Relevant bibliographies by topics / Cabinet des photographies

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Academic literature on the topic 'Cabinet des photographies'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Cabinet des photographies"

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Bardet, Isabelle, Patrick Goudot, Jean-Baptiste Kerbrat, and Olivier Mauchamp. "Surgery First : détermination des objectifs squelettiques à partir des analyses structurales. Comparaison des analyses de Delaire et de Sassouni." L'Orthodontie Française 90, no. 1 (March 2019): 37–54. http://dx.doi.org/10.1051/orthodfr/2019004.

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Introduction : Cet article présente une étude des analyses squelettiques structurales de Delaire et de Sassouni, indépendantes des compensations dentaires, comme prescripteurs des déplacements squelettiques en chirurgie orthognathique particulièrement dans les chirurgies de première intention (Surgery First) développées par Sugawara. Méthode : Les analyses céphalométriques ont été réalisées sur vingt cas chirurgicaux : les déplacements squelettiques induits ont été comparés pour quantifier les différences d’indications en fonction du type facial. Les morpho-simulations faciales obtenues avec le logiciel Dolphin 11.95 Premium à partir des photographies et scans préchirurgicaux ont été présentées à deux jurys (professionnel et non professionnel) pour valider l’outil Dolphin, puis comparer les analyses entre elles et à la chirurgie réalisée. Cette étude sur dix cas opérés dans le même cabinet a fait l’objet d’une étude statistique (laboratoire de statistique-CNRS). Résultats : L’analyse de Sassouni suggère beaucoup plus de déplacement vers l’avant du maxillaire (ENA +5,45*) et plus de modifications verticales (Me 1,595*). Les différences entre les deux analyses sont peu influencées par le type facial. La prédiction Dolphin jugée assez fiable (3,7/6) a permis de comparer l’effet esthétique des prescriptions des analyses avec la chirurgie réalisée. Le test de Student apparié n’est pas significatif (taille de l’échantillon), mais l’analyse par cotation montre une différence plus significative (chirurgie DO (17,4), Sassouni (16,6) et Delaire (14)). Conclusions : Les analyses de Delaire et Sassouni ne donnent pas les mêmes indications chirurgicales : plus d’avancée maxillaire et de modifications verticales pour Sassouni. L’outil Dolphin permet une prédiction raisonnable des effets d’une chirurgie. L’analyse de Sassouni donne des objectifs céphalométriques jugés plus esthétiques que ceux de Delaire (16,6/14 soit +2,6), mais l’analyse esthétique et fonctionnelle reste essentielle.
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Webster, Christopher. "The portrait cabinet of Dr Bleek: Anthropometric photographs by early Cape photographers." Critical Arts 14, no. 1 (January 2000): 1–15. http://dx.doi.org/10.1080/02560040085310021.

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García Camón, María Jesús. "Anselmo Coyné y Valentín Marín, pioneros de la fotografía en Pamplona (1866-1881)." Príncipe de Viana LXXX, no. 274 (January 30, 2020): 673–721. http://dx.doi.org/10.35462/pv.274.3.

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Permanent photographers arrive in Pamplona in the 1860s. One of the first studios to be established, the first in the Plaza de la Constitución, or del Castillo, was «Pamplonesa Photography. Coyné y Cía». This studio, which will go through several stages and names, was founded by Anselmo María Coyné and Valentín Marín, both photographers from Pamplona. From 1866 to 1881, together with the studio of Leandro and Dublán, they will reflect the image of the society of Pamplona through their albumin portraits in carte de visite or carte cabinet format, until the appearance of the dry plate gelatin-bromide and the increase in the number of studios at the end of the 19th century. Keywords: photography in Pamplona, 19th century; photographic establishments; Anselmo Coyné; Valentín Marín; visit card. RESUMEN En la década de 1860 llegan a Pamplona los fotógrafos de asiento. Uno de los primeros estudios en establecerse, el primero en la plaza de la Constitución, o del Castillo, es Fotografía Pamplonesa, Coyné y Cía. Este estudio, que pasará por varias etapas y nombres, estaba formado por Anselmo M.ª Coyné y Valentín Marín, ambos fotógrafos pamploneses. Durante el periodo de 1866 a 1881 reflejará en sus retratos a la albúmina, en formato carte de visite o carte cabinet, la imagen de la sociedad pamplonesa, junto con otro estudio, el de Leandro y Dublán, hasta la aparición de la placa seca o gelatino-bromuro y el aumento del número de estudios a finales del siglo xix. Palabras clave: fotografía en Pamplona, siglo xix; establecimientos fotográficos; Anselmo Coyné; Valentín Marín; carte de visite.
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Norhidayah, A., A. Noriham, and Mohamad Rusop. "The Effect of Drying Methods on Physicochemical Properties of Nanostructured Zingiber officinale Rosc. (Ginger) Rhizome." Advanced Materials Research 667 (March 2013): 458–63. http://dx.doi.org/10.4028/www.scientific.net/amr.667.458.

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Zingiber officinale Roscoe, family of Zingiberaceae is classified as traditional medicinal that globally consumed as spices, food flavouring as well as remedies to treat women during confinement, to treat stomach upset and diarrhoea.The rhizome has been reported to contain abundant bioactive constituents which are mainly polyphenol and flavonoid. Therefore in this research the effect of cabinet drying (60°C) and freeze drying (-40°C) process during preparation of nanostructure Zingiber officinale Roscoe rhizome on particle sizes, surface morphology, FTIR, as well as Total Phenolic Content (TPC) and Total Flavonoid Content(TFC) were compared. Both drying process affect the particle sizes as well as TPC and TFC value. Finer particle size (254.3+ 9.33) and higher TPC (152.54 mg GAE/ g) and TFC (1.42 mgQE/g) were reported for cabinet dried nanostructure Zingiber officinale Rosc. rhizome as compared to freeze dried. The FESEM Photographs revealed that drying processes did affect the surface morphologies of nanostructure Zingiber officinale Rosc rhizome where cabinet dried produced solid spherical particles with a diameter around 100 – 200 nm and some smaller than100nm. Freeze dried consist of many nanoparticles having rod like structure. Both drying process did not significantly affect the presence of active compounds based on FTIR analysis.
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Hordyfński, Piotr. "Cabinet d’Estampes ou Bibliothèque d’Images? Les materiaux hétérogènes dans les Collections Graphiques de la Bibliothèque Jagellone." Art Libraries Journal 16, no. 01 (1991): 10–16. http://dx.doi.org/10.1017/s0307472200018903.

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Should a collection of prints and graphic materials include only items of undoubted artistic worth, or can it also include items which are valued primarily as historical evidence and because they vividly illustrate the past? This question is raised by the variety of materials accumulated in the graphic collections of the Biblioteka Jagiellonska in Cracow, ranging as they do from artists’ prints to photographs and postcards, and including a unique collection of material arising from the political struggle in Poland during the 1980s. Typically, graphic collections accumulate by gift and chance, without any intention that they should serve only a single aim; since visual images of all kinds lend themselves to being looked at and used in different ways, a visual collection, especially in a public library, should serve many purposes and a wide range of users. (A full English version follows the original text in French).
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Gelmi, Caroline. "The Speaker, Photographed: Paul Laurence Dunbar's Poems of Cabin and Field." J19: The Journal of Nineteenth-Century Americanists 8, no. 1 (2020): 67–95. http://dx.doi.org/10.1353/jnc.2020.0000.

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Paz-Agras, Luz. "Las exposiciones de El Lissitzky a través del Cine-ojo." VLC arquitectura. Research Journal 4, no. 1 (April 26, 2017): 151. http://dx.doi.org/10.4995/vlc.2017.6987.

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The Avant-Garde movements of the twentieth century explored the creative possibilities of new types of media in architecture, such as the photographic camera or cinema. In a series of experimental projects, authors such as El Lissitzky based their work on assimilating the human eye with a mechanical lens, making it possible to create new concepts of space. A simultaneous consideration of the resources of Vertov’s Cine-Eye in relation to the exhibition projects of El Lissitzky reveals some of his proposals as paradigmatic examples of the perceptive experimentation of the viewer in relation to art, and in a wider sense, to architecture. By analysing the cinematic resources of the film <em>Man with a Movie Camera</em> (1929), architectural aspects are analysed in the exhibition spaces of the Abstract Cabinet and PRESSA, identifying connections that break down the boundaries between the different disciplines.
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Mampaso, Ana. ""La Fortuna, por siempre y para siempre”, a cross-generational and participatory documentary." Encounters in Theory and History of Education 11 (September 30, 2010): 25–34. http://dx.doi.org/10.24908/eoe-ese-rse.v11i0.2409.

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In this paper we reflect about the participatory video methodology, use video creatively in group development work, through the creation process of “La Fortuna por siempre y para siempre”documentary; a personal point of view from twenty eight children, six youngsters and nine adults about life and living together in the neighborhood “La Fortuna”. Photo camaras, vídeo camaras, words, feellings and creativity are the tolls they used. The documentary is part of a communication and educational project that invites the participants to use video and photographic language to reflect on their identity and the world where they live. Most local people live in difficult situation and the neighborhood have a very high ratio of inmigrants. The documentary project promotes the active participation and the social integration of people and collectives from different ages, social conditions, origins and cultures. It was organized by the Intercultural and Emigration Program of La Fortuna Local Government Cabinet depended on Leganés City Council.
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Blanton, T. N., J. A. Kaduk, and Q. Johnson. "X-ray diffraction characterization of a distorted Debye–Scherrer film strip – the effect of deacetylation on cellulose triacetate and an improved structural model for cellulose II." Powder Diffraction 29, no. 2 (April 9, 2014): 108–12. http://dx.doi.org/10.1017/s0885715614000141.

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A Debye–Scherrer film that had been stored for several years in an office environment file cabinet was observed to be shriveled and distorted in appearance. An investigation using X-ray diffraction was carried out to determine the cause of the physical change in the film strip. As expected, silver phases were detected, due to the photographic capture layer coated on the surface of all traditional X-ray films. An unexpected result was the presence of cellulose II, an indication that a chemical change had occurred in the original cellulose triacetate (CTA) polymer film base. Laboratory experiments used to demonstrate an accelerated method of deacetylation of CTA were carried out, resulting in phase pure cellulose II. A density functional geometry optimization allowed for the generation of an improved structural model for cellulose II. Calculated and experimental powder patterns for cellulose II have been submitted to the International Centre for Diffraction Data for inclusion in future releases of the Powder Diffraction File.
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Roussarie, F., and G. Douady. "Effet indésirable des fils de contention collés : le « syndrome du fil » : observations, théories, conséquences cliniques : 2e partie." Revue d'Orthopédie Dento-Faciale 52, no. 4 (October 2018): 327–41. http://dx.doi.org/10.1051/odf/2018028.

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Parfois les dents se déplacent alors qu'elles semblent parfaitement stabilisées par un fil de contention, nous avions appelé ce phénomène le « syndrome du fil ». Ce phénomène a été décrit dans toutes ses formes, aussi bien à la mandibule qu'au maxillaire dans la partie I de cet article. La littérature ne propose actuellement aucune explication mécanique pour ce phénomène. Après analyse de documents photographiques, provenant de confrères spécialistes et de notre cabinet, nous avons élaboré une théorie permettant d'expliquer la partie mécanique. Nous évoquons deux familles d'hypothèses, non excluantes, qui peuvent se combiner. La première hypothèse dite « intrinsèque » recense toutes les erreurs de procédures aboutissant à la pose d'un fil collé « actif ». Le fil est alors responsable des mouvements. Il agit comme un appareil orthodontique directement collé sur les dents. La seconde hypothèse dite « extrinsèque » montre qu'une dent, collée par l'intermédiaire d'un plot de résine à un fil parfaitement passif, peut tourner si la liaison fil/colle se rompt et qu'il est soumis à une force. La connaissance des conséquences cliniques qui en découlent permettra de lutter efficacement contre ce phénomène.
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Dissertations / Theses on the topic "Cabinet des photographies"

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Bazil-Cardin, Adeline Rouvre Michel. "La photographie en orthopédie dento-faciale." [S.l.] : [s.n.], 2009. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=59671.

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Lachiver, Claire Cohen. "Poétiser la mort : les poires sentimentales." Paris 1, 2010. http://www.theses.fr/2010PA010697.

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A travers des mises en scène de fruits et légumes, je questionne les relations intimes entre la vie et la mort. Nos sociétés occidentales ont évolué vers l'idée folle que la mort est à bannir; considérée comme inutile et haïssable, il nous est suggéré de l' oublier. Entre gravité et sensualité, entre ironie et poésie, c' est d'un souci de réhabiliter cette mort dans notre quotidien qu'il est question, concrétisé par l'observation aigüe de l'habituel, ou le moulage et la photographie se posent comme médiums privilégiés. Natures mortes et vanités, envisagées comme équivalentes et comme de fabuleux répertoires de formes, possèdent la facu1te de bouleverser l' ordre des choses, de déranger la routine et de nous ranimer. Les légendes ironiques des oeuvres esquissent des histoires et ouvrent de nouveaux horizons à l'imaginaire du spectateur. Cette thèse souhaite porter un regard renouvelé sur le quotidien, sublimer la mort depuis la vie et dire l'importance d'exister.
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Books on the topic "Cabinet des photographies"

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Pinet, Hélène. Ornement de la durée: Loïe Fuller, Isadora Duncan, Ruth St. Denis, Adorée Villany : Musée Rodin, 30 septembre-30 novembre 1987. Paris: Le Musée, 1987.

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Bennett, Terry. Early Photography in Vietnam. GB Folkestone: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9781912961047.

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Early Photography in Vietnam is a fascinating and outstanding pictorial record of photography in Vietnam during the century of French rule. In more than 500 photographs, many published here for the first time, the volume records Vietnam’s capture and occupation by the French, the wide-ranging ethnicities and cultures of Vietnam, the country’s fierce resistance to foreign rule, leading to the reassertion of its own identity and subsequent independence. This benchmark volume also includes a chronology of photography (1845–1954), an index of more than 240 photographers and studios in the same period, appendixes focusing on postcards, royal photographic portraits, Cartes de Visite and Cabinet Cards, as well as a select bibliography and list of illustrations.
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Patrick, Emiroglou, and Henrard Pascal 1963-, eds. Cabine C. Montréal: Productions Occhi Neri, 2008.

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Gratton, Jean-François. Cabine C. Montréal: Productions Occhi Neri, 2008.

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1864-1901, Toulouse-Lautrec Henri de, and Melot Michel, eds. Les femmes de Toulouse-Lautrec. Paris: A. Michel, 1985.

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Seagrave, Ronald Roy. Civil War autographs & manuscripts prices current, 1992: Every Confederate general, confirmed and unconfirmed & every Union general confirmed during the Civil War, plus cabinet members, naval & enlisted personnel, artists, photographers, and related ephemera. Fredericksburg, Va: R.R. Seagrave, 1992.

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Seagrave, Ronald Roy. Civil War autographs & manuscripts prices current: Listing every Confederate and Union general, Confederate and Union cabinet members, plus many Marine Corps and Naval officers, artists, photographers, nurses and others relevant to the "War between the States". 2nd ed. Fredericksburg, Va: Sgt. Kirkland's Museum & HistoricalSociety, 1994.

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University of Minnesota. University Art Museum., ed. American identities: Cabinet card portraits, 1870-1910 : from the Doan family collection. Minneapolis: University Art Museum, University of Minnesota, 1985.

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Blumb, Jon. S.P. Dinsmoor's Garden of Eden and cabin home, Lucas, Kansas: A photographic portfolio. J. Blumb, 2000.

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Book chapters on the topic "Cabinet des photographies"

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"List of photographs." In Cabin Crew Conflict, ix—x. Pluto Press, 2019. http://dx.doi.org/10.2307/j.ctvjk2xq8.3.

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Broughton, Chad. "“The End is HERE”." In Boom, Bust, Exodus. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780199765614.003.0011.

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On the Last day there would be a potluck and a drawing for some free appliances and $100 in cash. It was clear, though, that those still around in September 2004 could hardly wait for this drawn-out shuttering finally to be over. Crews were taking down the lighting, removing tables and cabinets, and gathering screws and air gun bits to toss in the garbage. “I don’t know if they are going to start with fresh tools down there in Reynosa or what the deal is,” Tracy Warner said. The crews also asked workers to remove photographs and newspaper clippings from their workstations. “They are dismantling it all around us, like they can’t wait for us to get out of there.” The lawn outside, usually covered in pop cans, plastic wrappers, and cigarette butts, was cleaned up and sprayed green by Chem Lawn. Management was trying to sell the old place. Warner’s imminent layoff was part of a sea-change in Illinois in the first years of the new millennium. The pace of the hollowing out of manufacturing in the fourth-largest manufacturing state in the country had been unprecedented. From June 2000 to November 2003, Illinois lost more than 100 manufacturing jobs a day, or one out of every six. Gone were over 150,000 jobs in a state of 12,500,000. In Rockford, the machine-tool industry wilted, and unemployment spiked at over 11 percent. In Harvard, located near the Wisconsin border, Motorola closed its cellphone plant. Developers wanted to turn the site into the world’s largest indoor water park. In Peoria, Decatur, and Kankakee, laid-off workers applied for jobs at Walmarts and Home Depots that would pay them maybe half their former wage. In suburban Chicago, Winzeler Gear went from making 2 million gears a month with fifty-five workers to making 16 million a month with thirty-five employees. A robot the size of a minivan increased the factory’s output while also eliminating human labor. Even with the productivity boost, the owner doubted the company would be able to stay competitive.
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You might also be interested in the extended bibliographies on the topic 'Cabinet des photographies' for particular source types:
Journal articles
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