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Journal articles on the topic 'Byzantine Collection (Dumbarton Oaks)'

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Published: 4 June 2021

Last updated: 10 February 2022

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1

YANGAKI, Anastasia G. "Βιβλιοκρισία του: GARY VIKAN, Early Byzantine Pilgrimage Art. Revised Edition (first published 1982). Dumbarton Oaks Byzantine Collection Publications 5, Washington DC: Dumbarton Oaks Research Library and Collection, Trustees for Harvard University, 2011." BYZANTINA SYMMEIKTA 22 (October 19, 2012): 357. http://dx.doi.org/10.12681/byzsym.1084.

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book review: <p style="text-align: justify; line-height: 150%" class="MsoNormal"><span>Gary Vikan, <em>Early Byzantine Pilgrimage Art. Revised Edition </em>(first published 1982). Dumbarton Oaks Byzantine Collection Publications 5, Washington DC: Dumbarton Oaks Research Library and Collection, Trustees for Harvard University pp. 109. ISBN: 978-0-88402-358-6. </span></p>

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2

Burnett, Charles F. "John Scarborough (ed.): Symposium on Byzantine medicine (Dumbarton Oaks Papers, 38) xvi, 282 pp. Washington, D.C. Dumbarton Oaks Research Library and Collection, [1984]. $40." Bulletin of the School of Oriental and African Studies 50, no. 2 (June 1987): 428–29. http://dx.doi.org/10.1017/s0041977x00049855.

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Bacharach, Jere L. "Clive Foss, Arab-Byzantine Coins: An Introduction, with a Catalogue of the Dumbarton Oaks Collection. (Dumbarton Oaks Byzantine Collection Publications, 12.) Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2008. Paper. Pp. xiv, 189; many black-and-white figures, tables, and 4 maps. $29.95. Distributed by Harvard University Press." Speculum 86, no. 1 (January 2011): 191–93. http://dx.doi.org/10.1017/s0038713410004094.

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Mellas, Andrew. "Derek Krueger and Robert S. Nelson, eds: The New Testament in Byzantium . Dumbarton Oaks Byzantine Symposia and Colloquia. Washington, DC: Dumbarton Oaks Research Library and Collection, 2016; pp. 334." Journal of Religious History 44, no. 2 (April 4, 2020): 257–59. http://dx.doi.org/10.1111/1467-9809.12656.

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Papademetriou, George C. "Private Religious Foundations in the Byzantine Empire. By John Philip Thomas. Dumbarton Oaks Studies 24. Washington: Dumbarton Oaks Research Library and Collection, 1987. xiv + 308 pp. $22.50." Church History 59, no. 3 (September 1990): 398–99. http://dx.doi.org/10.2307/3167755.

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ΦΟΥΚΑΝΕΛΗ, Γεωργία. "Bιβλιοκρισία: R. G. OUSTERHOUT, Visualizing Community, Art, Material Culture and Settlement in Byzantine Cappadocia, Dumbarton Oaks Research Library and Collection, Dumbarton Oaks Series XLVI, Washington, D.C. 2017." Byzantina Symmeikta 29 (November 27, 2019): 441. http://dx.doi.org/10.12681/byzsym.21883.

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da Costa, Kate. "Exhibiting Byzantine lighting - LASKARINA BOURAS and MARIA G. PARANI, LIGHTING IN EARLY BYZANTIUM (Dumbarton Oaks Byzantine Collection Publications 11; Dumbarton Oaks Research Library and Collection, Washington, D.C.2008). Pp. xiv + 118, figs. 81, most in color. ISBN 978-0-884-02317-3. $24.95." Journal of Roman Archaeology 24 (2011): 880–81. http://dx.doi.org/10.1017/s1047759400004220.

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8

Niewöhner, Philipp. "Robert C. Ousterhout, Visualizing Community: Art, Material Culture, and Settlement in Byzantine Cappadocia, Dumbarton Oaks Studies 46, Washington DC: Dumbarton Oaks Research Library and Collection, 2017. Pp. xxv, 532." Byzantine and Modern Greek Studies 43, no. 1 (April 2019): 135–36. http://dx.doi.org/10.1017/byz.2018.29.

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Morris, Rosemary. "John Thomas and Angela Constantinides Hero, eds., Byzantine Monastic Foundation Documents, 5 vols. Dumbarton Oaks Studies, XXXV, Washington, DC: Dumbarton Oaks Research Library and Collection, 2000. Pp. xlix, 2021." Byzantine and Modern Greek Studies 29, no. 1 (2005): 107–9. http://dx.doi.org/10.1017/s0307013100015275.

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Woods, David. "The 7th-c. Islamic coinages of Syria and Egypt in their historical contexts - CLIVE FOSS, ARAB-BYZANTINE COINS: AN INTRODUCTION, WITH A CATALOGUE OF THE DUMBARTON OAKS COLLECTION (Dumbarton Oaks Byzantine Collection Publications 12; Dumbarton Oaks Research Library and Collection, Washington, D.C.2008). Pp. xiv + 189, figs. 541, 4 maps. ISBN 978-0-88402-318-0. $29.95." Journal of Roman Archaeology 24 (2011): 887–91. http://dx.doi.org/10.1017/s1047759400004244.

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11

Louth, Andrew. "ReviewPaul Magdalino and Robert Nelson, eds., The Old Testament in Byzantium. (Dumbarton Oaks Byzantine Symposia and Colloquia.) Washington, DC: Dumbarton Oaks Research Library and Collection, 2010. Pp. 300; 40 b&w figs. $35. ISBN: 9780884023487." Speculum 87, no. 3 (July 2012): 902–3. http://dx.doi.org/10.1017/s0038713412002497.

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12

Dunn, Archie. "Oikonomides (N.) A collection of dated Byzantine lead seals. Washington, D.C.: Dumbarton Oaks. 1986. Pp. 175, numerous text figs. $15.00." Journal of Hellenic Studies 108 (November 1988): 274. http://dx.doi.org/10.2307/632720.

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Metcalf, DM. "Shorter notice. Byzantine Coins in the Dumbarton Oaks Collection and in the Whittemore Collection. Vol. V: Michael VIII to Constantine XI (1256-1453). P Grierson." English Historical Review 115, no. 462 (June 2000): 692–93. http://dx.doi.org/10.1093/enghis/115.462.692-a.

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Metcalf, D. "Shorter notice. Byzantine Coins in the Dumbarton Oaks Collection and in the Whittemore Collection. Vol. V: Michael VIII to Constantine XI (1256-1453). P Grierson." English Historical Review 115, no. 462 (June 1, 2000): 692–93. http://dx.doi.org/10.1093/ehr/115.462.692-a.

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15

Hennessy, Cecily. "Arietta Papaconstantinou and Alice-Mary Talbot, eds., Becoming Byzantine: Children and Childhood in Byzantium. (Dumbarton Oaks Byzantine Symposia and Colloquia.) Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2009. Pp. v, 330; black-and-white and color figures and tables. $55. Distributed by Harvard University Press." Speculum 86, no. 1 (January 2011): 255–56. http://dx.doi.org/10.1017/s0038713410004458.

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Matthews, Steven, Dumbarton Oaks, Mildred Woods Bliss, Robert Woods Bliss, and Asen Kirin. "Sacred Art, Secular Context: Objects of Art from the Byzantine Collection of Dumbarton Oaks, Washington, DC, Accompanied by American Paintings from the Collection of Mildred and Robert Woods Bliss." Sixteenth Century Journal 39, no. 2 (July 1, 2008): 549. http://dx.doi.org/10.2307/20478950.

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Metcalf, William E. "Catalogue of the Byzantine Coins in the Dumbarton Oaks Collection and in the Whittemore Collection, 4: Alexius I to Michael VIII, 1081-1261, Part 1: Alexius I to Alexius V (1081-1204). Michael F. HendyCatalogue of the Byzantine Coins in the Dumbarton Oaks Collection and in the Whittemore Collection, 4: Alexius I to Michael VIII, 1081-1261, Part 2: The Emperors of Nicaea and Their Contemporaries (1204-1261). Michael F. HendyCatalogue of the Byzantine Coins in the Dumbarton Oaks Collection and in the Whittemore Collection, 5: Michael VIII to Constantine XI, 1258-1453, part 1: Introduction, Appendices, and Bibliography. Philip GriersonCatalogue of the Byzantine Coins in the Dumbarton Oaks Collection and in the Whittemore Collection, 5: Michael VIII to Constantine XI, 1258-1453, part 2: Catalogue, Concordances, and Indexes. Philip Grierson." Speculum 77, no. 1 (January 2002): 193–95. http://dx.doi.org/10.2307/2903832.

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18

Zachariadou, Elizabeth A. "Bryer Anthony and Lowry Heath (ed.): Continuity and change in late Byzantine and early Ottoman society. Papers given at a Symposium at Dumbarton Oaks in May1982. vii, 343 pp., foldout map. Birmingham: University of Birmingham, Centre for Byzantine Studies: Washington D.C.: Dumbarton Oaks Research Library and Collection, 1986." Bulletin of the School of Oriental and African Studies 52, no. 1 (February 1989): 145–48. http://dx.doi.org/10.1017/s0041977x00023363.

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Haldon, John. "(E.) McGeer Sowing the dragon's teeth. Byzantine warfare in the tenth century. (Dumbarton Oaks Studies 33.) Washington, D.C.: Dumbarton Oaks Research Library and Collection, 1995. Pp. xviii + 405, ill. $40. 0884022242. - (W.T.) Treadgold Byzantium and its army, 284-1081. Stanford UP, 1995. Pp. xii + 250, ill. £27.95. 0804724202." Journal of Hellenic Studies 117 (November 1997): 269–70. http://dx.doi.org/10.2307/632622.

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Philippides, Marios. "Leo, The Correspondence of Leo, Metropolitan of Synada and Syncellus, ed. and trans. Martha Pollard Vinson. (Corpus Fontium Historiae Byzantinae, 23; Dumbarton Oaks Texts, 8.) Washington, D.C.: Dumbarton Oaks Research Library and Collection, 1985. Pp. xix, 142. $16.50." Speculum 62, no. 02 (April 1987): 510–11. http://dx.doi.org/10.1017/s0038713400115374.

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21

Cunningham, Mary B. "Paul Magdalino and Robert Nelson (eds), The Old Testament in Byzantium. Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2010. Pp. 333." Byzantine and Modern Greek Studies 36, no. 2 (2012): 235–37. http://dx.doi.org/10.1017/s0307013100006546.

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22

Kolb, Charles C. "Technological analyses of Byzantine ceramics - HENRY MAGUIRE (ed), MATERIALS ANALYSIS OF BYZANTINE POTTERY (Dumbarton Oaks Research Library and Collection, Washington, D.C. 1997). Pp. vii + 175, 144 black-and-white, 22 color ills., tables, maps, references, index. ISBN 0-88402-251-X. $78." Journal of Roman Archaeology 12 (1999): 815–17. http://dx.doi.org/10.1017/s1047759400018730.

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23

Constantinou, Stavroula. "Susan Ashbrook Harvey and Margaret Mullett (eds.), Knowing Bodies, Passionate Souls: Sense Perceptions in Byzantium. Washington, DC: Dumbarton Oaks Research Library and Collection, 2017. Pp. 330." Byzantine and Modern Greek Studies 43, no. 02 (September 10, 2019): 318–20. http://dx.doi.org/10.1017/byz.2019.3.

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24

Bendall, Simon. "Catalogue of the Byzantine Coins in the Dumbarton Oaks Collection and the Whittemore Collection. Volume 4 (2 parts): Alexius I to Michel VIII (1081–1261). By Michael F Hendy. 300mm. Pp xi + 736, 54 pp pls. Washington: Dumbarton Oaks Research Library, 1999. ISBN 0-884022-33-1. Price not stated. - Volume 5 (2 parts): Michel VIII to Constantine XI (1258–1453). By Philip Grierson. 300mm. Pp xvi + 611, incl 91 pp pls. Washington: Dumbarton Oaks Research Library, 1999. ISBN 0-884022-61-7. Price not stated." Antiquaries Journal 80, no. 1 (September 2000): 355–56. http://dx.doi.org/10.1017/s0003581500050551.

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25

Mureşan, Dan Ioan. "Anthony Kaldellis, A New Herodotos: Laonikos Chalkokondyles on the Ottoman Empire, the Fall of Byzantium, and the Emergence of the West. (Supplements to the Dumbarton Oaks Medieval Library.) Washington, DC: Dumbarton Oaks Research Library and Collection, 2014. Pp. xiii, 310; 1 table. $24.95. ISBN: 978-0-88402-401-9." Speculum 91, no. 3 (July 2016): 800–802. http://dx.doi.org/10.1086/687066.

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26

Louth, Andrew. "Byzantine holy images. Transcendence and immanence. The theological background of the iconography and aesthetics of the Chora church. By Anne Karahan. (Orientalia Lovaniensia Analecta, 176.) Pp. x+363 incl. 12 figs and 52 colour plates. Leuven: Peeters, 2010. €75. 978 90 429 2080 4 - Early Byzantine pilgrimage art. Revised edn. By Gary Vikan. (Dumbarton Oaks Byzantine Collection Publications, 5.) Pp. vi+108 incl. 59 black-and-white and colour figs. Washington, DC: Dumbarton Oaks Research Library and Collection, 2010 (first publ. 1982). £22.95 (paper). 978 0 88402 358 6." Journal of Ecclesiastical History 63, no. 3 (June 20, 2012): 603. http://dx.doi.org/10.1017/s0022046912000358.

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Carr, Annemarie Weyl. "Dumbarton Oaks and the Legacy of Byzantine Cyprus." Near Eastern Archaeology 71, no. 1-2 (March 2008): 95–103. http://dx.doi.org/10.1086/nea20361353.

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Sodini, Jean-Pierre. "Le commerce byzantin du IVe au XVe siècle: de la région au monde méditerranéen - CÉCILE MORRISSON (ed.), TRADE AND MARKETS IN BYZANTIUM (Dumbarton Oaks Symposia and Colloquia; Dumbarton Oaks Research Library and Collection, Washington, DC 2012). Pp. x + 459, 76 color photos, 5 color ills, 16 black-and-white photos, 43 black-and-white ills., 49 maps, 2 tables. ISBN 978-0-88402-377-7. $85." Journal of Roman Archaeology 26 (2013): 941–51. http://dx.doi.org/10.1017/s1047759413001074.

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Vojvodic, Dragan. "The selection of royal figures in the image of power during the Palaiologan epoch: Byzantium - Serbia - Bulgaria." Zbornik radova Vizantoloskog instituta, no. 46 (2009): 409–33. http://dx.doi.org/10.2298/zrvi0946409v.

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The preserved presentations of the Byzantine basileis of the XIII, XIV and XV centuries show that the creators of the late Byzantine monarchical portraits adhered to certain traditional rules when selecting the personages from the ruling house, which they were to portray. Defining which figures were to be depicted in the portrayal of power depended to a large extent on the changing circumstances and events in the imperial house. However, at the same time this was also based on a significantly more profound conception that rested on principles that had evolved in the course of a long history. The understanding of who could personify power was refracted through the prism of ideology and reflected in carefully shaped iconographic matrices. The omission of the images of certain members of the ruler's house, just as much as their inclusion, carried a certain meaning, as did the hierarchical arrangement of those who were portrayed. Generally speaking, this depended on the degree of their kinship with the sovereign, their sex, titles or dignities, and the connection of the members of the dynasty with the emperor's particular marriage. Therefore, one can rather clearly distinguish certain constants, if not rules, according to which some figures were omitted and others included, and, the specific changes that occurred from the end of the Middle Byzantine period till the fall of the Empire. The development of a unique kind of feudalism played a particular role in the specific characteristics in determining who was to appear in the monarchical portraits of the Palaiologan epoch in Byzantium and the states in its neighbourhood. As the preserved portrait ensembles and known written testimonies indicate, we find the images of the rulers' daughters did not feature in presentations of the 'emperors of the Romans' from the Late Byzantine period. In the Palaiologan epoch, they did not participate in the governing of the state nor were they taken into consideration in plans for succession to the throne. In the earlier period of Byzantine history, slightly different circumstances and views prevailed. That is why, owing to some specific circumstances, the emperor's daughters were sometimes depicted in the portraits of the imperial family. However, from the time of the Komnenoi when the medieval dynastic awareness finally asserted itself in Byzantium, the images of the emperor's female progeny practically vanished from the pictures of those who wielded supreme authority. The custom of omitting the figures of the emperors' daughters from the presentations of the ruling houses was also accepted and rather strictly obeyed for a long time in the portraiture of the neighbouring Orthodox Christian countries. In Serbia, this was disregarded only till just before the state collapsed, while in Bulgaria, exceptions to this rule were observed a little earlier. This was the result of accepting the ideological and iconographic models that were distinctive for the nobility, at the height of the feudal period. The images of daughters-in-law had always been omitted even more consistently than in the case of the figures of daughters in the monarchical presentations of the Byzantine and other Orthodox Christian rulers. As a rule, they were not depicted close to the image of the sovereign, even when they were the wives of the proclaimed and even crowned co-rulers, and successors to the throne. It is very probable that this custom survived into the Palaiologan era even though there are some signs that in Byzantium, this rule may have been disregarded in some cases. The figures of sovereigns' wives and sons had a significantly different status from the images of daughters and daughters-in-law. As a rule, they played an essential and customary role in the monarchical presentation because the rulers' wives and male successors had a stake in authority, in its transfer and succession. Still, it often happened that even wives and sons were omitted from such a presentation - all or some of them. The principle of presenting the individual portraits of emperors was inaugurated in early Byzantium and later, was continually applied even when depicting rulers who were married and had numerous offspring. Different factors could have influenced the decision to depict the monarch alone, even trivial factors. Nonetheless, when insisting on the individual image of the emperor, the ideology upon which this image was based was crucial. The separate portrait of the supreme ruler best explained the iconic essence of monarchical power as a reflection of the King of Heaven and brought to the forefront the exclusivity of the emperor's mimetic collusion with the divine source of power. That is why such a presentation was able to represent the idea and the authority of all earthly majesty through the image of one anointed man. The introduction in the monarchical portrait of the ruler's sons, who were not crowned or proclaimed co-emperors, is a very interesting phenomenon that was characteristic of monumental and miniature painting in the Palaiologan epoch. In the Middle Byzantine period, only those male descendents, who had the status of co-rulers and were crowned, were depicted next to the imperial sovereign. The custom of including uncrowned sons and ruler's sons who had not been initiated in the affairs of state in the presentation of the ruler's house can also be observed from the second half of the XIII to the middle of the XV century in Serbia. It appears that this custom also left traces even in Bulgarian art. On the other hand, the images of the ruler's sons, who had not received the imperial crown, were omitted in the presentations on coins dating from the Palaiologan epoch. Such action was fully in keeping with ancient Byzantine customs in defining the monetary image of authority. An exception could be only one type of coin that many believe to have been produced in the time of Andronikos III, which bore the image of the very young emperor's son, John. Nevertheless, it is more probable that this coin came into being during the regency period, after Andronikos' death in 1341 and the coronation of John V. A little later in the Palaiologan era, however the image of the co-ruler was omitted in the Byzantine monetary image of authority even when he was crowned and bore the title of autokrator. Apparently, the joint presentations of the rulers and co-rulers disappeared completely from Byzantine coins, after the final rupture between John V Palaiologos and John VI Kantakouzenos. In fact, not one of the types of coins bearing the joint images of the ruler and co-ruler has been reliably attributed and classified in this period. Meanwhile, it is important to note that the suppression of the joint presentation of the emperor and co-emperor on Byzantine coins occurred parallel to the unusual appearance of separate co-ruler coins. Separate coins were produced simultaneously by John V and Matthew Kantakouzenos, John V and Andronikos IV, Manuel II and John VII. The production of such coins reflected the complicated political circumstances in the Empire. The situation was affected not only by clashes between the rulers and the co-rulers but also by the periodical assumption of supreme power by the co-rulers, as well as by the later development of Byzantine feudalism. Circumstances characteristic of the later period in Byzantium, which was caught up in a particular process of feudalisation, changed the customs and led to unusual iconographic solutions even in other media. An illustrative example of this is the well-known ivory pixis, which is kept in the Dumbarton Oaks Collection in Washington. Displayed on it, despite the customs of long ago, are the two separate imperial families of John VII, and Manuel II, one beside the other. In iconographic terms, this looks less like a presentation of co-rulership and more like a presentation of almost parallel rules. In the Late Byzantine epoch, another peculiarity is that the image of the augusta is only encountered in exceptional circumstances on coins of the Byzantine Empire. Among the numerous empresses from the Palaiologan dynasty, only Anne of Savoy was depicted on coins and this seems to be just from the moment when she became the regent. Meanwhile, on the presentations of the rulers of the Serbian and Bulgarian states, one can follow the iconographic consequences of the dynastic complications caused by the remarriages of the rulers. The monarchical presentations from the period of the kings Milutin and Stefan Decanski, or the emperor John Alexander, show that it was quite hard to assemble the figures of the new wives of the said rulers and the sons of those same rulers from their earlier marriages, who were heirs to the throne near the figure of the state's sovereign ruler. If one desired to present a clear dynastic situation, those persons ruled each other out. Sometimes, the ruler's son from a previous marriage took precedence, while in another case the emphasis was on the new queen and her offspring.

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Majeska, George P. "The Serbs and Byzantium During the Reign of Tsar Dušan (1331-1355) and his Successors. By George Christos Soulis. Washington, D.C.: Dumbarton Oaks Library and Collection, 1984. xxvi, 353 pp. Illustrations. Maps. $15.00, cloth." Slavic Review 45, no. 2 (1986): 383–84. http://dx.doi.org/10.2307/2499256.

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31

Lenski, Noel. "Irfan Shahîd, Byzantium and the Arabs in the Sixth Century, Volume II, Part 2: Economic, Social and Cultural History. Washington, DC: Dumbarton Oaks Research Library and Collection, 2009. Pp. xxiii, 391; color frontispiece. $50. ISBN: 9780884023470." Speculum 87, no. 2 (April 2012): 608–10. http://dx.doi.org/10.1017/s0038713412001649.

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ΦΩΣΚΟΛΟΥ, Bασιλική. "Βιβλιοκρισία:A. WEYL CARR - A. NICOLAIDES (eds.), Asinou across Time: Studies in the Architecture and Murals of the Panagia Phorbiotissa, Cyprus. Dumbarton Oaks Studies, 43. Washington, DC:, 2012." BYZANTINA SYMMEIKTA 24, no. 1 (April 22, 2015): 365. http://dx.doi.org/10.12681/byzsym.1192.

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Bιβλιοκρισία:<h3>Annemarie Weyl Carr -Andréas Nicolaïdès (eds.), <em>Asinou across Time: Studies in the Architecture and Murals of the Panagia Phorbiotissa, Cyprus. Dumbarton Oaks Studies, 43</em>. Washington, DC: Dumbarton Oaks Research Library and Collection, 2012. Pp. xii, 431. ISBN 9780884023494.</h3>

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33

Magdalino, Paul. "Byzantine monastic foundation documents. A complete translation of the surviving founders’ Typika and testaments. 5 vols. Edited by John Thomas and Angela Constantinides Hero (with Giles Constable), translated by Robert Allison and others. (Dumbarton Oaks Studies, 35.) Pp. xlix+439 incl. 2 maps; xiii+441–858; xiii+859–1294; xiii+1295–1678; xiii+1679–2021. Washington, DC: Dumbarton Oaks Research Library and Collection, 2000. $150 (cloth set), $100 (paper set). 0 88402 232 3; 0 88402 289 7." Journal of Ecclesiastical History 53, no. 3 (July 2002): 545–650. http://dx.doi.org/10.1017/s0022046902354769.

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34

Kaegi, Walter E. "Byzantium and the Arabs in the Sixth Century.Volume 2. Part 2.Economic, Social, and Cultural History. By Irfan Shahîd. Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2009 (published in February 2010). Pp. xxiii + 391 + 1 halftone + 5 maps. $50 (cloth)." Journal of Near Eastern Studies 71, no. 2 (October 2012): 404–6. http://dx.doi.org/10.1086/666897.

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Cobb, Paul M. "Byzantium and the Arabs in the Sixth Century. Vol. 2, Part 1. Toponymy, Monuments, Historical Geography, and Frontier Studies. By Irfan Shahîd. Washington, D.C.: Dumbarton Oaks Research Library and Collection. Pp. xxxvi + 468 + 14 maps + 1 plan + 4 pls. $50." Journal of Near Eastern Studies 64, no. 2 (April 2005): 151–52. http://dx.doi.org/10.1086/431709.

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36

Grierson, Philip. "Six Late Roman Medallions in the Dumbarton Oaks Collection." Dumbarton Oaks Papers 50 (1996): 139. http://dx.doi.org/10.2307/1291740.

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37

Brubaker, Leslie. "Byzantine Visions of the End." Studies in Church History 45 (2009): 97–119. http://dx.doi.org/10.1017/s042420840000245x.

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As is well known, western medieval apocalyptic literature owes a considerable debt to Byzantine apocalyptic literature, which itself built on Roman and Jewish sources. The classic studies are now Evelyne Patlagean’s ‘Byzance et son autre monde’, published in 1981; Paul Alexander’s The Byzantine Apocalyptic Tradition, published posthumously in 1985; and Jane Baun’s edition and commentary of three Middle Byzantine apocalyptic texts that appeared in 2007. In addition, Paul Magdalino has recently published several articles on the theme. On top of this, numerous studies connect specific Byzantine apocalypse traditions to particular political events, most notably the Islamic conquests of the seventh and eighth centuries. Byzantine eschatology has been even more thoroughly studied, and, with the subtitle ‘Views on death and the last things’, was the subject of a recent (1999) Dumbarton Oaks symposium.

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38

Kaegi, Walter E. "Eric McGeer, Sowing the Dragon's Teeth: Byzantine Warfare in the Tenth Century, Dumbarton Oaks Studies 33 (Washington, D.C.: Dumbarton Oaks, 1996). Pp. 423." International Journal of Middle East Studies 29, no. 2 (May 1997): 293–94. http://dx.doi.org/10.1017/s002074380006459x.

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Brisch, Klaus. "IRAN SHAHÎD: Byzantium and the Arabs in the Fifth Century. – Washington, D.C., 1989, xxvii, 593 S. davon 53 S. Addenda, Corrigenda, Stammtafeln der Herrscher des 5. Jhs. im Nahen Osten, Bibliographie, 7 Karten, Index, 9 Abb., 1 Grundriẞ (Dumbarton Oaks Research Library and Collection)." Oriens 34, no. 1 (January 18, 1994): 537–40. http://dx.doi.org/10.1163/19606028_032_02-45.

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40

Horden, Peregrine. "John Scarborough (editor), Symposium on Byzantine medicine (Dumbarton Oaks Papers, no. 38), Baltimore, Md., Dumbarton Oaks Publishing Service, 1985, 4to, pp. xvi, 282, illus., $40.00." Medical History 31, no. 1 (January 1987): 118–19. http://dx.doi.org/10.1017/s0025727300046470.

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41

Christie, Jessica Joyce. "Palaces of the Ancient New World. Dumbarton Oaks Research Library and Collection." Journal of Archaeological Science 37, no. 6 (June 2010): 1378–79. http://dx.doi.org/10.1016/j.jas.2009.12.035.

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42

Wright, David H. "Byzantine Art and Literature around the Year 800: Report on the Dumbarton Oaks Symposium of 1984." Dumbarton Oaks Papers 40 (1986): 183. http://dx.doi.org/10.2307/1291537.

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43

Foss, Clive. "Shahîd's Ghassanid Arabs, vol. II.1 - IRFAN SHAHÎD, BYZANTIUM AND THE ARABS IN THE SIXTH CENTURY, vol. II, part 1: TOPONYMY, MONUMENTS, HISTORICAL GEOGRAPHY, AND FRONTIER STUDIES (Dumbarton Oaks Research Library and Collection, Washington D.C. 2002). Pp. xxxvi + 468, 15 maps, 6 plates including colour. ISBN 0-88402-284-6. $50." Journal of Roman Archaeology 16 (2003): 742–47. http://dx.doi.org/10.1017/s1047759400013787.

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44

Hanson, Craig L. "Codex Parisinus Graecus 1115 and Its Archetype. By Alexander Alexakis. Dumbarton Oaks Studies 34. Washington, D.C.: Dumbarton Oaks Research Library and Collection, 1996. xx + 422 pp. $70.00 cloth." Church History 67, no. 4 (December 1998): 762–63. http://dx.doi.org/10.2307/3169864.

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45

Faroqhi, Suraiya. "Anthony Bryer and Heath Lowry, eds., Continuity and Change in Late Byzantine and Early Ottoman Society. Papers given at a Symposium at Dumbarton Oaks in May 1982 (Washington, D.C.: Dumbarton Oaks, 1986). Pp. 352." International Journal of Middle East Studies 21, no. 2 (May 1989): 266–67. http://dx.doi.org/10.1017/s0020743800032360.

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Knudsen, Sandra E., and Gary Vikan. "Catalogue of the Sculpture in the Dumbarton Oaks Collection from the Ptolemaic Period to the Renaissance." American Journal of Archaeology 103, no. 2 (April 1999): 389. http://dx.doi.org/10.2307/506786.

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Arnauld, Marie-Charlotte. "Klein Cecelia F. (ed.), Gender in Pre-hispanic America. A symposium at Dumbarton Oaks, 12 and 13 october 1996, Dumbarton Oaks Research Library and Collection, Washington, D.C., 2001, viii + 397 p.,." Journal de la société des américanistes 88, no. 88 (January 1, 2002): 282–86. http://dx.doi.org/10.4000/jsa.1258.

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Kellner-Heinkele, Barbara, Anthony Bryer, and Heath Lowry. "Continuity and Change in Late Byzantine and Early Ottoman Society. Papers Given at a Symposium at Dumbarton Oaks in May 1982." Die Welt des Islams 34, no. 1 (April 1994): 105. http://dx.doi.org/10.2307/1570869.

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Bockmann, Ralf. "Susan T. Stevens and Jonathan P. Conant (Eds.): North Africa under Byzantium and Early Islam. (Dumbarton Oaks Byzantine symposia and colloquia)." African Archaeological Review 34, no. 3 (July 12, 2017): 443–45. http://dx.doi.org/10.1007/s10437-017-9249-z.

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Halperin, Charles J. "Russian Travelers to Constantinople in the Fourteenth and Fifteenth Centuries. By George P. Majeska. Dumbarton Oaks Studies, vol. 19. Washington, D.C.: Dumbarton Oaks Research Library & Collection, 1984. xvii, 466 pp. Figures. Illustrations. Maps. Cloth." Slavic Review 44, no. 3 (1985): 537–38. http://dx.doi.org/10.2307/2498021.

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