Relevant bibliographies by topics / Byzantine Jewelry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Byzantine Jewelry'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 March 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Byzantine Jewelry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Byzantine Jewelry"

1

Барбалат, О. В., and О. В. Школьна. "ВІЗАНТІЙСЬКО-КИЄВОРУСЬКІ ЕМАЛЬЄРНІ ТРАДИЦІЇ У ДИЗАЙНІ СУЧАСНИХ ЮВЕЛІРНИХ ВИРОБІВ УКРАЇНИ." Art and Design, no. 2 (September 21, 2020): 14–26. http://dx.doi.org/10.30857/2617-0272.2020.2.1.

Full text
Abstract:
The purpose of this research is to understand the integration of the Byzantium-Kyivan Rus enameling traditions in modern Ukrainian jewelry design. The research is applied historical-cultural and artistic-design scientific approaches in combination with comparative and presentation methods. The results of the research prove the influence of Byzantine and Kyivan Rus enamel traditions on modern Ukrainian jewelry. The stylistic and artistic features of the items were examined on example of outstanding enamel jewelry of Byzantine and Kyivan Rus time. As a result the main principles of design requirements and quality of hot enamel jewelry were defined. This research highlights the principles which elites, as bearers of the highest spiritual values, used as guide lines when choosing and ordering jewelry products in ancient times. In order to understand the manufacturing and producing ancient enamel jewelry pieces the ancient jewelry centers are being studied and characterized in this research. We have analyzed the influence of Byzantium and Kievan Rus enameling traditions on the modern Ukrainian jewelry design. Also we studied how it changed with changing the conditions and intensity of manufacturing. Thanks to this research it has been explained how the Byzantine and Kievan Rus enameling traditions influenced modern Ukrainian jewelry design. The researchers were determined to create a symbiosis of modern scientific and technical methods with the ancient hot enamel techniques. This way the research reveals the newest methods of working with hot enamel that are on their initial phase in modern Ukrainian jewelry industry. The material of this research can be used in development of academic disciplines related to enameling techniques and jewelry design. It can be used as a source of inspiration for creating new conceptual jewelry collections using hot enamel. This research can help influence modern jewelry design in Ukraine. Results of this research can be used not only to popularize the Byzantine-Kievan Rus jewelry traditions in Ukraine but also for quality representation of Ukrainian jewelry art in the world
APA, Harvard, Vancouver, ISO, and other styles
2

Stepanova, Yuliya. "Temporal rings with spiral ornamentation: the spreading area and chronology." Rossiiskaia arkheologiia, no. 4 (December 2021): 119–31. http://dx.doi.org/10.31857/s086960630010200-9.

Full text
Abstract:
The paper considers one of the categories of medieval jewelry – temporal rings with décor made of spirally twisted wire. The study characterizes finds from Eastern Europe known to date and provides data on jewelry from Central and South-Eastern Europe. The temporal rings of different design of their ends and spiral decorations are identified. Jewelry of this type is associated with the Byzantine jewelry tradition. The finds are concentrated in Slavic sites along the Danube, in Serbia, Bulgaria and Southeast Romania. They are not numerous in Central and Eastern Europe. Their chronology, as in the Danube-Balkan region, covers the 10th–14th centuries, the largest number of finds belonging to the second half of the 11th–13th century. Rings with a spiral decor could enter Northern Rus both as a result of trade and with settlers from the southern Rus lands. A small number of finds indicate that this type of jewelry did not become the subject of mass production outside the Danube-Balkan region.
APA, Harvard, Vancouver, ISO, and other styles
3

Volodarets-Urbanovich, Ia V. "ABOUT ONE TYPE OF JEWELRY OF THE HEAD OF THE SLAVS: ON THE MATERIALS OF MALYI RZHAVETS AND MARTYNIVKA TREASURES." Archaeology and Early History of Ukraine 30, no. 1 (March 25, 2019): 201–17. http://dx.doi.org/10.37445/adiu.2019.01.16.

Full text
Abstract:
The article analyses «bobo-similar» plates jewelry from Malyi Rzhavets and Martynivka — four specimens. In 1889 near the village Malyi Rzhavets was found a small treasure of women’s jewelry. In 1907, in the village Martynivka was found another treasure that included the women’s and men’s jewelry and Byzantine wares. Both complexes belong to the treasure of «Martynivka» type or the first chronological hoard-group by O. A. Shcheglova. One can assume the interpretation of these products as large temple ornament or decoration of scythe. Quite similar (though not entirely similar) bronze ware — lamellar temporal rings — are known in the antiquities of Roman times in Central Lithuania. The chronology of these jewelry — the phase B2 or B2 / C1 — 100—230 АD. Finds from Central Lithuania and treasures from Malyi Rzhavets and Martynivka differ in some design features, ornamental motifs and sizes. This can explain the chronological difference.
APA, Harvard, Vancouver, ISO, and other styles
4

Zhilina, Natalya V. "Volga Bulgaria and Old Rus’. Comparative Characteristics of Attire of Adornments in Reconstructions of the 11th – 13th Centuries." Povolzhskaya Arkheologiya (The Volga River Region Archaeology) 4, no. 34 (December 15, 2020): 125–44. http://dx.doi.org/10.24852/pa2020.4.34.125.144.

Full text
Abstract:
On the base of typical hypothetical reconstructions according to the stages of the development of the attire upon archaeological material the comparative history of attires of two states is restored. At the end of the 11th – in the beginning of the 12th century and later, the features of heavy metal attire were preserved, in Volga Bulgaria – of Finno-Ugric and nomadic, in Old Rus’ – mainly of Slavic one. At the end of the 11th – the first half of the 12th century noisy attires of different designs were formed. In the first half – the middle of the 12th century filigree, niello, openwork weaving were combined in Bulgarian jewelry. Adornments were complemented with bead pendants of new shapes. In Rus’, enamel attire of the sacred-ascetic style created innovations, the niello one was distinguished with a variety of ornamentation (wide bracelets), the filigree retained Slavic traditions. At the end of the 12th – the first third of the 13th century the best jewelry was created. In Bulgaria the temporal rings were complemented by a miniature filigree sculpture, necklaces and chains with pendants presented. Original filigree bracelets with oval endings were famous. In Rus’, enamel and black attires were made in exaggerated and lush styles; luxurious frames of jewelry with filigree technique were used. Filigree attire changed constructively, moving away from folk traditions. In Bulgarian attire the traditions of local and eastern jewelry combined; in Russian attire – of local and Byzantine jewelry.
APA, Harvard, Vancouver, ISO, and other styles
5

de Bruijn, Erik, and Dennine Dudley. "The Humeima Hoard: Byzantine and Sasanian Coins and Jewelry from Southern Jordan." American Journal of Archaeology 99, no. 4 (October 1995): 683. http://dx.doi.org/10.2307/506189.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mastykova, Anna. "About Bracelets with Zoomorphic Ends from Dzhurga-Oba Necropolis in Eastern Crimea (Great Migration Period)." Nizhnevolzhskiy Arheologicheskiy Vestnik, no. 2 (December 2019): 169–80. http://dx.doi.org/10.15688/nav.jvolsu.2019.2.11.

Full text
Abstract:
The paper considers burial 40 of Dzhurga Oba necropolis in the Eastern Crimea. Two bracelets, elements of a prestigious female costume of the second half of the 5th century and weapons (sword elements) were found in the catacomb. It is possible that there were two inhumations – male and female ones. Two bronze gilded bracelets from this burial have gold zoomorphic endings in the form of heads, usually interpreted as dragons, and a hinged lock in the form of a disk. The origins of this type of bracelets should be sought in the traditions of Mediterranean jewelry art. Bracelets with a lock in the form of a plate on hinges appeared in the Mediterranean in the 2nd – 3rd centuries and existed until the 7th century (inclusive). It should be noted that there is a noticeable Byzantine / Mediterranean component in the female costume from Dzhurga Oba, which is represented primarily by the cloisonne inlay style jewelry – earrings, rings, bracelets. At the same time, the presence of a pair of brooches from the East German tradition indicates the mixed character of the female prestigious costume from Dzhurga-Oba, which is typical for the Cimmerian Bosporus of the Great Migration Period.
APA, Harvard, Vancouver, ISO, and other styles
7

Zhilina, Natalia V. "BYZANTINE ART AND ITS SLAVIC-RUSSIAN CONTEMPORANEITY. BASED ON MEDIEVAL JEWELRY ART OF 6–11TH CENTURIES." RSUH/RGGU Bulletin. Series History. Philology. Cultural Studies. Oriental Studies, no. 3 (2017): 9–25. http://dx.doi.org/10.28995/2073-6355-2017-3-9-25.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ashkenazi, D., I. Taxel, and O. Tal. "Archeometallurgical characterization of Late Roman- and Byzantine-period Samaritan magical objects and jewelry made of copper alloys." Materials Characterization 102 (April 2015): 195–208. http://dx.doi.org/10.1016/j.matchar.2015.01.019.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Fischer, Svante. "The Late Roman and Early Byzantine Solidi of Scania & the Lund University History Museum." Journal of Archaeology and Ancient History, no. 30 (June 22, 2022): 1–66. http://dx.doi.org/10.33063/jaah.vi30.15.

Full text
Abstract:
This paper is a study of the Late Roman and Early Byzantine solidi from the province of Scania in southern Sweden and the solidi kept in the coin cabinet of the Lund University History Museum. The catalogue lists 34 solidi and classifies the recorded issues according to modern numismatic standards using the current DOC, MIBE and RIC typologies. It is argued that most of the preserved coins from Scania are probably of different types than those originally imported during the solidus influx to Scandinavia. It is more probable than not that the vast majority of solidi imported to Scania in the fifth century came as war booty with returning veterans. As Scania may have had a more hierarchical structure than other parts of Scandinavia, it seems likely that most solidi were recast as ring gold or jewelry in an effort to concentrate wealth and power to inland central places. The few solidi that remain are mainly found along the shorelines of Scania, many of which are looped and have been worn as pendants. As symbolic manifestations of political alliances, these solidi have served a different function than most solidi preserved elsewhere in Scandinavia, notably on neighboring Bornholm, and Öland.
APA, Harvard, Vancouver, ISO, and other styles
10

Наталья Викторовна, Жилина,. "MEDIEVAL ATTIRE OF ADORNMENTS OF SLAVISH PEOPLES: HEAVY METAL ATTIRE (COMPARE ANALYSIS)." Вестник Тверского государственного университета. Серия: История, no. 3(63) (October 17, 2022): 56–74. http://dx.doi.org/10.26456/vthistory/2022.3.056-074.

Full text
Abstract:
В статье проводится сравнение конструкции обильно-металлического убора разных славянских народов конца VI - IX в. Устанавливается, что архаичный днепровский головной убор конца VI - VII в. с проволочными височными кольцами со спиральным и S-овидным завитком и головным венком имел ленточную конструкцию, включавшую крупные боковые головные украшения, в нём использовались нагрудные цепи и шейные гривны. Для такого славянского обильно-металлического убора была характерна «шумящесть», сохраняющаяся и впоследствии. В конце VII - VIII в. у славян распространились византийские звездообразные украшения и собственные формы украшений, появились признаки ювелирного убора, всё большее распространение получил ожерелья из бусин. Архаичный славянский убор или его элементы продолжали существовать в IX в. и в последующее время. Делается вывод, что конструкция убора из украшений славянских народов в целом была сходной, при этом убор из украшений в каждом из славянских регионов прошел оргинальный путь формирования - с течением времени на базе конкретной суммы влияний, новых навыков и собственных традиций оформлялись некоторые детальные различия и возникали оригинальные формы украшений и деталей конструкции убора. The purpose of the article is to compare the construction of the attire of adornments of different Slavic peoples, the period of the end of the 6- 9 centuries is considered. The construction of the attire of adornments of the Slavic peoples was generally similar. Some detailed distinctions have been carved out over time based on a specific amount of influences, new skills, and own traditions. There were original forms of adornments and details of the construction. The medieval attire of adornments corresponds to two stages of regular development: a) heavy metal; b) jewelry. In this article a heavy metal attire is considered. Archaic Dnieper headgear of the late 6-7 centuries with temporal rings and a head wreath had a tape construction, including large side head decorations. Slavic peoples use wire temporal rings with a spiral and S-shaped curl, convenient for fastening. Such a property of the Slavic heavy metal attire as «noise» is also revealed, which persists later. Chest chains and hryvnias are used in the dress. At the end of the 7 - 8 centuries Byzantine star-shaped and their own forms of adornments spread among the Slavs. There were signs of jewelry attire. More and more bead necklaces were used. The archaic Slavic attire of adornments or its elements continued to exist in the 9 century and during the development of subsequent jewelry variants. The attire of adornments in each of the Slavic regions went through an original path of formation.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Byzantine Jewelry"

1

Ogden, Jack M. "Gold jewellery in Ptolemaic, Roman and Byzantine Egypt." Thesis, Durham University, 1990. http://etheses.dur.ac.uk/1457/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Stolz, Yvonne. "Early Byzantine Jewellery and Related Finds from the Underwater Excavations in Abuqir Bay in Egypt: their Classification, Production, and Function." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487074.

Full text
Abstract:
This thesis catalogues and discusses the early Byzantine jewellery and related finds from recent underwater excavations in Abuqir Bay in Egypt. The finds come from two submerged sites: site T, possibly Menouthis with its pilgrimage shrine of SS Cyrus and John, and Thonis/Herakleion. However, the finds from site T excel those from Thonis/Herakleion in quantity and quality. As relatively little jewellery from the early Byzantine period has so far been found in datable contexts elsewhere within the Byzantine Empire, the Abuqir Bay finds provide a unique opportunity for an in-depth study of early Byzantine jewellery. In addition and based on the new finds, this thesis aims at gaining a deeper understanding of the two submerged sites, especially of site T. The text consists of three main parts: in the first, the material will be classified, Le. dated and .Iocalised. The second part deals with the production and production centres of early Byzantine jewellery and the third discusses the function of the finds. As it will be shown, the Abuqir Bay finds can be divided into three groups: one group represents an 'interregional fashion', which probably spread from Constantinople; the second can be linked to other jewellery produced in early Byzantine Egypt; and the third contains pieces of jewellery that were probably made at a gold workshop attached to site T. Evidence for the existence of this workshop is provided by some tools, numerous pieces of jeweller's waste and raw materials. According to the finds, the site T workshop was able to produce jewellery of the same high quality and in the same manner, which one would maybe expect from Constantinople. Other finds from site T can be identified as Christian offerings and eulogiai; thus, they contribute to the classification of the site as a Christian pilgrimage centre.
APA, Harvard, Vancouver, ISO, and other styles
3

Trojanová, Martina. "Kříž zv. královny Dagmar." Doctoral thesis, 2021. http://www.nusl.cz/ntk/nusl-447989.

Full text
Abstract:
At the end of the 17th century, a small enameled cross was discovered in one of the royal graves in Saint Bendt's church in Danish Ringsted. According to the record of the administrator of the Danish Royal Treasury, the cross was found in the grave of the Danish Queen Dagmar - the daughter of the King of Bohemia, Ottokar I (+1230). Dagmar was married in 1205 to Valdemar II the Victorious, the King of Denmark. The cross - today exhibited at the National Museum in Copenhagen - is undoubtedly a Byzantine work. Most probably, it was made in the first half of the 12th century. It is so- called enkolpion, i.e. the hanging cross (gr. Έγϰόλπιου, on the chest). Both its sides are decorated with figurative scenes. The crucifixion of the Christ is depicted on one side. The Great Deēsis with St. Basil the Great and St. John Chrysostom is shown on the other side. There is a hollow in the body of the cross, in which a relic was deposited - most likely a particle of the wood of the True Cross. Although the Queen Dagmar's Cross is considered a national treasure in Denmark, only a little attention has been paid to it so far. It is almost unknown to the Czech researchers (it is briefly mentioned by J. E. Wocel, A. B. Černý, J. Květ, K. Chytil and most recently P. Balcárek). Regrettably, the most of researchers only...
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Byzantine Jewelry"

1

Late Byzantine rings, 1204-1453. Wiesbaden: Reichert Verlag, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Drevnerusskiĭ i︠u︡velirnyĭ ubor: Osnovnye tendent︠s︡ii formirovanii︠a︡. Sankt-Peterburg: "Nestor-isorii︠a︡", 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

L' oreficeria nell'impero di Costantinopoli: Tra IV e VII secolo. Bari: Edipuglia, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Intelligible beauty: Recent research on Byzantine jewellery. London: British Museum, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Vizantijski nakit u Srbiji: Modeli i nasleđe. Beograd: [Arheološki institut], 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

editor, Baldini Isabella, and Morelli Anna Lina editor, eds. Oro sacro: Aspetti religiosi ed economici da Atene a Bisanzio. Bologna: Ante quem, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Byzantinischer Schmuck des 9. bis frühen 13. Jahrhunderts: Untersuchungen zum metallenen dekorativen Körperschmuck der mittelbyzantinischen Zeit anhand datierter Funde. Wiesbaden: Reichert Verlag, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Oggetti di ornamento personale dall'Emilia Romagna bizantina: I contesti di rinvenimento. Bologna: Ante quem, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

author, Schwarcz David Zs, and Mörth Marlies author, eds. Byzantine artefacts from Ephesos: A catalogue. Vienna: Verlag Holzhausen, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

muzej--Beograd, Narodni. Kasnoantički i ranovizantijski nakit od zlata u Narodnom muzeju u Beogradu. Beograd: Narodni muzej Beograd, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Byzantine Jewelry"

1

Walker, Alicia. "Myth and Magic in Early Byzantine Marriage Jewelry." In The Material Culture of Sex, Procreation, and Marriage in Premodern Europe, 59–78. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-08503-0_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lester, Ayala. "Byzantine Influence in the Consolidation of Fatimid Jewelry." In Proceedings of the 9th International Congress on the Archaeology of the Ancient Near East, 397–412. Harrassowitz, O, 2016. http://dx.doi.org/10.2307/j.ctvc7713g.33.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Foster, Karen Polinger. "Knowing the Unknown." In Strange and Wonderful, 49–76. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190672539.003.0004.

Full text
Abstract:
This chapter looks at the various existence of exotica in the Classical, Byzantine, and Islamic periods. Through Egyptian intermediaries, monkeys from elsewhere in Africa reached Minoan Crete and the Cyclades during the first half of the second millennium B.C.E. Dozens of them appear thereafter in wall paintings, seals, and jewelry, engaging in animal and human activities in formal and informal settings. From the seventh century on, gradually expanding colonial and commercial contacts—especially in the eastern Mediterranean—brought exotic experiences back to the Greeks. This gave rise to Greek writing on natural history. Meanwhile, the rise of imperial Rome meant that exotic fauna found themselves inextricably linked with the self-image of the state; any exceptional creatures were reserved as gifts for the emperors. Menageries also existed throughout the Arab/Islamic world from an early date.
APA, Harvard, Vancouver, ISO, and other styles
4

Siecienski, A. Edward. "3. Constantinople and Moscow." In Orthodox Christianity: A Very Short Introduction, 26–32. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780190883270.003.0003.

Full text
Abstract:
‘Constantinople and Moscow’ considers the Byzantines’ relationship with Rome during the thirteenth century and the continuing argument over the filioque and other Latin heresies. During the next century, it was an internal debate that rocked the Eastern church, as a dispute arose about whether one could in prayer have an experience of God as light. In 1453, Constantinople, the jewel of the Byzantine Empire, finally fell to the Ottomans and Orthodox Christians came under Islamic rule. The impact of the Reformation in Western Europe on Orthodoxy during the sixteenth century and the shift of the Orthodox world east to Moscow are also described.
APA, Harvard, Vancouver, ISO, and other styles
5

"Jewels for an island." In Byzantium and Venice, 296–316. Cambridge University Press, 1989. http://dx.doi.org/10.1017/cbo9780511660917.019.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Swift, Ellen, Jo Stoner, and April Pudsey. "Original String and Bead Assemblages." In A Social Archaeology of Roman and Late Antique Egypt, 60–114. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867340.003.0003.

Full text
Abstract:
The chapter provides a chronological and regional overview of trends in bead jewellery in Egypt from the Roman to late antique periods, and provides both a social interpretation of this material, and insights into wider topics such as trade connections, and the social transformations that occurred in late antiquity. It first sets out the material to be studied. Important data include a substantial number of tomb assemblages from Qau el-Kebir, which are newly context-dated. The chapter then provides an overview of trends, drawing on evidence from individual items, including those preserved exceptionally well through the survival of their original string. A chronological trend from more homogenous to more diverse assemblages is documented, which together with increasing levels of reuse of earlier bead types, and the much greater proportions of non-glass beads seen in the latest assemblages, suggests economic disruptions to production processes. Evidence of trade contacts between Egypt and other areas is documented, including links with Germanic areas, Iran, and the wider Indo-Pacific region. Two more specific investigations follow, first a consideration of ancient coloured string, especially red string, presenting evidence of its apotropaic function, and second an examination of evidence for curation, reuse, and heirloom status in bead assemblages and its interpretation from a social archaeology perspective, in which beads are shown to be important in constructing life course identities and affirming family lineages. It is also demonstrated through bead assemblages and pendants how the cultural lives of people in late antique Egypt show many similarities with other communities across the Byzantine world.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Byzantine Jewelry"

1

Abderrahim Mahindad, Naima. "Les caractéristiques architecturales et constructives de la muraille médievale à la période Hammadite à Bejaia (Algérie)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11381.

Full text
Abstract:
The architectural and constructive characteristics of the medieval wall of Bejaia city during the Hammadite periodBejaia, is a coastal city of Central-East Algerian which has seen succeeding on its lands several civilizations: Byzantine, Roman, Hammadite, Spanish and Ottoman It reached its peak from the beginning of the eleventh century, when the Hammadite ruler, An-Nasir made it the capital. The city maintained this important status until the sixteenth century, when it was considered the jewel of the Maghreb. At that time, the city was fortified with a large surrounding wall, which spanned more than 5000 m. This city wall was flanked with bastions and towers, and rose in tiers from the sea-side to Mount Gouraya. Its layout was perfectly designed and blended with the city’s topography It consisted of three walls: one to the east and another to the west, which were connected by a third wall, which ran along the seaside. Today, two gates are preserved from the city of Bejaia’s rich defensive heritage: Bab El Bahr, which opens onto the sea, and Bab El Fouka, which opens onto the plains, as well as some parts of the walls, dotted around different parts of the city. This heritage is threatened and its preservation, restoration and enhancement require a comprehensive knowledge of the architectural and constructive styles, which characterize it, and of the materials used in its construction. This contribution aims to identify the architectural and constructive features of this defense system, developed by the Hammadites, as well as a characterization of the construction materials used, such mortar, through physical, chemical and petrographic analyses.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Byzantine Jewelry' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography