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Books on the topic 'Byzantine Icon painting'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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1

Kordis, George. Icon as communion: The ideals and compositional principles of icon painting. Holy Cross Orthodox Press, 2010.

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2

Kyriakidēs, Grēgorēs G. Theia ekphrasis: Technikē tēs Vyzantinēs hagiographias. G.G. Kyriakidēs, 2001.

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3

Eurōpaiko Kentro Vyzantinōn kai Metavyzantinōn Mnēmeiōn (Thessalonikē, Greece), Mouseio Vyzantinou Politismou (Thessalonikē, Greece), and Greece Hypourgeio Politismou, eds. Eikones apo tis orthodoxes koinotētes tēs Alvanias: Syllogē Ethnikou Mouseiou Mesaiōnikēs Technēs Korytsas : Thessalonikē 14 martiou-12 Iouniou 2006. Eurōpaiko Kentro Vyzantinōn kai Metavyzantinōn Mnēmeiōn, 2006.

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4

Veerle, Vandamme, and Koninklijk Museum voor Schone Kunsten (Belgium), eds. D'un autre monde: Icônes inconnues et art byzantin. Pandora, Snoeck-Ducaju & zoon, 1997.

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5

Bakolas, Christos N. Hylika stēn technē tēs hagiographias. Ekdoseis Amētos, 1997.

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6

Vserossiĭskiĭ khudozhestvennyĭ nauchno-restavrat︠s︡ionnyĭ t︠s︡entr imeni akademika I.Ė. Grabari︠a︡, ed. Icona volto del mistero. Casa di Matriona, 1991.

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7

Georgievski, Milčo. Icon Gallery, Ohrid. Institute for the protection of the monuments of Culture and National Museum, 1999.

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8

Karcheva, Zlatina D. Византийски икони: Praktichesko rŭkovodstvo za izpisvane. IK LIK, 2006.

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9

Drandaki, Anastasia. Origins of El Greco: Icon painting in Venetian Crete. Onassis Foundation, 2009.

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10

Maria, Kazanaki-Lappa, ed. Arte bizantina e postbizantina a Venezia: Museo di icone dell'Istituto ellenico di studi bizantini e postbizantini di Venezia. Eurocromlibri, 2009.

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11

Etingof, Olʹga Evgenʹevna. Obraz bogomateri: Ocherki vizantiĭskoĭ ikonografii XI-XIII vekov. Progress-Tradit︠s︡ii︠a︡, 2000.

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12

Carlo, Pirovano, and Gallerie di Palazzo Leoni Montanari (Vicenza, Italy), eds. Percorsi del sacro: Icone dai musei albanesi. Electa, 2002.

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13

Llukani, Andrea. Arti i ikonografrisë në Shqipëri. Akademia e Shkencave e Shqipërisë, 2021.

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14

Gonnella, Stefano. Verticali vaganti: Note a margine sulla fenomenologia dell'immagine. Effigi, 2019.

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15

Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo and Katolicki Uniwersytet Lubelski. Wydział Filozofii Chrześcijańskiej, eds. Złota obecność: Bizantyńskie korzenie polskiej ikony. Wydawnictwo KUL, 2020.

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16

Jérôme, Collin, ed. Lecture de la Trinité d'Andrei Roublev. Presses universitaires de France, 2009.

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17

Olędzka-Frybesowa, Aleksandra. Patrząc na ikony: Wędrówki po Europie. Instytut Wydawniczy Pax, 2001.

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18

Totev, Totyu. The ceramic icon in medieval Bulgaria. St.Kliment Ohridsk, 1999.

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19

ICOM Committee for Conservation. Icon Research Area. Interim Meeting. Changes in post-Byzantine icon painting techniques: ICOM Committee for Conservation Interim meeting of the Icon Research Area Copenhagen, Denmark, 14-17 October, 2001. Edited by Jolkkonen Nina, Nikkanen Helena, and Valamo Art Conservation Institute. Valamo Art Conservation Institute, 2001.

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20

Variantza, Venetia. Hē gennēsē mias eikonas. University Studio Press, 2001.

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21

Sendler, Egon. The icon, image of the invisible: Elements of theology, aesthetics and technique. Oakwood, 1999.

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22

Manolēs, Chatzēdakēs, Drakopoulou Eugenia, Ethniko Idryma Ereunōn. Institouto Vyzantinōn Ereunōn., and Christianikē Archaiologikē Etaireia (Athens, Greece), eds. Zētēmata metavyzantinēs zōgraphikēs =: Topics in post-Byzantine painting : stē mnēmē tou Manolē Chatzēdakē : praktika epistēmonikou diēmerou, 28-29 Maiou 1999. Institouto Neoellēnikōn Ereunōn, Ethniko Idryma Ereunōn, 2002.

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23

Maria, Kazanaki-Lappa, ed. Arte bizantina e postbizantina a Venezia: Museo di icone dell'Istituto ellenico di studi bizantini e postbizantini di Venezia. Eurocromlibri, 2009.

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24

Frigerio-Zeniou, Stella. Luxe et humilité: Se vêtir à Chypre au XVIe siècle. Editions Nostos, 2012.

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25

Georgievski, Milčo. Galerija na Ikoni, Ohrid. Zavod za zaštita na spomenicite na kulturata i Naroden Muzej, 1999.

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26

Bay, Caterina, and Caterina Bay. Giunta Pisano e la tecnica pittorica del Duecento. Edifir edizioni Firenze, 2021.

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27

Politismou, Greece Hypourgeio, Vyzantino Mouseio (Athens Greece), and Centro mostre di Firenze (Italy), eds. Affreschi e icone dalla Grecia (X-XVII secolo): Palazzo Strozzi, 16 settembre-16 novembre 1986. Ministero greco della cultura, 1986.

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28

Dolfi, Waldo, and Francesca Barsotti. La Madonna di sotto gli organi e il restauro del 2007. s. n., 2008.

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29

Museo diocesano (Piazza Armerina, Italy), ed. La Madonna delle Vittorie a Piazza Armerina: Dal Gran Conte Ruggero al Settecento. Electa Napoli, 2009.

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30

editor, Palamar Petru author, and Solomonea, Carmen Cecilia, author, editor, eds. Mănăstirea Dragomirna. Karl A. Romstorfer, 2014.

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31

Krystopchuk, Mykola. Syntez tekhnik monumentalʹnoho mystet́s̀tva v khramoviĭ arkhitekturi. [s.n.], 2002.

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32

Novčić, Suzana, та Tatjana Mihailović. Доба светлости: Srpska umetnost XIII veka. Narodni muzej Kraljevo, 2007.

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33

Novčić, Suzana, and Tatjana Mihailović. Doba svetlosti: Srpska umetnost XIII veka. Narodni muzej Kraljevo, 2008.

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34

TEMPLE, RICHARD. Icons: Divine beauty. Saqi/The Temple Gallery, 2004.

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35

Stouphē-Poulēmenou, Iōanna. Apo tous Nazarēnous ston Ph. Kontoglou: Themata neoellēnikēs ekklēsiastikēs zōgraphikēs. Ekdoseis Harmos, 2007.

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36

Chatzēdakēs, Manolēs. Icons of Patmos: Questions of Byzantine and Post-Byzantine painting. National Bank of Greece, 1985.

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37

Chatzēdakēs, Manolēs. Icons of Patmos: Questions of Byzantine and post-Byzantine painting. National Bank of Greece, 1985.

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38

Komarnyt︠s︡ʹkyĭ, A. Svi︠a︡tyni kni︠a︡z︠h︡oï Ukraïny: Sacred relics of princely Ukraine. Vydavnyt︠s︡tvo "Svichado", 2019.

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39

Intesa, Banca, and Gallerie di Palazzo Leoni Montanari (Vicenza, Italy), eds. Duecento: Due icone russe. Terra ferma, 2006.

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40

Maximilien, Durand, ed. Sixtine des Balkans: Peintures de l'église Saint-Athanase à Voskopojë, Albanie = Sikstina e Bllkanit : piktura të kishës së Shën Thanasit në Voskopojë, Shqipëri. Somogy, 2008.

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41

Buslaev, F. I. Ist︠s︡elénie i︠a︡zýka: Opyt nat︠s︡ionalʹnogo samoosoznanii︠a︡ : raboty raznykh let. VIVLIOPOLIS, 2005.

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42

Myrtalē, Acheimastou-Potamianou, Walters Art Gallery (Baltimore, Md.), and Fine Arts Museums of San Francisco., eds. Holy image, holy space: Icons and frescoes from Greece. Greek Ministry of Culture, 1988.

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43

Popova, O. S. Problemy vizantiĭskogo iskusstva: Mozaiki, freski, ikony = Problems of Byzantine art, mosaics, frescoes, icons. Severnyĭ Palomnik = Northern Pilgrim, 2006.

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44

Mickūnaitė, Giedrė. Maniera Greca in Europe’s Catholic East. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462982666.

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How and why does vernacular art become foreign? What does ‘Greek manner’ mean in regions far beyond the Mediterranean? What stories do images need? How do narratives shape pictures? The study addresses these questions in Byzantine paintings from the former Grand Duchy of Lithuania, contextualized with evidence from Poland, Serbia, Russia, and Italy. The research follows developments in artistic practices and the reception of these images, as well as distinguishing between the Greek manner – based on visual qualities – and the style favoured by the devout, sustained by cults and altered through
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45

cent, Akotantos Angelos 15th, ed. The hand of Angelos: An icon painter in Venetian Crete. Lund Humphries, 2010.

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46

muzeĭ, Nat͡sionalen istoricheski, ed. Boi︠a︡nskata t︠s︡ŭrkva mezhdu iztoka i zapada v izkustvoto na khristii︠a︡nska Evropa. Nat︠s︡ionalen istoricheski muzeĭ, 2011.

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47

1603-1615, Daniēl Monachos active, ed. Hē zōgraphikē sto Hagion Oros stis arches tou 17ou aiōna: Ho zōgraphos Daniēl Monachos. Ekdoseis Mygdonia, 2010.

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48

Kōnstantinidē, Chara. Hē Maria Palaiologina syzygos Phrankiskou Gatelouzou, stēn Lesvo kai hē Vyzantinē parakathēkē tēs: Mnēmē Manolē Chatzēdakē, Akadēmia Athēnōn, 24 Phevrouariou 2015. Akadēmia Athēnōn, Kentro Ereunas tēs Vyzantinēs kai Metavyzantinēs Technēs, 2015.

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49

Kissas, Sōtērios. Omorfoklisija: Zidne slike crkve Svetog Đorđa kod Kastorije. Vizantološki institut Srpske akademije nauka i umetnosti, 2008.

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50

Berault, Thomas. Images and their power in Byzantium: [exhibition] January 16-April 3, 2007. Edited by Marlboro Gallery. Marlboro Gallery, Prince George's Community College, 2007.

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