Relevant bibliographies by topics / California Hollywood

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'California Hollywood'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'California Hollywood.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "California Hollywood"

1

Simmon, Scott. "Beyond Hollywood." Boom 1, no. 4 (2011): 69–75. http://dx.doi.org/10.1525/boom.2011.1.4.69.

Full text
Abstract:
California’s forgotten movie heritage is on view in the National Film Preservation Foundation’s Treasures 5: The West, 1898-1938 DVD set. Included among the 40 films are such fictional ones as The Sergeant (1910, the first surviving narrative film shot in Yosemite), Salomy Jane (1914, from the San Francisco-based California Motion Picture Corp.) and Over Silent Paths (1910, shot in the San Fernando Valley when it was still a desert). Even more revealing are the nonfiction types, including Romance of Water (1931, from the L.A. Department of Water and Power), Sunshine Gatherers (1921, from Del Monte), and two 1916 travelogues that document the beginning of auto tourism: Seeing Yosemite with David A. Curry and Lake Tahoe, Land of the Sky. These once-forgotten films stand as testimony to the complexity of the West—as a concept, a landscape, a borderland, a tourist destination, a burgeoning economy, and an arena for clashing cultures.
APA, Harvard, Vancouver, ISO, and other styles
2

Wahl, Alexander. "The global metastereotyping of Hollywood ‘dudes’." Pragmatics and Society 1, no. 2 (November 17, 2010): 209–33. http://dx.doi.org/10.1075/ps.1.2.02wah.

Full text
Abstract:
This study investigates the phenomenon of metastereotyping — that is, the linguistic parody of stereotypic mediatized personas. The analysis draws on data from the 2008 reality television program Big Brother Africa 3, in which contestants ironically perform the lead characters from a 1989 Hollywood teen comedy film who exemplify a highly mediatized California male slacker youth stereotype, the ‘dude’ persona. By examining the linguistic and embodied features deployed by the reality show contestants in their stylization of the film characters, the article shows how metastereotyping involves forms both from within the original representation and beyond. The use by these African contestants of features with such varied semiotic trajectories reveals their globalized ideologies about California and American youth styles as well as their understanding of the film characters’ positions within these styles.
APA, Harvard, Vancouver, ISO, and other styles
3

Ehrenfeucht, Renia. "Nonconformity and Street Design in West Hollywood, California." Journal of Urban Design 18, no. 1 (February 2013): 59–77. http://dx.doi.org/10.1080/13574809.2013.739500.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Stewart-Halevy, Jacob. "California Conceptualism's About-Face." October 163 (March 2018): 71–101. http://dx.doi.org/10.1162/octo_a_00318.

Full text
Abstract:
This essay considers the renewal of “deadpan routines” by Conceptual artists in the early 1970s. Allen Ruppersberg, William Leavitt, and William Wegman, among other California Conceptualists, drew deadpan away from the repetition of administrative procedures, thereby evacuating the effects of psychic urgency and trauma with which the device had been conventionally associated in avant-garde practice. Instead, they keyed their routines to the interactional norms of post-studio pedagogy in Southern California art schools and the rote protocols of below-the-line Hollywood institutions where casual negligence towards imposed assignments served to undermine local bureaucratic authority.
APA, Harvard, Vancouver, ISO, and other styles
5

Garafola, Lynn. "In Search of Eden." Experiment 20, no. 1 (October 27, 2014): 260–96. http://dx.doi.org/10.1163/2211730x-12341265.

Full text
Abstract:
Bronislava Nijinska spent the last thirty-two years of her life in Southern California. Beginning with her first visit to Hollywood in 1934 to choreograph the dances in A Midsummer Night’s Dream, this essay examines her activities in California both as a teacher and a choreographer. It looks closely at her Hollywood bowl season of 1940, when she staged three of her ballets, all new to the United States; the dancers she trained who went on to distinguished professional careers, and her approach to teaching. It briefly summarizes her activities in the 1940s, when she choreographed for Ballet Theatre, Ballet Russe de Monte Carlo, and Ballet International; the 1950s, when she worked for the Grand Ballet du Marquis de Cuevas; and the 1960s, when the revival of Les Noces and Les Biches by the Royal Ballet brought her most celebrated works back into repertory. Finally, it speculates on the reasons she settled in California, given the limited opportunities it offered her for creative work.
APA, Harvard, Vancouver, ISO, and other styles
6

Mennel, Barbara. "The New Paradigms of German Film Studies." German Politics and Society 22, no. 1 (March 1, 2004): 53–62. http://dx.doi.org/10.3167/104503004782353302.

Full text
Abstract:
Tim Bergfelder, Erica Carter, and Deniz Göktürk, eds., The German Cinema Book (London: British Film Institute, 2002)Lutz Koepnick, The Dark Mirror: German Cinema between Hitler and Hollywood (Berkeley: University of California Press, 2002)
APA, Harvard, Vancouver, ISO, and other styles
7

Issacson, Stephen. "Learning Difficulties: The Millennium and Other Bugs." Australasian Journal of Special Education 24, no. 2-3 (2000): 99–105. http://dx.doi.org/10.1017/s1030011200024775.

Full text
Abstract:
I live and work in the beautiful city of Portland, Oregon. I realize that some of you may not know exactly where Oregon is. When I lived for a year in England, most of the people I met thought Oregon was somewhere in the middle of the U.S. like the other “O” states – Oklahoma and Ohio. However, when I told my English friends that Oregon was the state immediately north of California, they knew exactly where it was. Everyone, it seems, knows where California is: Hollywood, surfers, Disneyland, etc.
APA, Harvard, Vancouver, ISO, and other styles
8

Bowlt, John E., and Elizabeth Durst. "“The Art of Concealing Imperfection”." Experiment 20, no. 1 (October 27, 2014): 118–45. http://dx.doi.org/10.1163/2211730x-12341261.

Full text
Abstract:
The focus of the essay is on Léon Bakst’s activities in the usa, especially in Los Angeles in 1924, when he lectured at the University of Southern California and at the Biltmore Hotel. The essay also touches on Bakst’s interest in Hollywood and cinema as the “new” medium and on his popularity as a dress and textile designer.
APA, Harvard, Vancouver, ISO, and other styles
9

Reynolds, Matthew. "A Glamorous Gentrification: Public Art and Urban Redevelopment in Hollywood, California." Journal of Urban Design 17, no. 1 (February 2012): 101–15. http://dx.doi.org/10.1080/13574809.2011.646246.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Johnson, Lorin, and Donald Bradburn. "Fleeing the Soviet Union, Dancing on the West Coast." Experiment 20, no. 1 (October 27, 2014): 297–316. http://dx.doi.org/10.1163/2211730x-12341266.

Full text
Abstract:
In the 1970s and 1980s, Los Angeles audiences saw Soviet defectors Mikhail Baryshnikov, Alexander Godunov, Natalia Makarova, and Rudolf Nureyev in the prime of their careers at the Hollywood Bowl, The Dorothy Chandler Pavilion and the Greek Theater. Dance photographer Donald Dale Bradburn, a local Southern California dancer describes his behind-the-scenes access to these dancers in this interview. Perfectly positioned as Dance Magazine’s Southern California correspondent, Bradburn offers a candid appraisal of the Southern California appeal for such high-power Russian artists as well as their impact on the arts of Los Angeles. An intimate view of Russian dancers practicing their craft on Los Angeles stages, Bradburn’s interview is illustrated by fourteen of his photographs, published for the first time in this issue of Experiment.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "California Hollywood"

1

Contreras, Gilbert Joseph 1974. "Ending teen homelessness : a case study of Los Angeles Youth Network in Hollywood, California." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/65246.

Full text
Abstract:
Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 1998.
In subtitle, the copyright symbol appears after the word California on t.p.
Includes bibliographical references (leaves 79-81).
by Gilbert Joseph Contreras, Jr.
M.C.P.
APA, Harvard, Vancouver, ISO, and other styles
2

Evans, Victoria Louise, and n/a. "Douglas Sirk, aesthetic modernism, and the culture of modernity." University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.

Full text
Abstract:
In this dissertation, I argue that Douglas Sirk was attempting to dissolve the boundaries of the cinematic medium by assimilating elements of avant-garde art, architecture and design into the colour, composition and settings of many of his most popular studio produced films. While the exaggerated artifice of this director�s formal style has often been remarked upon, it has yet to be interpreted in the light of his detailed cognisance of the major art and architectural movements of the period, which include German Expressionist painting and Machine Age Modernist design. This is a lacuna that my thesis should at least partially fill, since I have shown that Sirk�s highly self conscious visual approach was deeply influenced by the artistic debates that were taking place in Europe during the 1920s and �30s and in America after World War II. To my mind, there is no doubt that this director�s syncretic mise-en-scène was the result of an interdisciplinary, transnational dialogue, and I have sought to illuminate some of the social, philosophical and political meanings that it seems to convey.
APA, Harvard, Vancouver, ISO, and other styles
3

Maass, Alexandra. "La religion du corps en Californie." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040134.

Full text
Abstract:
Le corps moderne est à la fois l’objet de rêves et d’interdits, un lieu de conflits, d’inégalités et d’investissements, mais il représente avant tout la quête contemporaine de la beauté ainsi que le rêve scientifique de la jeunesse et de l’immortalité. Le corps en Californie tient une place tellement importante qu’il n’est pas exagéré de parler de religion. La religion du corps crée dans un premier temps un lien vers le Divin puisque le corps est soit opposé à l’esprit soit il constitue un moyen d’accéder à la divinité, comme chez les orientaux. De la conception grecque antique à la version orientale, sans oublier de parler de la place du corps dans l’histoire californienne et de sa relation à un Dieu, nous nous rendrons compte que le corps considéré comme lien vers le Divin cède petit à petit sa place à une appropriation personnelle poussée à la fois par le narcissisme des années soixante puis par des impératifs normatifs. Le californien est alors à la quête de nouvelles expériences dont le médium est le corps, tout en étant à la recherche d’une perfection physique. Cela a donné vie à un vaste marché, créant ainsi une compatibilité entre la religion du corps et son aspect mercantile. Ce lien ne s’arrête pas seulement aux produits, ni à l’industrie que génère un tel marché, car le corps est devenu un investissement à capitaliser. Comme dans toute religion, il y a une part de fanatisme et de dérive dont il faut mesurer l’impact. L’ultime question est celle du rôle de la science dans l’évolution du corps. Cette nouvelle religion du corps, remplace doucement le lien premier vers le Divin, amenant l’homme vers plus de maîtrise, de connaissance et de contrôle sur son destin
The body’s new frontier is both an esthetic and scientific quest, with the wild dream of reaching an ideal beauty and immortality - or at least living better and longer. In California, the body and its cult are so important therefore we can safely say that it is a religion. This religion of the body is primarily linked to the Divine since in the classical point of view, the body is either linked to sin or is a way to reach God, as the oriental religions believe. From ancient Greece to the oriental influences, not forgetting how the body is perceived in California’s history and its relationship to the Divine, we will slowly become aware that this link is somehow being overshadowed by a personal appropriation of the body both triggered by the 1960’s narcissism and social norms. The typical californian seeks experiment and pushes boundaries using the body as a medium, while striving to reach physical perfection. Of course this cannot go without the growing of a massive market, hence the connexion between the religion of the body and its mercantile aspect. That link not only reflects the amount of products and services as well as the whole industry behind them, it also brings forward the fact that the body is considered as an object one has to invest in and capitalize on both the future and the present moment. As in all types of religion, there is a part of fanaticism and going astray. Its impact cannot be overlooked. The ultimate question is the role of science in the body’s evolution. What has become the new scientific religion of the body slowly replaces the initial link to the Divine, bringing mankind towards more knowledge, mastery, and control over its destiny
APA, Harvard, Vancouver, ISO, and other styles
4

"凝視現代性: 三四十年代上海電影文化與好萊塢因素 = Gazing modernity : Shanghai movie culture and Hollywood factors in 1930-40's." 2000. http://library.cuhk.edu.hk/record=b5895832.

Full text
Abstract:
姜玢.
"2000年8月"
論文 (哲學碩士)--香港中文大學, 2000.
參考文獻 (leaves 104-108)
附中英文摘要.
"2000 nian 8 yue"
Jiang Fen.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000.
Can kao wen xian (leaves 104-108)
Fu Zhong Ying wen zhai yao.
Chapter ´ؤ --- 引言 --- p.10
Chapter 1.1 --- 上海特殊環境的.形成 --- p.11
Chapter 1.2 --- 文化中心的形成與電影事業的發展 --- p.13
Chapter 1.3 --- 好萊塢的優勢 --- p.16
Chapter 1.4 --- 上海好萊塢電影硏究的重要性 --- p.17
Chapter 二 --- 電影院分佈與歷史意義 --- p.21
Chapter 2.1 --- 上海電影院歷史 --- p.21
Chapter 2.2 --- 電影院與影片級別 --- p.24
Chapter 2.3 --- 電影院地點與階級傾向 --- p.29
Chapter 2.4 --- 娛樂場所現代性更替的意義 --- p.30
Chapter 三 --- 電影雜誌 --- p.34
Chapter 3.1 --- 《電影週刊》與.《好萊塢》 --- p.35
Chapter 3.2 --- 批評的角度 --- p.38
Chapter 3.3 --- 中美電影關係 --- p.40
Chapter 3.4 --- 對市場的認識 --- p.44
Chapter 3.5 --- 《好萊塢》現象 --- p.48
Chapter 四 --- 影片種類分析 --- p.51
Chapter 4.1 --- 娛樂傾向與片種調查 --- p.51
Chapter 4.2 --- 文化想象與雙向凝視關係 --- p.59
Chapter 4.3 --- 國產片的好萊塢因素 --- p.60
Chapter 4.4 --- 好萊塢意識與中國價値的接合點 --- p.64
Chapter 4.5 --- 片名繙譯與價値投射 --- p.68
Chapter 五 --- 城市情境與摩登心態 --- p.70
Chapter 5.1 --- 現代性社會結構 --- p.70
Chapter 5.2 --- 新型消費心態與文化需求 --- p.74
Chapter 5.3 --- 城市情境與現代現象 --- p.76
Chapter 六 --- 總結 --- p.83
附錄 --- p.86
參考書目 --- p.101
圓表目錄
Chapter 1. --- 美國八大電影公司在上海發行處地址 --- p.25
Chapter 2. --- 放映外國影片的電影院 --- p.26
Chapter 3. --- 放映國產影片的電影院 --- p.28
Chapter 4. --- 《電影週刊》關於好萊塢新聞的比例 --- p.36
Chapter 5. --- 最喜歡娛樂項目評選 --- p.52
Chapter 6. --- 最喜歡影片類型評選 --- p.52
Chapter 7. --- 《電影週刊》之“新片批評´ح統計表 --- p.53
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "California Hollywood"

1

Duey, Kathleen. Rosa Moreno, Hollywood, California, 1928. New York: Aladdin Paperbacks, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Weisbrod, Carl. Hollywood, Los Angeles, California: A strategy for Hollywood's comeback. Washington, D.C: ULI-the Urban Land Institute., 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Leppikson, Krista, ed. Hollywood. Tallinn, Estonia: Hotger, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Bukowski, Charles. Hollywood. New York: HarperCollins, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bukowski, Charles. Hollywood: A novel. Santa Rosa: Black Sparrow Press, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Mendoza in Hollywood. New York: Harcourt, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

California dreams: India shining in the land of Hollywood. Vancouver: British Columbia Books Publication, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Morley, Sheridan. Tales from the Hollywood Raj: The British in California. London: Coronet Books, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Huxley in Hollywood. London: Bloomsbury, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Huxley in Hollywood. London: Bloomsbury, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "California Hollywood"

1

Horn, John. "Hollywood Changes its Script." In A Companion to California History, 443–52. Oxford, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781444305036.ch27.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kolthoff, Steven H., Michael F. Mills, and Roy J. Shlemon. "Neotectonics of the Hollywood Fault, Central Hollywood District, Los Angeles, California, U.S.A." In IAEG/AEG Annual Meeting Proceedings, San Francisco, California, 2018 - Volume 5, 13–20. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93136-4_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Shiel, Mark. "‘Los Angeles and Hollywood in Film and French Theory: Agnès Varda’s Lions Love… and Lies (1969) and Edgar Morin’s Journal de Californie (1970)’." In Cinematic Urban Geographies, 245–68. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-46084-4_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Horne, Gerald. "Hollywood." In The Final Victim of the Blacklist, 50–65. University of California Press, 2006. http://dx.doi.org/10.1525/california/9780520243729.003.0003.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

"Hollywood." In Los Angeles in the 1930sThe WPA Guide to the City of Angels, 227–37. University of California Press, 2011. http://dx.doi.org/10.1525/california/9780520268838.003.0019.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Conde, Maite. "Beyond Hollywood." In Foundational Films, 113–28. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520290983.003.0006.

Full text
Abstract:
This chapter examines Brazilian director Humberto Mauro’s 1927 film Thesouro Perdido, which was influenced the North American film Tol'able David, directed by Henry King in 1921. The chapter examines discussions regarding mimicry, bringing them to bear specifically on early Brazilian cinema and Brazilian film theory and what has been dismissed as its imitative relationship to Hollywood movies. Analyzing the structure and aesthetics of Mauro’s film, the chapter discusses the differences between it and its Hollywood template, and it locates this difference in the country’s material reality, that is, the remnants of traditional patriarchal structures in Brazil and their roots in slave labor.
APA, Harvard, Vancouver, ISO, and other styles
7

Lewis, Jon. "Hollywood Confidential." In Hard-Boiled Hollywood. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520284319.003.0004.

Full text
Abstract:
The gossip industry underwent a fundamental transition after the war, from the gawking clatter of the classical era fan magazines to the gossip columns of Hedda Hopper and Louella Parsons and scandal sheets that so successfully harried the Hollywood community after the war. Movie stars were lucky and pretty, rich and famous. But they were as well political neophytes and their everyday lives were, thanks to the columnists after the war, lumbered with undue consequence. It was one thing for the columnists to bemoan the unearned privileges of celebrity, and then to cut folks so lucky and full of themselves down to size. But it was quite another to cast the private and personal lives of these celebrities as fundamentally anti-social and un-American, to subject the lives and loves of movie stars to a narrow and frankly unrelated notion of patriotism, one that asked movie stars to behave, or at least pretend to behave, like the rest of us.
APA, Harvard, Vancouver, ISO, and other styles
8

Hallett, Hilary A. "Hollywood Bohemia." In "Go West, Young Women!", 110–53. University of California Press, 2013. http://dx.doi.org/10.1525/california/9780520274082.003.0005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Lewis, Jon. "Introduction." In Hard-Boiled Hollywood. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520284319.003.0001.

Full text
Abstract:
On February 8, 1962, the movie actress Lana Turner fainted at a Hollywood party. It was her birthday—her forty-second.1 She was rushed to the emergency room at Hollywood Presbyterian Hospital, where she made the most of her entrance, dramatically clinging to the arms of two of her party guests, the actor Eddie Albert (Turner’s current co-star in Daniel’s Mann’s ...
APA, Harvard, Vancouver, ISO, and other styles
10

Lewis, Jon. "The Real Estate of Crime." In Hard-Boiled Hollywood. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520284319.003.0002.

Full text
Abstract:
Elizabeth Short (AKA the Black Dahlia) arrived in Los Angeles filled with aspiration and hope, seduced by a Hollywood narrative fixed in the glamorous studio era. What she didn’t know – what she and so many other Hollywood aspirants and wannabes like her could not possibly have known – was how quickly and systematically the movie business would be transformed and scaled down in the years to come. Short has become the most notorious but hardly the only casualty of an industry and city in transition after the war.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'California Hollywood' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography