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1

Moran, Neil. Byzantine castrati. Cambridge [England]: Cambridge University Press, 2002.

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2

Habbī, Anṭūn. Short course in Byzantine ecclesiastical music. [Newton, Mass: Greek Melkite Catholic Diocese of Newton in the United States], 1988.

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3

Richter, Lukas. Momente der Musikgeschichte. Salzburg: Mueller-Speiser, 2000.

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4

Robert, Littlewood Antony, ed. Originality in Byzantine literature, art, and music: A collection of essays. Oxford: Oxbow Books, 1995.

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5

Șirli, Adriana. Repertoriul tematic al manuscriselor muzicale bizantine și post-bizantine 9seoclele XIV-XIX) =: The thematic repertory of Byzantine and Post-Byzantine musical manuscripts (the 14th-19th centuries). Bucuresti: Editura Muzicala, 1986.

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6

Panagiōtopoulos, D. G. Theōria kai praxis tēs vyzantinēs ekklēsiastikēs mousikēs: Methodos meta pollōn askēseōn kai paradeigmatōn. 5th ed. Athēnai: Adelphotēs Theologōn Ho Sōtēr, 1991.

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7

Moran, Neil K. A list of Greek music palimpsests. [Leipzig]: Acta Musicologia, 1985.

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8

Littlewood, Antony Robert. Under the presidency of Saint Paul: The case of Byzantine originality : the "Constantinople and its legacy" annual lecture, February 5, 1995. Toronto: Hellenic Canadian Association of Constantinople, 1995.

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9

Littlewood, Antony Robert. Under the presidency of Saint Paul: The case of Byzantine originality. Toronto, Ontario, Canada: Hellenic Canadian Association of Constantinople, 1995.

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10

Littlewood, Antony Robert. Under the presidency of Saint Paul: The case of Byzantine originality. Toronto: Hellenic Canadian Association of Constantinople, 1996.

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11

Euthymiadēs, Avraam. Mathēmata vyzantinēs ekklēsiastikēs mousikēs: Ētoi theōria kai plērēs methodos melōdikōn askēseōn. 3rd ed. Thessalonikē: [s.n.], 1988.

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12

Gert͡sman, E. Vizantiĭskoe muzykoznanie. Leningrad: Muzyka, Leningradskoe Otd-nie, 1988.

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13

Ordoulidēs, Nikos. Synnephiasmenē Kyriakē & Tē Hypermachō: Kathrephtismata ē antikatoptrismos. Athēna: Fagotto books, 2017.

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14

Moran, Neil K. Singers in late Byzantine and Slavonic painting. Leiden: E.J. Brill, 1986.

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15

Vourlēs, Athanasios Theod. Leirourgika kat' ēchon: Syntoma, argosyntoma, heptaphōna, panēgyrika kai alla : symvolē eis tēn chorikēn psalmōdian tēs Th. Leitourgias. Athēnai: [s.n.], 1998.

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16

Stathēs, Gr Th. Hoi anagrammatismoi kai ta Mathēmata tēs Byzantinēs melopoiïas: Kai panomoiotypos ekdosis tou kalophōnikou stichērou tēs Metamorphōseōs "Protypōn tēn anastasin", meth'holōn tōn podōn kai anagrammatismōn autou, ek tou Mathēmatariou tou Chourmouziou Chartophylakos. 4th ed. Athēnai: [s.n.], 1998.

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17

Katounakiōtēs, Dositheos. Leirourgika. 2nd ed. Phylē, Attikēs: Ekdosis Hieras Monēs Hagiōn Kyprianou & Ioustinēs, 1990.

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18

Angelopoulos, Lykourgos. Les voix de Byzance. Paris: Desclée de Brouwer, 2005.

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19

1885-1974, Wellesz Egon, Wolfram Gerda, and Österreichische Akademie der Wissenschaften (Wien). Philosophisch-Historische Klasse., eds. Byzantinische Musik: Ein Vortrag. Wien: Verlag der Österrreiche Akademie der Wissenschaften, 2000.

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20

Wellesz, Egon. Byzantinische Musik: Ein Vortrag. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 2000.

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21

Gert︠s︡man, E. Peterburgskiĭ teoretikon =: To theōrētikon tēs Petroupoleōs = Petersburg theoreticon. Odessa: Izd-vo "Variant,", 1994.

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22

E, Gert͡sman. Peterburgskiĭ teoretikon =: To theōrētikon tēs Petroupoleōs = Petersburg theoreticon. Odessa: Izd-vo "Variant,", 1994.

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23

1943-, Seppälä Hilkka, ed. Avain bysanttilaisen laulun maailmaan. Joensuu: Joensuun yliopisto, 2007.

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24

John, Burke, Scott Roger 1938-, and La Trobe University. National Centre for Hellenic Studies and Research., eds. Byzantine Macedonia: Art, architecture, music and hagiography : papers from the Melbourne Conference July 1995. Melbourne: National Centre for Hellenic Studies and Research, LaTrobe University, 2001.

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25

Kastrinakēs, Iōannēs. Automela troparia: Ta kat' ēchon stichēra, kathismata, kontakia, apolytikia kai exaposteilaria automela troparia. Chania: Ekdoseis Stamoulē, 2009.

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26

Ūsṭah, Bashīr Fuʼād. al-Manhaj al-shāmil fī al-mūsīqá al-Kanasīyah al-Bīzanṭīyah. Bayrūt: Bashīr Fuʼād al-Ūsṭah, 2016.

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27

Chalkeopulos, Akakios. Der Traktat des Akakios Chalkeopulos zum byzantinischen Kirchengesang. Turnhout: Brepols, 2020.

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28

Seppälä, Hilkka. Avain slaavilaisten neumien maailmaan. Joensuu: Joensuun yliopisto, 2004.

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29

Tessari, Silvia. Byzantine music and the Veneto region: Studies in the manuscript collections. Alessandria: Edizioni dell'Orso, 2018.

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30

Christian, Hannick, Wolfram Gerda, and Österreichische Akademie der Wissenschaften. Kommission für Byzantinistik., eds. Gabriel hieromonachos: Abhandlung über den Kirchengesang. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 1987.

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31

Gatsioufa, Paraskevi. El legado musical griego en España: Manuscritos griegos de música bizantina en bibliotecas españolas. Granada: Universidad de Granada/CDMA, 2015.

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32

Vilimas, Jonas. Bažnytinė muzika: Enciklopedinis žinynas. Vilnius: Mokslo ir enciklopedijų leidybos institutas, 2011.

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33

Michaēlidēs, Andreas. Lexiko Vyzantinēs mousikēs. Katerinē: Ekdoseis Mati, 2000.

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34

Habbī, Anṭūn. Petite méthode de musique ecclésiastique byzantine à l'usage des paroisses grecques melkites catholiques de la diaspora. [S.l: s.n.], 1987.

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35

Symposion, "Die Beziehung der Griechischen Musik zur Europäischen Musiktradition" (1986 Würzburg Germany). Griechische Musik und Europa: Antike, Byzanz, Volksmusik der Neuzeit : im Gedenken an Samuel Baud-Bovy : Symposion "Die Beziehung der Griechischen Musik zur Europäischen Musiktradition" vom 9.-11. Mai 1986 in Würzburg des Internationalen Zentrums für Wissenschaftliche, Ökumenische und Kulturelle Zusammenarbeit e.V., Griechisch-Deutsche Initiative. Aachen: Edition Herodot, 1988.

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36

O, Herasymova-Persydsʹka N., and Lozovai︠a︡ I. E, eds. Vizantii︠a︡ i Vostochnai︠a︡ Evropa: Liturgicheskie i muzykalʹnye svi︠a︡zi : k 80-letii︠u︡ Doktora Milosha Velimirovicha. Moskva: Progress-Tradit︠s︡ii︠a︡, 2003.

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37

Kilica, Holta Sina. Kodikët ekfonetikë të Shqipërisë. Tiranë: Akademia e Shkencave e Shqipërisë, 2019.

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38

Greece) Diethnes Synedrio Mousikologiko kai Psaltiko (2nd 2003 Athens. Theōria kai praxē tēs psaltikēs technēs: Ta genē kai ta eidē tēs Vyzantinēs psaltikēs melopoiïas : praktika 2. Diethnous Synedriou Mousikologikou kai Psaltikou, Athēna, 15-19 Oktōvriou 2003. Athēna: Hidryma Vyzantinēs Mousikologias, 2006.

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39

C, Troelsgård, and Wolfram Gerda, eds. Palaeobyzantine notations II: Acta of the congress held at Hernen Castle (The Netherlands) in October 1996. Hernen: A.A. Brediusstichting, 1999.

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40

Chatzētheodōrou, Geōrgios. Vivliographia tēs vyzantinēs ekklēsiastikēs mousikēs. Thessalonikē: Patriarchikon Hidryma Paterikōn Meletōn, 1998.

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41

iskusstv, Rossiĭskiĭ institut istorii, ed. Glava iz istorii antichnogo muzykoznanii︠a︡ vizantiĭskoĭ ėpokhi. Sankt-Peterburg: Rossiĭskiĭ institut istorii iskusstv, 2017.

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42

Jakovljeviċ, Andrija. Diglōssē palaiographia kai melōdoi-ymnographoi tou kōdika tōn Athēnōn 928. Leukōsia: Kentro Meletōn Ieras Monēs Kykkou, Ereunētiko Kentro Kypriakēs Monastēriologias kai Istorias, 1988.

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43

Stathēs, Grēgorios Th. Hē e xēgēsis tēs palaias vyzantinēs sēmeiographias: Kai ekdosis anōnymou syngraphēs tou kōdikos Xēropotamou 357 hōs kai epilogēs tēs Mousikēs technēs tou Apostolou Kōnsta Chiou ek tou kōdikos Docheiariou 389 me mia prosthēkē apo ton kōdika EBE 1867. 3rd ed. Athēnai: Hidryma Vyzantinēs Mousikologias, 1993.

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44

Jakovljević, Andrija. Diglōssē palaiographia kai melōdoi-hymnographoi tou kōdika tōn Athēnōn 928. Leukōsia: Kentro Meletōn Hieras Monēs Kykkou, Ereunētiko Kentro Kypriakēs Monastēriologias kai Historias, 1988.

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45

Cavarnos, Constantine. Byzantine chant: A sequel to the monograph Byzantine sacred music, containing a concise discussion of the origin of Byzantine chant, its modes, tempo, notation, prologoi, prosomoia, style, and other features. Belmont, Mass., U.S.A: Institute for Byzantine and Modern Greek Studies, 1998.

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46

Barbu-Bucur, Sebastian. Cultura muzicală de tradiție bizantină pe teritoriul româniei: În secolul XVIII și începutul secolului XIX și aportul original al culturii autohtone. Bucureşti: Editura Muzicală, 1989.

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47

Hakkarainen, Jarmo, Hilkka Seppälä, Ville Kiiveri, and Pekka Metso. Veisuin ylistäkää: Juhlakirja Hilkka Seppälän täyttäessä 60 vuotta. Joensuu: Joensuun yliopisto, 2003.

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48

Croff, Davide. Cantus planus: Notazione musicale bizantina in codici marciani : catalogo della mostra. Edited by Fondazione Levi, Biblioteca nazionale marciana, and International Musicological Society. Study Group "Cantus Planus". Meeting. Venezia: Fondazione Levi, 2014.

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49

George, Stefanidakis, ed. The notation, transcription, and rendition of post-Byzantine chant: A training manual for the Eastern Orthodox chanter. [Bloomington, IN]: National Forum of Greek Orthodox Church Musicians, 2012.

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50

Chrysanthos. Theōrētikon mega tēs mousikēs Chrysanthou tou ek Madytōn: To anekdoto autographo tou 1816, to entypo tou 1832. Athēna: Hiera Megistē Monē Vatopaidiou, 2007.

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