Relevant bibliographies by topics / Byzantines

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Byzantines'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Byzantines"

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Böhm, Marcin. "Transport morski koni w trakcie działań wojennych Boemunda na Bałkanach w latach 1107-1108." Vox Patrum 63 (January 4, 2019): 429–43. http://dx.doi.org/10.31743/vp.3573.

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The Bohemond of Tarentum Expedition of 1107-1108, directed against the Byzantine Empire, was one of the key steps in Normans relations with the Byzantine Empire in the twelfth century. Preceded by a great propaganda cam­paign, had to bring the emperor Alexius I Komnenos to his knees. After initial successes, the Normans succumbed to Byzantium. The Byzantines focused their attention on the elimination of the Normans cavalry. This formation could not function without adequate mounts and supplies for them. By blocking the supplies coming from Italy, while in the same time eliminating the horses which were in the hands of the invaders, the Byzantines prejudged the outcome of the conflict.
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Leszka, Mirosław J. "Wojsko pogańskiej Bułgarii w opinii bizantyńczyków. Wybrane aspekty." Vox Patrum 63 (July 15, 2015): 417–28. http://dx.doi.org/10.31743/vp.3572.

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The present text focuses on presenting opinions of the Byzantines about the rulers of pagan Bulgaria as military leaders and reasons given by Byzantine au­thors explaining mishaps of their troops in battles against Bulgaria. The author concludes that, in general, the Byzantines did not allow for a thought that they could be defeated by any external power, in the least by the barbarian Mysians/ Bulgarians. However, if such occurrences took place, they were considered to be caused by divine intervention or negligence of the Byzantines themselves (i.e. disloyalty, lack of cooperation between commanders, low morale of the army etc.) and never result from genuine capability of the enemy, actual courage of the hos­tile forces or the adversaries’ leadership skills (which were generally discounted).
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Liveri, Angeliki. "Fu-lin dances in medieval Chinese art - Byzantine or imaginary?" Zbornik radova Vizantoloskog instituta, no. 56 (2019): 69–94. http://dx.doi.org/10.2298/zrvi1956069l.

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Chinese artists, active from the Tang dynasty to Northern Song dynasty, created famous paintings including Fu-lin musical and dancing scenes; as e. g. Yan Liben, Wu Daozi and Li Gonglin. The most of these works are unfortunately lost; thus, we have information only from written descriptions to reconstruct them. Some researchers identify Fu-lin with the Byzantines; others disagree with this interpretation. Therefore, it is worthwhile to study whether the musical and dance motifs that referred to Fu-lin and were used by the above mentioned Chinese artists and literati can be identified with Byzantine elements and their performers with Byzantines ones.
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Morris, Rosemary. "Divine Diplomacy in the late Eleventh Century." Byzantine and Modern Greek Studies 16 (1992): 147–56. http://dx.doi.org/10.1017/s0307013100007576.

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The subject of the XXIV Spring Symposium of Byzantine Studies was Byzantine Diplomacy and many of the papers dealt with high-level contacts between Byzantium and other medieval states. But although Byzantines often made use of churchmen and monks as ambassadors and although there was usually a religious dimension to Byzantine diplomacy, it is worth noting that powerful monastic figures and influential houses often engaged in diplomacy on their own account.
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Kioussopoulou, Tonia. "Identités byzantines." Historein 2 (May 1, 2001): 135. http://dx.doi.org/10.12681/historein.118.

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Treadgold, Warren, Guglielmo Cavallo, Thomas Dunlap, Teresa Lavender Fagan, and Charles Lambert. "The Byzantines." American Historical Review 103, no. 4 (October 1998): 1235. http://dx.doi.org/10.2307/2651236.

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Guran, Petre. "The Byzantines." Chôra 6 (2008): 345–51. http://dx.doi.org/10.5840/chora2008615.

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Kyriakidis, Savvas. "The idea of civil war in thirteenth and fourteenth-century - Byzantium." Zbornik radova Vizantoloskog instituta, no. 49 (2012): 243–56. http://dx.doi.org/10.2298/zrvi1249243k.

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This paper discusses thirteenth and fourteenth-century Byzantine perceptions of civil wars, which were a common feature in the late Byzantine period. It investigates how the most important authors of the period understood and defined the idea of civil war. It explores the Byzantine understanding of the differences between military conflicts which were fought between subjects and employees of the emperor and wars the empire fought against its external enemies. In addition, it examines the views the imperial authorities and the authors of the period express about wars against enemies with whom the later Byzantines shared a common cultural, ethnic and religious background.
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Takirtakoglou, Konstantinos. "John II Komnenos’ campaign in Cilician Armenia." Byzantinische Zeitschrift 114, no. 3 (September 1, 2021): 1329–49. http://dx.doi.org/10.1515/bz-2021-0065.

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Abstract The present paper challenges the assertion that John II Komnenos’ first campaign against Cilician Armenia (1137) was directly connected with the conflict between the Byzantines and the Principality of Antioch. The supposed anti-Byzantine alliance between the Armenians and the Crusaders is examined within this context; excerpts from the relevant sources not only cast doubt on its existence, but also allow the assertion that during the period under examination the relations between the Armenians and the Crusaders were hostile. Thus, the issue that arises is the following: If Levon was an enemy of the Crusaders, why did he not stand at the Byzantines’ side, instead waging war against them? The assertion of the present paper regarding this policy decision is that it was due to Levon’s alliance with John’s primary enemy in the East, the Danishmends. In fact, the sources indicate that the subjugation of Armenia was of greater priority for the Byzantine emperor in his campaign than the conquest of Antioch. This is demonstrated by the fact that John refused to conclude a treaty with the Rubenid lord similar to that which he had concluded with the prince of Antioch, and is supported by the operational maneuvers of the Byzantine forces during the campaign. To connect John’s activities in Cilicia with his subsequent campaign in Pontus and the Turkish reactions to these Byzantine strategic moves, the present paper asserts that John’s conquest of Cilicia was part of a wider policy of strategic encirclement of the Danishmends.
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Leszka, Mirosław J. "The Arabs in the Chronicle of Constantine Manasses." Studia Ceranea 9 (December 30, 2019): 593–602. http://dx.doi.org/10.18778/2084-140x.09.29.

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This paper looks into the piece by Constantine Manasses considering how it depicts the Arabs. It appears Manasses saw the Arabs primarily as bloody and cruel plunderers who invaded the Byzantine lands. Indeed, they won some of the fights against the Byzantines but eventually had to accept their superiority and concede defeat. It should also be noted that Constantine Manasses did not bring up religious themes when referring to the Arabs.
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Dissertations / Theses on the topic "Byzantines"

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Jevtić, Ivana. "Les motifs antiques dans la peinture murale byzantine des XIIIe et XIVe siècles." Paris 1, 2008. http://www.theses.fr/2008PA010503.

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Cette thèse constitue une étude des motifs antiques dans la peinture murale byzantine des XIIIe et XIVe siècles, l'époque de la dynastie des Paléologues (1261-1453). Le corpus des monuments couvre tout le territoire de l'Empire byzantin, mais aussi son aire d'influence culturelle balkanique. La présence de l'héritage antique, au fondement de la culture byzantine, a déjà donné lieu à une abondante historiographie; toutefois, un essai de systématisation manquait pour la période paléologue et ce sujet n'a pas été appréhendé dans une perspective globale. Ce travail est centré sur le problème de la présence de l'antique dans la peinture, de sa forme et de sa signification. L'accent est mis sur la recherche du sens et des raisons du remploi des modèles antiques pour déterminer ce qui a poussé les artistes à les utiliser. L'étude montre finalement que les motifs antiques sont repris surtout à cause de leur potentiel descriptif. Dans le cadre d'une utilisation savante, ils sont porteurs d'une valeur artistique nouvelle et interviennent dans l'image à l'instar des citations qui peuvent émailler un texte. La présence de l'antique est envisagée dans le contexte général de l'art paléologue et mise en relation avec le développement des tendances narratives et l'enrichissement de l'iconographie traditionnelle. Ces deux phénomènes étroitement liés sont le signe d'un nouvel esprit qui influence l'art dans le sens du renouveau et d'une forme d'humanisme chrétien.
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Koutsikou, Chryssavgi. "Les icônes hagiographiques post-byzantines (XVe-XVIIe siècles) : le cas des ateliers crétois." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H022.

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La présente thèse a comme sujet les icônes hagiographiques exécutées du début du XVe à la fin du XVIIe siècle dans l'île de Crète qui était sous domination vénitienne depuis 1210. La prise de Constantinople par les Ottomans en 1453 a privé l'empire byzantin de son centre et la Crète, où plusieurs peintres constantinopolitains se sont réfugiés, a développé, sous leur influence, l'art du chevalet dans des ateliers organisés sur le modèle des ateliers occidentaux. La présente étude inclut 74 icônes de 26 saints. Dans l'introduction, la présentation du sujet est suivie de l'intégration des œuvres dans leur contexte historique et artistique, de la présentation de l'état de la recherche et de J'approche méthodologique. Le texte s'articule en quatre chapitres. Le premier inclut une présentation de la fréquence de l'illustration des saints sur les icônes, de la répartition des œuvres par siècle, de la localisation des peintres connus et des commanditaires d'après des inscriptions dédicatoires. Le deuxième aborde l'évolution de la typologie quant à la disposition du cycle hagiographique du saint par rapport à la représentation centrale, au nombre des compartiments et le rapport avec celui des épisodes illustrés, les modes de délimitation des compartiments et la mise en place des épisodes illustrés. Le troisième chapitre étudie en détail l'évolution de l'iconographie des scènes, de la constitution des cycles et de la diffusion des formules iconographiques, avec comme point de départ les cycles des saints Georges et Nicolas. L'étude de l'évolution iconographique des cycles des toutes les icônes, suivant l'ordre chronologique des œuvres, est abordée dans le quatrième chapitre
The present thesis is about vita icons executed from the beginning of the 15th to the end of the 17th c. on the island of Crete which was under Venetian rule since 1210. The capture of Constantinople by the Ottomans in 1453 deprived the Byzantine empire of its center and Crete, where several Constantinopolitan painters have taken refuge, has developed, under their influence, the art of the icons painting in workshops organized on the mode] of Western workshops. This study includes 74 icons of 26 saints. ln the Introduction, the presentation of the subject is followed by the integration of the works in their historical and artistic context, the presentation of the state of the research and the methodological approach. The text is divided into 4 chapters. The 1st includes a presentation of the frequency of illustration of saints on icons, the distribution of works by century, the location of known painters and sponsors based on dedicatory inscriptions. The 2nd deals with the evolution of the typology as to the disposition of the hagiographic cycle of the saint in relation to the central representation, the number of compartments and the relationship with that of the illustrated episodes, the modes of delimitation of the compartments and the establishment of the illustrated episodes. The 3d chapter studies in detail the evolution of the iconography of the scenes, the constitution of the cycles and the diffusion of the iconographic formulas, with as starting point the cycles of saints Georges and Nicolas. The study of the evolution of the iconography of the cycles of ail the icons, according to the chronological order of the works, is addressed in the 4th chapter
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Pitarakis, Brigitte. "Les croix-reliquaires pectorales byzantines en bronze /." Paris : Picard, 2006. http://catalogue.bnf.fr/ark:/12148/cb40161879m.

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Texte remanié de: Thèse de doctorat--Archéologie--Paris 1, 1997. Titre de soutenance : Les croix-reliquaires pectorales en bronze : recherches sur la production des objets métalliques à Byzance.
Bibliogr. p. 397-427. Index.
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Günsenin, Nergis. "Les Amphores byzantines (10è-13è siècles) : typologie, production, circulation, d'après les collections turques." Paris 1, 1990. http://www.theses.fr/1990PA010572.

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L'étude porte sur les amphores byzantines, récipients en céramiques destinées au commerce maritime. Grâce à leur lieu de diffusion, nous dressons un schéma du commerce maritime à l'époque. Les commentaires sur le contenu nous éclairent sur la nature du commerce. L'identification de leur zone de production par des analyses d'argile qui seront confrontées au faciès géologiques des zones concernées nous ouvre de nouvelles approches sur le domaine archéologique
Study concerns the byzantine amphoras, the ceramic containers used for sea-borne trade. By the help of their discovery places, we can treat the route of the trade and with the help of the nature of the aliment inside of them, we can be aware of the quality of the commerce. The clay analysis about their production places are very useful complementary informations for archaeology in these recent years
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Kefi, Mohamed Ridha. "Outil pour le masquage/démasquage des fautes Byzantines." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0016/MQ56920.pdf.

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Kefi, Mohamed Ridha. "Outil pour le masquage/démasquage des fautes byzantines." Sherbrooke : Université de Sherbrooke, 2000.

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Sironen, Erkki. "The late Roman and early Byzantine inscriptions of Athens and Attica : an edition with appendices on scripts, sepulchral formulae and occupations /." Helsinki : Hakapaino Oy, 1997. http://bibpurl.oclc.org/web/25751.

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Ristovska, Ana. "L'église Saint-Georges de Pološko (Macédoine) : recherche sur le monument et ses peintures murales (XIVe siècle)." Paris, EPHE, 2010. http://www.theses.fr/2010EPHE5015.

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La thèse porte sur l’étude de l’église funéraire de Saint-Georges, monastère de Pološko se trouvant aujourd’hui en République de Macédoine. Cette étude examine le monument, son histoire, son architecture et surtout sa peinture. L’étude du décor de l’église, en grande partie encore inédite, a permis d’éclaircir plusieurs éléments iconographiques originaux, rares, ou qui apparaissent pour la première fois dans l’art byzantin. Elle a aussi permis de mieux comprendre l’art byzantin de l’époque, l’activité des différents ateliers de la peinture, le rôle des donateurs dans la conception de la peinture, ainsi que la situation politique et la société dans cette partie des Balkans au XIVe siècle
The thesis is a study of the funeral church of St. George, monastery of Pološko in the Republic of Macedonia. This study examines the monument, its history, its architecture and especially its painting, dating from the 14th century. The study of the decor of the church, mostly still unpublished, clarified several original and rare iconographic elements, or elements that appear for the first time in Byzantine art. It allowed a better understanding of the byzantine art of the epoch, the activity of different painting workshops, the role of the donors in the creation of the painting, as well as the political situation and the society in this part of the Balkans in the 14th century
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Cho, Soo-Jeong. "Les saintes femmes dans les églises byzantines de Cappadoce." Paris 1, 2003. http://www.theses.fr/2003PA010554.

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Les églises byzantines en Cappadoce (VIIe -XIIIe siècles), dont les représentations de saintes femmes font l'objet de ce mémoire, se trouvent sur le haut plateau anatolien; au centre de l'actuelle turquie. Ce travail a pour but essentiel de répertorier et de décrire les images isolées de saintes femmes, en éclairant leur choix, l'emplacement, leur association avec d'autres images. L'étude a porté aussi sur une analyse iconologique, c'est-à-dire un examen plus approfondi qui pourra nous éclairer de façon plus complète sur la représentation des saintes femmes, sur la signification des caractéristiques iconographiques, sur leur origine, leur évolution, et sur leur fonction. Nous avons essayé de dégager la spécificité du choix des saintes femmes, qui reflète les intentions particulières des commanditaires ou des préférences cultuelles locales, surtout la piété féminine cappadocienne.
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Smirnova, Olga. "L'Histoire Romaine de Cassius Dion dans les sources byzantines." Paris, EPHE, 2009. http://www.theses.fr/2009EPHE5006.

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L’objet de cette thèse est le destin de l’ « Histoire Romaine » de l’historien romain de langue grecque Cassius Dion (environ 163 – après 230), qui racontait les événements historiques des débuts de Rome jusqu’au 229 ap. J. -C. , à l’époque byzantine. Deux tiers de son ouvrage nous sont parvenus à travers différentes sources byzantines et le problème de leur fiabilité pour une reconstruction historique moderne se pose. Les trois sources les plus importantes examinées par cette thèse sont les « Excerpta » constantiniens (Xe siècle), l’Épitomé de Cassius Dion par Xiphilin (XIe siècle) et l’ Épitomé de Zonaras (XIIe siècle). Elles sont comparées pour la période des Julio-Claudiens avec le texte originel de l’ « Histoire Romaine » selon trois aspects : fidélité au texte, choix des sujets et rôle des matières religieuses. La recherche révèle leurs similitudes et leurs différences et permet de tracer l’évolution de l’attitude envers l’histoire de Rome à différentes périodes de l’époque byzantine et de déterminer le contexte historique de la transformation de l’ouvrage de Cassius Dion pour les besoins de ses lecteurs byzantins
The subject of this thesis is the destiny at the Byzantine epoch of the “Roman History” by the Roman historian of Greek language, Cassius Dio (about 163 – after 230), which traced the historical events from the beginning of Rome till 229 A. D. Two thirds of his book have come down to us in different Byzantine sources, and we are faced with the problem of their reliability for a modern historical reconstruction. The three main sources examined in this thesis are the “Excerpta” of Constantin VII (Xth century), the “abbreviation” of Cassius Dio by Xiphilin (XIth century), and the “Chronicle” of Zonaras (XIIth century). They have been compared for the period of Julio-Claudians with the original text of the “Roman History” according to three aspects : fidelity to text, choice of content, and religious matters. The research reveals their similarities and differences and allows to trace the evolution of the attitude towards the roman history at different periods of the Byzantine era and to determine the historical context of the transformation of Dio’s work to meet his Byzantine public’s requirements
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Books on the topic "Byzantines"

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Cameron, Averil. The Byzantines. Oxford: Wiley-Blackwell, 2009.

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Cameron, Averil. The Byzantines. Oxford: Wiley-Blackwell, 2009.

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Mazal, Otto. Manuel d'études byzantines. [Turnhout]: Brepols, 1995.

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Passions byzantines: Roman. Paris: A. Michel, 1996.

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Musée numismatique Joseph Puig (Perpignan, France). Monnaies byzantines du Musée Puig. Perpignan [France]: Le Musée, 1991.

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Akad. G. Ceretʻlis saxelobis aġmosavletʻmcʻodneobis instituti, Maxaraże Neli, and Sulava Nestan, eds. Bizantinologia Sakʻartʻveloši 3: Byzantines spoudes stē Geōrgia 3 = Byzantine Studies in Georgia 3. Tʻbilisi: Logosi, 2011.

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Bordea, Gheorghe Poenaru. Monnaies byzantines du Musée de Constanța (Roumanie). Wetteren, Belguim: Moneta, 2004.

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Kropotkin, V. V. Les trouvailles de monnaies byzantines en U.R.S.S. Wetteren, Belgium: Moneta, 2006.

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Les recensions byzantines de l'Évangile de Nicodème. Turnhout: Brepols, 2008.

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Pitarakis, Brigitte. Les croix-reliquaires pectorales byzantines en bronze. Paris: Picard, 2006.

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Book chapters on the topic "Byzantines"

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Shaer, Amitay, Shlomi Dolev, Silvia Bonomi, Michel Raynal, and Roberto Baldoni. "Bee’s Strategy Against Byzantines Replacing Byzantine Participants." In Lecture Notes in Computer Science, 139–53. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03232-6_10.

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Hitti, Philip K. "Hostile Relations with the Byzantines." In History of the Arabs, 199–205. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-137-03982-8_18.

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Hancock, James F. "Spice trade in the dark ages of Europe." In Spices, scents and silk: catalysts of world trade, 146–56. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789249743.0012.

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Abstract This chapter narrates the state of world trade during the fall of the Western Roman Empire under waves of Germanic tribe movements during the 'Völkerwanderung' or Migration Period. It contains nine subchapters that are about the collapse of the Western Roman Empire, spice use in Europe during the dark ages, the level of western trade in the early medieval age, Mediterranean trade in the early medieval period, early medieval trade in Europe, the Radhanites: medieval tycoons, the rise of the Gotlanders, Rus' trade with the Muslims and Byzantines through Khazaria, and lastly, Rus' attacks on the Islamic and Byzantine Worlds.
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Abrardo, Andrea, Mauro Barni, Kassem Kallas, and Benedetta Tondi. "Introduction." In Information Fusion in Distributed Sensor Networks with Byzantines, 1–8. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-32-9001-3_1.

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Abrardo, Andrea, Mauro Barni, Kassem Kallas, and Benedetta Tondi. "Basic Notions of Distributed Detection, Information Fusion and Game Theory." In Information Fusion in Distributed Sensor Networks with Byzantines, 9–27. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-32-9001-3_2.

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Abrardo, Andrea, Mauro Barni, Kassem Kallas, and Benedetta Tondi. "Security Attacks and Defenses in Distributed Sensor Networks." In Information Fusion in Distributed Sensor Networks with Byzantines, 29–43. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-32-9001-3_3.

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Abrardo, Andrea, Mauro Barni, Kassem Kallas, and Benedetta Tondi. "Adversarial Decision Fusion: A Heuristic Approach." In Information Fusion in Distributed Sensor Networks with Byzantines, 45–55. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-32-9001-3_4.

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Abrardo, Andrea, Mauro Barni, Kassem Kallas, and Benedetta Tondi. "A Game-Theoretic Framework for Optimum Decision Fusion in the Presence of Byzantines." In Information Fusion in Distributed Sensor Networks with Byzantines, 57–81. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-32-9001-3_5.

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Abrardo, Andrea, Mauro Barni, Kassem Kallas, and Benedetta Tondi. "An Efficient Nearly-Optimum Decision Fusion Technique Based on Message Passing." In Information Fusion in Distributed Sensor Networks with Byzantines, 83–101. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-32-9001-3_6.

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Abrardo, Andrea, Mauro Barni, Kassem Kallas, and Benedetta Tondi. "Conclusion." In Information Fusion in Distributed Sensor Networks with Byzantines, 103–4. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-32-9001-3_7.

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Conference papers on the topic "Byzantines"

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Widder, Josef, Gunther Gridling, Bettina Weiss, and Jean-Paul Blanquart. "Synchronous Consensus with Mortal Byzantines." In 37th Annual IEEE/IFIP International Conference on Dependable Systems and Networks (DSN'07). IEEE, 2007. http://dx.doi.org/10.1109/dsn.2007.91.

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Kailkhura, Bhavya, Swastik Brahma, Yunghsiang S. Han, and Pramod K. Varshney. "Optimal distributed detection in the presence of Byzantines." In ICASSP 2013 - 2013 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2013. http://dx.doi.org/10.1109/icassp.2013.6638193.

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Vempaty, Aditya, Keshav Agrawal, Pramod Varshney, and Hao Chen. "Adaptive learning of Byzantines' behavior in cooperative spectrum sensing." In 2011 IEEE Wireless Communications and Networking Conference (WCNC). IEEE, 2011. http://dx.doi.org/10.1109/wcnc.2011.5779320.

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Gagrani, Mukul, Pranay Sharma, Satish Iyengar, V. Sriram Siddhardh Nadendla, Aditya Vempaty, Hao Chen, and Pramod K. Varshney. "On noise-enhanced distributed inference in the presence of Byzantines." In 2011 49th Annual Allerton Conference on Communication, Control, and Computing (Allerton). IEEE, 2011. http://dx.doi.org/10.1109/allerton.2011.6120307.

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Kailkhura, Bhavya, Swastik Brahma, and PramodK Varshney. "On the performance analysis of data fusion schemes with Byzantines." In ICASSP 2014 - 2014 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2014. http://dx.doi.org/10.1109/icassp.2014.6855040.

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Bulusu, Saikiran, Prashant Khanduri, Pranay Sharma, and Pramod K. Varshney. "On Distributed Stochastic Gradient Descent for Nonconvex Functions in the Presence of Byzantines." In ICASSP 2020 - 2020 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2020. http://dx.doi.org/10.1109/icassp40776.2020.9052956.

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Vempaty, Aditya, Yunghsiang S. Han, and Pramod K. Varshney. "Target localization in Wireless Sensor Networks using error correcting codes in the presence of Byzantines." In ICASSP 2013 - 2013 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2013. http://dx.doi.org/10.1109/icassp.2013.6638653.

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Quarta, Aurora. "Il Castello di “Carta”. Excursus della presenza del castello di Gallipoli nella cartografia storica." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11339.

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The Castle of "paper". Excursus of Gallipoli’s castle presence in historical cartographyThe castle is located at the eastern part of the Gallipoli’s old town: the first data in archives and libraries started from the sixth century under the mention of castrum and in the following centuries there are many informations on parchments, written documents and bibliography published until today. The Syllabus Grecarum Membranarum from the twelfth century and the Statutum de reparatione castrorum of Frederick II are two precious sources about the primitive castle’s architecture.The structure endured the passage of the Byzantines, Normans, Swabians, Angevins and again, Aragonese, Venetians, Spaniards, Austrians and finally the Bourbons, until it became property of the State and now of the Gallipoli’s municipality. It has suffered over time numerous interventions to adapt it to new military needs: the castle was no longer effective with leading defence from new siege weapons, as for other architectures of the same period.The numerous representations preserved in Italian and European archives give a complete picture of the Gallipoli’s urban development and include the defensive system of the city: the different views illustrate the walls and allow us to understand the castle’s main evolutionary dynamics and its connection with the town.
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Camiz, Alessandro, Marika Griffo, Seda Baydur, and Emilia Valletta. "The chain tower in Kyrenia’s harbour, Cyprus." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11459.

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In the Middle Ages a chain suspended between two towers defended the entrance of Kyrenia’s little harbour, like the chain across the Golden Horn in Constantinople. William de Oldenburg, who visited Cyprus in 1211 during the reign of King Hugh I, referred to Kyrenia as “a small town well-fortified, which has a castle with walls and towers”. He perceived the chain tower as part of Kyrenia’s fortification system in that time. The Byzantines had already fortified the city, but in the thirteenth century, during the Longobard war, before the siege of the city, Frederick II’s party, under the direction of Captain Philippo Genardo, improved the defences of the city. The chain tower is still visible today in the north side of the old Kyrenia harbour. It consists of an 8,15 m diameter cylindrical tower and a 1,5 m diameter pillar on top of it. The tower was supporting a chain attached on the other side to another structure. The fortifications on the north side terminated against the harbour in a square tower or bastion holding the chain to be raised and lowered by means of a windlass. The paper includes the digital photogrammetric survey of the chain tower using a structure from motion software, the historical research and the comparison with other coeval harbour defence constructions of the eastern Mediterranean.
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Galaicu, Violina. "The historical trajectory of Byzantine religious music in the Romanian space: volutes and milestones." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.04.

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The trajectory of the Romanian cult music is intertwined with the trajectory of the Byzantine cult music, the mega-phenomenon and its zonal manifestation conditioning and enhancing each other. Respectively, any attempt to stage the evolution of sacred singing in the reference area refers to the transformations supported by Byzantine music as a whole. In the historiography of the field, we found several variants of systematization of the Byzantine ecclesiastical music on the Romanian territories: according to historical epochs, according to the stages of consolidation of the national Church, according to the linguistic factor (succession of sacred languages), according to stylistic manifestations. Based on the way in which the studies are structured, it is observed that historians do not consistently follow one way or another, but opt for summing them up. Thus, a milestone with generalizing value is outlined, in which the first Christian centuries mark the penetration and spread of Proto-Byzantine and Byzantine song in the Romanian space, the IX-X centuries – the enrollment of Romanianism in the Byzantine-Slavic religious front, the XIV century – the inauguration of the period of cultural effervescence related to the constitution of the Romanian medieval states, the end of the XVI century – the XVIII century – the Romanianization of the liturgical melody, the beginning of the XIX century – the XXI century – the passage of the Byzantine chant through the avatars of modernity and contemporaneity.
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Reports on the topic "Byzantines"

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Sanders, Eulanda A. Byzantine Muse. Ames: Iowa State University, Digital Repository, February 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-599.

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Laura Leddy, Laura Leddy. Drawing Archaeology in Byzantine Athens. Experiment, May 2014. http://dx.doi.org/10.18258/2591.

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Burns, J. E., and N. A. Lynch. The Byzantine Firing Squad Problem. Fort Belvoir, VA: Defense Technical Information Center, April 1985. http://dx.doi.org/10.21236/ada154770.

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Tseng, Lewis, and Nitin Vaidya. Parameter-independent Iterative Approximate Byzantine Consensus. Fort Belvoir, VA: Defense Technical Information Center, August 2012. http://dx.doi.org/10.21236/ada564307.

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Tseng, Lewis, and Nitin Vaidya. Exact Byzantine Consensus in Directed Graphs. Fort Belvoir, VA: Defense Technical Information Center, September 2012. http://dx.doi.org/10.21236/ada568111.

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Liang, Guanfeng, and Nitin Vaidya. Complexity of Multi-Value Byzantine Agreement. Fort Belvoir, VA: Defense Technical Information Center, June 2010. http://dx.doi.org/10.21236/ada555114.

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Liang, Guanfeng, and Nitin Vaidya. Error-Free Multi-Valued Consensus with Byzantine Failures. Fort Belvoir, VA: Defense Technical Information Center, January 2011. http://dx.doi.org/10.21236/ada555083.

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Tseng, Lewis, and Nitin Vaidya. Iterative Approximate Byzantine Consensus under a Generalized Fault Model. Fort Belvoir, VA: Defense Technical Information Center, May 2012. http://dx.doi.org/10.21236/ada564090.

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Liang, Guanfeng, and Nitin Vaidya. Short Note on Complexity of Multi-Value Byzantine Agreement. Fort Belvoir, VA: Defense Technical Information Center, July 2010. http://dx.doi.org/10.21236/ada555077.

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Tseng, Lewis, Nitin Vaidya, and Vartika Bhandari. Broadcast Using Certified Propagation Algorithm in Presence of Byzantine Faults. Fort Belvoir, VA: Defense Technical Information Center, September 2012. http://dx.doi.org/10.21236/ada568117.

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