Academic literature on the topic 'Callimachus Kallimachos'

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Journal articles on the topic "Callimachus Kallimachos"

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Adorjáni, Zsolt. "Xenophanes im Zeus-Hymnos des Kallimachos." Mnemosyne 70, no. 3 (2017): 386–405. http://dx.doi.org/10.1163/1568525x-12342183.

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The following analysis is motivated by the new observation that the epilogue of Callimachus’s Hymn to Zeus (91f.) contains an allusion to a fragment of the archaic poet-philosopher Xenophanes of Colophon (fr. 34.1f.). That this connection went unnoticed, may be explained by the fact that the fragment of Xenophanes was preserved by several authors as a quotation with some verbal variations. Callimachus avails himself not of the version which could be considered the vulgata, but of the one preserved by Plutarch (De audiendis poetis 2.17e). This observation having been made we can set out to scrutinize the function of the allusion which seems to activate some generic conventions of hymnic poetry.
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Adorjáni, Zsolt. "Bemerkungen zur Ektheosis Arsinoes des Kallimachos: Gattung, Struktur und Inhalt." Philologus 165, no. 1 (2021): 2–24. http://dx.doi.org/10.1515/phil-2020-0129.

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Abstract This article aims to present an overall interpretation of a poem by Callimachus that centres on the dead Ptolemaic queen Arsinoe II. Firstly the position of the Ektheosis Arsinoes in Callimachus’ œuvre, the genre to which it belongs and its structure will be investigated. This leads to the analysis of the highly allusive character of the work (above all to Hesiod, Ibycus, Simonides and Pindar as well as to hymnic poetry). In addition, realia (the historical background) and textual difficulties arising from the fragmentary transmisson will also be treated. The appendix discusses a hitherto unnoticed testimony to the poem’s reception in the Roman epicist Ennius.
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Bing, Peter, and Volker Uhrmeister. "The Unity of Callimachus' hymn to Artemis." Journal of Hellenic Studies 114 (November 1994): 19–34. http://dx.doi.org/10.2307/632731.

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At the start of the section entitled ‘structure’ in his commentary on Callimachus' Hymn to Artemis, Fritz Bornmann notes that the third Hymn has enjoyed less success among critics than any other. ‘They lament’, he says, ‘the lack of unity'. And indeed, beginning with Wilamowitz, this has been not only the dominant, but the only view of the hymn. The latter part of the poem, said Wilamowitz, ‘macht trotz allen Künsten den Eindruck eines gelehrten Nachtrages' und es ist das auch’, he adds. Some forty years later K.J. McKay put it this way: ‘If there is a stronger unifying principle in this straggling composition than the idea of weaving together a number of disparate strands into a ‘historic day’ in the life of Artemis (with vv. 183–268 as a possibly unfortunate addition), it still eludes us'. And recently, Michael Hasiam has remarked on the poem's ‘disjointed tail section’. The hymn, to his mind, ‘progressively disintegrates, as the clear structural framework with which it started fades totally from view’. Even Herter, in his famous and influential essay on the hymn, ‘Kallimachos und Homer‘, echoes this opinion of the final third of the poem. The commentator Bornmann concludes: ‘this estimation is essentially correct’.
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Ambühl, Annemarie. "SOME PERSPECTIVES ON CALLIMACHUS’ HYMNS - (M.) Brumbaugh The New Politics of Olympos. Kingship in Kallimachos’ Hymns. Pp. xviii + 298, ills. New York: Oxford University Press, 2019. Cased, £55, US$85. ISBN: 978-0-19-005926-2." Classical Review 70, no. 2 (2020): 349–51. http://dx.doi.org/10.1017/s0009840x20001328.

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5

"VI. The Poems (2)." New Surveys in the Classics 20 (1988): 17–23. http://dx.doi.org/10.1017/s0533245100021751.

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Levens referred to the twentieth-century cult of energy and emotion. In fact the most influential English poet of the first half of the century, T. S. Eliot, was marked by a learned allusiveness which was typically Hellenistic and Alexandrian. It would not be true to say that the Hellenistic poets have in any way ousted their predecessors in the affection of classical scholars, though we have seen major editions of Callimachus by R. Pfeiffer and Theocritus by A. S. F. Gow. But more attention has been paid to them and there have been more monumental studies of the Hellenistic Age as a whole.Wilamowitz in his two-volume Hellenistische Dichtung in der Zeit des Kallimachos (1924) covered the poetry at length in masterly fashion, and in the same year Ph. E. Legrand in Le Poésie Alexandrine produced a little gem of sensitive interpretation. Wilamowitz included Catullus in his survey showing the debt of his more formal poetry to Hellenistic models.
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Dissertations / Theses on the topic "Callimachus Kallimachos"

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Kerkhecker, Arnd Callimachus. "Callimachus' book of Iambi /." Oxford : Clarendon Press, 1999. http://www.loc.gov/catdir/enhancements/fy0606/99014270-d.html.

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Fuhrer, Therese. "Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos /." [Schalunen] : [s.n.], 1989. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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Hamm, Ulrich. "Die Grabepigramme des Kallimachos Einführung, Text, Kommentar, Interpretation, Übersetzung /." [S.l. : s.n.], 2003. http://deposit.ddb.de/cgi-bin/dokserv?idn=975219332.

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Asper, Markus. "Onomata allotria : zur Genese, Struktur und Funktion poetologischer Metaphern bei Kallimachos /." Stuttgart : F. Steiner, 1997. http://books.google.com/books?id=1BNZAAAAMAAJ.

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Skempis, Marios. ""Kleine Leute" und grosse Helden in Homers Odyssee und Kallimachos' Hekale." Berlin de Gruyter, 2008. http://d-nb.info/999261991/04.

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Petrovic, Ivana. "Von den Toren des Hades zu den Hallen des Olymp Artemiskult bei Theokrit und Kallimachos." Leiden Boston Brill, 2004. http://d-nb.info/986181021/04.

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Books on the topic "Callimachus Kallimachos"

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Kallimachos-Studien. P. Lang, 1996.

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2

New Politics of Olympos: Kingship in Kallimachos' Hymns. Oxford University Press, Incorporated, 2019.

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3

Von den Toren des Hades zu den Hallen des Olymp. Artemiskult bei Theokrit und Kallimachos (Mnemosyne, Bibliotheca Classica Batava Supplementum). BRILL, 2007.

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