Relevant bibliographies by topics / Calligraphy

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Calligraphy'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Calligraphy"

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Tudorică, Ioana-Ciliana. "The Role of Myths in Japanese Calligraphy’s Interpretative Process." Studia Universitatis Babeș-Bolyai Philologia 66, no. 4 (2021): 353–66. http://dx.doi.org/10.24193/subbphilo.2021.4.22.

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The Role of Myths in Japanese Calligraphy’s Interpretative Process. This article illustrates the role of myths in the interpretative process of calligraphic works. Being considerably different from Western calligraphy, Japanese calligraphy (shodō) may seem at times visually similar to abstract art. However, calligraphic works – and shodō as art – are rich in meaning and abundant of myths. Focusing on both linguistic and visual elements of calligraphy, the article depicts how myths can be identified in a calligraphic work and how they provide a better understanding of the particularities of sho
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Ali Atia Hmood. "Formal Organization in the Calligraphy Panel of the Calligrapher Hashim Muhammad Al-Baghdadi." Integrated Journal for Research in Arts and Humanities 2, no. 3 (2022): 38–47. http://dx.doi.org/10.55544/ijrah.2.3.31.

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This research study is concerned with (formal organization in the comprehensive calligraphic painting of the calligrapher Hashem Al-Baghdadi) and the research problem was represented by a basic question: What is the formal organization in the comprehensive calligraphic painting of the calligrapher Hashem Al-Baghdadi?
 The research aims to study the forms used in the comprehensive painting of the calligrapher Hashem Al-Baghdadi in terms of the formal organization of the calligraphic elements and the artistic contribution by arriving at defining the characteristics of the system and the tec
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Jo, Min-hwan. "A Study on the Status of Korean Calligraphy in Toegye Yi Hwang's Calligraphy Aesthetics." Korean Society of Calligraphy 41 (September 30, 2022): 29–54. http://dx.doi.org/10.19077/tsoc.2022.41.02.

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In the history of calligraphy in the Joseon Dynasty, the 16th century is meaningful in that there were various calligraphy styles besides Wang Xizhi’s calligraphy style and Zhaomengfu’s calligraphy style. Before and after Lee Hwang was alive, there were calligraphers such as Kim Gu, Seongsuchim, Hwang Gi-ro, Yang Sa-eon, and Han Ho. Each of them unfolds a variety of calligraphy styles based on their artistry, and from the perspective of calligraphy aesthetics, it is necessary to pay attention to Lee Hwang’s calligraphy aesthetics. This is because Lee Hwang understood calligraphy in the Joseon
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Hyung, Gye-soon. "A Study on the Formative Characteristics of the <Inscription of the Monument for Lee Chungmugong’s Victory at Byeokpajin Battle> written by Sojeon Son Jaehyeong." Korean Society of Calligraphy 42 (March 31, 2023): 75–96. http://dx.doi.org/10.19077/tsoc.2023.42.3.

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Sojeon Son Jaehyeong(素荃 孫在馨) is a representative calligrapher in the modern and contemporary Korean calligraphy field in the 20th century, as well as an educator, politician, collector, connoisseur, art administrator, etc. The contents of the &lt;Inscription of the Monument for Lee Chungmugong’s Victory at Byeokpajin Battle&gt; was composed on August 29, 1956, by Nosan Lee Eunsang in Hangeul mixed with classical Chinese characters, and Son Jaehyeong inscribed it with a brush. Son Jaehyeong's creativity in Hangeul calligraphy lies in applying the formativeness and calligraphic method of seal sc
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Filonenko, Nadezhda S., and Maria S. Tretyakova. "Calligraphy of Images: Artworks by Yukei Teshima." Vestnik of Saint Petersburg University. Arts 12, no. 1 (2022): 164–79. http://dx.doi.org/10.21638/spbu15.2022.108.

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Postwar Japanese calligraphy has been little studied in Western art history, and in particular, there is no analysis of the work of one of the most important calligraphers of postwar Japan,Yukei Teshima (1901–1987). The relevance of this research lies in the fact that the Calligraphy of Images (Japanese “Shosho”), created by the master, is an example of building a dialogue between fundamentally different traditions of Western and Eastern art, a dialogue that allows the calligrapher to see the uniqueness of Japanese calligraphy, including its spiritual and aesthetic content. The purpose of this
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CHATTOPADHYAY, COLLETTE. "Xu Bing: calligraphy, language and interpretation." English Today 21, no. 1 (2005): 5–10. http://dx.doi.org/10.1017/s0266078405001033.

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Radical departures in English in the work of a Chinese calligrapher. Challenging conventional assumptions regarding the use of language, Xu Bing's calligraphic artworks of the early 1990s address the English-speaking world from a space deep within the bedrock of Chinese culture. Ironically extending and querying the continued relevance of the Chinese calligraphic tradition in a post-Mao, post-modern, trans-cultural era, Xu's New English Calligraphy cloaks English words in Chinese form. Exploring the communicative functions of language, these works examine the relation between linguistic intent
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Jeong, Ji-Hoon. "A Study on the Calligraphy Spirit of Palha in 『Pilgam』." Korean Society of Calligraphy 42 (March 31, 2023): 41–73. http://dx.doi.org/10.19077/tsoc.2023.42.2.

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This paper examines Pal Ha's calligraphy theory and calligraphic spirit as portrayed in his work featured in 『Pilgam』. I would like to replace the conclusion by synthesizing what was discussed in the main body.&#x0D; First of all, as a professional calligrapher who worked in the Daegu calligraphy circle, he learned calligraphy from Changam in his youth, and was also an early teacher of Seokjae Seo Byeong-oh who is the renovation of Daegu literary painting, and is considered the origin of Daegu calligraphy in the 20th century.&#x0D; Pilgam was compiled to convey to his son Gyeong-soon, and is a
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Pack, Young-suk. "A Study on Toegye’s Calligraphic Aesthetics in Dosansibigok." Korean Society of Calligraphy 46 (March 31, 2025): 85–113. https://doi.org/10.19077/tsoc.2025.46.4.

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Toegye Lee Hwang (1501-1570) is recognized as a prominent scholar-calligrapher of the Joseon Dynasty. This study focuses on the distinctive qualities of his Hangeul calligraphy found in Dosansibigok, examining it through the lenses of aesthetics and art. While there are general studies on Toegye's calligraphic aesthetics, a detailed exploration of the unique characteristics of his Hangeul calligraphy in Dosansibigok from a calligraphic aesthetic perspective has yet to be conducted. Toegye's calligraphic aesthetics values holding respectfulness(持敬) in terms of the picture of the mind, and he ap
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Tudorică, Ioana-Ciliana. "The Use of Japanese Calligraphy when Promoting Japanese Traditional Products." SAECULUM 53, no. 1 (2022): 48–59. http://dx.doi.org/10.2478/saec-2022-0005.

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Abstract The article depicts the use of Japanese calligraphy (shodō) as a way to artistically create the logos of Japanese or Japanese-inspired products and restaurants in the food industry. Japanese calligraphy is a complex art that developed gradually, together with the writing system in Japan and, as a result, it manages to encompass both traditional elements that have remained unchanged over the course of years, as well as modern elements that reflect the calligrapher’s unique view. For this reason, shodō has been used in creating Japanese and Japanese-themed products, as means to portray
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Lee, Yeong-Ae. "The Calligraphic Value of Korean Calligraphy by Youngbok Shin." Korean Society of Calligraphy 42 (March 31, 2023): 97–124. http://dx.doi.org/10.19077/tsoc.2023.42.4.

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Shin Young-bok is called by various titles. They are university professors, economists, life-threatening prisoners, death row prisoners, oriental classicists, writers, essayists, thinkers, intellectuals of the times, teachers of the times, and calligraphers. In this study, 'calligrapher Shin Young-bok' was illuminated. As his various titles suggest, the thoughts that blossomed in his tumultuous life fully permeated into his writings and served as a means of communication with contemporaneous people. The reason why this was possible is that it has established itself as an art familiar to the pu
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Dissertations / Theses on the topic "Calligraphy"

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Ling, Manny. "Calligraphy across boundaries." Thesis, University of Sunderland, 2008. http://sure.sunderland.ac.uk/2929/.

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The research uses Burgert (1998) and Brody Neuenschwander’s (2000) ideas of the ‘Linear Graphic’ to explore the creative and expressive qualities of the line. In addition, the characteristics of Ch’i are also analysed and identified. This is achieved by exploring and interpreting classic Chinese principles such as ‘Ch’i Yuen Shen Tung’ (Rhythmic Vitality), ‘Harmony of the Mind and Hand’ and ‘Stilling the Heart’. As a result, new approaches of ‘Simplicity’ and ‘Spontaneity’ have been developed for Western calligraphy. These approaches demonstrate the requirement of the control and integrity of
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Stermotich, Cappellari Francesco. "Spiritual in Islamic calligraphy : a phenomenological approach to the contemporary Turkish calligraphic tradition." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31386.

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The aim of this thesis is to highlight the relevance of the spiritual dimension of Islamic calligraphy, focusing on the Turkish contemporary calligraphic tradition. Academic literature in the field has been dominated by the tendency to focus on the objects produced by artists, neglecting their personal experience and understanding of the art. Using a phenomenological perspective, I give voice to calligraphers I met in Istanbul and Konya, letting emerge their views on issues related to the relationship between art, religion and spirituality. I explore several themes that have arisen from the in
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Keskiner, Philippe Bora. "Sultan Ahmed III (r.1703-1730) as a calligrapher and patron of calligraphy." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/15860/.

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Lauer, Uta. "A master of his own : the calligraphy of the Chan Abbot Zhongfeng Mingben (1262-1323) /." Stuttgart : F. Steiner Verlag, 2002. http://catalogue.bnf.fr/ark:/12148/cb39266154v.

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Jalil, Abdul Rahim. "Sculpture : exploration with Islamic calligraphy /." Connect to resource, 1990. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1224613475.

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Аззаарі, Алі. "Arabic calligraphy: elements and features." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15244.

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Mok, Kar Leung Harold. "Zhao Mengjian and Southern Song calligraphy." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357396.

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Zeyad, Sultan. "Investigation of the education and practice of calligraphy in Saudi Arabia." Columbus, Ohio : Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1085627452.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains vii, 251 p. ; also includes graphics (some col.). Includes abstract and vita. Advisor: Georgianna Short, Dept. of Art Education. Includes bibliographical references (p. 248-251).
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George, Alain. "The geometry of early Islamic calligraphy." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439722.

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劉澤光 and Zeguang Liu. "A study of Kang Youwei's (1859-1927) Guang yizhou shuangji." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894161.

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Books on the topic "Calligraphy"

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Guild, Pakistan Calligraph-artists', and Unesco, eds. Calligraphy, calligraph-art. UNESCO, 2002.

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Vézina, Raymond. SHO: Calligraphie japonaise = Japanese calligraphy. M. Broquet, 1986.

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Secrett, Claire. Calligraphy. Watson-Guptill, 1998.

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Marsh, Don. Calligraphy. North Light Books, 1996.

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Fiona, Campbell. Calligraphy. Children's Press, 1999.

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Baker, Arthur. Calligraphy. Dover Publications, 2000.

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Lovett, Patricia. Calligraphy. Hodder & Stoughton, 1993.

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Assadipour, Bidjan. Calligraphy. Art Printing & Binding, 1989.

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Gullick, Michael. Calligraphy. Moyer Bell, 1996.

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Gullick, Michael. Calligraphy. Studio Editions, 1995.

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Book chapters on the topic "Calligraphy"

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Bai, Qianshen. "Calligraphy." In A Companion to Chinese Art. John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118885215.ch15.

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Yangsheng, Xu, and Chan Sin-wai. "Chinese Calligraphy." In The Routledge Encyclopedia of Traditional Chinese Culture. Routledge, 2019. http://dx.doi.org/10.4324/9781315453491-8.

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Li, Yu. "Chinese calligraphy." In The Chinese Writing System in Asia. Routledge, 2019. http://dx.doi.org/10.4324/9780429345333-21.

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Li, Yu. "A calligraphy workshop." In The Chinese Writing System in Asia. Routledge, 2019. http://dx.doi.org/10.4324/9780429345333-22.

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Peng, Jixiang, Zhu Yang, and Jianhua Gu. "Traditional Chinese Calligraphy." In Chinese Art Theory II. Routledge, 2025. https://doi.org/10.4324/9781003616405-2.

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Iezzi, Adriana. "Art from Calligraphy." In Talking Images. Routledge, 2024. http://dx.doi.org/10.4324/9781032712970-12.

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Brandão, João. "Calligraphy Practice App, System and Tool for Learning Calligraphy." In Advances in Intelligent Systems and Computing. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60477-0_11.

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Wang, Yonghao. "Standards and Norms for Calligraphy and Painting: Fenggu in Calligraphy." In Key Concepts in Chinese Thought and Culture. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2401-7_2.

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Vervliet, Hendrik D. L. "Calligraphy, Type Design, Typefounding." In ABHB Annual Bibliography of the History of the Printed Book and Libraries. Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-5135-8_4.

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Vervliet, Hendrik D. L. "Calligraphy, Type Design, Typefounding." In ABHB Annual Bibliography of the History of the Printed Book and Libraries. Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2430-7_3.

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Conference papers on the topic "Calligraphy"

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Chen, Meihan, and Xiafen Zhang. "Progressive Chinese calligraphy stroke extraction." In 2024 International Conference on Informatics Education and Computer Technology Applications (IECA). IEEE, 2024. http://dx.doi.org/10.1109/ieca62822.2024.00016.

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Lajmi, Hela, Faiza Idoudi, Hasna Njah, Habib M. Kammoun, and Ines Njah. "Strengthening Applications' Security with Handwritten Arabic Calligraphy Captcha." In 2024 IEEE 8th Forum on Research and Technologies for Society and Industry Innovation (RTSI). IEEE, 2024. http://dx.doi.org/10.1109/rtsi61910.2024.10761297.

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Hu, Xudong, Chuanyu Wu, and Hong Yu. "Graphics Tablet Embed Java-Applet and Web-Based Tele-Calligraphy of Pneumatic Manipulator." In ASME 2003 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/detc2003/cie-48261.

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Java becomes one of the most acceptable programming languages in the Intemet because of the characteristics of distribution, object-orientation, interpretation, and independence of computer platform. An application code programmed in Java can be downloaded and run in any client machine with Java VM through Internet. Most of internet-based application uses Java as the first choice of programming language. The Web-based Tele-calligraphy of pneumatic calligraphic manipulator described in here is one of these applications. In this article, authors will discuss the procedures of how to embed Unispe
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Shum, P. Y. S., and T. Klein. "VR CALLIGRAPHY Transposing Chinese calligraphy as choreographed movements into whole-body performances in VR." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-93-full-shum-et-al-vr-calligraphy.

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Current research in the area of digitizing Chinese calligraphy is primarily concerned with computer graphics (CG), calligraphy ink/brush simulation, human-computer interaction (HCI), and automatic calligraphy generation. In all above research fields, calligraphy is mainly expressed and represented in two dimensions as traditional ink on paper. Even within recent contemporary calligraphic movements, there is little exploration into a true spatialization of calligraphy beyond the flat medium. This research articulates an evolution of Chinese calligraphy, from a physical two-dimensionality into a
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Ma, Cheng, and Huajie Wang. "The influence of Chinese calligraphy on cultural and creative product design: A perspective of emotional preferences." In Human Interaction and Emerging Technologies (IHIET 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006708.

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Chinese calligraphy, inscribed in the UNESCO Intangible Cultural Heritage list, is one of China’s most significant contributions to world civilization. It is possible to uncover the emotional expressions embedded in the creator’s writing process by capturing the visual perception of calligraphy. This provides a valuable approach for understanding consumer preferences in the design of cultural and creative products. Based on these insights, designing products can not only enhance their cultural attributes but also position them as new mediums for promoting Chinese calligraphy.This research, gro
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Phang, Swee King, Shupeng Lai, Fei Wang, Menglu Lan, and Ben M. Chen. "UAV calligraphy." In 2014 11th IEEE International Conference on Control & Automation (ICCA). IEEE, 2014. http://dx.doi.org/10.1109/icca.2014.6870957.

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YU, Bin, Rogier Arents, Jun Hu, Mathias Funk, and Loe Feijs. "Heart Calligraphy." In TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction. ACM, 2016. http://dx.doi.org/10.1145/2839462.2856341.

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Wen, Yuanbo, and Juan Alberto Sigüenza. "Chinese Calligraphy." In ICCPR '19: 2019 8th International Conference on Computing and Pattern Recognition. ACM, 2019. http://dx.doi.org/10.1145/3373509.3373512.

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Shichinohe, Takahiro, Tetsuo Yamabe, Takahiro Iwata, and Tatsuo Nakajima. "Augmented calligraphy." In TEI'11: Fifth International Conference on Tangible, Embedded, and Embodied Interaction. ACM, 2010. http://dx.doi.org/10.1145/1935701.1935769.

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Xing, Baixi, Yanhong Pan, Qimeng Chen, Xinjie Song, Kaiqi Wang, and Yuehan Shi. "Calligraphy's Reflective Expression: Intelligent Chinese Calligraphy Affective and Style Recognition." In 2023 15th International Conference on Intelligent Human-Machine Systems and Cybernetics (IHMSC). IEEE, 2023. http://dx.doi.org/10.1109/ihmsc58761.2023.00027.

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Reports on the topic "Calligraphy"

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Wei, Ming, Othman Bin Talib, Chua Yan Paw, Xiaoling Gui, and Xiaoyang Pan. The Power of Brushstrokes: How Chinese Calligraphy Transforms Learning – A Systematic Review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2024. http://dx.doi.org/10.37766/inplasy2024.9.0058.

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Kinn, D. N. Studies on the Flight Capabilities of Dendroctonus frontalis and IPS calligraphus: Preliminary Findings Using Tethered Beetles. U.S. Department of Agriculture, Forest Service, Southern Forest Experiment Station, 1986. http://dx.doi.org/10.2737/so-rn-324.

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Treasures of Japanese Art. Inter-American Development Bank, 1995. http://dx.doi.org/10.18235/0005957.

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