the use of glass in middle and late Byzantine temple architecture." Scientific Papers of the Kamianets-Podilskyi National Ivan Ohiienko University. History 40 (July 3, 2023): 77–86. http://dx.doi.org/10.32626/2309-2254.2023-40.77-86.

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The purpose of the article is to investigate the constructive solutions of windows, window frames, production and use of glass (including stained glass) in temple buildings of the Middle and Late Byzantine periods on the basis of preserved, described in sources and found ar- tifacts. Th e research methodology is based on the principles of historicism, comparative analysis, induction and deduction. An interdisciplinary methodology is used – approaches of global history, which are based on data, fi rst of all, obtained from archaeological, geographical and chemical research, as well as a compara
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Lin, Yue, Ya Nan Gao, Song Tao Fan, and Chun Xu. "Design and Simulation of an Improved Five Redundancy GNC System Architecture." Applied Mechanics and Materials 543-547 (March 2014): 1423–27. http://dx.doi.org/10.4028/www.scientific.net/amm.543-547.1423.

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Aerospace plane, the next generation manned spacecraft has the characteristics of high reliability and high security. Therefore, a five modular redundancy byzantine fault tolerant architecture is propose for the guidance, navigation and control (GNC) system. This architecture can give the system characteristic of double fault resilience, and is also suitable for solving Byzantine general problem. A semi-physical simulation is done, which is based on 1553B data bus and VxWorks operating system. The simulation result has verified the fault tolerant architecture and feasibility of the system impl
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Peers, Glenn. "Byzantine Art and Architecture: An Introduction.Lyn Rodley." Speculum 71, no. 2 (1996): 484–86. http://dx.doi.org/10.2307/2865473.

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Peker, Nilüfer. "Agricultural production and installations in Byzantine Cappadocia: a case study focusing on Mavrucandere." Byzantine and Modern Greek Studies 44, no. 1 (2020): 40–61. http://dx.doi.org/10.1017/byz.2019.23.

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While there has been extensive research conducted on Byzantine religious architecture in Cappadocia, little work has been done on agricultural installations there. The valley of Mavrucandere in Cappadocia contains a settlement which has a remarkable agrarian installation complex. Resembling a factory, this area highlights the architectural and the organizational structure of the wine-presses in Cappadocia. In the light of the new findings, this article aims to examine the organization of the wine-making process, the location of the installations in the settlement, and the importance of the ins
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Lamport, Leslie, and P. M. Melliar Smith. "Byzantine clock synchronization." ACM SIGOPS Operating Systems Review 20, no. 3 (1986): 10–16. http://dx.doi.org/10.1145/12476.12477.

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32

AlZain, Mohammed A., Alice S. Li, Ben Soh, and Mehedi Masud. "Byzantine Fault-Tolerant Architecture in Cloud Data Management." International Journal of Knowledge Society Research 7, no. 3 (2016): 86–98. http://dx.doi.org/10.4018/ijksr.2016070106.

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One of the main challenges in cloud computing is to build a healthy and efficient storage for securely managing and preserving data. This means a cloud service provider needs to make sure that its clients' outsourced data are stored securely and, data queries and retrievals are executed correctly and privately. On the other hand, it may also mean businesses are willing to outsource their data to a third party only if they trust their data are not accessible and visible to the service provider and other non-authorized parties. However, one of the major obstacles faced here for ensuring data rel
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Lazarev, Maxim. "The art of Byzantium: The Roman and Orthodox traditions." Humanity space. International almanac 1, no. 2 (2012): 298–312. https://doi.org/10.24412/Fhs3svlGW9k.

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The article deals with the formation of Byzantine art as an example of architecture. The author traces the influence of the Roman Orthodox traditions оn the art. It is shown the formation of the Byzantine system of floors and building improvements.
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Zia, Sana, and Safya Noor. "The Evolution of Ottoman Architecture and its Distinct Characteristics." Journal of Islamic Civilization and Culture 3, no. 01 (2020): 156–67. http://dx.doi.org/10.46896/jicc.v3i01.89.

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Architecture reflects and pinpoints its nation’s progress and mindset. Ottoman Empire, which ruled over three continents, is known for its unique and magnificent architecture represented by grand mosques, seminaries and imperial palaces .The so called Ottoman Architecture was created with in the domain of the Ottoman Empire and is known for its distinct characteristics. This architecture was initially influenced by Seljuk architecture. All Ottoman Sultans had special taste for architecture .Later on, the center was shifted to the capital of the fallen Byzantine Empire, and thus got inspiration
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Caskey, Jill. "Steam and "Sanitas" in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages." Journal of the Society of Architectural Historians 58, no. 2 (1999): 170–95. http://dx.doi.org/10.2307/991483.

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This study presents five little-known bathing chambers from the region of Amalfi in southern Italy. Dating from the thirteenth century, the baths define with remarkable consistency a type of structure that has not previously been identified or considered in histories of medieval architecture in the West. The study begins with an analysis of the five bathing chambers and their specific architectural features, technological remains, and domestic contexts. The diverse antecedents of the buildings, which appear in ancient Roman, medieval Italian, Byzantine, and Islamic architecture, are explored,
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Zohidjon, Abdullayev. "CHURCH OF SAINT SOPHIA." EURASIAN JOURNAL OF SOCIAL SCIENCES, PHILOSOPHY AND CULTURE 3, no. 9 (2023): 28–31. https://doi.org/10.5281/zenodo.8347516.

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The Church of Saint Sophia, known as Hagia Sophia, is an architectural masterpiece and a symbol of profound spiritual significance. This article explores the historical journey of Saint Sophia, from its origins as a Byzantine cathedral to its transformation into an Ottoman mosque and, more recently, its return to religious function. Its architecture, characterized by a monumental dome and intricate mosaics, showcases Byzantine engineering brilliance. The spiritual significance of Saint Sophia transcends religious boundaries, symbolizing both Christian and Islamic faiths and embodying the share
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Djamali, Morteza, and Nicolas Faucherre. "Sasanian architecture as viewed by the 19th century French architect Pascal-Xavier Coste." DABIR 7, no. 1 (2020): 91–100. http://dx.doi.org/10.1163/29497833-00701007.

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The 19th century French architect Pascal-Xavier Coste was one of the first European artists to recognize Sasanian architecture as a distinct and significant architectural style in Late Antiquity. He considered this style to be parallel to Byzantine and Romanesque architecture in the Eastern and Western Roman Empire, respectively. Sasanian architecture, according to Coste, belonged to a period of ‘decadence of the arts’ following the fall of the Roman Empire, during which small construction materials replaced large masonry blocks. Despite this general ‘decadence’, Coste attributed several archi
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Vanni, Flavia. "Seeing the Unseen: Plaster Reliefs in Middle Byzantine Constantinople." Eurasian Studies 19, no. 1 (2021): 106–28. http://dx.doi.org/10.1163/24685623-12340111.

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Abstract This paper discusses the scarce, but crucial evidence for plaster reliefs in Constantinople between the ninth and the thirteenth centuries. While many plaster reliefs survived in the Balkan peninsula, there is room to confirm that they were also used in the capital. Plaster reliefs were a quick substitution for marble, but could also answer aesthetic needs and architectural conventions that continued from Late Antiquity in to Middle and Late Byzantine architecture, even with some changes.
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Crow, James. "Rosa Bacile and John McNeill (eds). Romanesque and the Mediterranean, Points of contact across the Latin, Greek and Islamic Worlds, c.1000- c.1250." Journal of Greek Archaeology 1 (January 1, 2016): 465–66. http://dx.doi.org/10.32028/jga.v1i.672.

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This informative and well-presented volume is the result of papers presented in Palermo in 2012 at the British Architectural Association’s second international Romanesque conference. The Romanesque is essentially a Latin, central and western European expression of art and architecture and the papers identify and question those points of contact with the established traditions of Byzantium and Islam. Few places are better placed to see this interaction than Sicily and this is reflected in two of the main papers on the Cappella Palatina, Roger of Sicily’s new Norman palace in Palermo (it should
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Ince, Gillian E., Theodore Koukoulis, and David Smyth. "Paliochora: Survey of a Byzantine City on the Island of Kythera. Preliminary Report." Annual of the British School at Athens 82 (November 1987): 95–106. http://dx.doi.org/10.1017/s0068245400020347.

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This paper is a report of the 1985 and 1986 survey work conducted at the Byzantine citysite of Paliochora (Hagios Demetrios) on Kythera. The city was traditionally founded in the late twelfth century and destroyed by the pirate Barbarossa in 1537.The report begins with a brief historical summary of the island's history under the Byzantines and Venetians, and a description of the site. The rest of the paper is devoted to a discussion of the initial finds under the headings of domestic architecture and churches. In the conclusion the proposed future work on site is outlined.
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Stewart, Charles Anthony. "Architectural Innovation in Early Byzantine Cyprus." Architectural History 57 (2014): 1–29. http://dx.doi.org/10.1017/s0066622x00001362.

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The monuments of the Byzantine Empire stand as a testimony to architectural ingenuity. The history and development of such ingenuity, however, may often be difficult to trace, since this requires investigating ruins, peeling away centuries of renovations, and searching for new documentary evidence. Nevertheless, identifying the origins of specific innovations can be crucial to an understanding of how they later came to be used. In fact, ‘creative “firsts” are often used to explain important steps in the history of art’, as Edson Armi noted, adding that ‘in the history of medieval architecture,
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Boutros, Ramez. "Dimensions and Proportions in Egypt’s Byzantine Religious Architecture." Journal of the Canadian Society for Coptic Studies 12 (December 3, 2020): 35–57. http://dx.doi.org/10.5913/jcscs.2020.86435971.

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In the study of Egypt’s Byzantine religious architecture, modern scholarship has been focusing essentially on es- tablishing the typology of plans and their relative chronology. Church building activity has also been studied by using the written sources complimented by the archaeological evidence. is abundant Christian archaeological material shows an amazing variety and complexity in church designs. ere is a need of a rationalized analysis of the proportion ratios of the church buildings, and a necessity to focus on the dominant factors dictating its size, the type of its structure, and the q
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Pülz, Andreas, and Ina Eichner. "Byzantine buildings: monumental architecture at Miletus and Resafa." Antiquity 91, no. 356 (2017): 529–32. http://dx.doi.org/10.15184/aqy.2016.275.

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Tiryaki Türkmenoğlu, Ayça, and Özgü Çömezoğlu Uzbek. "Byzantine Architecture in the Lower City of Perge." Art-Sanat, no. 21 (January 31, 2024): 683–720. http://dx.doi.org/10.26650/artsanat.2024.21.1312941.

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Brownlee, David B. ""Neugriechisch/Néo-Grec:" The German Vocabulary of French Romantic Architecture." Journal of the Society of Architectural Historians 50, no. 1 (1991): 18–21. http://dx.doi.org/10.2307/990543.

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The enigmatic term néo-grec, attached to the architecture and architectural thinking of mid-nineteenth-century France, seems to have been born in Germany. There, in the first years of the century, neugriechisch was used to describe the Byzantine-influenced Romanesque architecture of the Rhineland. Ludovic Vitet, soon to be named Inspecteur général des Monuments historiques, learned about this terminology in 1829, when he toured Germany and met with Sulpiz Boisserée, the antiquarian who had invented it. Vitet translated the term and took it home, along with the romantic view of history that it
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Tribak, Mohamed. "العمارة الإسلامية بين الثوابت الحضارية والتأثيرات الخارجية: دراسة تحليلية في الأبعاد البيئية والاجتماعية والتاريخية". Journal of Multidisciplinary Science: MIKAILALSYS 3, № 1 (2025): 302–27. https://doi.org/10.58578/mikailalsys.v3i1.5249.

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This study investigates Islamic architecture as an integrated civilizational product shaped by a complex interplay of religious, social, political, economic, and environmental factors. The significance of the research lies in highlighting the distinctiveness of Islamic architecture, which is not merely a stylistic or aesthetic accumulation, but a powerful reflection of the Muslim Ummah's identity and interaction with its context. The study aims to analyze how these factors have contributed to the formation of a unique architectural language and to assess the extent of influence from prior civi
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Gorbyk, Olena. "ARCHITECTURE OF ANCIENT PERSIA: SYNCRETISM OF THE ARCHETYPES OF THE OIKOUMENE." Current problems of architecture and urban planning, no. 62 (January 31, 2022): 29–39. http://dx.doi.org/10.32347/2077-3455.2022.62.29-39.

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The architecture of ancient Persia was an important component ecumenical development of culture and architecture of the ancient editerranean. Syncretism is confirmed in the forms of the order system and the porticos of Persia and Greco-Roman ancient architecture in the courtyards of Persian palaces and Roman court exedra in the form of a cross-domed temple of Persian Zoroastrianism and Byzantine Christianity. In the Achaemenid period of the history of ancient Persia, in the 6th century. B.C. in the Persian-occupied Anatolia and the Ionian Greeks took place an important event in ancient archite
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ДАДИАНОВА, Т. В. "THE INFLUENCE OF BYZANTIUM ON CHURCH ARCHITECTURE AND ICON PAINTING." Kavkaz-forum, no. 11(18) (September 20, 2022): 38–51. http://dx.doi.org/10.46698/vnc.2022.18.11.003.

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В статье предпринимается попытка описания различных аспектов византийского влияния на средневековое церковное зодчество и изобразительное искусство (иконопись) аланских храмов, расположенных на территории Северного Кавказа. Анализируются проблемы сохранения этого уникального культурного наследия, а также работа художников-реставраторов, осуществляемая в этом направлении. Эта проблема актуализируется датой празднования 1100-летия Крещения Алании, к которой приурочена активизация исследований аланского христианского наследия. Поскольку учреждение Аланской митрополии осуществлялось Византией, то
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Yan, K. Q., and S. C. Wang. "Grouping Byzantine Agreement." Computer Standards & Interfaces 28, no. 1 (2005): 75–92. http://dx.doi.org/10.1016/j.csi.2004.09.001.

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Ousterhout, Robert. "Review: Architecture as Icon: Perception and Representation of Architecture in Byzantine Art." Journal of the Society of Architectural Historians 70, no. 1 (2011): 109–10. http://dx.doi.org/10.1525/jsah.2011.70.1.109.

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