Relevant bibliographies by topics / Byzantine Ivories

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Byzantine Ivories'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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Journal articles on the topic "Byzantine Ivories"

1

Connor, Carolyn L. "New Perspectives on Byzantine Ivories." Gesta 30, no. 2 (January 1991): 100–111. http://dx.doi.org/10.2307/767053.

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2

Barnet, Peter, and Carolyn L. Connor. "The Color of Ivory: Polychromy on Byzantine Ivories." American Journal of Archaeology 103, no. 1 (January 1999): 173. http://dx.doi.org/10.2307/506630.

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Eastmond, Antony. "The Color of Ivory: Polychromy on Byzantine Ivories. Carolyn L. Connor." Speculum 77, no. 2 (April 2002): 498–99. http://dx.doi.org/10.2307/3301350.

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Lidova, Maria A. "THE MURANO DIPTYCH. AN EARLY BYZANTINE IVORY BOOK COVER." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2022): 29–42. http://dx.doi.org/10.28995/2686-7249-2022-1-29-42.

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The paper is dedicated to the ivory cover, commonly referred to in scholarship as the Murano diptych. The name, alluding to one of the Vene- tian islands, derives from an 18 th -century historic record attesting the presence of one of the sides of the cover in a Murano monastery. This part of the diptych was later brought to Ravenna and today is on display at the Ravenna National Museum. The fragments of the other side of the diptych are dispersed among various museum and library collections in Manchester, Paris, Berlin, and Saint Petersburg. Notwithstanding the scattered location of the ivory, it is possible to reconstruct its constituent elements and original decoration. Besides offering a detailed analysis of the surviving fragments, this paper focuses on the overall iconographic program and formal characteristics of the diptych, and studies its reliefs in light of late antique ivory carving and church decoration. It is argued that late antique ivories represent an important source of information concerning the use of apocryphal imagery in monumental art, enabling us to reconstruct the imagery of early Byzantine narrative cycles.
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Angelova, Diliana. "The Ivories of Ariadne and Ideas about Female Imperial Authority in Rome and Early Byzantium." Gesta 43, no. 1 (January 2004): 1–15. http://dx.doi.org/10.2307/25067088.

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6

"The color of ivory: polychromy on Byzantine ivories." Choice Reviews Online 36, no. 01 (September 1, 1998): 36–0086. http://dx.doi.org/10.5860/choice.36-0086.

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7

Cutler, Anthony. "Anthony Cutler. Review of "The Color of Ivory: Polychromy on Byzantine Ivories" by Carolyn L. Connor." caa.reviews, October 1, 1998. http://dx.doi.org/10.3202/caa.reviews.1998.11.

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Dissertations / Theses on the topic "Byzantine Ivories"

1

Rufus-Ward, Helen Caroline. "Views from the ivory tower : nineteenth-century responses to the late antique and Byzantine ivories within the Liverpool ivory collection." Thesis, University of Sussex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496812.

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This thesis centres on the Late Antique and Byzantine ivories which were once part of the collection of Liverpool jeweller and antiquarian Joseph Mayer (1803-1886). These ten ivories form an object-based case-study for a wider investigation into British nineteenth-century responses to Byzantine art and culture. The main questions to be addressed are: why did Mayer collect these ivories and what art historical meaning did Mayer, his circle and the wider British and European scholarly world attach to them?
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Books on the topic "Byzantine Ivories"

1

Connor, Carolyn L. The color of ivory: Polychromy on Byzantine ivories. Princeton, N.J: Princeton University Press, 1998.

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2

Late antique and Byzantine ivory carving. Aldershot: Ashgate, 1998.

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3

Ravenna, Museo nazionale di. Avori bizantini e medievali nel Museo nazionale di Ravenna: Catalogo. Ravenna [Italy]: Longo, 1990.

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4

Cutler, Anthony. The hand of the master: Craftsmanship, ivory, and society in Byzantium (9th-11th centuries). Princeton, N.J: Princeton University Press, 1994.

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5

Spätantike und byzantinische Elfenbeinbildwerke im Diskurs. Wiesbaden: Reichert Verlag, 2008.

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6

Olovsdotter, Cecilia. The consular diptychs: An iconological study. Göteborg [Sweden]: Göteborg University, Department of Classical Archaeology and Ancient History, 2003.

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7

Horst, Katarina. Spätantike und Byzanz: Bestandskatalog Badisches Landesmuseum Karlsruhe objekte ais Bein, Elfenbein, Glas, Keramik, Metall und Stein. Mainz: Verlag des Römisch-Germanischen Zentralmuseums, 2017.

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8

John, Lowden, Cherry John 1942-, and Art Gallery of Ontario, eds. Medieval ivories and works of art: The Thomson Collection at the Art Gallery of Ontario. [Toronto]: Skylet Pub., 2008.

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9

Cutler, Anthony. The Craft of Ivory: Sources, Techniques, and Uses in the Mediterranean World (Dumbarton Oaks Byzantine Collection Publications). Dumbarton Oaks Research Library and Collection, 1985.

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10

Dittici consolari tardoantichi. Bari: Edipuglia, 2009.

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