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Journal articles on the topic 'Callais'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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1

Gómez-Pantoja, Joaquín. "Occvltvs callis." Mélanges de la Casa de Velázquez 30, no. 1 (1994): 61–73. http://dx.doi.org/10.3406/casa.1994.2681.

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2

JELLINEK, G. "Callas-- Again?" Opera Quarterly 15, no. 2 (January 1, 1999): 186–95. http://dx.doi.org/10.1093/oq/15.2.186.

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3

Renanda Agustinah, Ruhannah. "ANALISIS TEKNIK MELISMA MARIA CALLAS PADA LAGU SEMPRE LIBERA KARYA GIUSEPPE VERDI." Repertoar Journal 2, no. 2 (April 12, 2022): 206–20. http://dx.doi.org/10.26740/rj.v2n2.p206-220.

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Penelitian ini bertujuan untuk menganalisis teknik melisma Maria Callas pada lagu Sempre Libera. Pada lagu Sempre Libera terdapat teknik melisma harus dinyanyikan bersama coloratura dan gaya belcanto. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif, subjek dalam penelitian ini adalah lagu Sempre Libera karya Giuseppe Verdi. Teknik pengumpulan data dalam penelitian ini dilakukan dengan cara observasi, wawancara, dan dokumentasi. Maria Callas menerapkan teknik melisma dengan pengolahan pernapasan dan penataan pada tiap frasering notasinya. Callas menyanyikan melisma tesebut dengan beberapa trik nyanyiannya atau penambahan improvisasi seperti notasi yang dihilangkan, penambahan notasi pada bagian tertentu dan teknik dan dinamika yang diubahnya sehingga membuat beberapa nyanyian Callas tidak sesuai dengan partitur yang tertulis. Kata kunci: analisis, teknik melisma, sempre libera, Maria Callas
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4

Schoonbaert, Sylvain. "Chantal Callais, À corps perdu, Pierre-Théophile Segretain architecte (1798-1864). Les architectes et la fonction publique d’État au XIXe siècle, préface de François Loyer, La Crèche, Geste éditions, 2010, 504 p., 50 fig., annexes." Histoire urbaine 30, no. 1 (2011): 191. http://dx.doi.org/10.3917/rhu.030.0191.

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5

Galo, Gary A., and Michael Scott. "Maria Meneghini Callas." Notes 50, no. 4 (June 1994): 1447. http://dx.doi.org/10.2307/898344.

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6

GREEN, L. "Callas and Lucia." Opera Quarterly 14, no. 3 (January 1, 1998): 65–71. http://dx.doi.org/10.1093/oq/14.3.65.

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7

Harris, Kenn. "The Incomparable Callas." Opera Quarterly 6, no. 2 (1988): 131–32. http://dx.doi.org/10.1093/oq/6.2.131.

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8

Graeme, Roland. "Maria Callas: Rarities." Opera Quarterly 10, no. 1 (1993): 153–55. http://dx.doi.org/10.1093/oq/10.1.153.

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9

Badian, E. "The Peace of Callias." Journal of Hellenic Studies 107 (November 1987): 1–39. http://dx.doi.org/10.2307/630067.

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Less than a decade ago Robin Seager wrote that further discussion of the Peace of Callias would be inexcusable. Needless to say, discussion has continued. Wherever one stands, on the problem as such, it ought to be admitted that new ideas have been put forward, or (since it seems unlikely, on a topic so much discussed, that anything new can now be said) at least old and forgotten ones have been revived and put in new perspectives. Meiggs's estimate of a special treatment to be expected every two years has stood up well enough: Klaus Meister's bibliography lists twenty special treatments between 1945 and 1982, and one (by S. Accame) appeared in the same year (1982) as Meister's own.
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10

Stanecka, Ewa. "Callatis as a seaport." Studies in Ancient Art and Civilization 17, no. 17 (2013): 325–33. http://dx.doi.org/10.12797/saac.17.2013.17.28.

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11

Bloedow, Edmund F. "The peaces of Callias." Symbolae Osloenses 67, no. 1 (January 1992): 41–68. http://dx.doi.org/10.1080/00397679208590857.

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12

Zarzo, Inmaculada, J. Francisco Merino-Torres, María Trelis, and Jose M. Soriano. "The Tapeworm and Maria Callas’ Diet: A Mystery Revealed." Parasitologia 2, no. 3 (June 21, 2022): 160–66. http://dx.doi.org/10.3390/parasitologia2030015.

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Maria Callas’ diet, also known as the tapeworm diet, is a non-food-based hazardous treatment. This study aims to justify whether Maria Callas used this treatment for weight loss. To investigate this, we searched in the ‘white’, ‘grey’, and ‘black’ literature. The historical facts about the use of tapeworm pills seem to be inconsistent and include fake news. In the case of Maria Callas, it has been confirmed by her biography and personal communications that she was diagnosed with a beef tapeworm due to eating uncooked meat. This discredits the hypothesis that she consumed tapeworm pills.
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13

Whitehead, Peter. "Callanish." Framework: The Journal of Cinema and Media 52, no. 2 (2011): 865–70. http://dx.doi.org/10.1353/frm.2011.0114.

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14

Green, London. "Callas First and Last." Opera Quarterly 3, no. 4 (1985): 94–98. http://dx.doi.org/10.1093/oq/3.4.94.

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15

Thomas, Christopher J. "Two Valuable Callas Reissues." Opera Quarterly 4, no. 4 (1986): 108–10. http://dx.doi.org/10.1093/oq/4.4.108.

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16

BURROUGHS, BRUCE. "Maria Callas:“Yes, but...”." Opera Quarterly 6, no. 4 (1989): 1–6. http://dx.doi.org/10.1093/oq/6.4.1.

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17

hUanacháin, Mícheál Ó. "Ag Éisteacht le Callas." Comhar 66, no. 5 (2006): 42. http://dx.doi.org/10.2307/25575449.

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18

Seletsky, R. E. "A Callas Recording Update." Opera Quarterly 21, no. 2 (April 1, 2005): 387–91. http://dx.doi.org/10.1093/oq/kbi024.

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19

Avram, Alexandre. "Un règlement sacré de Callatis." Bulletin de correspondance hellénique 119, no. 1 (1995): 235–52. http://dx.doi.org/10.3406/bch.1995.6996.

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20

Anghel, Nicolae. "Remark on Callias' index theorem." Reports on Mathematical Physics 28, no. 1 (August 1989): 1–6. http://dx.doi.org/10.1016/0034-4877(89)90022-0.

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21

Nevenka, Sonya, and David A. Lowe. "Callas, as They Saw Her." Notes 43, no. 4 (June 1987): 793. http://dx.doi.org/10.2307/898165.

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22

Baxter, R. "Maria Callas: An Intimate Biography." Opera Quarterly 18, no. 4 (October 1, 2002): 611–16. http://dx.doi.org/10.1093/oq/18.4.611.

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23

ARDOIN, JOHN. "Maria Callas: The Early Years." Opera Quarterly 3, no. 2 (1985): 6–13. http://dx.doi.org/10.1093/oq/3.2.6.

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24

Lawton, David. "Callas: In Her Own Words." Opera Quarterly 6, no. 2 (1988): 156–60. http://dx.doi.org/10.1093/oq/6.2.156.

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25

Mansfield-Devine, Steve. "Interview: Jon Callas, Silent Circle." Network Security 2013, no. 9 (September 2013): 17–20. http://dx.doi.org/10.1016/s1353-4858(13)70105-3.

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26

CARPENTER, ERNEST. "Callis wins ACS presidential election." Chemical & Engineering News 65, no. 47 (November 23, 1987): 6. http://dx.doi.org/10.1021/cen-v065n047.p006.

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27

Seletsky, R. E. ""A Callas Recording Update" ... Updated." Opera Quarterly 21, no. 3 (January 1, 2005): 545–46. http://dx.doi.org/10.1093/oq/kbi047.

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28

O'Leary, Paul. "Callan's Citizens." Paideusis 13, no. 1 (November 4, 2020): 41–47. http://dx.doi.org/10.7202/1073020ar.

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29

Kemp, Martin. "Callan's canyons." Nature 390, no. 6660 (December 1997): 565. http://dx.doi.org/10.1038/37503.

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30

Beckman, Daniel. "King Artaxerxes’ Aegean Policy." Journal of Persianate Studies 10, no. 1 (June 1, 2017): 1–25. http://dx.doi.org/10.1163/18747167-12341304.

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Ernst Badian has argued that it would have been ideologically unacceptable for the great king of Persia to submit to negotiations with Athens and to bind himself by oath to the resulting Peace of Callias. This interpretation, however, is the result of the later Greek conception of the Peace of Callias as an Athenian victory over Persia, and the Peace of Antalcidas as a Persian humiliation of Greece. In this paper, I argue that the Achaemenid kings of Persia inherited notions of kinship, empire, and diplomacy from their Neo-Assyrian predecessors, and therefore saw treaties as an honorable and legitimate tool of empire.
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31

Mărgineanu-Cârstoiu, Monica. "De l’architecture dorique héllénistique à Callatis." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 4 (2013): 33–56. http://dx.doi.org/10.47950/caieteara.2013.4.05.

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Cet article présente des témoignages de l’architecture hellénistique de Callatis, trois chapiteaux et deux fragments d’un entablement qui ensemble avec l’architecture dorique de Histria révèlent l’ essor du style dorique dans le Pont Gauche. L’analyse du style et de la composition offre quelques arguments pour les hypothèses concernant la chronologie et aussi pour étayer des variantes de reconstitution partielle des édifices dont les membra disiecta sont parvenues.
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32

Boatwright, Helen, and John Ardoin. "Callas at Juilliard: The Master Classes." Notes 48, no. 2 (December 1991): 514. http://dx.doi.org/10.2307/942059.

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33

SELETSKY, R. E. "Callas at EMI Remastering and Perception." Opera Quarterly 16, no. 2 (January 1, 2000): 240–56. http://dx.doi.org/10.1093/oq/16.2.240.

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34

McGraw, Gary. "Silver Bullet Talks with Jon Callas." IEEE Security & Privacy 12, no. 1 (January 2014): 6–8. http://dx.doi.org/10.1109/msp.2014.15.

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35

RABER, LINDA. "CLAYTON CALLIS IS DEAD AT 81." Chemical & Engineering News 83, no. 12 (March 21, 2005): 10. http://dx.doi.org/10.1021/cen-v083n012.p010.

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36

Schoonbaert, Sylvain. "L’invention d’une ville. Royan années 50, sous la direction de Gilles Ragot, textes de Thierry Jeanmonod, Gilles Ragot et Nicolas Nogue, avec le concours de Chantal Callais, Paris, Centre des monuments nationaux, Monum, Éditions du patrimoine, Cahiers du Patrimoine no 65, juin 2003,308 p." Histoire urbaine 11, no. 3 (2004): 194. http://dx.doi.org/10.3917/rhu.011.0194.

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37

Silverio, Sergio A. "Stop promising the Earth and delivering a lemon: New Year’s Resolutions – are we going about them all wrong?" Psych-Talk 1, no. 83 (January 2016): 22–24. http://dx.doi.org/10.53841/bpstalk.2016.1.83.22.

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38

Cecchini, Simone. "Callias-type operators in C∗-algebras and positive scalar curvature on noncompact manifolds." Journal of Topology and Analysis 12, no. 04 (November 16, 2018): 897–939. http://dx.doi.org/10.1142/s1793525319500687.

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A Dirac-type operator on a complete Riemannian manifold is of Callias-type if its square is a Schrödinger-type operator with a potential uniformly positive outside of a compact set. We develop the theory of Callias-type operators twisted with Hilbert [Formula: see text]-module bundles and prove an index theorem for such operators. As an application, we derive an obstruction to the existence of complete Riemannian metrics of positive scalar curvature on noncompact spin manifolds in terms of closed submanifolds of codimension one. In particular, when [Formula: see text] is a closed spin manifold, we show that if the cylinder [Formula: see text] carries a complete metric of positive scalar curvature, then the (complex) Rosenberg index on [Formula: see text] must vanish.
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39

Avellaneda, Florencia, Verónica Fryga, and Paula Soliani. "No callamos, mostramos." Nimio, no. 8 (September 21, 2021): e034. http://dx.doi.org/10.24215/24691879e034.

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El presente artículo analiza un afiche y tres fotografías extraídas del fondo Graciela Carnevale, correspondiente a la acción El Encierro (1968), un happening realizado en el marco del Ciclo de Arte Experimental de Rosario. Los documentos seleccionados forman parte del acervo Archivos en uso de la Red Conceptualismos del Sur y se activan al pensarlas desde una lógica de secuencia discursiva articulada en tres momentos: el acto de encerrar, el acto de buscar la liberación y la liberación producto de la ruptura de un vidrio mediante la acción colectiva. Las imágenes se insertan en un todo sincrónico y democrático: el archivo; en una suerte de montaje puesto a disposición de un público que le hará nuevas preguntas.
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40

Avellaneda, Florencia, Verónica Fryga, and Paula Soliani. "No callamos, mostramos." Nimio, no. 8 (September 21, 2021): e034. http://dx.doi.org/10.24215/24691879e034.

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El presente artículo analiza un afiche y tres fotografías extraídas del fondo Graciela Carnevale, correspondiente a la acción El Encierro (1968), un happening realizado en el marco del Ciclo de Arte Experimental de Rosario. Los documentos seleccionados forman parte del acervo Archivos en uso de la Red Conceptualismos del Sur y se activan al pensarlas desde una lógica de secuencia discursiva articulada en tres momentos: el acto de encerrar, el acto de buscar la liberación y la liberación producto de la ruptura de un vidrio mediante la acción colectiva. Las imágenes se insertan en un todo sincrónico y democrático: el archivo; en una suerte de montaje puesto a disposición de un público que le hará nuevas preguntas.
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41

Avellaneda, Florencia, Verónica Fryga, and Paula Soliani. "No callamos, mostramos." Nimio, no. 8 (September 21, 2021): e034. http://dx.doi.org/10.24215/24691879e034.

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El presente artículo analiza un afiche y tres fotografías extraídas del fondo Graciela Carnevale, correspondiente a la acción El Encierro (1968), un happening realizado en el marco del Ciclo de Arte Experimental de Rosario. Los documentos seleccionados forman parte del acervo Archivos en uso de la Red Conceptualismos del Sur y se activan al pensarlas desde una lógica de secuencia discursiva articulada en tres momentos: el acto de encerrar, el acto de buscar la liberación y la liberación producto de la ruptura de un vidrio mediante la acción colectiva. Las imágenes se insertan en un todo sincrónico y democrático: el archivo; en una suerte de montaje puesto a disposición de un público que le hará nuevas preguntas.
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42

Ruijgh, C. J. "LE SPECTACLE DES LETTRES, COMÉDIE DE CALLIAS." Mnemosyne 54, no. 3 (2001): 261–339. http://dx.doi.org/10.1163/15685250150512022.

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AbstractSOMMAIRE: § 1. Les trois fragments en trimètres iambiques.-§ 2. La parodos.-§ 3. Les noms de lettres dans le Spectacle.-§ 4. Le Marcianus A représente l'abrégé en 15 livres du texte en 30 livres d'Athénée.-§ 5. L'épitomé du texte déjà abrégé; les procédés de l'Epitomator et du Breviator.- § 6. Le problème de la date du Spectacle et de l'attribution au poète comique Callias.-§ 7. La structure métrique et prosodique des trimètres du Spectacle: structure du trimètre tragique.-§ 8. Le Spectacle a la forme d'une tragédie; date: environ 435.-§ 9. Le contenu du Spectacle.-§ 10. La mention du Spectacle au livre VII (275f11-276a6).-§ 11. La version abrégée de ce texte dans l'Épitomé.-§ 12-13. La mention du Spectacle au début de la digression sur les devinettes au livre X (448b3-c3).-§ 14. Le passage sur le prologue du Spectacle (453c3-d4).-§ 15. Observations sur 453c3-9.- § 16. Observations sur 453d1-4 = Fragment I.-§ 17. Le passage sur le choeur du Spectacle (453d5-f1).-§ 18. La reconstruction de la parodos.- § 19. Observations sur 453d5-e3.-§ 20. Observations sur 453e3-6 et e11-f1.-§ 21. L'emploi de mélodies divérentes pour la strophe et l'antistrophe correspondante dans les tragédies antérieures à 431 av. J.-C., dans les comédies, dans la grande lyrique chorale et dans la lyrique monodique.-§ 22. Excursus sur les rapports entre les mélodies du chant traditionnel et les contours mélodiques du langage parlé.-§ 23. Les mélodies de la tragédie ancienne, de la lyrique chorale et de la lyrique monodique.- § 24. Les innovations radicales du dithyrambe 'moderne' adoptées par Euripide.-§ 25. Le passage de Denys d'Halicarnasse sur la subordination des paroles à la mélodie et au rythme musicaux.-§ 26. Observations sur 453e6-10. L'élision en fin de vers.-§ 27. Le passage sur l'emploi syllabique des lettres vocaliques à elles seules (453f1-454a1).-§ 28. Observations sur 453f1-5.-§ 29. Observations sur 453f6-454a1 = Fragment II.-§ 30. Le passage sur la mention des formes des lettres pour indiquer un mot (454a2-9).-§ 31. Observations sur 454a2-9 (454a5-9 = Fragment III).- § 32. Le texte de 453c2-454a9 dans l'Épitomé.-§ 33-34. Les imitations du Spectacle (454a10-455b7).-§ 35. Conclusion.
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43

Bosworth, A. B. "Plutarch, Callisthenes and the Peace of Callias." Journal of Hellenic Studies 110 (November 1990): 1–13. http://dx.doi.org/10.2307/631729.

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The continuing and polemical debate over the authenticity of the Peace of Callias has become so complicated that it would be a positive service to scholarship to remove some of the more contentious evidence and reduce the scope of the argument. That is the object of this article. A fragment of Callisthenes has bulked very large in the modern literature. According to the received view the Olynthian historian denied the existence of a formal peace between Athens and the Persian King and alleged that the King observed a de facto limit to his empire, never venturing west of the Chelidonian islands. For sceptics this is grist to the mill. A writer of the mid-fourth century rejected the Athenian patriotic tradition, and it is assumed that he had good reason to do so. On the other hand defenders of the authenticity of the Peace stumble over Callisthenes' apparent denial and are forced to counter-denial or to sophistry. What is common to both camps is a tendency to refer to the evidence of Callisthenes without noting that the original text is lost. The ‘fragment’ (which it is not) is preserved by Plutarch in a sophisticated passage of source criticism and due attention needs to be paid to his mode of citation. Only then can we begin to elicit what Callisthenes may have said and reconstruct the probable context in his historical exposition. As always, we need to approach the unknown through proper study of the known.
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44

Braverman, Maxim, and Simone Cecchini. "Callias-Type Operators in von Neumann Algebras." Journal of Geometric Analysis 28, no. 1 (April 18, 2017): 546–86. http://dx.doi.org/10.1007/s12220-017-9832-1.

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45

Rosen, Ralph M. "Comedy and Confusion in Callias' Letter Tragedy." Classical Philology 94, no. 2 (April 1999): 147–67. http://dx.doi.org/10.1086/449428.

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46

Anghel, N. "On the index of Callias-type operators." Geometric and Functional Analysis 3, no. 5 (September 1993): 431–38. http://dx.doi.org/10.1007/bf01896237.

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47

Cosnean Nistor, Letiția. "Architectural fragments from Callatis. New discoveries of Doric architecture." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 9 (2018): 53–70. http://dx.doi.org/10.47950/caieteara.2018.9.02.

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Eight Doric architectural fragments have been discovered recently in a rescue excavation campaign in Mangalia, re-used in the structure of an Early Christian cist grave. Their stylistic and morphological characteristics suggest a provenance from the same monument or built environment as the other two known fragments of architrave-friezes, incorporated in the permanent exhibition of the Archaeological Museum of Callatis. The inventory of fastening cuttings and tool traces indicated several hypothesis regarding their assemblage and preliminary observations on the architectural characteristics of the provenance monument. The discovery of this homogenous group of architectural blocks thus confirms and strengthens the perspective of an important Hellenistic Doric monument or architectural ensemble in Callatis, supporting the older hypothesis regarding a dominant presence of the Doric in the left Pontus cities.
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48

Haily, A., and H. Rahnaoui. "Some External Characterizations of SV-Rings and Hereditary Rings." International Journal of Mathematics and Mathematical Sciences 2007 (2007): 1–6. http://dx.doi.org/10.1155/2007/84840.

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49

CARPENTER, ERNEST. "Wigington replaced by Callis as CAS director." Chemical & Engineering News 69, no. 36 (September 9, 1991): 6. http://dx.doi.org/10.1021/cen-v069n036.p006.

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50

Hess, Luise. "Wohnen wie einst die Callas – jedenfalls fast." MMW - Fortschritte der Medizin 157, no. 1 (January 2015): 10. http://dx.doi.org/10.1007/s15006-015-2561-0.

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