Relevant bibliographies by topics / Calif Hollywood

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Calif Hollywood'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Calif Hollywood"

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Vassilieva, Elena. "Gothic Archetypes in Hollywood : The Trickster and the Double in Batman and The Mask." Anglophonia/Caliban 15, no. 1 (2004): 199–207. http://dx.doi.org/10.3406/calib.2004.1517.

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Macías, Anthony. "California’s Composer Laureate." Boom 3, no. 2 (2013): 34–51. http://dx.doi.org/10.1525/boom.2013.3.2.34.

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This essay uses the 1960s, Gerald Wilson’s most prolific period, as a window into his life and work as a big band jazz trumpeter, soloist, arranger, conductor, and composer. This selective snapshot of Wilson’s career inserts him more fully into jazz—and California—history, while analyzing the influence of Latin music and Mexican culture on his creations. Tracing the black-brown connections in his Alta California art demonstrates an often-overlooked aspect of Wilson’s musical legacy: the fact that he wrote, arranged, recorded, and performed Latin-tinged tunes, especially several brassy homages
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Gómez G., Felipe. "The Tropical Gothic and Beyond: El Grupo de Cali’s Legacies for Contemporary Latin American Literature, Cinema, and Culture." eTropic: electronic journal of studies in the tropics 18, no. 1 (2019). http://dx.doi.org/10.25120/etropic.18.1.2019.3687.

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The creation and development of a tropical gothic is arguably the most important legacy of El Grupo de Cali, an interdisciplinary collective led by writer and film critic Andrés Caicedo Estela, and filmmakers Carlos Mayolo and Luis Ospina, during the 1970s in Colombia. In El Grupo’s tropical gothic, the conventions of the literary and cinematic gothic undergo a process of transculturation and tropicalization. With this transformation, Caicedo, Mayolo and Ospina postulate a dark reality that is urban and violent, and in which youth have protagonist roles both as agents and victims of violence.
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Ferrier, Liz, and Axel Bruns. "Editorial." M/C Journal 7, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2456.

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 Globalisation is often identified as the pre-eminent push towards a global social order. Some see globalisation as an all encompassing and inevitable process towards an emerging “hyperglobal” world order (Held et al.); an “inexorable integration of markets, nation states and technologies to a degree never witnessed before” (Friedman); a world that has become a “single place” (Robertson). Some contend that this emergent global order signals the end of the nation state (Ohmae), while others argue it is a deliberate project of capitalism, imposing intense market forces on sta
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Green, Lelia, Kelly Jaunzems, and Harrison See. "Porno." M/C Journal 27, no. 4 (2024). http://dx.doi.org/10.5204/mcj.3092.

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Is what constitutes pornography in the mind of the beholder? This issue of M/C Journal sought articles on “porno”: a deliberately informal, almost friendly, playful term for a content category which evokes many complex responses. Indeed, the categories of materials deemed to be “pornographic” offer rich insights into the cultures that classify, create, and circulate the materials that key publics consume, overtly or – more commonly – covertly. The clandestine dynamic is further heightened when the people consuming and discussing such content include those who are deemed too young to do so. The
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Rushkoff, Douglas. "Coercion." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2193.

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The brand began, quite literally, as a method for ranchers to identify their cattle. By burning a distinct symbol into the hide of a baby calf, the owner could insure that if it one day wandered off his property or was stolen by a competitor, he’d be able to point to that logo and claim the animal as his rightful property. When the manufacturers of products adopted the brand as a way of guaranteeing the quality of their goods, its function remained pretty much the same. Buying a package of oats with the Quaker label meant the customer could trace back these otherwise generic oats to their sour
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Dissertations / Theses on the topic "Calif Hollywood"

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Peltzman, Daniel. "Naissance, ascension et fin d'un syndicalisme independant a hollywood. Le cas de la federation des ouvriers de l'industrie cinematographique, 1941-1948." Paris 7, 1991. http://www.theses.fr/1991PA070087.

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La grande caracteristique du mouvement ouvrier hollywood aux etats-unis demeure le manque de solidarite entre les differentes sections locales presentes dans les studios. En 1941, la federation des ouvriers de l'industrie cinematographique tenta d'etablir un syndicalisme democratique qui defia les producteurs et le reste des organisations syndicales. Par sa structure, la federation se trouva depourvue de tout soutien. Ainsi, scenaristes et acteurs virent en la federation un element destabilisateur au sein de l'industrie. Les autres syndicats l'attaquerent, voyant en elle, une dangereuse rivale
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Behlil, Melis. "Home away from home global directors of New Hollywood /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2007. http://dare.uva.nl/document/48664.

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Augé, Étienne F. "L'illusion culturelle : le monde de Hollywood 1990-2000." Paris, EHESS, 2002. http://www.theses.fr/2002EHES0031.

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Sill, Bärbel. "Le star system, du cinéma hollywoodien classique (1930-1960) à sa renaissance dans les années 80." Paris 3, 2004. http://www.theses.fr/2004PA030090.

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L'histoire du star system cinématographique américain a donné lieu à un mythe : celui de sa mort autour de 1960. Bien qu'il s'agisse là d'un réel mythe, certains théroriciens et journalistes continuent de prétendre que le star system n'existe plus. Une nouvelle conceptualisation du terme « star system » propose une solution à ce conflit : une qui différencie entre un « star system classique » et un « néo-star system ». Autre aspect central relié à ce phénomène : la relation entre la mode et la beauté d'un côté, et le fonctionnement du star system de l'autre. En traitant la star de « système de
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Molia, François-Xavier. "Un cinéma de la destruction : approches esthétique, historique et industrielle du film-catastrophe hollywoodien." Paris 10, 2007. http://www.theses.fr/2007PA100087.

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Apparue dans les années 1970, l’expression disaster movie désigne d’abord un cycle de fictions hollywoodiennes, comme L’Aventure du Poséidon, 747 en Péril ou La Tour Infernale, qui racontent les aventures de personnages confrontés à un désastre ou sa menace : crash aérien, incendie, naufrage, tremblement de terre. Dans les années 1990, un second cycle de films-catastrophe se constitue, dont le succès culmine avec le Titanic de James Cameron. Inspirée par les travaux de Rick Altman, notre étude cherche à cerner l’identité synchronique du genre, puis à faire son histoire. Les films-catastrophe p
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Joniak, Elizabeth A. ""On the street" and "of the street" the daily lives of unhoused youth in Hollywood /." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023832501&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Sterckx, Laurent S. S. "Systèmes de signification dans le cinéma classique hollywoodien: l'exemple de la comédie sophistiquée." Doctoral thesis, Universite Libre de Bruxelles, 1996. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212325.

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Lammes, Sybille. "In het laboratorium van de science fiction film technowetenschap in vooroorlogse Hollywood films /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2002. http://dare.uva.nl/document/63401.

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Bousquet, Franck. "Hollywood et l'idéal national : de la démocratie de l'homme du peuple à la technocratie." Toulouse 2, 2002. http://www.theses.fr/2002TOU20062.

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Le cinéma est ici considéré comme un fait social et comme un produit culturel susceptible de véhiculer des positions idéologiques. De plus, en ce qui concerne les Etats-Unis, une liaison intime entre film et nation se dégage de l'histoire du pays. Il s'est alors agi de déterminer si, durant deux décennies charnières, les années 30 et les années 90, Hollywood a développé une vision homogène de l'idéal national. Ainsi, malgré l'existence de nombreux débats concernant la forme de l'Etat fédéral ou la définition de la citoyeneté, la démocratie de l'homme du peuple paraît avoir été érigée en un abs
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Kusnierz, Simon. "Systeme b : une théorie de la production B à Hollywood 1931-1956." Paris 7, 2013. http://www.theses.fr/2013PA070016.

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Notre thèse est une théorie de la production B à Hollywood entre 1931 et 1956, fondée sur une étude historique et économique précise de ses structures, qui tâche de comprendre les phénomènes d'expérimentation du B. Nous étudions ainsi les modes de transferts du champ de l'avant-garde au champ du B et réciproquement, ainsi que la manière dont l'industrie hollywoodienne absorbe les formes spécifiques que produit le cinéma d'avant-garde pour les recycler dans la production mainstream. Nous examinons les formes particulières qui en résultent et proposons plusieurs concepts pour rendre compte de le
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Books on the topic "Calif Hollywood"

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Leppikson, Krista, ed. Hollywood. Hotger, 2007.

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Bukowski, Charles. Hollywood. HarperCollins, 2007.

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Strick, David. Our Hollywood. Arrow, 1988.

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Collins, Jackie. Hollywood Husbands. Simon & Schuster Ltd, 2012.

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O'Brien, Darcy. Margaret in Hollywood. Morrow, 1991.

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Gierach, Ryan. West Hollywood. Arcadia, 2003.

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Ellroy, James. Hollywood nocturnes. O. Penzler Books, 1994.

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Underwood, Peter. Death in Hollywood. ISIS Large Print, 1992.

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Underwood, Peter. Death in Hollywood. Piatkus, 1992.

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Bukowski, Charles. Hollywood: A novel. Black Sparrow Press, 1989.

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Book chapters on the topic "Calif Hollywood"

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Feather, Leonard, and Ira Gitler. "b." In The Biographical Encyclopedia of Jazz. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195074185.003.0002.

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Abstract Babasin, harry (Babasian), bs, cello; b. Dallas, TX, 3/19/21; d. Los Angeles, CA, 5/21/88. Raised in Vernon, Tex. Began on bs. and cello as teenager, then stud. at No. Texas St. Coll. Fellow students were Jimmy Giuffre, Herb Ellis, Gene Roland. Pl. w. territory bands in Midwest, early 1940s. To NYC ’45, pl. w. Gene Krupa, Charlie Barnet, Boyd Raeburn. Moved to Calif., late ’45. Pl. w. Raeburn ’45–6; Benny Goodman ’46–7. Made first jazz pizzicato cello recs. w. Dodo Marmarosa ’47. Tour. w. Woody Herman ’48, then freelanced as studio mus. in Hollywood. Founded Nocturne rec. co., early ’
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Hay, Peter. "Titillations." In Movie Anecdotes. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195045949.003.0019.

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Abstract The Golden Calf In 1922 Will H. Hays resigned from the Harding cabinet where he was Postmaster General, accepting a salary of a $100,000 to save Hollywood’s reputation from sex and drug scandals. Eventually the Hays Office evolved a Production Code, spelling out what could or could not be shown or mentioned on the screen. As a first step, the new morality czar issued a list of twelve prohibitions. The commandments were greeted by this headline in Variety:
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Dissertations / Theses Books
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