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Relevant bibliographies by topics / Byzantine rite (Catholic Church), Romanian

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Journal articles

Academic literature on the topic 'Byzantine rite (Catholic Church), Romanian'

Author: Grafiati

Published: 2 March 2023

Last updated: 29 July 2024

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Journal articles on the topic "Byzantine rite (Catholic Church), Romanian"

1

Ladouceur, Paul. "Ecumenism Begins at Home: Orthodoxy and the Romanian Greek Catholic Church." Ecclesiology 19, no. 3 (2023): 296–311. http://dx.doi.org/10.1163/17455316-19030005.

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Abstract This article examines the relations of the Romanian Orthodox Church (RoOC) towards the Romanian Greek Catholic Church (rgcc), a Byzantine rite church formed around 1700. Until World War ii, the rgcc was a substantial ecclesial entity, but in 1948 the new communist leaders of Romanian dissolved the ugcc and seized its properties, allowing the RoOC the use of most religious properties. Former rgcc clergy who did not join the RoOC were persecuted, but the church survived underground, emerging in 1989 with considerably fewer adherents than in 1948. Attempts by the rgcc to recover properti

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2

MOLNAR, Fedir. "THE HISTORY OF THE GREEK CATHOLIC EPARCHY OF MUKACHEVO IN 1848–1849." Ukraine: Cultural Heritage, National Identity, Statehood 37 (2023): 45–56. http://dx.doi.org/10.33402/ukr.2023-37-45-56.

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The article addresses the problem of role of the Greek Catholic Eparchy of Mukachevo in the Hungarian Revolution and War of Independence of 1848–1849. Considerable attention is paid to analyze the religious and political activity of Bishop Vasyl Popovych of Mukachevo. The author highlights that the spring events of 1848 created a new situation in Hungary. First in the history of the country a government accountable to the legislation was formed, whose first measures included the abolishment of serfdom. The so-called «April Laws» of 1848 sanctioned by Ferdinand V, the Habsburg king of Hungary h

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3

Nin, Manuel. "Divina liturgia bizantina presieduta dal Santo Padre a Blaj il 2 giugno 2019. Significato liturgico." Studia Universitatis Babeș-Bolyai Theologia Catholica 67, no. 1-2 (2022): 159–66. http://dx.doi.org/10.24193/theol.cath.2022.08.

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"The study Divine Liturgy Byzantine presided by the Holy Father in Blaj, on June 2, 2019. Liturgical significance proposes the event analyzed as a precise model of Eucharistic concelebration involving different officials of different rites. In the present case, Holy Liturgy was presided by the Holy Father Pope Francis, celebrated by the Major Archbishop of the Greek Catholic Church in Romania and concelebrated by other Eastern Catholic Bishops - Byzantine, Maronites - but also by Latins Bishops, present at Blaj. Keywords: Byzantine Liturgy, Eastern Catholic Churches, Pope Francis, Liturgical c

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4

Kyiak, S. "The identity of the Ukrainian Catholic Church of the Byzantine rite in the context of its universality." Ukrainian Religious Studies, no. 24 (November 26, 2002): 75–85. http://dx.doi.org/10.32420/2002.24.1376.

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The Ukrainian Catholic Church of the Byzantine rite, which secured the name of the Ukrainian Greek Catholic Church, as the heir to the Kiev Church and as the Eastern Catholic Church, serves today and served in the past as an example of the harmonious inculturation of Christianity in Ukrainian society, which it has promoted. evangelism in communist and post-communist times.

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5

Kyiak, S. "Territorial Realization of the Universe of the Ukrainian Catholic Church of the Byzantine Rite." Ukrainian Religious Studies, no. 25 (December 27, 2002): 97–105. http://dx.doi.org/10.32420/2003.25.1432.

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The Ukrainian Catholic Church of the Byzantine Rite (hereinafter referred to as the OCHRC), as the heir to the Kyiv Church and as the local Eastern Catholic Church, by which history affirmed the name of the Ukrainian Greek Catholic Church, preserving the Eastern Christian Tradition, and developing national church traditions. This dual unity of the OCHS has been and remains a testament to its universal character, which is inherent in the entire Catholic Church.

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6

Ginting, Alex Cristian Justisia. "Relasi Narasi Visual dan Teks dalam Ikon Transfigurasi Paroki St. Dionysios Yogyakarta." Journal of Contemporary Indonesian Art 7, no. 2 (2021): 57–63. http://dx.doi.org/10.24821/jocia.v7i2.6078.

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Seni lukis Byzantine adalah salah satu warisan kesenian dunia yang belum banyak dibahas oleh kalangan akademisi seni di Indonesia. Warisan seni lukis Byzantine sering disamakan dengan Ikonografi, yaitu gambar-gambar suci yang sampai hari ini masih dipertahankan fungsinya dalam gereja-gereja yang menggunakan ritus Byzantine (Gereja Orthodox dan Gereja Katolik Ritus Byzantine). Seni Byzantine dibagi tiga periode, yaitu awal, tengah, dan akhir, dimana pada periode Tengah-Akhir muncul ikon berjenis Menologion. Seni lukis Byzantine dikaji menggunakan Ikon Pesta Transfigurasi yang merupakan digitali

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7

Onyshchuk, Ihor. "Legal Influence of the Zamojs’kyj Synod (1720) on social relations (late XVII – early XVIII centuries)." Scientific and informational bulletin of Ivano-Frankivsk University of Law named after King Danylo Halytskyi, no. 9(21) (October 2, 2020): 8–19. http://dx.doi.org/10.33098/2078-6670.2020.9.21.8-19.

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Purpose. The purpose of the scientific article is to expose the historical significance and relevance of the Zamojs’kyj Synod of 1720, to investigate the legal impact of synodal acts on the unification, development and identity of the Kyiv Unity Church. The historical context (circumstances, socio-political processes of the late 17th – early 18th centuries) is explained. Methodology. The methodological basis of the study was, in particular, the dialectical method of scientific cognition, through which comprehensively investigated the decisions and resolutions of the Zamojs’kyj Synod of 1720 an

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8

Drozd, Roman. "Roman Catholic Church and Greek Catholic Clergy in Relations to the Orthodox Church in Poland between 1951 and 1970." Історико-політичні проблеми сучасного світу, no. 43 (June 15, 2021): 232–42. http://dx.doi.org/10.31861/mhpi2021.43.232-242.

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After World War II, the Union of Soviet Socialist Republics sought to liquidate the Greek Catholic Church. In 1946, a non-constitutional synod was held in Lviv which liquidated the Greek Catholic Church and incorporated it into the Russian Orthodox Church. Similarly, Romanian communist authorities liquidated the Greek Catholic Church in 1948 and the same took place in the Czech Republic two years later. In the Polish People’s Republic, the authorities did not even try to make the liquidation bear the marks of legality. The communist authorities considered that resettlement of the hierarchs and

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9

QARAMAH, Mihail K. "CONSIDERAȚII DESPRE REFORMA LITURGICĂ ROMÂNEASCĂ DIN SEC. AL XVII-LEA: MOLITFELNICUL DE LA BĂLGRAD." Revista Românească de Studii Axiologice 3, no. 4 (2022): 51–71. http://dx.doi.org/10.26520/rrsa2022.3.4.51-71.

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This paper discusses the place of the Romanian Euchologion printed in 1689 at Bălgrad (today Alba Iulia, Romania) in the liturgical reform of the Orthodox Church of Transylvania during the 17th c. The author aims to establish that the apparition of the Euchologion of Bălgrad was not only the product of Calvinist Reformation, which insisted on the translation of the liturgical orthodox texts into the vernacular language, but also the result of the liturgical reform undergone by the Orthodox Church of Wallachia. After a summary presentation of the context of liturgical reform in the Romanian Chu

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10

Mocanu, Daniel. "Religious Chants – The Diversity of Church Hymns Types." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (2020): 193–224. http://dx.doi.org/10.24193/subbmusica.2020.2.13.

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"In the Romanian musical space, in the Orthodox Church hymns’ repertoire, there is a great variety of non-liturgical chants intended to be sung in different moments of the liturgy. The moments these chants can be introduced are during the kinonikón, the believers’ communion and the end of the liturgy. Either they are called kinonikón, hymns, Calophonic Hirmos, spiritual or liturgical chants; the religious chants became a part of the Orthodox rite, training the Christians ‘community in the church chant. Having appeared in diverse historical contexts and being written by Byzantine music composer

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