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Journal articles on the topic 'Byzantine Palaces'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Acciai, Serena. "Developing Deroko's theories: Looking for the "incunabula" of Byzantine housing." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 71–96. http://dx.doi.org/10.5937/saj1901071a.

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Looking at the Byzantine palaces that have survived through centuries until today, such as the Palace of the Porphyrogenitus (Palace of Belisarius) in Istanbul, Aleksandar Deroko has underlined the essential distinction between two fundamental genres of Byzantine houses: monumental palaces made of stone and bricks and everyday houses made with a wooden structure. For centuries, the ordinary Byzantine house was considered as a "Turkish type". Deroko maintained that this classification was erroneous, as the Ottomans actually inherited "the Byzantine house" when they conquered the vast territory

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Zia, Sana, and Safya Noor. "The Evolution of Ottoman Architecture and its Distinct Characteristics." Journal of Islamic Civilization and Culture 3, no. 01 (2020): 156–67. http://dx.doi.org/10.46896/jicc.v3i01.89.

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Architecture reflects and pinpoints its nation’s progress and mindset. Ottoman Empire, which ruled over three continents, is known for its unique and magnificent architecture represented by grand mosques, seminaries and imperial palaces .The so called Ottoman Architecture was created with in the domain of the Ottoman Empire and is known for its distinct characteristics. This architecture was initially influenced by Seljuk architecture. All Ottoman Sultans had special taste for architecture .Later on, the center was shifted to the capital of the fallen Byzantine Empire, and thus got inspiration

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Смаголь, Оксана Сергеевна. "«Бриллиантовый» руст палаццо Диаманти в Ферраре. Истоки и семантика". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 326–36. https://doi.org/10.18688/aa2414-4-25.

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The article focuses on the problem of the possible sources of artistic inspiration and semantics for the so-called “diamond-cut” rustication of Palazzo Diamanti in Ferrara (Biagio Rossetti and North Italian artists, 1493 – beg. 16th century ca.). Firstly, the analysis of the series of supposed prototypes leads to the conclusion that the very idea of the Diamanti palace rustication could have been Florentine in its origin; its “cut” shape refers not only to one of the renown “imprese” of the Este, but also to the “diamond-cut” decoration of Palazzo Sanseverino in Naples, among others; while its

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4

Milo, Peter, Petar Dimitrov, Mariya Manolova-Voykova, Tomáš Tencer, Beáta Milová, and Michal Vágner. "Into the Tsar's residence: geophysical survey of the early medieval Bulgarian capital of Veliki Preslav." Antiquity 97, no. 391 (2023): 176–93. http://dx.doi.org/10.15184/aqy.2022.174.

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During the late first millennium AD, the Bulgarian Empire emerged in the eastern Balkans on the doorstep of the Byzantine Empire. In a bid to reconcile with—and impress—its powerful neighbour, Tsar Simeon I selected the fortified site of Veliki Preslav as a new capital city. Through the ninth and tenth centuries AD, the city was developed into one of the largest cities of the early Middle Ages in Europe. A fortified Inner City of palaces, churches and state buildings was accompanied by a large defended Outer City. The authors present the results of a recent geophysical survey, revealing patter

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Kushch, Tatiana V. "Late Byzantium in the Works of Margarita A. Poljakovskaja." Античная древность и средние века 48 (2020): 11–23. http://dx.doi.org/10.15826/adsv.2020.48.001.

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This paper commemorates Margarita Adol’fovna Poljakovskaja (1933–2020), the head of the Ural school of Byzantine studies and the respected authority in the history and culture of late Byzantium. The author makes the reader acquainted with Professor Poljakovskaja’s academic biography, the topics of her researches, and the results of her studies in various aspects of the Byzantine history from the thirteenth to fifteenth century. The paper has revealed a few key topics studied by Professor Poljakovskaja: monastic properties in late Byzantine cities; Byzantine rhetoric and epistolography; social

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Polyvyannyy, Dmitry. "Byzantino-Slavic and Bulgarian Middle Ages in the Recent Works by Scholars from the University of Lodz." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (February 2021): 305–16. http://dx.doi.org/10.15688/jvolsu4.2020.6.25.

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The review considers the recent works by Polish academicians from two departments of the University of Lodz – History of Byzantium and Slavic Philology dedicated or related to the history and culture of medieval Bulgaria and the entire Byzantino-Slavic community of the 10th – 15th c. aiming to represent them to Russian audience, to reveal their contributions to the mentioned fields and to appreciate the current achievements of the forming academic school of the University of Lodz. Its beginning cannot be divided from the name of the disciple of prominent Polish Byzantinist Professor Halina Ewe

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Gorbyk, Olena. "ARCHITECTURE OF ANCIENT PERSIA: SYNCRETISM OF THE ARCHETYPES OF THE OIKOUMENE." Current problems of architecture and urban planning, no. 62 (January 31, 2022): 29–39. http://dx.doi.org/10.32347/2077-3455.2022.62.29-39.

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The architecture of ancient Persia was an important component ecumenical development of culture and architecture of the ancient editerranean. Syncretism is confirmed in the forms of the order system and the porticos of Persia and Greco-Roman ancient architecture in the courtyards of Persian palaces and Roman court exedra in the form of a cross-domed temple of Persian Zoroastrianism and Byzantine Christianity. In the Achaemenid period of the history of ancient Persia, in the 6th century. B.C. in the Persian-occupied Anatolia and the Ionian Greeks took place an important event in ancient archite

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8

Haddad, Naif Adel, Fatima Y. Jalboosh, Leen A. Fakhoury, and Romel Ghrayib. "URBAN AND RURAL UMAYYAD HOUSE ARCHITECTURE IN JORDAN: A COMPREHENSIVE TYPOLOGICAL ANALYSIS AT AL-HALLABAT." International Journal of Architectural Research: ArchNet-IJAR 10, no. 2 (2016): 87. http://dx.doi.org/10.26687/archnet-ijar.v10i2.835.

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The Umayyad period represents one of the most prosperous periods in the history of Jordan. Most of the studies, however, have long been focused on palatial and luxurious architecture. In Jordan, few examples of Umayyad houses have survived in their entirety. However, the new discoveries at al-Hallabat rural houses allow an architectural enrichment of our knowledge for that period, even from a socio-economic point of view. In contrast with the better-known desert palaces that dominate the evidence for this period, they also assist in establishing the houses’ typological patterns. This paper att

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9

Hrushka, Viktor V., Nataliya A. Horozhankina, Alla P. Girman, Serhii V. Shulyak, and G. V. Shcholokova. "Malta’s tourism potential." Journal of Geology, Geography and Geoecology 30, no. 4 (2021): 642–51. http://dx.doi.org/10.15421/112159.

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    Methods of estimation of tourist and recreational resources are traced; the analysis of natural tourist and recreational resources of the Republic of Malta is carried out; the analysis of historical and cultural tourist and recreational resources of the country is carried out; a point assessment of the country’s provision of tourist and recreational resources; the place of the Republic of Malta on the tourist market of Ukraine is revealed. The Republic of Malta is one of the few countries in the world with such a large and diverse historical and cultural site. The l

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Logvyn, Natalia. "SPECIFICITIES OF THE MASONRY TECHNIQUE OF KYIVAN MONUMENTS OF THE XTH THE BEGINNING OF THE XIITH CENTURIES." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 105–17. http://dx.doi.org/10.32347/2077-3455.2020.58.105-117.

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The material presented above concerns the research of the concealed course technique used in Kyivan monuments of the Xth the beginning of the XIIth centuries and its origin. The concealed course technique presents the brickwork where the alternating brick courses are slightly recessed from the wall and covered by mortar, as a result, joints appear to be much thicker than they actually are. The earliest known monument where the concealed course technique that occurs in the Desyatynna church in Kyiv completed in 996, as well as the two palaces of the Xth c. nearby. The recessed brick

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Kanev, Nikolay. "Byzantine Rank Hierarchy in the 9th–11th Centuries." Studia Ceranea 8 (December 30, 2018): 153–65. http://dx.doi.org/10.18778/2084-140x.08.09.

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The aim of the article is to present the Byzantine secular rank hierarchy of the 9th–11th centuries. During the above-mentioned period of time Byzantium knew not one but several distinct, relatively independent official hierarchical systems. All of them, however, were mutually interconnected to varying degrees and thus formed a single, pan-imperial hierarchical construct, expressed through the so-called system of palace precedence of ranks in the empire. It is this global and more general paradigm that reflects the Byzantine hierarchical model of the 9th–11th centuries; consequently, it seems

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Lavysh, K. A. "The Saint Hedwig Beaker from Medieval Novogrudok." Journal of Historical and Archaeological Research, no. 2-3 (December 1, 2023): 81–92. http://dx.doi.org/10.46687/dysu2932.

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One of the most impressive finds in Novogrudok, Belarus, is the Saint Hedwig beaker, found in 1960 in building № 10 on the Small Castle, which is reliably (stratigraphically and by finds) dated to the second half of the 12th century. This is a beaker made of thick glass; wheel-engraving and cutting techniques were used in its ornamentation. On the walls of the beaker are images of a lion, a griffin, a stylized tree of life and two half-palmettes are carved. St. Hedwig beakers were very expensive objects that were made to order and used for diplomatic gifts, at coronations, and served as tabern

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SHKOLNA, Olga, Ostap KOVALCHUK, Nataliia SAPFIROVA, Nataliia REVENOK, and Tetiana ZINENKO. "THE ORIGINS OF GANCH COMPOSITIONS WITH OYNAVAND-O’UMA IN THE INTERIORS OF UZBEKISTAN AND GEORGIA." International Journal of Conservation Science 15, no. 3 (2024): 1199–212. http://dx.doi.org/10.36868/ijcs.2024.03.04.

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Ganch (fired clay ceramics with gypsum) has long been an integral part of the interior and exterior decoration for appropriate buildings to make them stand out. First of all, these are classy palaces, Buddhist traditional harem-type buildings in Western and Central Asia and other mosques, madrasas, mausoleums and minarets in some Oriental cultures associated with Islam. In particular, in the territories of Khorasan (now a part of modern Uzbekistan, was Iran, referred to as some kingdoms sort of the Bukhara emirate). The goal is to establish the origins of oynavand-o’uma, (stucco network decora

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NASSAR, Mohammad, Nizar TURSHAN, and Mazen ASFOUR. "SCIENTIFIC ASSESSMENT OF THE MOSAICS DECORATION AT QASTAL PALACE." International Journal of Conservation Science 15, no. 1 (2024): 415–28. http://dx.doi.org/10.36868/ijcs.2024.01.03.

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The following research deals with Al-Qastal Palace, one of the most important early Islamic structures. It dates specifically to the Umayyad era in Jordan. Its floors are decorated with geometric mosaics, which were revealed during a series of archaeological excavations. These mosaics are characterized by a high level of artistic skill in their execution, particularly as evidenced by the great diversity in their shapes and designs. This study marks a serious attempt to compare the palace’s mosaics with their counterpart in Byzantine art as represented at various Byzantine sites, likewise, to s

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Kacaros, Vasilis. "Αγιοσ Γεωργιοσ ο Γοργοσ: Η αλληγορικη ερμηνεια στην εννοιολογικη μεταλλαξη του επιθετου". Zbornik radova Vizantoloskog instituta, № 50-1 (2013): 505–19. http://dx.doi.org/10.2298/zrvi1350505k.

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The author of this article attempts to interpret the name ?gorgos? associated with Saint George, utilizing data from the oldest tradition in conjunction with the historical environment in which revives the worship of the saint as equestrian Akrita warrior. The relationship of the rider hero with his warhorse raises the heroism of the military saints of the East, particularly of Cappadocia at a time when the bravery and the heroism of the lads of the Akritian circle is generally emerging. The combination akrita/soldier and farmer meets at the same person of Saint George, who later appears in th

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16

Akbarzade, Niaki Zahra, and Bahare Barati. "Techniques of Making and Decorating Rings and Earrings of the 9th-13th Centuries in Iran in the Metropolitan Museum." Journal of Islamic Crafts 7, no. 1 (2023): 117–25. https://doi.org/10.5281/zenodo.14292592.

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In line with the display of the power and wealth of theimperial dynasties and magnificent palaces, throughoutIranian history, magnificent and valuable works havebeen created. Studying them in different dimensions canshed light on the culture and art of this land. Thesupport of the court for jewelry making and gem-marking, and the use of metals such as gold and silver,as well as precious and semi-precious stones, elevatedthis art form to a noble status. With the conquest of Iranby Muslims and the introduction of Islam to this land,Islamic culture overshadowed all fields, includingjewelry making

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Mathews, Karen Rose. "Expressing Political Legitimacy and Cultural Identity Through the Use of Spolia On the Ambo of Henry II." Medieval Encounters 5, no. 2 (1999): 156–83. http://dx.doi.org/10.1163/157006799x00024.

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AbstractThis paper will explore the significant role appropriated objects played in Ottonian artistic production through a close examination of the Ambo of Henry II. Created by the last Ottonian emperor for the Palace Chapel at Aachen between 1002 and 1014, the Ambo of Henry II abounds with spolia. I will argue that the spolia reused on the Ambo of Henry II presented an innovative statement of Henry II's political, economic, and cultural agenda. The spolia from ancient Rome and contemporary Byzantium portrayed Henry II as the political successor to an illustrious Roman past, and as an equal to

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Likhacheva, D. D. "The Boukoleon Palace in the Madrid Skylitzes’ Miniatures." Art Studies Journal, no. 2 (June 2024): 48–77. https://doi.org/10.51678/2073-316x-2024-2-48-77.

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The article concerns the images of the Boukoleon Palace in the Madrid manuscript of John Skylitzes’ Synopsis of Histories (MS Graecus Vitr. 26-2). This manuscript is a monument to two artistic traditions, Byzantine and Sicilian. Though the miniatures were created by the masters from San Salvatore convent, these were Byzantine manuscripts of the 11th and 12th centuries, brought to the south of Italy from Constantinople, that served as a model for them. The Madrid Skylitzes’ miniatures give us a rare opportunity to find out how Italian masters saw Byzantine architecture, which architectural form

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Crow, James. "Rosa Bacile and John McNeill (eds). Romanesque and the Mediterranean, Points of contact across the Latin, Greek and Islamic Worlds, c.1000- c.1250." Journal of Greek Archaeology 1 (January 1, 2016): 465–66. http://dx.doi.org/10.32028/jga.v1i.672.

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This informative and well-presented volume is the result of papers presented in Palermo in 2012 at the British Architectural Association’s second international Romanesque conference. The Romanesque is essentially a Latin, central and western European expression of art and architecture and the papers identify and question those points of contact with the established traditions of Byzantium and Islam. Few places are better placed to see this interaction than Sicily and this is reflected in two of the main papers on the Cappella Palatina, Roger of Sicily’s new Norman palace in Palermo (it should

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Kushch, Tatiana Viktorovna. "Mistra as alterum Byzantium." Античная древность и средние века 51 (2023): 313–30. http://dx.doi.org/10.15826/adsv.2023.51.018.

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This research addresses the history of Mistra, which in the Late Byzantine Period was the capital of the Despotate of Morea and the Byzantine stronghold in the Peloponnesos. The historians have interpreted Mistra, which appeared in the thirteenth century, as one of the “new cities/towns,” which shaped with no concern to classical architectural tradition. The feature of historical development of Mistra was determined by its position at a distance from the seacoast combined with the natural landscape factor, as the city appeared at a hillside. This influenced the city-planning regulations, the n

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Naumenko, Valery. "Icon-Pendant with an Image of the Saint Warrior-Horseman from the Excavation of the Mangup’s Palace. Old Rus’ or Byzantium?" Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija 26, no. 6 (2021): 83–95. http://dx.doi.org/10.15688/jvolsu4.2021.6.6.

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Introduction. The article is devoted to the icon-pendant with the image of the horseman St. George the Warrior, discovered in 2020 in the cultural horizon of the late 13th–14th centuries at the research site of the Mangup’s Princely Palace. Methods. The study is complex. The traditional methods of art history analysis and the method of analogies, widely used in archaeological science, are used in the description and attribution of the sign icon. The dating of the product is established using one of the most important stratigraphic methods in archaeology. In explaining the historical context of

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Macrides, Ruth. "Pałac późnobizantyński i jego ceremoniał." Przegląd Nauk Historycznych 13, no. 1 (2014): 5–22. http://dx.doi.org/10.18778/1644-857x.13.01.01.

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The main aim of this article is to draw researchers’ and readers’ attention to neglected and underestimated Byzantine source known as Pseudo-Kodinos. The fourteenth-century text which is one of two surviving ceremonial books from the Byzantine empire, next to “Book of Ceremonies”, includes the combination of hierarchical lists of court officials with protocols of ceremonies; a detailed description of the clothing used at court; an account of the functions of the court title holders, a description of the ceremonies of the year which take place both inside the palace and outside and much more. B

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Naumenko, Valerii. "On the Seal of Byzantine Skribonos Excavated at Mangup-Doros. An Historical and Archaeological Commentary." Materials in Archaeology, History and Ethnography of Tauria, no. XXVIII (December 26, 2023): 510–18. http://dx.doi.org/10.29039/2413-189x.2023.28.510-518.

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In 2021, the excavations of an early mediaeval street on the site of the palace of Mangup discovered an early Byzantine lead seal featuring an eagle on the front side and a cross-shaped monogram of Greek letters on the back side. The monogram reads Ἐλευθέριος, σκρίβονος; the seal dates from 550–650 AD, most likely from the late sixth to the first half of the seventh centuries. Skribonoi (scriboni) formed an elite unit of bodyguards of the Byzantine emperors, established under Justinian I (527–565) and existed to the mid-seventh century. Additionally to the function of palace guards and protect

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Kolomiiets, Oleksandra. "Constructive solution of window frames and the use of glass in middle and late Byzantine temple architecture." Scientific Papers of the Kamianets-Podilskyi National Ivan Ohiienko University. History 40 (July 3, 2023): 77–86. http://dx.doi.org/10.32626/2309-2254.2023-40.77-86.

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The purpose of the article is to investigate the constructive solutions of windows, window frames, production and use of glass (including stained glass) in temple buildings of the Middle and Late Byzantine periods on the basis of preserved, described in sources and found ar- tifacts. Th e research methodology is based on the principles of historicism, comparative analysis, induction and deduction. An interdisciplinary methodology is used – approaches of global history, which are based on data, fi rst of all, obtained from archaeological, geographical and chemical research, as well as a compara

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Sonia Nasir Khan and Iqra Ashraf. "The Architecture and Decoration Varieties of Khirbat al Mafjar." PERENNIAL JOURNAL OF HISTORY 1, no. 2 (2020): 161–80. http://dx.doi.org/10.52700/pjh.v1i2.171.

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The 8th century desert palace Khirbat al Mafjar remains (in present day Jordan)is a matchless specimen of Umayyad luxurious lifestyle and their perception forart. The palace is amalgamation of variety of decoration type like carved andmoulded stucco, stone relief and birds and figure sculpture and also frescospaintings. It is famous for its well-preserved floor mosaics. Although credited tocaliph Hisham (r. AD 724– 743) but his successor and also his nephew named asAl Walid II probably built this palace (r. AD 743– 44) . However after five yearsAl-Walid’s died and, the palace was smashed due t

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Dushenko, Anton. "The Lead Cloth Seals from Post-Byzantine Mangup." Materials in Archaeology, History and Ethnography of Tauria, no. XXVIII (December 26, 2023): 428–49. http://dx.doi.org/10.29039/2413-189x.2023.28.428-449.

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The aim of this research is to introduce into the scholarship a new group of sigillographic materials, or the lead cloth seals. The collection of 23 artefacts was divided into two types according to their morphological characteristics. The cloth seals of type 1 consist of two lead discs, and the cloth seals of type 2 of four discs. Type 1 comprises of three variants. All the artefacts have been interpreted as cloth seals used as markers of provenance and quality standards in the European textile industry from the Middle Ages and the Modern Period. The cloth seals of type 1 seals originate from

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Drobyshev, Maksim I. "Chronological Landmarks in the Alexiad of Anna Komnene." GRAPHOSPHAERA Writing and Written Practices 4, no. 1 (2024): 44–48. http://dx.doi.org/10.32608/2782-5272-2024-4-1-44-48.

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The article provides an overview of the basic principles of indicating time in the famous Byz-antine historiographical work Alexiad by Princess Anna Comnene. This is one of the most original experiences of historiography in Byzantium, a combination of the “personal” history of the author and “private family” history. Chronological indications in the text are distrib-uted quite chaotically and their appearance and type depend on one or another type of source. The main feature of the Alexiad is the use of documents from the imperial archive (primarily, imperial decrees – chysobulls), to which sh

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Shchavelev, Aleksei S. "Identification of Byzantine Emperors in the So-Called “Introduction” to the “Sofia Chronicle” (“Introduction” of the “Initial Compilation”)." GRAPHOSPHAERA Writing and Written Practices 3, no. 2 (2023): 170–80. http://dx.doi.org/10.32608/2782-5272-2023-3-2-170-180.

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The paper proposes a new identification of the names of Byzantine emperors (“Greek Cae-sars”) indicated as chronological reference points in the so-called “Introduction” to the “Ini-tial Compilation” of the 11th century. Apart from Michael III, the last emperor of the Amorian dynasty, who was unambiguously identified, the second emperor was named Emperor Alex-ander of the Macedonian dynasty, and the third emperor was Isaakios I, the founder of the Komnenos dynasty. It is also possible that only two emperors are specified – the first, from which the history of the “Russian land” is counted, Mic

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Buko, Andrzej, Tomasz Dzieńkowski, Stanisław Gołub, et al. "Beyond Beauty. Byzantine steatite icon from Chełm. Archaeology, Petrography and Traceology." Praehistorische Zeitschrift 96, no. 2 (2021): 609–49. http://dx.doi.org/10.1515/pz-2021-2041.

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Abstract A fragmentarily preserved Byzantine icon made of steatite was discovered in 2015 during regular excavations in Chełm, eastern Poland. Identified as the left wing of a diptych illustrating the Twelve Great Feasts and created at the close of the 12th century, the find is one of the most important and beautiful Byzantine artefacts to have been found in Poland. The icon was uncovered within the confines of the palace complex which was created by Daniel (Danylo) Romanovych († 1264) in Chełm in the second quarter of 13th century. The icon, even though it was found within the borders of what

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Buko, Andrzej, Tomasz Dzieńkowski, Stanisław Gołub, et al. "Beyond Beauty. Byzantine steatite icon from Chełm. Archaeology, Petrography and Traceology." Praehistorische Zeitschrift 96, no. 2 (2021): 609–49. http://dx.doi.org/10.1515/pz-2021-2041.

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Abstract A fragmentarily preserved Byzantine icon made of steatite was discovered in 2015 during regular excavations in Chełm, eastern Poland. Identified as the left wing of a diptych illustrating the Twelve Great Feasts and created at the close of the 12th century, the find is one of the most important and beautiful Byzantine artefacts to have been found in Poland. The icon was uncovered within the confines of the palace complex which was created by Daniel (Danylo) Romanovych († 1264) in Chełm in the second quarter of 13th century. The icon, even though it was found within the borders of what

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Ashkenazi, Jacob, Mordechai Aviam, Raphael Greenberg та Oren Tal. "Byzantine Tombstone from Tel Bet Yeraḥ/Khirbat al-Karak (Israel)". Scripta Classica Israelica 38 (1 червня 2019): 129–37. https://doi.org/10.71043/sci.v38i0.2049.

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A tombstone of the Byzantine period (fifth-sixth centuries CE) was discovered during recent conservation work in the bathhouse of the Early Islamic palace of al-Ṣinnabra at Tel Bet Yeraḥ/Khirbat al-Karak in the Jordan Valley. The stone appears to identify a functionary, possibly of the adjacent church excavated by Delougaz and Haines in 1952-53. We discuss the status of the church and possible significance of the reuse of the stone in the bathhouse floor.

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Malinowski, Rajmund. "Rola eunuchów na dworze cesarzy bizantyńskich. Przypadek Narzesa." Vox Patrum 67 (December 16, 2018): 373–87. http://dx.doi.org/10.31743/vp.3405.

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The article is divided into two sections. First presents the role of eunuchs in Byzantine Empire in general. Second section focuses specifically on Narses, his life, main achievements and legacy. The term eunuch (eÙnoàcoj) is ambiguous. It generally refers to people who are not able to procreate due to natural constitution or mutilation, but it can have many various meanings. It can also refer to the man who is absent from procreation due to impotence or celibate. For people who has been born incapacitated or with some hormonal anomalies we use term „natural eunuchs”. There were several

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Ladas, Anthony. "Gregory Palamas’ Reading of a Seventh-Century Pseudo-Athanasian Homily." Studia Universitatis Babeș-Bolyai Theologia Orthodoxa 67, no. 2 (2023): 237–51. http://dx.doi.org/10.24193/subbto.2022.2.08.

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"During the Palamite controversy of the fourteenth century, the works of the great Fathers of the Church were scoured by both sides of the controversy, which sought to ground their teaching in recognized authorities. Of these works, one of the most frequently cited by Palamites was a pseudonymous Homily on the Annunciation attributed to Saint Athanasius the Great and generally held to have its origin in the seventh century. This article analyzes the Homily’s range of use among the Palamite party before focusing on its most influential section, which discusses those things “perceived and named

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Zivic, Maja. "Catalogue of small finds from excavations outside the fortified palace of Romuliana, 2005-2007." Starinar, no. 57 (2007): 277–307. http://dx.doi.org/10.2298/sta0757277z.

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The excavations of the trial trenches extra muros Romuliana, in the 2005-2007 period, were carried out in cooperation with the DAI RGK (R?misch-Germanische Kommission des Deutches Arh?ologische Instituts), in order to verify the results of a previously conducted geophysical survey. Although the number of finds obtained from the eight test-pits (05/1, 05/2, 06/1, 06/2, 07/1, 07/2 07/3 and 07/4), that had been explored during four campaigns, was not big among them we can still find artifacts of great importance for studying the history of Romuliana, relating to the Late Classical and Early Byzan

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Bardill, Jonathan. "The Great Palace of the Byzantine emperors and the Walker Trust excavations." Journal of Roman Archaeology 12 (1999): 216–30. http://dx.doi.org/10.1017/s1047759400017992.

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Keshani, Hussein. "The Abbāsid palace of Theophilus: Byzantine taste for the arts of Islam." Al-Masāq 16, no. 1 (2004): 75–91. http://dx.doi.org/10.1080/0950311042000202533.

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Naumenko, Valerii Evgen’evich, and Aleksander Germanovich Gertsen. "Sasanian Pseudo-Signet-Ring Excavated at the Palace of Mangup: The Aspects of Its Attribution and Interpretation." Античная древность и средние века 49 (2021): 97–114. http://dx.doi.org/10.15826/adsv.2021.49.007.

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In 2006, the excavation of the palace of the rulers of the Principality of Theodoro (1425–1475) in the central area of the ancient town of Mangup (south-western Crimea) uncovered a unique at this site signet-ring of yellowish chalcedony made in the sixth or early seventh century in Sasanian Iran. This find belongs to a group of the so-called pseudo-signet-rings (muhr); it shows an ellipsoidal shape (flattened hemisphere) with a narrow channel for hanging on the neck, wrist, or belt. On the shield of the signet-ring there is an image of a mountain sheep (аrhar) with steeply curved horns, lying

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Cowell, Sam. "The Fourrée Hyperpyra of John V Palaeologus." KOINON: The International Journal of Classical Numismatic Studies 6 (December 14, 2023): 149–55. http://dx.doi.org/10.32028/k.v6i.2347.

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The great revival and reconquests undertaken by Andronikos III Palaeologus were shattered upon his death. Erstwhile allies and family turned on each other in the wake of the premature death of the emperor, with deadly intrigue undertaken for who should control the regency of young John V, heir of the late Basileus. Campaigns in the previous decade that were successfully restoring northern Greece and the Balkans into Byzantine hands were at once abandoned when private dispute spilled over into civil war. On the one side stood the foreign mother of the young emperor, Anna of Savoy. On the other

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Miljkovic, Bojan. "Christ Chalkites in the Chora monastery." Zbornik radova Vizantoloskog instituta, no. 61 (2024): 125–39. https://doi.org/10.2298/zrvi2461125m.

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The well-known cult of Christ Chalkites - mosaic image of Christ above Chalke-gate, main entrance to the Great palace of Byzantine emperors in Constantinople - had received a new impulse from the beginning of the 12th century and miraculous healing of autokrator Alexios I Komnenos by the veil which covered the mentioned mosaic above Bronze Door. The reflections of this cult are still visible on the mosaic representation of Christ on the east wall of narthex inside the katholikon of Chora monastery (Kariye mosque in Istanbul).

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LOUTH, ANDREW. "THE RECEPTION OF DIONYSIUS IN THE BYZANTINE WORLD: MAXIMUS TO PALAMAS." Modern Theology 24, no. 4 (2008): 585–99. http://dx.doi.org/10.1111/j.1468-0025.2008.00487.x.

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Djamali, Morteza, and Nicolas Faucherre. "Sasanian architecture as viewed by the 19th century French architect Pascal-Xavier Coste." DABIR 7, no. 1 (2020): 91–100. http://dx.doi.org/10.1163/29497833-00701007.

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The 19th century French architect Pascal-Xavier Coste was one of the first European artists to recognize Sasanian architecture as a distinct and significant architectural style in Late Antiquity. He considered this style to be parallel to Byzantine and Romanesque architecture in the Eastern and Western Roman Empire, respectively. Sasanian architecture, according to Coste, belonged to a period of ‘decadence of the arts’ following the fall of the Roman Empire, during which small construction materials replaced large masonry blocks. Despite this general ‘decadence’, Coste attributed several archi

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Cigaridas, Eftimios. "Ikone iz Kostura slikara Jovana iz Gramoste." Zograf, no. 41 (2017): 169–88. http://dx.doi.org/10.2298/zog1741169c.

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The paper discusses six icons, a pair of Royal Doors, as well as fragments of an epistyle with the Great Deesis, which are kept at the Byzantine Museum of Kastoria, apart from one icon which is displayed in the Metropolitan Palace of the city. We attribute these icons, which have originated from churches in Kastoria, to the artistic activity of the painter Ioannis from Grammosta. Although no icons in Northern Greece are known to have been made by him, the painter is very well-known due to his artistic activity from 1534/5 in the area of Prilep, Demir Hisar and Ohrid.

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Baranov, Vladimir A. "Visual and Ideological Context of the Chalke Inscription at the Entrance to the Great Palace of Constantinople." Scrinium 13, no. 1 (2017): 19–42. http://dx.doi.org/10.1163/18177565-00131p05.

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This article revisits an inscription on the Bronze Doors of the Imperial Palace in Constantinople and addresses the problem of its dating as well as the ideological and theological meaning of the inscription in the wider spatial and symbolical context of Late Antique gate decoration. A tentative reconstruction of the Transfiguration scene which the inscription might have accompanied is proposed, and the wider exegetical context of the Transfiguration, primarily, the interplay of the theological ideas of the Crucifixion, Resurrection, and Second Coming of Christ, embedded in this event are exam

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Ballato, Paolo, Giuseppe Cruciani, Maria Chiara Dalconi, Bruno Fabbri, and Michele Macchiarola. "Mineralogical study of historical bricks from the Great Palace of the Byzantine Emperors in Istanbul based on powder X-ray diffraction data." European Journal of Mineralogy 17, no. 5 (2005): 777–84. http://dx.doi.org/10.1127/0935-1221/2005/0017-0777.

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Foskolou, Vicky. "Decoding Byzantine ekphraseis on works of art. Constantine Manasses’s description of earth and its audience." Byzantinische Zeitschrift 111, no. 1 (2018): 71–102. http://dx.doi.org/10.1515/bz-2018-0004.

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Abstract The study deals with ekphraseis on works of art and poses the question as to how far these texts can be a reliable source for the study or even the reconstruction of the artefacts they describe. Based on reception theory and readerresponse criticism, in the paper is proposed that as every text, byzantine ekphraseis on artworks presuppose an audience or readership, i. e. the one the author had in mind and on the basis of which he encoded his message. In order to decode this message and by extension to extract any information about the described works of art we must aim to discover thei

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Vaïopoulou, Maria, Robin Rönnlund, Fotini Tsiouka, et al. "The Palamas Archaeological Project. A preliminary report of the 2022 fieldwork conducted by the ongoing Greek–Swedish archaeological field programme in Palamas, region of Karditsa, Thessaly." Opuscula. Annual of the Swedish Institutes at Athens and Rome 16 (November 3, 2023): 61–85. http://dx.doi.org/10.30549/opathrom-16-03.

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This paper presents the preliminary results from the 2022 fieldwork of the Palamas Archaeological Project, an ongoing Greek–Swedish collaboration in the region of Karditsa, Thessaly. Working over the course of two separate field seasons, the project team conducted aerial, architectural, fieldwalking, and geophysical surveys at a number of sites within the survey area, including at the important multi-phase fortified settlements at Metamorfosi and Vlochos. Limited excavations were also conducted at the latter site, producing new evidence for the Hellenistic and Early Byzantine phases of the anc

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Porshnev, Valeriy P. "The collections of the Palace of Lausos in Constantinople." Issues of Museology 11, no. 2 (2020): 248–58. http://dx.doi.org/10.21638/11701/spbu27.2020.209.

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Constantinople throughout the IV–VI centuries became the largest center for collecting monuments of ancient art. Initially, the incentive for this was the desire to decorate the new capital of the Roman Empire. Therefore, both collecting, and the arrangement of statues, bas-reliefs, obelisks, and architectural fragments on streets and squares had quite a chaotic character. The turning point came in the first decades of the V century when, after Theodosius the Great’s decree on the ban of pagan divine services, ancient sanctuaries, having been left without the care of the authorities, fell into

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Greis, Ralph. "Aspects of Monastic Formation, Probation, and Education in Saint Gregory Palamas." Studia Universitatis Babeș-Bolyai Theologia Orthodoxa 67, no. 2 (2023): 293–331. http://dx.doi.org/10.24193/subbto.2022.2.11.

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"The theology of Saint Gregory Palamas is of crucial importance for monastic spirituality. In his writings as well as in his Vita, composed by Philotheos Kokkinos, there are several instances which deal with aspects of a novitiate, that is, the process of becoming a monk. These elements will be examined in the context of Byzantine monastic rules (typika) and the earlier monastic tradition, both in East and West. In the sixth century, St. Benedict of Nursia adopted these early Eastern traditions for Western monasticism. Therefore, they constitute a strong common ground until today. This article

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Arkhypova, Ye I. "SOURCES OF KYIV RELIEFS WITH «SECULAR» PLOTS: ISSUE OF ATTRIBUTION AND DATING." Archaeology and Early History of Ukraine 43, no. 2 (2022): 83–98. http://dx.doi.org/10.37445/adiu.2022.02.06.

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The earliest Kyiv reliefs with figurative images correlate with temples built in the second half of the 11th — early 12th centuries. The iconography and dating of Ovruch pyrophyllite slate reliefs with secular or indefinite plots has been the subject of research by more than one generation of scholars. The reliefs have been found already damaged or reused, so their original placement in the interior or faзade, as well in the temple or palace also remains a matter of debate. The study of the images of these reliefs in the context of the development of Byzantine art shows that the Kyiv art

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Westbrook, Nigel. "Architecture of Traces and Ascriptions: Interpreting the Vanished Great Palace of the Byzantine Emperors in Constantinople." Fabrications 16, no. 1 (2006): 43–61. http://dx.doi.org/10.1080/10331867.2006.10539579.

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