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1

Denker, Asuman. Istanbul'daki Bizans Sarayları = Byzantine palaces in Istanbul. Istanbul Arkeoloji Müzeleri, 2011.

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2

Werner, Jobst, Vetters Hermann, and Berzobohaty Peter, eds. Mosaikenforschung im Kaiserpalast von Konstantinopel: Vorbericht über das Forschungs- und Restaurierungsprojekt am Palastmosaik in den Jahren 1983-1988. Verlag der Österreichischen Akademie der Wissenschaften, 1992.

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3

Paspatēs, A. G. Ta Vyzantina anaktora kai ta perix autōn hidrymata. Vivliopōleio D.N. Karavia, 1997.

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4

Grivas, Kōnstantinos Ag Karavias. Vyzantina anaktora. K.A. Karavias-Grivas, 1995.

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5

Chatzēdakēs, Manolēs. Mystras: The medieval city and the castle : a complete guide to the churches, palaces, and the castle. Ekdotike Athenon, 1985.

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6

Recchi-Franceschini, Eugenia Bolognesi. Il Gran palazzo degli imperatori di bisanzio: Bizans imparatorlarının büyük sarayı. Logart Press, 2002.

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7

Alto, Bauer Franz, and Deutsches Archäologisches Institut. Abteilung Istanbul., eds. Visualisierungen von Herrschaft: Frühmittelalterliche Residenzen : Gestalt und Zeremoniell : internationales Kolloquium 3./4. Juni 2004 in Istanbul. Ege Yayınları, 2006.

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8

Tayfun, Öner A., ed. Walking thru Byzantium: Great palace region. Grafbas, 2007.

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9

Martin, Harrison. A temple for Byzantium: The discovery and excavation of Anicia Juliana's palace-church in Istanbul. Harvey Miller, 1989.

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10

Jobst, Werner. İstanbul büyük saray mozayiği: Araştırmalar, onarım ve sergileme, 1983-1997 = Istanbul, das grosse Byzantinische Palastmosaik : seine Erforschung, Konservierung und Präsentation, 1983-1997 = Istanbul, the great palace mosaic : the story of its exploration, preservation and exhibition, 1983-1997. Arkeoloji ve Sanat Yayınları, 1997.

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11

Werner, Jobst, Kastler Raimund, Scheibelreiter Veronika, and Österreichische Akademie der Wissenschaften. Philosophisch-historische Klasse., eds. Neue Forschungen und Restaurierungen im byzantinischen Kaiserpalast von Istanbul: Akten der internationalen Fachtagung vom 6.-8. November 1991 in Istanbul. Verlag der Österreichischen Akademie der Wissenschaften, 1999.

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12

Harrison, R. M. A temple for Byzantium: The discovery and excavation of Anicia Juliana's palace-church in Istanbul. University of Texas Press, 1989.

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13

Cariello, Nicola, ed. Demetrio Cidone: Ritratto di un intellettuale bizantino. Arbor Sapientiae, 2019.

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14

Stathēs, Grēgorios Th. Hē e xēgēsis tēs palaias vyzantinēs sēmeiographias: Kai ekdosis anōnymou syngraphēs tou kōdikos Xēropotamou 357 hōs kai epilogēs tēs Mousikēs technēs tou Apostolou Kōnsta Chiou ek tou kōdikos Docheiariou 389 me mia prosthēkē apo ton kōdika EBE 1867. 3rd ed. Hidryma Vyzantinēs Mousikologias, 1993.

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15

George, Codinus, ed. Die Erzählung über den Bau der Hagia Sophia in Konstantinopel: Kritische Edition mehrerer Versionen. A.M. Hakkert, 1986.

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16

Margarethe, König, Bolognesi Recchi-Franceschini Eugenia, Riemer Ellen, and Rheinisches Landesmuseum Trier, eds. Palatia: Kaiserpaläste in Konstantinopel, Ravenna und Trier. Rheinisches Landesmuseum, 2003.

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17

Mosaics of the Norman Stanza in Palermo: A Study of Byzantine and Medieval Islamic Palace Decoration. Peeters Publishers & Booksellers, 2017.

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18

Architectural Interpretation of the Early Byzantine Great Palace in Constantinople: The Function of Ascription and Emulation in Late Antique and Early Mediaeval Imperial Palaces. Brepols Publishers, 2020.

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19

Venetian and Ottoman Heritage in the Aegean: The Bailo House in Chalcis, Greece. Brepols Publishers, 2020.

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20

Steele, James M. The Greenwood Encyclopedia of Homes through World History. Greenwood, 2009. http://dx.doi.org/10.5040/9798216971061.

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The earliest forms of personal dwellings were constructed out of ice, stone, mud, and other materials locally found. Whether a tent or simple dwelling for an ordinary citizen, or a palace for a royal family, each house met the needs of its occupants, and tells us their economic circumstances, community position, and climate. The earliest forms of personal dwellings were constructed out of ice, stone, mud, and other materials locally found. Whether a tent or simple dwelling for an ordinary citizen, or a place for a royal family, each house met the needs of its occupants, and tell us their econo
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21

The late Byzantine palace of Mistras and its restoration. Kapon Editions, 2021.

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22

Digby, Wyatt M., and J. B. Waring. The Byzantine And Romanesque Court In The Crystal Palace. Kessinger Publishing, LLC, 2007.

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23

Digby, Wyatt M., and J. B. Waring. The Byzantine And Romanesque Court In The Crystal Palace. Kessinger Publishing, LLC, 2007.

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24

Great Palace Mosaic Museum. Bilken Kültür Girişimi, 2012.

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25

Torrance, Alexis. Human Perfection in Byzantine Theology. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198845294.001.0001.

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Christian theology has from its inception posited a powerful vision of humanity’s ultimate and eternal fulfilment through the person and work of Jesus Christ. That said, how precisely to understand and approach the human perfection to which the Christian is summoned is a question that has vexed the minds of many and diverse theologians. Orthodox Christian theology is notable for its consistent interest in this question, and over the last century has offered to the West a wealth of theological insight on the matter, drawn from both the resources of its Byzantine theological heritage as well as
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26

Bowden, William, and Richard Hodges. Butrint 3: Excavations at the Triconch Palace. Oxbow Books, Limited, 2011.

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27

Bowden, William, and Richard Hodges. Butrint 3: Excavations at the Triconch Palace. Oxbow Books, Limited, 2011.

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28

Bowden, William, and Richard Hodges. Butrint 3: Excavations at the Triconch Palace. Oxbow Books, Limited, 2011.

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29

The vision of the palace of the Byzantine emperors as a heavenly Jerusalem. Fondazione Centro italiano di studi sull'alto Medioevo, 2012.

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30

Hillenbrand, Robert. Hishām’s Balancing Act. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498931.003.0004.

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This is a study of the sculpted and painted iconography at the late Umayyad palace of Qaṣr al-Ḥayr al-Gharbī, in Syria. Its links with classical and Byzantine and, to a lesser extent, Sasanian art will be analyzed, leading to a consideration of whether these diverse borrowings should be regarded as random or as the reflection of some underlying purpose. The essay will argue that these are not random borrowings but that they point to a consistently followed plan to keep a balance between “western” and “eastern” elements in the major categories of ornament, iconography, technique, and material.
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31

Wyatt, Matthew Digby. Byzantine and Romanesque Court in the Crystal Palace, Described by M. D. Wyatt and J. B. Waring. Creative Media Partners, LLC, 2023.

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32

God And The Poetic Egoe In The Poetry: The Appropriation Of Biblical And Liturgical Language (Byzantine & Neohellenic Studies). Peter Lang Publishing, 2004.

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33

God And The Poetic Egoe In The Poetry: The Appropriation Of Biblical And Liturgical Language (Byzantine and Neohellenic Studies). Peter Lang Publishing, 2004.

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34

Plested, Marcus. Wisdom in Christian Tradition. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192863225.001.0001.

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This book provides a comprehensive and sustained treatment of the theme of wisdom in the Christian tradition. Following a survey of the biblical and classical background, it offers a detailed exploration of the theme of wisdom in patristic, byzantine, and medieval theology up to and including Gregory Palamas and Thomas Aquinas in Greek East and Latin West, respectively. Three principal levels of Christian wisdom discourse are distinguished: wisdom as human attainment, wisdom as divine gift, and wisdom as an attribute or quality of God. This journey through Wisdom in Christian Tradition is unde
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35

Edwards, Mark, Dimitrios Pallis, and Georgios Steiris, eds. The Oxford Handbook of Dionysius the Areopagite. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780198810797.001.0001.

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The handbook contains forty essays by over thirty contributors from various universities on the antecedents, the content, and the reception of the Dionysian corpus, a body of writings falsely ascribed to Dionysius the Areopagite, a convert of St Paul, but actually written about ad 500. The first section contains discussions of the genesis of the corpus, its Christian antecedents, and its Neoplatonic influences. In the second section, studies on the Syriac reception, the relation of the Syriac to the original Greek, and the editing of the Greek by John of Scythopolis are followed by contributio
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36

Die Erzählung über den Bau der Hagia Sophia in Konstantinopel: Kritische Edition mehrerer Versionen. Hakkert, 1986.

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