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Journal articles on the topic 'Cagliostro, Alessandro, in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Hannemann, Tilman. "Scharlatane der Aufklärung. Christoph Kaufmann und Alessandro Cagliostro." Zeitschrift für Religions- und Geistesgeschichte 66, no. 2 (2014): 163–85. http://dx.doi.org/10.1163/15700739-90000114.

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2

Kiryukhina, Elena M. "CONFLICT OF REALITY AND FANTASTIC FICTION IN THE STORY OF ALEXEY N. TOLSTOY “COUNT CALIOSTRO”." Russian Studies in Culture and Society 8, no. 2 (2024): 128–44. http://dx.doi.org/10.12731/2576-9782-2024-8-2-239.

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The article examines the story “Count Cagliostro” by Alexei Nikolaevich Tolstoy, completed during the emigration period: based on a real historical fact (the visit to Russia in 1779-1780 of the Italian adventurer Giuseppe Balsamo, who called himself Count Cagliostro), it combines reality with fantastic fiction, and turning to works using a fantastic element is very relevant today. At first glance, the complex vicissitudes of life should have determined the preference of fantasy over reality, but in “Count Cagliostro” fantastic fiction enters into a conflicting relationship with the world of re

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3

Miralles, Joan Jordi. "Fascination and strength: The face in the work of Ciprì and Maresco." Journal of Italian Cinema & Media Studies 12, no. 4 (2024): 523–39. http://dx.doi.org/10.1386/jicms_00282_1.

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This article explores the treatment of the face in the work of Palermo filmmakers Daniele Ciprì and Franco Maresco and proposes several considerations regarding the stark nudity of the face, its rawness and strength, and the relationships that the two filmmakers establish between face and mask. Through an analysis of the cinematic fiction of Maresco and Ciprì – Lo zio di Brooklyn (The Uncle from Brooklyn) (1995), Totò che visse due volte (Totò Who Lived Twice) (1998) and Il ritorno di Cagliostro (The Return of Cagliostro) (2003) – as well as their television work on Cinico TV (1989–96), this a

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4

Lisicka, Małgorzata. "Iluzja, wizje i maskarada w rozrywkach polskich oświeconych na przykładzie komedioopery Stanisława Kostki Potockiego i pamiętnika Anny Potockiej [Małgorzata Lisicka An Illusion, Visions, and a Masquerade in the Entertainments of Polish People of the Enlightenment on the Example of Comic Opera by Stanislaw Kostka Potocki and Anna Potocki's Diary]." Napis XX (2014) (December 31, 2014): 11–28. https://doi.org/10.18318/napis.2014.1.2.

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The article presents the use of illusion and vision in the literature and culture of the Enlightenment on the example of the play <em>Umarły żyjący, czyli Diabeł Włoski</em> [‘Living Dead or the Italian Devil’] by Stanislaw Kostka Potocki, and the first volume of the <em>Diary</em> by Anna Potocka from Tyszkiewicz family. It analyses special effects used in the theatre and described in these texts, as well as their motives present in the character of an astrologer and illuminatus inspired by the person of Alessandro Cagliostro. The phenomena of the masquerade and mystification show

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5

Gladfelder, Hal. "Seeing Black: Alessandro Manzoni between Fiction and History." MLN 108, no. 1 (1993): 59. http://dx.doi.org/10.2307/2904689.

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6

Vorontsova, Galina N. "“Between Heaven and Earth”: A.N. Tolstoy’s Fiction of 1918–1919." Studia Litterarum 6, no. 2 (2021): 128–43. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-128-143.

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The article is based on the thesis that in the writer’s works it is always possible to trace the existence of periods marked by the emergence of new themes and motives. As a rule, this is due both to external circumstances and the artist’s reaction to them, his internal feeling of the need to change the paradigm of his further development. In the work of A.N. Tolstoy one of such periods was the era of the Russian Revolution of 1917 and, in particular, the first revolutionary years, which are characterized by artistic experiments of the writer, allowing to talk about a definitely new vector of

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7

Vorontsova, Galina N. "“Between Heaven and Earth”: A.N. Tolstoy’s Fiction of 1918–1919." Studia Litterarum 6, no. 2 (2021): 128–43. http://dx.doi.org/10.22455/2500-4247-2021-6-2-128-143.

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The article is based on the thesis that in the writer’s works it is always possible to trace the existence of periods marked by the emergence of new themes and motives. As a rule, this is due both to external circumstances and the artist’s reaction to them, his internal feeling of the need to change the paradigm of his further development. In the work of A.N. Tolstoy one of such periods was the era of the Russian Revolution of 1917 and, in particular, the first revolutionary years, which are characterized by artistic experiments of the writer, allowing to talk about a definitely new vector of

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8

Codebo, Marco. "Records, Fiction, and Power in Alessandro Manzoni's I promessi sposi and Storia della colonna infame." MLN 121, no. 1 (2006): 187–206. http://dx.doi.org/10.1353/mln.2006.0031.

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9

Ajres, Alessandro. "Reportage polacchi nel Sud Italia oggi: Dariusz Czaja, Jarosław Mikołajewski e Paweł Smoleński." Fabrica Litterarum Polono-Italica, no. 2(6) (April 24, 2023): 1–16. http://dx.doi.org/10.31261/flpi.2023.06.07.

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Over the past few years, the Polish publishing house Czarne, which specializes in reportage and non-fiction literature, has published several books about Italy. The most obvious element that unites them is undoubtedly the area of the country on which these books focus, and which we could (broadly) define as the South of the Peninsula. After years of glances shot only fleetingly by Polish tourists and artists towards “our” South, suddenly it thus becomes a source of profound socio-cultural reflections, as well as a reference point for reading current events. In this article, Alessandro Ajres di

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10

Avrekh, Mikhail. "On the Uses of Russian Statistics: A Response to Alessandro Stanziani’s “European Statistics, Russian Numbers and Social Dynamics, 1861–1914”." Slavic Review 76, no. 1 (2017): 45–51. http://dx.doi.org/10.1017/slr.2017.7.

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The central argument of Alessandro Stanziani’s article “European Statistics, Russian Numbers and Social Dynamics, 1861–1914”—that statistical data is socially constructed, and that the ways in which it is socially constructed should be an object of historical inquiry—helps to answer the question of why an archival researcher with literary inclinations should take note of the mass of statistical material produced throughout the nineteenth century and especially in its final decades. Statistical reports were regularly published in overtly literary publications such as Faddei Bulgarin’s Northern

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11

Kolchanov, Vladimir V., and Svetlana A. Kosyakova. "To the sources of the motive of mass psychosis in M.A. Bulgakov’s novel “The Master and Margarita”." Neophilology, no. 2 (2022): 312–23. http://dx.doi.org/10.20310/2587-6953-2022-8-2-312-323.

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The aim of the work is to analyze the motive of mass psychosis in the novel “Master and Margarita” by M.A. Bulgakov. It is relevant nowadays, when the tendency of close study of madness motive in the writer's works as a particular case of madness motive in Russian literature is outlined in literary criticism. The subject of the research is the consideration of this motive as a technique of parody, creating a unique satirical palette of the sociopolitical life of the country in the era of 1920–1930. Therefore, the methodology of the article includes, along with traditional historical, cultural

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12

Charbel, Felipe. "The New Faces of the Historical Novel." História da Historiografia: International Journal of Theory and History of Historiography 13, no. 32 (2020): 19–46. http://dx.doi.org/10.15848/hh.v13i32.1530.

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This article analyzes the problem of referentiality in the historical novel, based on a comparison between its classic and contemporary forms. The first section addresses the “mixture of history and invention” that, following Alessandro Manzoni, was the foremost characteristic of the realist historical novel. The next section discusses how the meta-historical novel of the second half of the 20th century - for example, Disgrace (J. M. Coetzee) and El entenado (Juan José Saer)-eclipsed the problem of referentiality by assuming that the historical novel should operate by its own procedures, and n

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13

Monegato, Emanuele. "Segnalazioni/Informes/Rapports/Reports." Altre Modernità, no. 32 (November 30, 2024): 560–66. https://doi.org/10.54103/2035-7680/27366.

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Alan Bleakley and Shane Neilson, Poetry in the Clinic: Towards a Lyrical Medicine, London-New York, Routledge, 2022, 294 pp. ISBN 978-1-0320-4724-9 Grace Nichols, Passport to Here and There, Hexham, Bloodaxe Books, 2020, 64 pp. ISBN 978-1-78037-532-8 Daniela Catrileo, Chilco, Seix Barral, Santiago de Chile, 2023, 252 pp. ISBN 978-956-6173-78-6 Giovanni Ziccardi, Dati Avvelenati, Milano, Raffaello Cortina editore, 2024, 352 pp. ISBN 978-88-3285-611-8 Nicolas Mahler, A tutto Kafka, traduzione di Matteo Galli e Franziska Peltenburg-Brechneff, Firenze, Edizioni Clichy, 2024, 128 pp. ISBN 979-125-5

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14

RGI, Redazione. "Informazione bibliografica." RIVISTA GEOGRAFICA ITALIANA, no. 1 (April 2021): 113–67. http://dx.doi.org/10.3280/rgioa1-2021oa11648.

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Augustin Berque, Ecumene. Introduzione allo studio degli ambienti umani, a cura&nbsp;di Marco Maggioli, traduzione di Claudio Arbore, Simone Gamba e Marco&nbsp;Maggioli. Milano, Mimesis, 2019.Tim Cresswell, Maxwell Street. Writing and Thinking Place. Chicago and London,&nbsp;University of Chicago Press, 2019.John van Wyhe, Wanderlust. The amazing Ida Pfeiffer, the First Female Tourist.&nbsp;Singapore, NUS Press, 2019.Lorenzo Bagnoli, Christian Garnier, g&eacute;ographe-geografo, 1872-1898. Parigi,&nbsp;Soci&eacute;t&eacute; de G&eacute;ographie, 2020.Margher

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15

Carroll, Richard. "The Trouble with History and Fiction." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.372.

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Historical fiction, a widely-read genre, continues to engender contradiction and controversy within the fields of literature and historiography. This paper begins with a discussion of the differences and similarities between historical writing and the historical novel, focusing on the way these forms interpret and represent the past. It then examines the dilemma facing historians as they try to come to terms with the modern era and the growing competition from other modes of presenting history. Finally, it considers claims by Australian historians that so-called “fictive history” has been best

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16

"Review: Shincheonji and Coronavirus in South Korea: Sorting Fact From Fiction. A White Paper, by Massimo Introvigne, Willy Fautré, Rosita Šoryté, Alessandro Amicarelli, and Marco RespintiCOVID-19: Scapegoating Shincheonji in South Korea. A Second White Paper, by Massimo Introvigne, Willy Fautré, Rosita Šoryté, Alessandro Amicarelli, and Marco RespintiWho Is Afraid of Chairman Lee? The Crackdown on Shincheonji in South Korea. A Third White Paper, by Massimo Introvigne, Willy Fautré, Rosita Šoryté, Alessandro Amicarelli, and Marco Respinti." Nova Religio 24, no. 4 (2021): 147–48. http://dx.doi.org/10.1525/nr.2021.24.4.147.

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17

Collins-Gearing, Brooke. "Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema." M/C Journal 13, no. 4 (2010). http://dx.doi.org/10.5204/mcj.252.

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It was always based on a teenage love story between the two kids. One is a sniffer and one is not. It was designed for Central Australia because we do write these kids off there. Not only in town, where the headlines for the newspapers every second day is about ‘the problem,’ ‘the teenager problem of kids wandering the streets’ and ‘why don’t we send them back to their communities’ and that sort of stuff. Then there’s the other side of it. Elders in Aboriginal communities have been taught that kids who sniff get brain damage, so as soon as they see a kid sniffing they think ‘well they’re rubbi

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18

Butler, Kathleen, and Phoebe McIlwraith. "Garihma (to Care for)." M/C Journal 26, no. 4 (2023). http://dx.doi.org/10.5204/mcj.2982.

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“Garihmato—Look after, to Care for” Melaleuca Alternifolia, commonly called Tea Tree, only grows naturally in the lands of the Bundjalung people from north coast New South Wales. The particular medicinal properties of the Tea Tree have been used for thousands of years, and the Tree and its effects on land, water, and people form part of Bundjalung oral histories and spiritual governance. This article explores media about Tea Tree from the 1990s to 2020s in print media through agricultural media and magazines, as well as online media through TikTok. This combination highlights the generational

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