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Dissertations / Theses on the topic 'Calligraphy'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Ling, Manny. "Calligraphy across boundaries." Thesis, University of Sunderland, 2008. http://sure.sunderland.ac.uk/2929/.

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The research uses Burgert (1998) and Brody Neuenschwander’s (2000) ideas of the ‘Linear Graphic’ to explore the creative and expressive qualities of the line. In addition, the characteristics of Ch’i are also analysed and identified. This is achieved by exploring and interpreting classic Chinese principles such as ‘Ch’i Yuen Shen Tung’ (Rhythmic Vitality), ‘Harmony of the Mind and Hand’ and ‘Stilling the Heart’. As a result, new approaches of ‘Simplicity’ and ‘Spontaneity’ have been developed for Western calligraphy. These approaches demonstrate the requirement of the control and integrity of

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Stermotich, Cappellari Francesco. "Spiritual in Islamic calligraphy : a phenomenological approach to the contemporary Turkish calligraphic tradition." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31386.

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The aim of this thesis is to highlight the relevance of the spiritual dimension of Islamic calligraphy, focusing on the Turkish contemporary calligraphic tradition. Academic literature in the field has been dominated by the tendency to focus on the objects produced by artists, neglecting their personal experience and understanding of the art. Using a phenomenological perspective, I give voice to calligraphers I met in Istanbul and Konya, letting emerge their views on issues related to the relationship between art, religion and spirituality. I explore several themes that have arisen from the in

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Keskiner, Philippe Bora. "Sultan Ahmed III (r.1703-1730) as a calligrapher and patron of calligraphy." Thesis, SOAS, University of London, 2012. http://eprints.soas.ac.uk/15860/.

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Lauer, Uta. "A master of his own : the calligraphy of the Chan Abbot Zhongfeng Mingben (1262-1323) /." Stuttgart : F. Steiner Verlag, 2002. http://catalogue.bnf.fr/ark:/12148/cb39266154v.

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Jalil, Abdul Rahim. "Sculpture : exploration with Islamic calligraphy /." Connect to resource, 1990. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1224613475.

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Аззаарі, Алі. "Arabic calligraphy: elements and features." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15244.

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Mok, Kar Leung Harold. "Zhao Mengjian and Southern Song calligraphy." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357396.

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Zeyad, Sultan. "Investigation of the education and practice of calligraphy in Saudi Arabia." Columbus, Ohio : Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1085627452.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains vii, 251 p. ; also includes graphics (some col.). Includes abstract and vita. Advisor: Georgianna Short, Dept. of Art Education. Includes bibliographical references (p. 248-251).

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George, Alain. "The geometry of early Islamic calligraphy." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439722.

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劉澤光 and Zeguang Liu. "A study of Kang Youwei's (1859-1927) Guang yizhou shuangji." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894161.

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Shu, Jo-Lan. "Calligraphy as a developmental tool for Chinese painting /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1329.pdf.

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Lau, Chak-kwong. "A study of Kang Youwei's (1859-1927) Guang yizhou shuangji." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22088908.

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李為. "An intelligent evaluation system of Chinese calligraphy." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2099646.

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Fan, Feifei. "In Pursuit of Harmony: Calligraphy & Typography." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1786.

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Chinese calligraphy and Western typography have been evolving for around five thousands years. During this time, they have developed quite different characteristics. Compared with the geometrical form and precision of Western printing types, Chinese calligraphy features abstract shapes and spontaneous strokes. These differences result in a gap that prevents a harmonious and organic relationship between them. This project explores the possibilities of combining these two historical visual systems, demonstrates specific methods and approaches for creating compelling formal relationships, and

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Su, Zhi-Ming. "Recovering the Movement of Calligraphy in Animation." Thesis, Griffith University, 2011. http://hdl.handle.net/10072/365976.

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This exegesis explores the way in which the gestural expressiveness of Chinese calligraphy can be recovered in the medium of animation. My animation, Ink Dance is based on traditional hand drawn calligraphy, combined with the live action of dancing to create a dynamic contemporary spirit. The flow of calligraphy can be compared to the dancing figure. Body movement and calligraphy can both present motion, gesture, rhythm and balance. The main methodologies I use for my research are action research, case studies and art historical research. Through these processes, I develop a deeper understan

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陳炫明. "The research about calligraphy structure:script calligraphy." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/83116108518625142449.

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碩士<br>國立臺灣師範大學<br>美術學系在職進修碩士班<br>95<br>The Chinese Calligraphy originated very early. It was handed down from generation to generation that in the prehistorical period, the Fu Hsis observed the phenomenon from the Heaven and the regulations from the Earth, using Ba Gua as laws. After the Sen Ruens recorded things by knotting the rope, the characters had their embryonic forms. Cheng Chi, the Yellow Emperor’s historical official, found that the lines of the birds and beasts were distinctive, so he created characters first, and then the sounds formed. Gradually, there were more and more character

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Liu, Chen-Pei, and 劉貞佩. "Modernization of Calligraphy and〝Environmental Calligraphy〞─ Exploring Yang-Tze Tong’s Calligraphy Exhibitions." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/jj96ty.

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碩士<br>國立臺灣藝術大學<br>書畫藝術學系造形藝術碩士班<br>101<br>The connotation of Taiwan calligraphy includes a variety of cultural traits. It accumulates different culture or form of connotation from the early traditional calligraphic style to the modern environment, space, and design from the inclusion of various fields. Atmosphere in the overall situation affects the evolution and transformation of modern calligraphy, and people can feel mutual relations between retro and innovation. Nowadays, modern calligraphy works and exhibitions has to-and-fro tussle on innovation and tradition. I want to explore atmospher

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Lin, Chun-Chen, and 林俊臣. "Analysis of Chinese Calligraphy -- People and Calligraphy." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/36786582589920662107.

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博士<br>國立中興大學<br>中國文學系所<br>103<br>This paper focuses on the problematic consciousness of how to rebuild the relationship model between people and calligraphy nowadays, and seeks various possibilities to de-velop modern calligraphy research and calligraphy implementation inside the context of cross-culture study. This research reduces modern calligraphy into two directions of de-velopment including cultural calligraphy and art calligraphy. The foundation of cultural calligraphy highlights the tactile writing while the art calligraphy uses the bodily feeling caused by tactile feeling to surpass t

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Yu, PengHorng, and 余鵬鴻. "New Visual Construction of Modern Calligraphy Art - Calligraphy Creation Research." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/37802512755642230911.

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碩士<br>國立臺灣藝術大學<br>書畫藝術學系碩士班<br>100<br>Calligraphy is a kind of unique visual art in our country. Countless calligraphers of the past have created excellent works that have combined beauty and brilliance to the history of calligraphy. The development of calligraphy art is changing as time goes by. Until now, most of calligraphy works have simply expressed strictly structured content; every line and row constructed neatly. However, from the modern aesthetic standard, it seems new ideas are missing amongst these works. Therefore, at present people observe a lack of freshness when viewing tra

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YU, CHEN CHUAN, and 陳權玉. "A Study of Calligraphic Aesthetics： The Expression of Lines in Calligraphy Art." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/13848962136538507121.

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碩士<br>大葉大學<br>造形藝術學系碩士在職專班<br>96<br>Different works of art create their image with its unique art language. Calligraphy can convey esthetic feelings via the simple language---strokes. The emotions of strokes are presented through the form of handing calligraphy. It’s the basic concept to appreciate the rhythm and dynamism of livid strokes. The beauty of calligraphy is worth exploring in the field of art. The study seeks to the presentation of calligraphy and provides the representatives of calligraphic artists for reference such as “喪亂帖” by Wang Xi Zhi, “斷千文” by Zhang Xu and “ 黃州寒食詩帖” by Su Do

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"Calligraphy, architecture, callitecture." 1999. http://library.cuhk.edu.hk/record=b5890194.

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Keung Chau Yu Alice.<br>"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1998-99, design report."<br>Includes bibliographical references (leaves 102).<br>Stage 1 --- p.p4-p14<br>What is Caligraphy?<br>The Emergence of Caligraphy?<br>The Three Traditions of Caligraphy?<br>Background of the Project:<br>Facts<br>Value<br>Project Goals<br>Mission<br>Issues<br>Caligraphy + Architecture = Calitecture<br>Proposed Site 1<br>"Pak Sha O Village, Sai Kung"<br>Schedule of Accomodations<br>Proposed Client<br>Alpha Beta Club<br>Precedent<br>"Wagramerstrasse, Vienn

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CHEN, HUA-FEN, and 陳華芬. "A Study on Lukang Calligrapher Nian, Wen-yi and Chong-Jin Calligraphy Association." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/jwbhta.

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碩士<br>東海大學<br>美術學系<br>105<br>This study aims at exploring the Lukang calligrapher Nian Wen-yi’s work and his path to fame. It also looks into the approaches of the Chong-Jin Calligraphy Association, a private organization founded by Nian Wen-yi, to preserving and promoting the traditional art of calligraphy. The first part of this study is a brief account of Nian Wen-yi’s life, containing information drawn from historical documents. There is an appendix at the end of this thesis, listing in chronological order major events throughout Nian’s life. Coming up next is a discussion on Nian’s ingenu

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Dai, Hong-Yu, and 戴鴻裕. "A Study on Zen Calligraphy Styles: Dai Hong-Yu Calligraphy Creations Treatise." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/qahhqr.

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碩士<br>中國文化大學<br>美術學系<br>103<br>Following the Zen teachings and Zen calligraphy styles from various periods throughout history, the author of this study attempted to create a new calligraphic style. Zen is a central tenet in Chinese cultural norms, influencing the lives of the people in various aspects such as traditional literature and art; calligraphy is no exception to its influence. Through unraveling and reviewing the history of calligraphers and theories on Zen calligraphy in addition to clarifying the interactions between reflection and practice, the author derived his inspiration for cr

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Lee, Yuan-heng, and 李元亨. "From blending space management and emotion toThe style of calligraphy-calligraphy creation." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/10722419051096037433.

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碩士<br>明道大學<br>國學研究所<br>99<br>From blending space management and emotion to The style of calligraphy-calligraphy creation Abstract Unique promotion of Chinese characters Chinese calligraphy art and other art are equal importance. Chinese calligraphy art began in the use of Chinese characters, uniqueness is one of Chinese characters have the" function of express sentiment ", the second is the "beauty of form". Traditional Chinese calligraphy, as times change and the evolution of the culture of speech, has a wealth of features, The seal from the Qin dynasty, Han dynasty calligraphy, Wei dynasty a

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MEI, YEH YU, and 葉郁玫. "A Study on Lu Shi Yi's Calligraphy and His Theory on Calligraphy." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/67070238198779518979.

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碩士<br>國立臺灣藝術大學<br>造形藝術研究所<br>98<br>Abstract During the period of Chien-chia (1736-1820), Taiwan was seen to place gradual emphasis on cultural education owing to its political stability and economic prosperity. Also altered was the face of Taiwan calligraphy occasion, with the arrival of former Fujian civil officials. Taiwan calligraphy used to model on Museum Pavilion Style to cope with imperial examinations. At young ages, Lu Shi Yi (1784-1855) strove for imperial examinations as well; nonetheless, his horizons were broadened through his associations with friends interested in Bronzes

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YU, JING-JING, and 余菁菁. "Calligraphy as Comfort ─ Theory and practice of the therapeutic effect of calligraphy." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/59903769294028567718.

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碩士<br>華梵大學<br>美術學系碩士班<br>105<br>Abstract "Calligraphy as comfort" means that through the operation of handwriting to produce expressing and relaxing function which is a comfortable feeling. With the “therapeutic effect of calligraphy” as its central theme, this study examines famed calligraphy masterpieces spanning various dynasties, ranging from Eastern Jin Dynasty’s calligrapher Wang Xizhi to modern work by Yu Youren. The selected masterpieces are categorized into four groups, which respectively, describe the personal traits of the artists, the written content and form of their work. “Anguis

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Tsu-Chin, Sung, and 宋祖錦. "Spatial awareness of calligraphy." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/55903025877204850490.

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碩士<br>國立臺灣藝術大學<br>造形藝術研究所<br>99<br>The “approach” of calligraphy is a method that reproduces the past experience; it is also a skill requiring repeated practice. Though the “approach” is a cultural asset that Chinese writing bases on to continue and inherit, in the confinement of “approach”, creational inspiration may be run out. Therefore, this article intends to bypass the lining limitation of writing, when exploring the future possibility of calligraphy, treating the space conception as explored focus. Space sense is built up through rational identification, which is set up by the feeling o

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許志君. "Cai Xiang Calligraphy Research." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/37577837197163391755.

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碩士<br>國立高雄師範大學<br>國文教學碩士班<br>103<br>Summary Song is a master of calligraphy period, the body of law in various forms of calligraphy are also basically been perfect, calligraphers wisdom began to gradually shift personal style features. Cai Xiang is one of the representatives of the Song Dynasty calligraphy, calligraphy his views and thoughts on the past and the book, with the typical aesthetic significance and academic value. However, in the history of Chinese calligraphy, Cai Xiang's position was not proportional to his achievements, later in the book of Chronicles Letter thoughts on tas

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WANG, HAO-CHENG, and 王皓正. "The Landscape of Calligraphy." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/45736807997293048095.

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碩士<br>崑山科技大學<br>視覺傳達設計研究所<br>105<br>The present study lays stress upon " calligraphy" and "complex art”. Part One of the literature review treats with European calligraphy: (1) Historical evolution context of Latin font: From the earliest Phoenician alphabet to the modern computer font, the significance and usage mode of fonts developed in different temporal-spatial contexts constitute an extremely important part of design creation, and the incorrect use of font may impair the expected integrity of works. (2) Writing rule and pattern of manifestation: The subsequently created works could demon

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Hui-NiegChou and 鄒蕙年. "Structure-awared Calligraphy Art." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/30945000734421033327.

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碩士<br>國立成功大學<br>資訊工程學系<br>104<br>We propose a novel method to generate calligraphy art from a single input image by replacing the partial curves of the image with the best matched shape of characters. The salient structure of the image is preserved, and the contour is reconstructed with characters. Most previous word arts focus on the word filling process inside a specific contour. In contrast to word cloud, our work focuses on the replacement process to find best matching character to the structure of the input image. In our framework, we first segment the input image into regions, and conver

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HSU, SHU-CHING, and 許舒晴. "The Intelligent Calligraphy Robot." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/krw28r.

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碩士<br>國立臺灣科技大學<br>機械工程系<br>107<br>In this thesis, a five degrees of freedom industrial robot arm is integrated with PC-Based user interface as a calligraphy robotic system. It’s convenient for the user to guide the robotic arm to write Chinese character based on user interface input. A user interface is designed with handwriting function and OCR technology is employed to identify handwritten Chinese characters. Based on the standard regular script picture, and the calligraphy experience rule, the eight principles of Yong trajectory plan were proposed to, convert the handwritten Chinese charact

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Chi-Chih, Hu, and 胡啟智. "Calligraphy Game --- The Creation and Exploration of Cursive Script in Few Words Calligraphy." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/fqy3p5.

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碩士<br>明道大學<br>國學研究所<br>104<br>Chapter 1: Introduction Motivation research, purpose, content, and methods Chapter 2: Literature review and theory basis. Viewed brushwork style changing between the big word of cursive script and few word of calligraphy, researched calligraphy theories and structures from ancient classical work and became produce views in the Chinese calligraphy aesthetic theories system. Chapter 3: Creative ideas and practice. To explained that I realized line practices with music and third dimension in the calligraphy space, and integrated few word of calligraphy with the princ

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HUANG, TENG-KO, and 黃登科. "The Leisure Meaning of Calligraphy Activities.-The case of Yulin Prison Calligraphy classes." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/7ew754.

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碩士<br>國立虎尾科技大學<br>休閒遊憩系碩士在職專班<br>106<br>In the capitalistic society , intense competition and enormous stress in workplace have resulted in the outbreak of civilization diseases . Such as depression , bipolar disorder , suicide , drug-taking...etc . And that people start to reconsider the value of human existence and the truth of life . Leisure , under this circumstance , is a way for modern people to vent and relax themselves both mentally and physically .Sentenced people in correction institutions may also face a lot of problems in stress adjustment , especially those with a long period

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CHOU, HSIU-HUA, and 周秀花. "Calligraphy Legacies and Creations — Taking Wang Jingzhi's Calligraphy and inheritance as an example." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/e96p5g.

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碩士<br>明道大學<br>中國文學學系(碩士班)<br>107<br>Wang Jingzhi's calligraphy art is wide-ranging and profound. He blended the high cultural connotations from the sages of the past dynasties, and thus absorbed their deep wisdom and the essence of calligraphy art. Also, he constantly refined the calligraphy art in the hope of reaching the highest level, in which he showed his own spiritual traces. After studying those calligraphy works such as Wang Xizhi's calligraphy history in Jin Dynasty, Wang Jingzhi created his own style. There is no denying that Wang Jingshi established his position in the contemporar

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Wu, Yu-Ching, and 吳育菁. "A Study of Calligraphic Aesthetics Based on Eastern Han Cai-Yong’s Theory of Calligraphy." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/33345320008819945971.

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"傳統的移植: 香港書法研究(1911-1941)". Thesis, 2008. http://library.cuhk.edu.hk/record=b6074704.

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The development of early Hong Kong calligraphy is the result of the transfer of traditions from the Mainland at a time when the colony was under relative stable British rule whereas China was suffering from prolonged political turmoil. It is marked by a rather conservative character that does not emphasize artistic innovation. The literary men of the 1920s and 1930s did not strive for new styles, let alone the yilao. On a deeper level, early Hong Kong calligraphy is noted not just for its artistic achievements but also its cultural significance since the calligraphers' defense of their nationa

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Tang, Li-Chiao, and 唐麗嬌. "Chinese Calligraphy flavors- Tang, Li - Chiao 's discussion on the Creation of Chinese Calligraphy." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/95971170381283957253.

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碩士<br>華梵大學<br>美術學系碩士班<br>105<br>"Culture and Creative Industry" is a combination of culture industry and creative industry. This research takes the combination of Calligraphy and Handmade Cultural-Creation as a research theme, and creates on different materials such as cloth, wood, porcelain, metal and plastic. The research contains the creations creating under the theme that use collage, printing and dying, and transfer printing to combine with Calligraphy's characteristics and techniques learning from the class during 2015 to 2017 studying in master's degree. This research start from analyzi

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LU, YU-TING, and 呂玉婷. "" Integrate Calligraphy with Painting" Information Media into the Primary 3rd Grade Calligraphy Creative Teaching." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/759pt5.

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碩士<br>中華大學<br>資訊管理學系<br>106<br>The main purpose of this research is to explore the concept of “painting into calligraphy”. By using the Chinese painting imagery, using information media to incorporate the calligraphy creative teaching activities of the primary school ,and through the use of self-edited calligraphy materials and courses, use action research methods to explore the third grade of primary school students. Calligraphy creative teaching activities, student learning effectiveness and interest enhancement. The research findings are summarized as follows: 1.The innovative calligraphy t

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Huang, Yu-Che, and 黃于哲. "Visual Learning in Robotic Calligraphy." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/543jcz.

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碩士<br>國立臺北科技大學<br>自動化科技研究所<br>102<br>This study describes a Visual Learning method in robotic calligraphy. This method automatically extracts stroke sequence from a graphic text image. Specifically, the stroke order of a handwritten Chinese character on an image is obtained by extracting and associating the Hough lines with those of the same character in the database. This paper presents the study of recognizing the stroke order and modelling the stroke pattern of a Chinese character, Because the previous studies focused on controlling the stroke direction and pressure using the parameters of

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Shih, Cheng-Yu, and 施承佑. "Bai-jiao's Theory of Calligraphy." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/25514537787105028805.

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碩士<br>明道大學<br>國學研究所<br>101<br>Baijiao experienced the culture shock while west and east culture combined together. He also encountered two different thinking of calligraphy, one is rubbing from inscription, the other is the script. Baijiao admired the famed Wang Xizhi and Wang Xianzhi very much. Baijiao excelled in poetry, calligraphy, painting, seal and calligraphic opinions. This study firstly explored Baijiao's lifetime and writing to learn what is Baijiao's thinking of calligraphy. In addition, in order to figure out Baijiao's learning background, reviewing the calligraphy development over

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鄭清和. "RESEARCH ON THE CALLIGRAPHY ARTS." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/90523308582074134141.

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碩士<br>國立臺灣師範大學<br>美術系在職進修碩士學位班<br>91<br>RESEARCH ON THE CALLIGRAPHY ARTS ? The research of standard, clerical, seal, running, and cursive five scripts and the creative practice ABSTRACT This research discusses the 5 scripts; the standard, clerical, seal, running, and cursive. It is a personal reference for calligraphy creation. It combines an understanding and analysis of the ideas and creation environment of the calligraphers of the past, as well as their influence to the later calligraphers. This thesis has been divided into six chapters: The first

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Tae-Soon, Joh, and 趙太順. "Su Shi and his calligraphy." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/35179675500052806973.

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博士<br>中國文化大學<br>史學研究所<br>95<br>Su Shi (1037-1101) was a writer, poet, artist, calligrapher, and statesman of the Song Dynasty. He was a very unique individual with a distinctive style in calligraphy. Very few people have studied his calligraphy, especially how his professional career influenced the evolution of his thoughts and philosophies on calligraphy. Therefore, this dissertation attempts to demonstrate and define Su Shi’s calligraphy in three parts. First, Su Shi’s personal and professional life is examined to understand the foundation for shaping his beliefs on calligraphy; second, Su S

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Su, Chien-lin, and 蘇健霖. "Calligraphy of Auto Body Repair." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/32548874218254917834.

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碩士<br>國立臺南藝術大學<br>應用藝術研究所<br>102<br>This report focuses on the“Son of Black Hands＂use of metalwork and jewelry to produce creative works which can be traced back to the artist’s family background of “auto body repair” and the learning of calligraphy. Through the creative process I have been able to write about my emotional relationship with my parents and the psychological contradictions of my personality. This paper is divided into four chapters. Chapter one “Manual Auto Body Repair” describes the reasons for the artist’s sense of distance from “auto body repair”. Through observation I hav

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Li-Zheng, Wu, and 吳立政. "Yuan generation calligraphy style research." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/38741944018234579064.

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碩士<br>臺北市立教育大學<br>中國語文學系碩士班<br>95<br>The present paper study breaks the generation of calligraphy history primarily to want the goal. The goal analyzes Yuan generation in the discussion the calligraphy style. The Yuan generation calligraphy style also is belongs to the calligraphy history in the longitudinal historical relation a link. Hoped this paper has the help to the calligraphy history thorough discussion. In thoroughly understands in front of the Yuan generation calligraphy, first discusses Yuan generation politics cultural context and the calligraphy theory. Because the Yuan Dynasty ti

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Chu, Yun-yi, and 朱雲翊. "Calligraphy Greenway Department Store Design." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/17934032210621692479.

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碩士<br>朝陽科技大學<br>建築系建築及都市設計碩士班<br>101<br>Department stores are entities that respond to rapid changes in the business processes. The department stores in early times only need to attract shoppers; at the present, department stores need to have magnificent buildings, as well as the potential added values of improving urban life quality and the characteristics to attract crowds in the area. In the traditional department store design, closed building design separates it from the crowds in the surrounding area. People can only perceive the open surroundings and the closed department store shopp

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LIN, ZIH-CHAO, and 林子超. "The study Yang Fa Calligraphy." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/u3p49z.

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碩士<br>國立臺灣藝術大學<br>書畫藝術學系<br>107<br>So far, there are no treatises on Yang Fa, one of the Eight Eccentrics of Yangzhou, and his calligraphy works and paintings. Historical records about him is sparse, while most of the relevant articles and passages gleaned from journals and books are either dubious or incomplete. Therefore, in this paper, I tried to fully reconstruct the biography and work of Yang Fa, based on extant studies. There are five chapters. Chapter 1 explains how, in the beginning of my study, I gathered all the scattered information and produced a catalogue. Chapter 2 addresses the

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He, Yanchiuan. "The materiality, style, and culture of calligraphy in the Northern Song Dynasty (960-1127)." Thesis, 2013. https://hdl.handle.net/2144/13138.

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The cultural accomplishments of the Northern Song dynasty are unrivalled in Chinese history. Song literati were particularly enthusiastic about calligraphy and writing materials, and the scale of their engagement in the art of writing exceeded that of both former and later dynasties, leaving plentiful legacies of calligraphic culture for later generations to study and appreciate. However, most modern studies emphasize the transmission of calligraphic culture from the Tang to Song and neglect the dynamics of disconnection and transformation between these two dynasties. By demonstrating how the

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XIAOYIFAN and 蕭一凡. "The calligraphy and Other outside、death，experience（a critical introduction）The calligraphy and Other outside、death，experience（a critical introduction）The calligraphy and Other outside、death，experience（a critical introduction）The calligraphy and Othe." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/13403679597879119254.

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碩士<br>臺北市立教育大學<br>視覺藝術研究所<br>94<br>Abstract Keywords：the other, Calligraphy, subject, practice, enlightenment. The discussion of “the other” indicates the transition from modern philosophy to contemporary philosophy. Since Rene Descartes’s mention about the thesis “Cogito” has foreshadowed the coming of “the other.” This is an era of radical thinking like “Crossing Boundaries” and “intertextially thought.” How can a calligrapher detach from these drastic thoughts and concentrate in their own creation? In my opinion, those who can always just practice traditional Chinese calligraphy are the on

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CHEN, CHUNG-CHING, and 陳忠建. "The Research of Calligraphy network teaching method -The Calligraphy Course in Grade 1-9 Curriculum." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/79145610173511169784.

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碩士<br>國立臺灣藝術大學<br>造形藝術研究所<br>94<br>Calligraphy is a characteristic handwriting art in our country. But, with the change of the times, people lack time to write leisurely. So, it is gradually neglected. In addition, our curriculum goal in calligraphy has also changed. It is not an everyday way of writing anymore. Therefore, we do less and less calligraphy teaching. Facing the problems of reserve and popularization, how to make a breakthrough and get new patterns of teachging is the goal of our research. Therefore, we adopted the way of teaching calligraphy on the internet. By way of this, we ca

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鄭世華. "The Study of the Beauty in Calligraphy Lines - The Art and Application of Calligraphy Research." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/6yj789.

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碩士<br>國立臺東大學<br>進修部美術產業發展碩專(夜間班)<br>104<br>This research is to explore the beauty of the lines-creative arts and applied research, calligraphic lines are the soul of creation is creation of weapons, this time through the study of ancient and modern theories of calligraphy and aesthetic discourse related to the research, as a reference for individual creative content and form, and theoretical evidence. The four chapter, chapter one: introduction, explore the motives and purpose, scope, this thesis and research methods. Second chapter: literature discussion, inquiry various calligraphy line of r

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