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Relevant bibliographies by topics / Cabaret songs / Dissertations / Theses

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Dissertations / Theses on the topic 'Cabaret songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Grumet, Amanda Jocelyn. "The elusive cabaret song: The marriage of classical and popular styles in the Cabaret Songs of William Bolcom and Arnold Weinstein." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290696.

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The Cabaret Songs of William Bolcom and Arnold Weinstein merge characteristics of European cabaret song and art song with characteristics of American popular song to create a modern American form of cabaret song which generates a complete theatrical characterization in each piece. Aspects of European cabaret song evident in these songs include satire, parody, and directness and intimacy of presentation. Independence of the piano, partnership of the piano and voice, and effective word setting and word painting are qualities identified with European art song which appear in these Cabaret Songs.

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2

Mullins, Rebecca Eveleth. "The World of Somewhere In Between: The History of Cabaret and the Cabaret Songs of Richard Pearson Thomas, Volume I." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1372753684.

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3

Struve, Jonathon Paul. "Friedrich Hollaender and the art of writing songs for the cabaret." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5650.

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Friedrich Hollaender (1896-1976) was one of the most prolific composers of cabaret song literature in Berlin between 1918 and 1933. Beginning with his work at the literary-political cabarets of the early 1920s, including Max Reinhardt’s Schall und Rauch, Trude Hesterburg’s Wilde Bühne, and Rosa Valetti’s Café Größenwahn and continuing through the cabaret revues presented at Hollaender’s own Tingel-Tangel-Theater in the early 1930s, Hollaender wrote over 200 cabaret songs. A classically trained composer who studied with Engelbert Humperdinck, Hollaender ultimately found his niche in creating ca

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4

Roberts, Erinn. "Stylistic fusion in the Cabaret Songs of Benjamin Britten and W.H. Auden : a performer's analysis." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/16322.

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The Cabaret Songs of W.H. Auden and Benjamin Britten merge characteristics of a multitude of styles. The purpose of this document is to investigate the fusion of styles making up the Cabaret Songs and to analyze them from a performer’s perspective with the goal of providing collaborative partnerships with an historical and musical foundation on which to build their interpretation of the Cabaret Songs and thereby serve as a basis for informed performance decisions. Chapter 1 includes biographical information for both Benjamin Britten and W.H. Auden focusing on how the two artists met and discu

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5

Bateman, Marlene Titus. "The Cabaret songs, volume one, of William Bolcom and Arnold Weinstein : an exploration and analysis /." Thesis, Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008241.

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6

Ferguson, Naomi Joy. "Literary Alchemy - Turning Fact into Fiction, Songs My Mother Taught Me, Songs My Mother Taught Me - Revised Edition, In Defence of Love." Thesis, University of Canterbury. School of Humanities, 2010. http://hdl.handle.net/10092/5062.

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My MFA portfolio consists of two scripts for performance and a research essay exploring the methods and process of writing these. Songs My Mother Taught Me is a one-woman cabaret piece; set in 1972, it explores hippie culture in New Zealand and a young women‟s search for independence. This portfolio contains two versions of this script. Both versions of this piece have been performed. In Defence of Love is a play for three actors, each of whom plays one aspect of an abused woman trying to find her way out of a destructive relationship.

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7

Brooks, Colleen. "Cabaret Songs by Classical Composers During the First Half of the 20th Century: Satie, Schoenberg, Weill, and Britten." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990477.

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8

Tedrick, Deborah. "BLACK CATS, BERLIN, BROADWAY AND BEYOND: THE GENRE OF CABARET." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2668.

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Music and Theatre have always captivated me. As a child, my parents would take me to live performances and cinematic shows and I would sit rapt, watching the theatrical events and emotional moments unfold before my eyes. Movie musicals and live shows that combined music and theatre were my favorite, especially theatrical banter and improvisation or sketch comedy. Some of my favorite youthful memories were my annual family summer trips to Las Vegas to visit my grandparents for six weeks. As a youngster, I got to experience the "old school" Las Vegas, replete with extravaganza, spectacle, cabare

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9

Leffner, Josephine. "BLACK CATS, BERLIN, BROADWAY AND BEYOND: CABARET HISTORY IN THE MAKING." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2664.

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Cabaret as a genre has influenced and is influenced by musical theatre. As cabaret has evolved throughout history, musical theatre has often paralleled its journey. Cabaret thrived before the term "musical theatre" was coined and suffered hard times during the Golden Age of Musical Theatre. The correlation of the two genres cannot be denied, and exploring cabaret history will reveal how deeply the connection lies. My collaborator Debbie Tedrick and I will attempt to define cabaret through a two-woman cabaret show we will write, produce, and perform together. The show, Black Cats, Berlin, Broad

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10

Marlin, Maggie. "Musical Theatre Handbook for the Actor." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1774.

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MUSICAL THEATRE HANDBOOK FOR THE ACTOR By Maggie Elizabeth Marlin, MFA A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2009 Major Director: David S. Leong Chairman, Department of Theatre Musical Theatre is a performance style deeply woven into the fabric of the American theatre. We live in time and social climate where over half of the productions open on Broadway right now are musicals. If actor training institutions profess a mission to prepare their students for a ca

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11

Dickson, Adrienne C. "Cabaret--from entertainment to art form focusing on the evolution of the cabaret song in the hands of Satie and Schoenberg /." 2009. http://proquest.umi.com/pqdweb?did=1758903531&sid=2&Fmt=2&clientId=14215&RQT=309&VName=PQD.

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Thesis (D.M.A.)--University of Nebraska-Lincoln, 2009.<br>Title from title screen (site viewed October 13, 2009). PDF text: vii, 100 p. : ill., music ; 19 Mb. UMI publication number: AAT 3355615. Includes bibliographical references. Also available in microfilm and microfiche formats.

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12

HUANG, PAO-HSUAN, and 黃寶萱. "A Study of Cabaret Songs, Vol. 1 by William Bolcom." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/upqfmu.

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碩士<br>輔仁大學<br>音樂學系<br>107<br>In the twentieth century, the combination of traditional music materials and modern elements has become the main trend of today's music. William Bolcom (b. 1938) is one of the most important contemporary American composers. 　　 William Bolcom had completed Cabaret Songs Volume 1 & 2 and from 1979 to 1985 published Cabaret Songs Volume 3 & 4 in 1997. 　　 In 1880, Night club activities began to prevail at Paris. Artists from the avant-garde communities had gathered mostly in pubs or cafes, called “Cabaret”. This culture was spread to the United States in 1911, with the

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13

Ho, Yi-Hsiu, and 何怡秀. "The Analysis and Interpretation of Cabaret Songs by Benjamin Britten." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/77267489329025840155.

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碩士<br>國立臺南藝術大學<br>鋼琴合作藝術研究所<br>103<br>Benjamin Britten (1913-1976) was a famous British composer in the twentieth century. His works include operas, ballet music, orchestral music, chamber music, piano music and vocal music. At the General Post Office, he also composed public media art, for instance, music for drama, movie soundtrack and radio. Britten's music comes from tradition, but also presents the mixture of different kinds of music style. Cabaret Songs was composed from 1937 to 1939. In the GPO, he met the important poet Wystan Hugh Auden (1907-1973). Both Britten and Auden highly a

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14

Bateman, Marlene Titus 1951. "The Cabaret songs, volume one, of William Bolcom and Arnold Weinstein : an exploration and analysis." 2001. http://hdl.handle.net/2152/12835.

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15

Stehlíková, Aneta. "Šanson jako komplexní mluvní akt a jeho přeložitelnost." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-330084.

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Title of the thesis: The chanson as a complex speech act and its translatability Keywords: chanson, translation, song lyrics, chansonnier, interpretation, acting, nonverbal communication, Aznavour, Bécaud, Piaf, Hegerová, Gott, Čeřovská, cabaret Abstract: The aim of the thesis is to describe the possibilities and the limits of translatability of chanson with regard to song lyrics and dramatic performance. The main contribution consists in determination of a relation between borrowed chansons and their French originals. The realization of the thesis is based on a research on the field of litera

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16

Hellégouarch, Solenn. "De la Bretagne au Québec : le succès de Théodore Botrel (1868-1925), chansonnier breton." Thèse, 2009. http://hdl.handle.net/1866/4674.

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La version intégrale de ce mémoire est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU).<br>Le chansonnier breton Théodore Botrel est connu pour être le père du mouvement de propagande de la Bonne Chanson. Ce mouvement naît dans le contexte montmartrois, alors qu’en 1900, les chansonniers se réunissent en Congrès pour discuter de l’avenir de leur art, malmené par le flot infatigable des chansons de café-concert. Ce combat pour la « saine » culture, c’est aussi celui de la IIIe République au nom de la moralit

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