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Books on the topic 'Cabaret and revue'

Author: Grafiati
Published: 12 December 2022
Last updated: 31 July 2025

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1

Plenov, Leif. Dansk revy 1850-2000: Et uhøjtidelig tilbageblik. L & R Fakta, 2000.

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2

Plenov, Leif. Dansk revy 1850-2000: Et uhøjtideligt tilbageblik. L&R Fakta, 2000.

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3

Scaglione, Massimo. Saluti e baci. I libri de La stampa, 2001.

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4

Ruiz, Juan José Montijano. Madrid frívolo: Breve historia de la revista musical madrileña y los teatros que la albergaron. La Librería, 2013.

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5

Sánchez, Ramón Femenía. La revista: Apuntes sobre la historia del género frívolo. [Avispa?], 1997.

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6

Museo Nacional de Culturas Populares (Mexico), ed. El País de las Tandas: Teatro de revista, 1900-1940. 2nd ed. Museo Nacional de Culturas Populares, Dirección General de Culturas Populares, 1986.

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7

H, Pablo Dueñas. Las divas en el teatro de revista mexicano. Asociación Mexicana de Estudios Fonográficos, 1994.

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8

Hannon, Gerard. Tom and Paschal: From campfire to Carnegie Hall. The Leader, 1995.

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9

Jacqueline, Willemetz, and Fonds Albert Willemetz, eds. Albert Willemetz et Maurice Chevalier: Revues, sketchs et chansons au casino de Paris. Harmattan, 2011.

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10

Antunes, Delson. Fora do sério: Um panorama do teatro de revista no Brasil. FUNARTE, Ministêrio da Cultura, 2004.

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11

Antunes, Delson. Fora do sério: Um panorama de teatro de revista no Brasil. FUNARTE, Ministêrio da Cultura, 2002.

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12

1949-, Peregrino Nadja, and Fundação Nacional de Arte (Brazil), eds. Fotografia no Brasil: Um olhar das origens ao contemporâneo. Fundação Nacional de Arte FUNARTE, Ministério de Cultura, 2004.

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13

S, Bratton J., ed. Music hall: Performance and style. Open University Press, 1986.

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14

Cabaret Berlin: Revue, Kabarett And Film Music Between The Wars. edel CLASSICS GmbH, 2005.

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15

Pollack, Howard. Ballads for Americans. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0005.

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Latouche continued his work on Broadway in the late 1930s. He had his work done by Cabaret TAC, and also wrote articles and poems for TAC magazine. Some of his work appeared in such leftist revues as Sunday Night Varieties. He translated a “centerpiece” by Jura Soyfer for a revue given by Austrian refugees. Most notably, he composed “Ballade for Uncle Sam,” along with other pieces for the FTP revue Sing for Your Supper. Premiered in concert form over the radio with Paul Robeson the soloist, this number, with music by Earl Robinson, swept the country for several years. It also was published by
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16

The Wedekind cabaret. Samuel French, 2008.

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17

Dietz, Dan. Complete Book of 1960s Broadway Musicals. Rowman & Littlefield, 2014. https://doi.org/10.5040/9798881833756.

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While the 1960s may have been a decade of significant upheaval in America, it was also one of the richest periods in musical theatre history. Shows produced on Broadway during this time include such classics as Bye, Bye Birdie; Cabaret; Camelot; Hello Dolly!; Fiddler on the Roof; How to Succeed in Business without Really Trying; Oliver!; and Man of La Mancha. Performers such as Dick Van Dyke, Anthony Newley, Jerry Orbach, and Barbara Streisand made their marks, and other talents—such as Bob Fosse, John Kander, Fred Ebb, Alan Jay Lerner, Frederick Loewe, Jerome Robbins, and Stephen Sondheim—als
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18

Bol raz jeden kabaret--Tatra revue, 1958-1970: V referátoch, spomienkach, dokumentoch a na fotografiách. Národné divadelné centrum, Združenie divadelných kritikov a teoretikov, 1997.

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19

"Willkommen, bienvenue, welcome--": Politische Revue, Kabarett, Varieté in Köln : 1928-1938. Emons, 2008.

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20

Gebhardt, Nicholas. Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929. University of Chicago Press, 2017.

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21

Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929. University of Chicago Press, 2017.

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22

Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929. University of Chicago Press, 2017.

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23

Scandals and follies: The rise and fall of the great Broadway revue. Limelight Editions, 2000.

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24

Music Halls to Movie Places. Gallery Association of New York State, Inc., 1985.

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25

Music hall mimesis in British film, 1895-1960: On the halls on the screen. Farleigh Dickinson University Press, 2009.

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26

Freedman, Leonard. The Offensive Art. Praeger, 2008. http://dx.doi.org/10.5040/9798400692765.

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The Offensive Artis an arch and sometimes caustic look at the art of political satire as practiced in democratic, monarchical, and authoritarian societies around the world over the past century-together with the efforts by governmental, religious, and corporate authorities to suppress it by censorship, intimidation, policy, and fatwa. Examples are drawn from the full spectrum of satiric genres, including novels, plays, verse, songs, essays, cartoons, cabarets and revues, movies, television, and the Internet. The multicultural and multimedia breadth and historical depth of Freedman's comparativ
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