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Journal articles on the topic 'Byzantine manuscript study'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Wagschal, David. "The Byzantine canonical scholia: a case study in reading Byzantine manuscript marginalia." Byzantine and Modern Greek Studies 43, no. 1 (2019): 24–41. http://dx.doi.org/10.1017/byz.2018.23.

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The scholia to the canonical manuscripts of theCollection in Fifty TitlesandCollection in Fourteen Titlesserve as an excellent case study in the potentials of marginalia to illuminate historical narratives and broaden our understanding of how the Byzantines encountered and read their traditional texts. This article explores these potentials by a) offering an overview and taxonomy of the canonical scholia; b) (re)discovering a Macedonian ‘proto-commentator’ hiding in plain sight in the margins of one manuscript; c) sketching some of the scholia's hermeneutic particularities in comparison to the

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Clifton, James, and John Lowden. "The Octateuchs: A Study in Byzantine Manuscript Illustration." Sixteenth Century Journal 25, no. 1 (1994): 208. http://dx.doi.org/10.2307/2542579.

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Kurysheva, Marina A. "Dating and Historical Context of a Greek Manuscript Containing Palaiologoi Emperors’ Portraits (Paris. gr. 1783)." Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, no. 2 (2021): 86–95. http://dx.doi.org/10.15826/izv2.2021.23.2.027.

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This article puts forward a new later dating of the Greek manuscript BnF, Paris. gr. 1783 kept in the National Library of France and containing portraits of emperors of the Palaiologoi dynasty. The manuscript contains important texts related to the Constantinople period of court history and culture. Historiographers used to date the manuscript to the fifteenth century according to the portrait of Patriarch Joseph II (†1439), a famous participant of the Ferraro-Florence Council, which can be seen in the Italian fresco paintings of the fifteenth century. Meanwhile, the study of the manuscript’s

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Boeten, Julie, and Sien De Groot. "The Byzantine antiquarian: a case study of a compiled colophon." Byzantinische Zeitschrift 112, no. 1 (2019): 31–46. http://dx.doi.org/10.1515/bz-2019-0003.

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Abstract In this article, we present a colophon epigram found in the manuscript Napoli, Biblioteca Nazionale, gr. II C 33. We edit the text, provide a translation and commentary and supply it with a thorough metrical analysis. Throughout the article, we investigate whether the scribe meant this colophon to be one text or three separate texts. By doing so, we will touch upon broader issues, such as Byzantine metrics in general and the Byzantine habit of compiling texts from an antiquarian perspective.

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Martani, Sandra. "The theory and practice of ekphonetic notation: the manuscript Sinait. gr. 213." Plainsong and Medieval Music 12, no. 1 (2003): 15–42. http://dx.doi.org/10.1017/s0961137103003024.

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The cantillation of the Scriptures played an important role in the complex matrix of symbols that is the Byzantine liturgy. Beginning in the ninth century, a special type of notation called ‘ekphonetic’ was developed to indicate in the lectionaries the formulae used in the chanting of the appointed scriptural pericopes. Gradually, over the course of the thirteenth and fourteenth centuries the system fell into disuse, and the meaning of the notational signs was forgotten. Unfortunately, no surviving Byzantine theoretical treatises explain the system; hence the only sources of information about

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Rodionov, Oleg. "Codex Vatopedinus gr. 610 and Its Place in the Manuscript Tradition of Kallistos Angelikoudes’ Works." ISTORIYA 12, no. 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015968-3.

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The article deals with one of the oldest manuscripts containing a significant part of the theological chapters of Kallistos Angelikoudes, one of the most important hesychast authors of the late Byzantine period. Codex Vatopedinus gr. 610 was written in the late 14th c. It contains a great amount of quotations excerpted from Patristic literature. In the second part of the codex, one can find the chapters of Kallistos Angelikoudes; these 92 chapters were retrieved from a greater collection containing now about 200 chapters. The article discusses the content of the Vatopedi manuscript, pointing o

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Myers, Gregory. "The medieval Russian Kondakar and the choirbook from Kastoria: a palaeographic study in Byzantine and Slavic musical relations." Plainsong and Medieval Music 7, no. 1 (1998): 21–46. http://dx.doi.org/10.1017/s0961137100001406.

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The Byzantine choirbook or Asmatikon was a musical anthology of melismatic chants for the Office and Liturgy of the fixed and movable parts of the Church year. With its counterpart for the soloist, the Psaltikon, the Asmatikon flourished in the twelfth and thirteenth centuries and was then superseded in the fourteenth and fifteenth by a new manuscript type known as the Akolouthia, which absorbed much of the material from the older sources and added collections of new chants. The older manuscript types were distinguished not only by their repertory of chants, but by separate modal and melodic t

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Emese, Egedi-Kovács. "A Barlám-Regény Kódexképei És Címsorai (Cod. Athon. Iviron 463)." Antik Tanulmányok 64, no. 2 (2020): 203–26. http://dx.doi.org/10.1556/092.2020.00014.

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A tanulmány az Athós-hegyi Iviron 463-as jelzetű kétnyelvű (ógörög-ófrancia) bizánci kézirat különféle rétegeinek (ógörög főszöveg, miniatúrák, lapszélen szereplő ófrancia fordítás, ófrancia címsorok) összefüggéseit vizsgálja újabb megközelítésből, korábban nem vizsgált szempontok bevonásával: a miniatúrák és az ófrancia szövegben szereplő piros tintával kiemelt címsorok közötti kapcsolat feltárásával. A tanulmány a Barlám-regény görög változatait megőrző kódexek – ivironi kézirat szempontjából fontos – magyarázó címeit is áttekinti, a kéziratok közötti közös elemeket vizsgálja. Az elemzés az

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Alexaki, Marirena. "Icons as punishers. Two narrations from the Vaticanus gr. 1587 manuscript (BHG 1390 f)." Byzantinische Zeitschrift 114, no. 1 (2021): 35–64. http://dx.doi.org/10.1515/bz-2021-9003.

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Abstract The Iconoclastic controversies of the Byzantine Era have provided a rich literary tradition of miracle narrations regarding the various magical aspects of the icon. The second period of Iconoclasm however seems to have given rise to a lesser prominent motif of the earlier traditions, namely that of the icon-agent acting as active punisher against its transgressor. The current article explores the development of this motif after a concise survey of the history of icon-miracle narrations, their representative texts and their role in liturgical practice. The starting point of the study w

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Chircev, Elena. "Archdeacon Sebastian Barbu-Bucur PhD – Researcher of the Byzantine Musical Tradition across the Romanian Territory." Artes. Journal of Musicology 17, no. 1 (2018): 89–101. http://dx.doi.org/10.2478/ajm-2018-0004.

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Abstract Professor Archdeacon Sebastian Babu-Bucur PhD is one of the most prominent representatives of Romanian Byzantology with a tireless activity spreading throughout different fields – research, psalmic musical creation, teaching, performing. Our study focuses briefly on several of the researcher’s achievements, some of his main concerns having been the Romanianisation process of the church chant in the 18th century and the manuscripts elaborated by Romanians. We highlighted the merits of the Byzantinist musicologist who contributed to the discovery of most of the Romanian manuscript no. 6

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Bovon, François, and Nancy P. Ševčenko. "Byzantine Art and Gospel Commentary: The Case of Luke 13:6–9, 10–17." Harvard Theological Review 109, no. 2 (2016): 257–77. http://dx.doi.org/10.1017/s0017816016000055.

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This paper represents a conversation between two disciplines that too rarely enter into dialogue: New Testament studies and the history of Byzantine art. Two gospel passages have been chosen for analysis here: the first is a parable, the parable of the fig tree (Luke 13:6–9); the second, which follows immediately upon the first, is a miracle story that provokes a controversy (Luke 13:10–17). Both passages appear exclusively in the Gospel of Luke. Our joint study will start with exegetical notes on the Gospel of Luke and the history of the interpretation of these particular verses and will then

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Borisova, T. S. "Stavrotheotokia troparia of the Great and Holy Friday Antiphons (tentative textological analysis of the 11th – 14th century manuscripts)." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 2 (2019): 14–26. http://dx.doi.org/10.25205/1818-7935-2019-17-2-14-26.

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The paper deals with certain troparia found in several Church Slavonic manuscripts as a part of the Great and Holy Friday Antiphons which don’t respond to the described Greek versions of the text. Troparia which appear in the penultimate place of each of the 15 Antiphons are devoted to the Mother of God and could be attributed to the Stavrotheotokion type. The Stavrotheotokia appear regularly almost in all East Slavonic manuscripts up to Patriarch Nikon book correction of the 17th century, while in the South Slavonic tradition they appear regularly only in two early Serbian manuscripts, in the

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Pentkovskaya, Tatiana V. "Maximus the Greek's Biblical Philology in the European Context and in the Church Slavonic Tradition." Slovene 9, no. 2 (2020): 448–60. http://dx.doi.org/10.31168/2305-6754.2020.9.2.18.

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[Rev. of: Verner I. V. The Interlinear Slavonic-Greek Psalter of 1552 Translated by Maximus the Greek. Moscow: Indrik, 2019, 928 pp. (in Russian)] The article offers a review of the study and publication of Maximus the Greek's 1552 translation of the Psalter. This translation, which has remained in manuscripts until now, is viewed as part of the European biblical revision, ialongside other well-known Renaissance translations and editions of the Holy Scriptures. The Church Slavonic-Greek Psalter of 1552 is a monument at once to Byzantine-Slavic, European-Slavic, and inter-Slavic cultural and li

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Americano, Sergio Gerardo. "Ignazio d’Antiochia nel ‘Pandette della Sacra Scrittura’ di Antioco di San Saba (CPG 7842-7844)." Augustinianum 57, no. 1 (2017): 191–208. http://dx.doi.org/10.5840/agstm201757110.

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Written in 620 ca., the Pandectes of the Holy Scripture (CPG 7842-7844) of Antiochus, monk of the Great Laura of Saint-Sabas (Jerusalem), represents a remarkable example of the kefavlaia literary genre in the early Byzantine period. It includes, among its many patristic sources, a series of 26 passages borrowed from the Epistles of Ignatius of Antioch (CPG 1025), used in their recensio media. The quotations are distributed in 13 of the 130 total chapters of the work. The present study aims not only to evaluate the textual contribution of the Pandectes to the study of the Epistles of Ignatius,

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Shelemay, Kay Kaufman, Peter Jeffery, and Ingrid Monson. "Oral and written transmission in Ethiopian Christian chant." Early Music History 12 (January 1993): 55–117. http://dx.doi.org/10.1017/s0261127900000140.

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Of all the musical traditions in the world among which fruitful comparisons with medieval European chant might be made, the chant tradition of the Ethiopian Orthodox Church promises to be especially informative. In Ethiopia one can actually witness many of the same processes of oral and written transmission as were or may have been active in medieval Europe. Music and literacy are taught in a single curriculum in ecclesiastical schools. Future singers begin to acquire the repertory by memorising chants that serve both as models for whole melodies and as the sources of the melodic phrases linke

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Sander, Christoph. "Magnetism for Librarians. Leone Allacci’s De Magnete (1625) and its Relation to Giulio Cesare LaGalla’s Disputatio de Sympathia et Antipathia (1623)." Erudition and the Republic of Letters 5, no. 3 (2020): 274–307. http://dx.doi.org/10.1163/24055069-00503002.

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The investigation of magnetic phenomena played a crucial role for the emergence of an experimental approach to natural philosophy in the early modern period. William Gilbert’s De magnete, in particular, and Leonardo Garzoni’s Due trattati, are taken to herald this development. This article brings to light a contrasting approach to magnetism, by analyzing an extensive and hitherto unknown study on the magnet by the Vatican librarian Leone Allacci, and its relation to Giulio Cesare LaGalla’s Disputatio de sympathia et antipathia (1623). Allacci’s De magnete (1625) which survives in a single manu

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17

Kryvenko, Marharyta. "Scientific catalog of the book collections of «Studion» as a «Byzantine» library: principles and features of formation." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 12(28) (2020): 255–79. http://dx.doi.org/10.37222/2524-0315-2020-12(28)-10.

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The article highlights the principles and sources of material selection for the Catalog; its structure and content are disclosed; attention is paid to the specifics of the processing and bibliography of Greek prints, a sample description of one of them is given. The already completed scientific catalog is the first attempt to identify, elaborate, describe and return to the scientific and public discourse the Byzantine materials of the Lviv «Studion» library, which Metropolitan Andrey has purposefully collected for over thirty years, to promote, first of all, theological research work, educatio

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Fershtej, Vasyl. "The Studion’s Library collection in Vasyl Stefanyk National Scientific Library of Ukraine in Lviv: fragments of history, study experience and preservation issues." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 12(28) (2020): 238–54. http://dx.doi.org/10.37222/2524-0315-2020-12(28)-9.

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Vasyl Stefanyk National Scientific Library of Ukraine in Lviv (VSNSL of Ukraine in Lviv) is considered as an inheritor and successor for major Ukrainian libraries and institutions that constituted its base consequently to geopolitical upheavals of first half of 20th century. These are books, manuscripts, old prints, periodicals, notes and fine arts collections etc. from the libraries of Shevchenko Scientific Society, People’s Home in Lviv, monasteries, private collections, as well as Studion’s Library collection, whose substantial part now is being dispersed along the shelves of VSNSL of Ukrai

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19

Semiachko, Svetlana A. "The Sermon to the Coenobitic Monastic Brotherhood: On the Formation of the Monastic Disciplinary Charter in Rus’." Slovene 4, no. 1 (2015): 474–92. http://dx.doi.org/10.31168/2305-6754.2015.4.1.28.

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This article is devoted to the study of sources transmitting the Sermon to the Coenobitic Monastic Brotherhood and its spheres of influence. The article determines authentic copies of this text and considers several elements: charters of the founders of several Russian monasteries and lectures to the brotherhood of the coenobitic monasteries and to their new members. Authors of Old Russian disciplinary charters were guided by apostolic and patristic texts; these sources were used not in their original language but in translation. Quotations from these authoritative compositions were often inco

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Savel’eva, Natalya V. "On the history of the texts of the Moscow Anfologion of 1660: Chapters… from the book Paradise and Tetrastichae sententiae by Gregory Nazianzen." Vestnik of Saint Petersburg University. Language and Literature 18, no. 1 (2021): 147–86. http://dx.doi.org/10.21638/spbu09.2021.109.

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The article is devoted to the publication history of two poetic gnomologies (collections of maxims) as part of the collection “Anfologion” published in 1660 at the Moscow Print Yard. This collection house primarily published works translated from the Modern Greek Venetian editions, which presented new versions of monuments of hagiography and Byzantine patristic heritage, theological treatises and poetic works of medieval Christian authors. Some translations were made by the publisher — director (spravshchik) of the Printing House Arseny Grek. Among his translations there were also collections

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Minale, Valerio. "About the reception of Isaurian Ekloge in Byzantine Italy: An effort of comparison with Slavian world and mainly Stefan Dusan’s Serbian empire." Zbornik radova Vizantoloskog instituta, no. 49 (2012): 43–74. http://dx.doi.org/10.2298/zrvi1249043m.

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Aim of the contribute is to offer a new key to analyse the matter concerning the influence of Byzantine law sources on the development of the legal system in Southern Italy. In addition to a historical and juridical survey about the reception process of the Isaurian Ekloge in the territories controlled by the Byzantines, a comparison is tried considering the diffusion of the compilation also in the Slavian world and especially in the Balkan regions: to study the reasons, which persuaded Stefan Du{an to use the text to compose his Zakonik, could be very useful to understand the characters - tot

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Cvetković, Branislav. "Zaglavlje Dekaloga u Hvalovom zborniku: prilog semantici srednjovjekovne iluminacije." Ars Adriatica, no. 4 (January 1, 2014): 155. http://dx.doi.org/10.15291/ars.493.

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This article is dedicated to the interpretation of the header before the text of the Ten Commandments on fol. 150 of the Hval Codex. The author is drawing attention to a gloss in the margin to the left of the banner which has not been addressed in the earlier scholarly literature nor recorded in the facsimile transcription of 1986. The rectangular banner consists of a lozenge net filled with gold lilies while three gold interlace crosses of a complex shape are placed on top of the banner. The gloss next to it was written in blue ink as an abbreviated word under a line. It is a rather common ab

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Bowden, W., R. Hodges, K. Lako, et al. "Roman and late-antique Butrint: excavations and survey 2000-2001." Journal of Roman Archaeology 15 (2002): 199–229. http://dx.doi.org/10.1017/s104775940001391x.

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The Roman and Byzantine port of Butrint, situated on the SW coast of Albania directly opposite the island of Corfu, has been the focus of a major research project since 1994. The investigation of the site and its hinterland commenced with excavations within the walled town and a survey of sites and monuments in the region (Hodges et al 1997). Despite a brief hiatus caused by civil unrest in Albania in 1997, work continued with excavation and study seasons in 1998 and 1999. The results of the first five years of the project are due to be published shortly (Hodges, Bowden and Lako, forthcoming).

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Piñol Álvarez, Estefanía. "Alfonso X y el Mediterráneo: algunas reflexiones acerca de la influencia de los manuscritos iluminados árabes en las Cantigas de Santa María. Alfonso X of Castile and the Mediterranean: some considerations about the influence of the illuminated Arabic manuscripts on the Cantigas de Santa María." Territorio, Sociedad y Poder 13, no. 13 (2018): 71. http://dx.doi.org/10.17811/tsp.13.2018.71-99.

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El presente estudio pretende ofrecer un análisis sobre las fuentes visuales de origen árabe y su influencia en las Cantigas de Santa María de Alfonso X el Sabio. Partiendo de un estado de la cuestión donde se tienen en cuenta aquellas propuestas realizadas a lo largo de estos años en relación al marco geográfico de influencias —situadas inicialmente en Francia e Italia pero defendiendo posteriormente la necesidad de reubicar la miniatura alfonsí dentro del ámbito del Mediterráneo— se pretenden aportar nuevas reflexiones críticas, cuestionando algunos de los vínculos concretos e intrínsecos que

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Mocanu, Alina Viorela. "The Byzantine Icon Hermeneia." Review of Artistic Education 22, no. 1 (2021): 200–205. http://dx.doi.org/10.2478/rae-2021-0025.

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Abstract In the context of the flagrant mistakes that are encountered in ecclesiastical painting and the lack of basic knowledge in this field, this study comes to present how Hermeneia has evolved throughout history. Starting from the Byzantine period, passing through the post-Byzantine period and reaching to the present day, Hermeneia and her predecessors, manuscripts and sketchbooks, aimed to help and maintain a canonical-artistic-ecclesial unity throughout the Orthodox Christian area. Another aspect of the article presents some ways of approaching Hermeneia from various points of view: tec

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Rafiyenko, Dariya. "Excerpta Historica Constantiniana: An Encyclopaedia from Tenth-Century Byzantium?" Journal of Abbasid Studies 7, no. 2 (2020): 243–63. http://dx.doi.org/10.1163/22142371-12340055.

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Abstract When approaching Byzantine-Greek texts that organize knowledge in one way or another, Byzantinists encounter similar issues to those facing Arabists working on pre-modern Arabic literature. In this article, I discuss two of these more specifically: (1) The layout of the medieval manuscripts has been hitherto systematically neglected, although many manuscripts contain chapter headings, lists of contents and other features that provide “reading aids” or “finding devices” and thus offer clues as to how the text they contain were conceived and designed to be read; and (2) The term “encycl

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Kumbe, Meri. "Music in Albania through the medium of paper musical manuscripts." New Sound, no. 46 (2015): 170–80. http://dx.doi.org/10.5937/newso1545170k.

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The aim of this paper is to present the musical Byzantine manuscripts, kept in the Central State Archive of Albania. It particularly focuses on the historical importance they had in the evolution of religious music in Albania and Albanian music per se, whilst providing important information related to the specificity of names and other music elements. This paper also focuses on the characteristics of these "papers", and "papers" in general, published through the medium of paper, from papers (article, essay, study) as a "text".

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BENAKIS, Linos G. "Aristotelian Ethics in Byzantium." WISDOM 9, no. 2 (2017): 67–73. http://dx.doi.org/10.24234/wisdom.v9i2.191.

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This paper argues that research in the primary sources must precede the investigation of Byzantine philosophy. Two points are to be considered, on the one hand, the gathering of texts, and, on the other hand, the study of texts in relation to their sources. Thus the external evidence as well as the internal evidence of texts should be examined. In this double regard, the manuscripts containing Aristotle’s Nicomachean Ethics are considered. Their authors are Michael of Ephesos, Eustratios of Nicaea, “Anonymus”, Heliodoros of Prussa, Georgios Pachymeres, Michael Psellos, John Italos, Nikephoros

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Gonzalez-Calderon, Juan Felipe. "Constantine Lascaris, his manuscripts and his ethical concerns." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 15, no. 2 (2021): 538–72. http://dx.doi.org/10.25205/1995-4328-2021-15-2-538-572.

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This article aims to examine Constantine Lascaris’s work on Aristoteles’ ethical corpus. We consider evidence from the textual witnesses of the Nicomachean Ethics, the Eudemian Ethics, the Magna Moralia, and some other minor ethical writings, which belonged to Lascaris, in order to reconstruct his working methods. We also explore Lascaris’ own statements about virtuous life; a life devoted to the service of the common good, to philosophy and to the study of texts. For him philosophy was a way of life, rather than simply a discourse. We look at the link between written culture and philosophical

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Peno, Vesna. "The traditional and modern in church music: A study in canon and creativity." Muzikologija, no. 6 (2006): 233–50. http://dx.doi.org/10.2298/muz0606233p.

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Definitions of the terms "traditional" and "modern", relating to the chanting tradition of the Eastern Church, sprang from research into so-called kalophony ? a specific compositional method that established melismatic melody. Despite differing academic opinions about the origins of this melody in the liturgical practice of the Eastern Church, it is evident that very embellished and elaborate kalophonic melodies appeared frequently from the mid-13th century onwards. The compositional treatment of various genres of these melodies began historically with partial respect for the established hymno

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Devoge, Jeanne. "When Job falls ill: Literary and iconographical study of a biblical scene from the Septuagint." Zograf, no. 33 (2009): 9–18. http://dx.doi.org/10.2298/zog0933009d.

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The particular scene from the Book of Job where Job falls ill, struck down by Satan (Job, II, 1-8), is studied from the link between the Septuagint text and the images that illustrate it. The text, transcribed and translated reveals the vocabulary of the body and the disease of Job, supported by the comments of the Greek Fathers that surround it. Compared with the description of some images issued from the iconographical cycles created especially for the Byzantine Books of Job, the text appears clear and concise. Thus, the text offered large scope for interpretation to the manuscript's painter

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Lorrain, Agnès. "Der Fall Jerusalem, Timiou Staurou 104 (12. Jh.):Eine Untersuchung zur Herkunft patristischerExzerpte in den Tetraevangelien." Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 24, no. 2 (2020): 355–88. http://dx.doi.org/10.1515/zac-2020-0025.

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AbstractA number of Byzantine tetraevangelia dating from between the tenth and twelfth centuries contain sequences of accompanying texts (among which patristic excerpts) that are very similar to those found in manuscripts with catena commentaries. This similarity raises the question of how the paths of such accompanying texts were formed during their transmission. Is it possible to define intermediate sources or relationships between manuscripts despite the complex traditions of such elements? This article first considers some methodological questions and then takes as a case study a tetraevan

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Zajc, Neža. "St Maxim the Greek: Some notes on his understanding of the sacred time." Slavia Meridionalis 16 (October 21, 2016): 329–68. http://dx.doi.org/10.11649/sm.2016.017.

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St Maxim the Greek: Some notes on his understanding of the sacred timeBased on a manuscript by St Maxim the Greek, this article explores his specific understanding of the relationship between language and biblical tradition. It gives some answers to questions concerning his theology, which are posed by his liturgical experience of the sacred time, which is based not on repeating the excerptions from the patristic authors, but is primarily founded on his accurate reading and in-depth perception of the Holy Bible. Maxim the Greek, who in his personal writings showed a detailed knowledge of both

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Christides, V. "THE SOURCES OF COSMAS INDICOPLEUSTESâ€™ MINIATURES OF ANIMALS: THE CASE OF THE â€œUNICORNâ€." Journal for Semitics 23, no. 2 (2017): 531–46. http://dx.doi.org/10.25159/1013-8471/3504.

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The aim of this paper is to trace the sources of the Byzantine author Cosmas Indicopleustesâ€™ miniatures of animals, in particular of the â€œunicornâ€, in his work Christian topography. Cosmas, a sixth century seaman and merchant, wrote his work, Christian topography, based on his personal experience travelling in the Red Sea and beyond. Although his main aim was to enhance religious beliefs, his work yields important geographical information concerning navigation, peoples and animals of various countries neighbouring the Red Sea and beyond. His description of various exotic countries is dec

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Berggren, J. L. "Islamic Acquisition of the Foreign Sciences." American Journal of Islam and Society 9, no. 3 (1992): 310–24. http://dx.doi.org/10.35632/ajis.v9i3.2570.

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The study of the transmission and transformation of ancient science ismore than a study of which texts were translated, when, and by whom. It wasa complex process, better seen as beginning rather than ending with the translationof relevant books, for the heart of the process is the assimilation ratherthan the simple reception of the material. Scientific ideas move because peoplestudy books, compute with tables, and use instruments, not simply becausethey translate books, transcribe tables, or buy pretty artifacts. It sufficesto recall that the scholars of the Byzantine Empire, despite their st

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Peno, Vesna, and Marija Obradovic. "On the chanting space and hymns that were sung in it. Searching for chanting-architectural connections in the middle ages." Muzikologija, no. 23 (2017): 145–73. http://dx.doi.org/10.2298/muz1723145p.

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The search for the unexplained interactions of domestic medieval liturgical music and sacred architecture of the Moravian style has not been the subject of interdisciplinary study so far. A reflection on the potential relationg between church chanting and architecture is absent from the largest part of the existing literature on the development of medieval sacral art. The scarcity of written historical sources, and especially musical ones, made it particularly difficult to define the connection between the chanting circumstances and the changes in the architectural form of the late Byzantine p

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Seyidbeyli, Maryam. "Life and activity of Nasir al-Din al-Tusi." History of science and technology 10, no. 2 (2020): 353–67. http://dx.doi.org/10.32703/2415-7422-2020-10-2-353-367.

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At the beginning of the VII century in the political life of the Near and Middle East, fundamental changes have taken place. The Arabs conquered a colossal territory, which included the lands of Iran, North Africa, North-West India, the Asian provinces of Byzantium, most of the former Roman Empire. In the conquered cities of the caliphate, observatories, madaris, libraries were built. At the end of VII century, the first scientific center, an academy, the House of Wisdom, was founded in Baghdad, in which scholars who spoke different languages were assembled. Here the translation and commentary

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Peattie, Matthew. "Old Beneventan Melodies in a Breviary at Naples: New Evidence of Old Beneventan Music for the Office." Journal of Musicology 29, no. 3 (2012): 239–61. http://dx.doi.org/10.1525/jm.2012.29.3.239.

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This article discusses previously undocumented examples of music for the old Beneventan divine office in a manuscript housed in the Archivio Storico Diocesano in Naples (Cod. Misc. 1, fasc. VII). The breviary, which was copied at the scriptorium of Santa Sofia, Benevento, in 1161, transmits two unica—canticle antiphons for the feast of St. Mercurius—in Beneventan style. It also preserves a Beneventan-style antiphon for the Holy Twelve Brothers of Benevento that is not transmitted in previously published sources of Beneventan chant. The discovery of music in Beneventan style for St. Mercurius i

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Ševčenko, Nancy Patterson. "Stella Papadaki-Oekland, Byzantine Illuminated Manuscripts of the Book of Job: A Preliminary Study of the Miniature Illustrations, Its Origin and Development. Athens: Brepols, 2009. Pp. iv, 433 plus facsimile pages and 6 foldout tables; many black-and-white and color figures and tables. €150. ISBN: 978-2503532325." Speculum 87, no. 1 (2012): 264–66. http://dx.doi.org/10.1017/s0038713412000541.

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Шмігер, Тарас. "Погляди Роналда Ленекера на когнітивну семантику як модель перекладознавчого аналізу ("Слово некоего калугера о чьтьи книг» в сучасних українсько- та англомовних перекладах". East European Journal of Psycholinguistics 3, № 1 (2016): 102–17. http://dx.doi.org/10.29038/eejpl.2016.3.1.shm.

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Мета цього дослідження – проаналізувати можливість використовувати погляди Р. В. Ленекера на когнітивну семантику як семантико-текстологічну модель перекладознавчого аналізу. Матеріалом для розгляду обрано твір «Слово некоего калугера о чьтьи книг» із «Ізборника Святослава» 1076 р. та його три переклади: два переклади сучасною українською мовою (повний – В. Яременка, частковий – Є. Карпіловської й Л. Тарновецької) та один переклад англійською мовою (В. Федера). Теорія когнітивної семантики Р. Ленекера орієнтується здебільшого на граматичні проблеми й опис мови через параметри простору. Парамет

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Kokla, Vasiliki. "Contemporary approach in the study of a Byzantine-illuminated manuscript on parchment." European Physical Journal Plus 136, no. 7 (2021). http://dx.doi.org/10.1140/epjp/s13360-021-01699-z.

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Данова, Цветомира. "The Homily on The [Cursed] Fig-Tree and the Parable of the Vineyard by John Damascene in Mediaeval Slavonic Literature [Preliminary Observations]." Poznańskie Studia Slawistyczne, no. 14 (September 21, 2018). http://dx.doi.org/10.14746/pss.2018.14.4.

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The Slavonic version of the homily dedicated to The (Cursed) Fig-Tree and the Parable of the Vineyard by John Damascene has not been so far object of an archeographic-textological study. The present study gives the initial observations on the reception of that Byzantine work in Mediaeval Slavonic Literature. The work centred mainly on the South Slavonic manuscript tradition, while the East Slavonic manuscript tradition represented by the text from the well-known Uspensky Miscellany was used as a starting point and as a basis for comparison during the analysis. The study showed that in Mediaeva

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Gratziou, Olga. "J . Lowden, Illuminated Prophet Books. A Study of Byzantine Manuscripts." Byzantinische Zeitschrift 84-85, no. 1-2 (1992). http://dx.doi.org/10.1515/bz-1992-1-266.

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Ebrahimi, Mansoureh, Kamaruzaman Yusoff, Salah L-A Mohammed, and Azlizan Mat Enh. "The Battle of Manzikert in 1071 A.D and Its Consequences to the Byzantine Empire." UMRAN - International Journal of Islamic and Civilizational Studies (EISSN: 2289-8204) 2, no. 1 (2015). http://dx.doi.org/10.11113/umran2015.2n1.14.

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This study aims to analyze the battle of Manzikert in 1071 A.D, and to examine its consequences on the Byzantine Empire. The methodology used in this article are primary sources namely manuscripts, historical records as well as secondary sources. The impact of Manzikert battle which occurred between the Byzantine Empire and the Seljuk State in 1071 A.D. indicates the powers and forces of the Byzantine Empire were destroyed economically and militarily. Actually, it is a turning point in the history of Christian-Muslim conflict. The Byzantine Empire started to set its eyes on the Catholic West t

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"Illuminated Prophet Books: A Study of Byzantine Manuscripts of the Major and Minor Prophets.John Lowden." Speculum 66, no. 2 (1991): 437–40. http://dx.doi.org/10.2307/2864187.

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Kaznokh, Iryna. "The sticheras of the holiday of Pentecost in musical and poetic context (on the materials of Liubachiv Irmologion, 1674)." Scientific collections of the Lviv National Music Academy named after M.V. Lysenko, 2018, 26–37. http://dx.doi.org/10.33398/2310-0583.2018.4243.26.37.

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Objectives of the scientific research lies in a) comprehension of the dramaturgy of the holiday of Pentecost on the basis of theological, musical and poetic analysis of the selected sticheras of the evening ceremony from the Liubachiv Irmologion, 1674; b) detailed analysis of the interaction of the poetic text with the melody of the sticheras «Come, people» and «The Lord of the heavens» to understand and perform liturgies correctly c) study of the musical and rhetorical models in the verbal texts of the sticheras. Methodology and scientific approaches. In the process of research, the source-st

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Panin, Leonid G., та Borisova Tatiana S. "Comparative Linguistic Textological Analysis as a Means of Research into the Evolution of the Derivation System (on the Early Church Slavonic Translations of Greek Words with the Prefix συν-)". Journal of Siberian Federal University. Humanities & Social Sciences, жовтень 2019, 1887–903. http://dx.doi.org/10.17516/1997-1370-0490.

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The present study has delved into the different ways the Greek prefix συν- has been translated in the Church Slavonic language. Our research was conducted on the available Church Slavonic translations of four Byzantine hymns (the Akathistos Hymn, the Great Canon of Repentance by St. Andrew of Crete, the Alphabetical Shichera from the Great Canon service and the Antiphons of the Great and Holy Friday) examined in the South and East Slavonic manuscripts of the 11th — 15th century. The textological study of the Slavonic translation revealed the existence of eight versions of the texts caused by s

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