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Books on the topic 'Cabaret (Musical : 1998)'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Consult the top 29 books for your research on the topic 'Cabaret (Musical : 1998).'

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1

Thibault, Gérard. Chez Gérard: La petite scène des grandes vedettes, 1938-1978. [Sainte-Foy, Québec: Éditions Spectaculaires], 1988.

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2

Soixante-dix ans ans de café-concert: 1848-1918. Paris: Belles lettres, 2014.

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3

Hanenberg, Patrick van den. Nederlands cabaret, 1970-1995: Het is weer tijd om te bepalen waar het allemaal op staat. Amsterdam: Nijgh & Van Ditmar, 1996.

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4

Price, Victor J. Birmingham theatres: Concert and music halls, 1740-1988. Studley, Warwickshire: Brewin Books, 1988.

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5

Riemann, Brigitte. Das Kabarett der DDR: "--eine Untergrundorganisation mit hohen staatlichen Auszeichnungen--"? : Gratwanderungen zwischen sozialistischem Ideal und Alltag (1949-1999). Münster: Lit, 2001.

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6

1900-1928, Gesmar Charles, ed. Charles Gesmar, 1900-1928: L'affichiste attitré de Mistinguett. Milano: Angelo Luerti, 2009.

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7

Olaya, Ana María Díaz. Minería, flamenco y cafés cantantes en Linares (1868-1918). Sevilla: Signatura Ediciones, 2008.

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8

Luerti, Angelo. Non solo Erté =: Not only Erté : costume, design for the Paris music hall 1918-1940. Schio (Vicenza): G. Tamoni, 2006.

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9

Luerti, Angelo. Non solo Erté =: Not only Erté : costume design for the Paris music hall 1918-1940. Schio (Vicenza): G. Tamoni, 2006.

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10

Tikhvinskai͡a, L. Kabare i teatry miniati͡ur v Rossii, 1908-1917. Moskva: RIK "Kulʹtura", 1995.

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11

1973-, Thumser Regina, ed. "From Vienna": Exilkabarett in New York 1938 bis 1950. Wien: Picus, 2002.

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12

Kwiatkowska, Halina. Boyowym szlakiem, czyli, a to ci kabaret: Jama Michalika : kabaret satyryczno-literacki, 1960-1990. Kraków: Oficyna Wydawnicza Kwadrat, 2004.

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13

Povsednevnai︠a︡ zhiznʹ teatralʹnoĭ bogemy serebri︠a︡nogo veka: Kabare i teatry miniati︠u︡r v Rossii 1908-1917. Moskva: Molodai︠a︡ gvardii︠a︡, 2005.

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14

Bourassa, André-G. Les nuits de la "Main": Cent ans de spectacles sur le boulevard Saint-Laurent, 1891-1991. Montréal, Québec: VLB, 1993.

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15

Nightlife of Paris: The art of Toulouse-Lautrec. New York, NY: Universe, 1991.

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16

Eugène Bullard: Récit. Paris: cherche midi, 2012.

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17

Colette, Sidonie-Gabrielle. Mitsou: And Music-hall sidelights. New York: Farrar, Straus and Cudahy, 1985.

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18

Cabaret: The Illustrated Book and Lyrics. Newmarket Press, 1999.

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19

Mayes, Sean, and Sarah K. Whitfield. An Inconvenient Black History of British Musical Theatre. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350119666.

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A radically urgent intervention, An Inconvenient Black History of British Musical Theatre: 1900 - 1950 uncovers the hidden Black history of this most influential of artforms. Drawing on lost archive material and digitised newspapers from the turn of the century onwards, this exciting story has been re-traced and restored to its rightful place. A vital and significant part of British cultural history between 1900 and 1950, Black performance practice was fundamental to resisting and challenging racism in the UK. Join Mayes (a Broadway- and Toronto-based Music Director) and Whitfield (a musical theatre historian and researcher) as they take readers on a journey through a historically-inconvenient and brilliant reality that has long been overlooked. Get to know the Black theatre community in London’s Roaring 20s, and hear about the secret Florence Mills memorial concert they held in 1928. Acquaint yourself with Buddy Bradley, Black tap and ballet choreographer, who reshaped dance in British musicals - often to be found at Noël Coward’s apartment for late-night rehearsals, such was Bradley’s importance. Meet Jack Johnson, the first African American Heavyweight Boxing Champion, who toured Britain’s theatres during World War 1 and brought the sounds of Chicago to places like war-weary Dundee. Discover the most prolific Black theatre practitioner you’ve never heard of, William Garland, who worked for 40 years across multiple continents and championed Black British performers. Marvel at performers like cabaret star Mabel Mercer, born in Stafford in 1900, who sang and conducted theatre orchestras across the UK, as well as Black Birmingham comedian Eddie Emerson, who was Garland’s partner for decades. Many of their names and works have never been included in histories of the British musical - until now.

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20

Ik zou je het liefste in een doosje willen doen: Nederlandse chansons en cabaretliederen 1958-1988. [Amsterdam]: Nijgh & Van Ditmar, 1989.

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21

1934-, Bauschinger Sigrid, and Amherster Kolloquium zur Deutschen Literatur (20th : 1999), eds. Literarisches und politisches Kabarett von 1901 bis 1999. Tübingen: Francke, 2000.

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22

Jacques, Klöters, and Veer Kick van der, eds. Ik zou je het liefste in een doosje willen doen ; Omdat ik zoveel van je hou : Nederlandse chansons en cabaretliederen 1958-1988. Amsterdam: Nijgh & Van Ditmar, 1999.

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23

Luftmenschen spielen Theater: Jüdisches Kabarett in Wien, 1890-1938. Himberg bei Wien: Kremayr & Scheriau, 1992.

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24

Bol raz jeden kabaret--Tatra revue, 1958-1970: V referátoch, spomienkach, dokumentoch a na fotografiách. Bratislava: Národné divadelné centrum, Združenie divadelných kritikov a teoretikov, 1997.

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25

Steinlauf, Michael C., and Antony Polonsky, eds. Polin: Studies in Polish Jewry Volume 16. Liverpool University Press, 2003. http://dx.doi.org/10.3828/liverpool/9781874774730.001.0001.

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Scholarship on the civilization of Polish Jews has tended to focus on elite culture and canonical literature. This volume focuses on the less explored theme of Jewish popular culture and shows how it blossomed into a complex expression of Jewish life. In addition to a range of articles on the period before the Second World War, there are studies of the traces of this culture in the contemporary world. The volume aims to develop a fresh understanding of Polish Jewish civilization in all its richness and variety. Subjects discussed in depth include klezmorim and Jewish recorded music; the development of Jewish theatre in Poland, theatrical parody, and the popular poet and performer Mordechai Gebirtig; Jewish postcards in Poland and Germany; the early Yiddish popular press in Galicia and cartoons in the Yiddish press; working-class libraries in inter-war Poland; the impact of the photographs of Roman Vishniac; contemporary Polish wooden figures of Jews; and the Kraków Jewish culture festival. In addition, a Polish Jewish popular song is traced to Sachsenhausen, the badkhn (wedding jester) is rediscovered in present-day Jerusalem, and Yiddish cabaret turns up in blues, rock ‘n’ roll, and reggae. There are also translations from the work of two writers previously unavailable in English. Space is given to new research into a variety of topics in Polish Jewish studies. The review section includes an important discussion of what should be done about the paintings in Sandomierz cathedral which represent an alleged ritual murder in the seventeenth century, and an examination of the ‘anti-Zionist’ campaign of 1968.

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26

La chanson populaire en Grande Bretagne pendant la Grande Guerre 1914-1918; The Show must go on! Paris, France: L'Harmattan, 2012.

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27

Show Must Go On!: Popular Song in Britain During the First World. Taylor & Francis Group, 2015.

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28

Hawkins, Stan, John Mullen, and Derek B. Scott. Show Must Go on!: Popular Song in Britain During the First World War. Taylor & Francis Group, 2015.

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29

Museum of Modern Art (New York, N.Y.), ed. Club 57: Film, performance, and art in the East Village 1978-1983. 2017.

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