Relevant bibliographies by topics / Cafe-theatre

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Cafe-theatre'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Cafe-theatre"

1

Cole, Susan G. "Rediscovering Cafe Theatre." Canadian Theatre Review 44 (September 1985): 17–21. http://dx.doi.org/10.3138/ctr.44.004.

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Every generation has had them: playwrights, actors, and performers with no work, theatres, or financial support – artists with very little but the feeling of being entirely disenfranchised. For some of them, the substance of their theatrical vision has kept them marginalized. Others have lacked the financial and political clout required to mount productions of their own. Most of them have compromised, jobbing themselves out to the so-called legitimate stage, all the while wishing they could exchange their earnings for a way to express themselves using their own voices.
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2

Jacobson, Rose. "Cosmopolitiks in the Age of LOON." Canadian Theatre Review 76 (September 1993): 65–66. http://dx.doi.org/10.3138/ctr.76.015.

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One of my favourite moments at LOON Cafe was the spectacle of five Toronto theatre critics conjuring up instant reviews before a live audience of actors, writers, and theatre directors. It wasn’t just the fantasy of every performer there to witness a moment of mutual vulnerability between critic and artist. It was yet another indication of a genuine movement within Toronto’s theatre community to “deregulate” the boundaries of theatre art.
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Watts, Allan, and Jim Plaxton. "Sculptured Spaces." Canadian Theatre Review 70 (March 1992): 54–59. http://dx.doi.org/10.3138/ctr.70.012.

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Brown, Clois. "Power in the Performers’ Hands." Canadian Theatre Review 87 (June 1996): 28–30. http://dx.doi.org/10.3138/ctr.87.009.

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In the past ten years, Resource Centre for the Arts (RCA) Theatre Company has premiered over fifty new plays. Among them, Young Triffie’s Been Made Away With (1985), recently produced and toured by Ship’s Company; Catlover (1990), also produced by Tarragon Theatre and by the Stephenville Festival; Flux (1991), also produced by Eastern Front Company, Live Bait, and as part of the film, The Hall Trilogy; Possible Maps (1991), also produced by Tarragon and published by Coach House Press; Hanlon House (1991), also produced for film as a part of The Hall Trilogy; Time Before Thought (1991), also pr
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Wallace, Robert. "Alternatives: An Introduction." Canadian Theatre Review 44 (September 1985): 4. http://dx.doi.org/10.3138/ctr.44.fm.

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Although theatrical forms such as cabaret, dinner theatre, Theatresports, and cafe performance differ greatly among each other, they have one characteristic in common: all reject the formal relationship of audience to performer that typifies traditional theatre. This is signified by the greater intimacy evident in the organization of the performance spaces used by most of these forms. The audience, besides being closer to the performers, often is seated in small groups, sometimes eating, drinking, and smoking. The relaxed relationship with each other fosters a more informal attitude to the per
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6

Babbage, Frances. "The Past in the Present? A Response to Stan's Cafe's Revival of ‘The Carrier Frequency’." New Theatre Quarterly 16, no. 1 (2000): 97–99. http://dx.doi.org/10.1017/s0266464x0001349x.

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The premiere of The Carrier Frequency took place in 1984, the result of a collaboration between Leeds-based Impact Theatre Cooperative and the novelist Russell Hoban. Impact was founded in 1978 by Claire MacDonald, Pete Brooks, Steve Schill, Graeme Miller, Tyrone Huggins, and Richard Hawley, with Nikki Johnson and Heather Ackroyd joining in subsequent years. Many companies since have cited Impact as a major inspiration, with The Carrier Frequency in particular achieving almost mythic status. Today, Impact has long since disbanded, and little documentation of their work remains to enable their
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7

Gerhard, J. "Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the wow Cafe Theatre." Journal of American History 98, no. 3 (2011): 909–10. http://dx.doi.org/10.1093/jahist/jar354.

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8

Bennett, Melanie. "A Car Bomb at Yonge-Dundas Square." Canadian Theatre Review 126 (March 2006): 124–26. http://dx.doi.org/10.3138/ctr.126.027.

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Opening in the spring of 2003, Yonge-Dundas Square has become Toronto’s Times Square, bombarding pedestrians with flashy LED screens that promote a lifestyle beyond means and boasting TO TIX, a last-minute discount ticket vendor. With attractions such as Toronto Eaton Centre and Hard Rock Cafe, the intersection of Yonge and Dundas is Toronto’s number one visitor destination (see “History”). This location is the ideal setting for a car bomb; at least, that’s what Montreal artists and founders of ATSA, Pierre Allard and Annie Roy — with the cooperation of the Theatre Centre, Saw Video and Galeri
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9

Graham, Catherine. "Views & Reviews." Canadian Theatre Review 110 (March 2002): 88. http://dx.doi.org/10.3138/ctr.110.019.

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In this issue, three different contributors discuss how our perceptions of theatre and of the world are governed by the organization of bodies in space, whether geographic, scenographic or imaginary. Guy Sprung opens with an interesting overview of his company’s experience as the only North American company from north of the Mexican border participating in the Cairo International Festival for Experimental Theatre in early September of this year. Through his discussion of his initial impressions of Cairo, of the organization of the festival and of the plays presented by some of the Arab compani
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10

Cahyadi, Ady, and Anwar Salahuddin. "ANALISIS BUSINESS MODEL CANVAS PADA SYAHIDA INN DALAM MENCARI ALTERNATIF STRATEGI BISNIS BADAN LAYANAN UMUM UIN SYARIF HIDAYATULLAH JAKARTA." KEUNIS 10, no. 1 (2022): 100. http://dx.doi.org/10.32497/keunis.v10i1.3221.

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<p><em><span lang="EN-US">The development of the hotel sector in the pandemic covid-19 currently decrease so as prosecuting the business doers to survive and grow the business including Syahida Inn as a business units of Syarif Hidayatullah Jakarta The State Islamic University (UIN Jakarta). Therefore it is need of a business model exact to Syahida Inn knows how to run effectively, efficient, and economical. The purpose of this research is to develop the business model in the future. The kind of research is descriptive qualitative with bussiness model canvas (BMC) and strengh
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Dissertations / Theses on the topic "Cafe-theatre"

1

Zárubová, Veronika. "Slovácké divadlo I." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2018. http://www.nusl.cz/ntk/nusl-377240.

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The subject of this diploma thesis is the location and design of a theater building in the body of a regional center - the town of Uherské Hradiště. The existing theater building is housed in a rented Sokolovna (sport-cultural building) on Tyršovo Square. There is also a small stage in a house on Mariánské náměstí. The capacity of the auditorium of the large scene is 370 spectators, corresponding to the needs of the city and the region. However the size of the stage is completely inadequate, the height of the flytower, the absence of back and side stages, Also, the workshops and warehouses are
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2

INNOCENTI, MALINI GIULIA EMMA. "IL TEATRO DELLA VITA. L'ESPERIENZA DI TEATRO SOCIALE NEGLI ALZHEIMER CAFE' DI MILANO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18931.

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La tesi presenta i risultati di una articolata indagine sul teatro sociale tesa a delinearne la genealogia e le caratteristiche di metodo, alla luce dell’esperienza di laboratorio teatrali, spettacoli e feste realizzata presso gli Alzheimer Café di Milano. Ne sono emersi alcuni aspetti rilevanti. Il teatro sociale si radica nei movimenti di ricerca italiani degli anni ‘60 e ’70 e la nascita Nuovo Teatro. Ha assunto progressivamente una sua identità, impiegando quanto maturato in quegli anni per scopi di ordine sociale. Viene ritenuto sia un’etichetta che denomina diversi metodi e processi di
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INNOCENTI, MALINI GIULIA EMMA. "IL TEATRO DELLA VITA. L'ESPERIENZA DI TEATRO SOCIALE NEGLI ALZHEIMER CAFE' DI MILANO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18931.

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La tesi presenta i risultati di una articolata indagine sul teatro sociale tesa a delinearne la genealogia e le caratteristiche di metodo, alla luce dell’esperienza di laboratorio teatrali, spettacoli e feste realizzata presso gli Alzheimer Café di Milano. Ne sono emersi alcuni aspetti rilevanti. Il teatro sociale si radica nei movimenti di ricerca italiani degli anni ‘60 e ’70 e la nascita Nuovo Teatro. Ha assunto progressivamente una sua identità, impiegando quanto maturato in quegli anni per scopi di ordine sociale. Viene ritenuto sia un’etichetta che denomina diversi metodi e processi di
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4

Pilný, Ondřej. "Zdravotnické středisko Hlinsko." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2018. http://www.nusl.cz/ntk/nusl-372049.

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This diploma thesis deals with the design and elaboration process of a project documentation of medical center in city Hlinsko. New building is situated in the northern part of the city in the area determined for constructions of public infrastructure. It´s a four-floor object with partial basement and slant mansard and flat vegetative roof.Object is based on foundation strips and footings made from reinforced concrete.The bearing and internal walls are designed from KALKSANDSTEIN lime sand blocks.The beams and collums are used in the placed designed with open disposition.The ceiling in 1.PP i
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Books on the topic "Cafe-theatre"

1

Schober, Holger, Ralf N. Hohfeld, Ingmar Villqist, and Ingmar Villqist. Theatre Cafe - Plays Three. Oberon Books, Limited, 2015.

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2

Crossley, Mark, and James Yarker. Devising Theatre with Stan’s Cafe. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781474267083.

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Since it was founded in 1991, British theatre company Stan’s Cafe has garnered an international reputation for artistic innovation, and prolific, eclectic performance projects. Their work has toured nationally and internationally, with 2003's Of All The People In All The World having been performed in over fifty cities around the world. Embracing site-specific, immersive, durational, non-text-based as well as scripted work, Stan's Cafe's portfolio defies simple categorization. Running through all their work however is a collaborative devising process that champions a playful experimentation wi
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3

Devising Theatre with Stan's Cafe. Bloomsbury Publishing Plc, 2017.

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Crossley, Mark, and James Yarker. Devising Theatre with Stan's Cafe. Bloomsbury Publishing Plc, 2017.

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Devising Theatre with Stan's Cafe. Methuen Drama, 2017.

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Devising Theatre with Stan's Cafe. Bloomsbury Publishing Plc, 2017.

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7

Joseph, Milton. Cafe Caulewaul: A Script for Theatre. Independently Published, 2021.

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8

British Theatre Companies : 1995-2014: Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan's Cafe, Blast Theory, Punchdrunk. Bloomsbury Publishing Plc, 2015.

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9

British Theatre Companies : 1995-2014: Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan's Cafe, Blast Theory, Punchdrunk. Bloomsbury Publishing Plc, 2015.

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10

British Theatre Companies : 1995-2014: Mind the Gap, Kneehigh Theatre, Suspect Culture, Stan's Cafe, Blast Theory, Punchdrunk. Bloomsbury Publishing Plc, 2015.

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Book chapters on the topic "Cafe-theatre"

1

McKee, Sally. "City of Exile." In The Exile's Song. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300221367.003.0006.

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This chapter details how other immigrants, like Edmond Dede, became seemingly out of place in Bordeaux. In late January 1864, Dede was putting the dancers through their paces in the Grand Theatre. The chapter describes how Madame Isaac Louverture at the same time was sitting in her room two blocks away. Over toward the river, at that time, Clarendon Davisson was finishing his letters. Closer to the Grand Theatre, Camille Thierry was sitting in a cafe with friends. Although it is hard to believe that any one of them would have called Bordeaux, much less France, home, the evidence of their actio
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2

Roberts, John Storm. "The Tango Rage." In The Latin Tinge. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195121001.003.0003.

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Abstract The tango reached the U.S. from Buenos Aires by way of Paris and Broadway. Paul Reuben’s musical comedy The Sunshine Girl, which opened at the Knickerbocker Theatre on February 3, 1913, introduced a new singing star, Julia Sanderson; a new husbandand-wife dancing team, Vernon and Irene Castle; and the first massive nationwide Latin fad. In the words of the Variety Music Cavalcade, the Castles’ dancing of the turkey trot and Vernon’s tango with Julia Sanderson “eliminated the waltz from the musical comedy stage and substituted a vogue for dances of Western origin.” The Castles were, on
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You might also be interested in the extended bibliographies on the topic 'Cafe-theatre' for particular source types:
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